HICKORY HOMESTEAD. by Debby Forshey-Choma

Transcription

1 HICKORY HOMESTEAD by Debby Forshey-Choma EXCLUSIVE

2 Hickory Homestead by Debby Forshey-Choma PALETTE DecoArt Americana Acrylics Avocado #13052 Black Green #13157 Black Plum #13172 Bleached Sand #13251 Charcoal Grey #13088 Graphite #13161 Slate Grey #13068 Soft Black #13155 Tomato Red #13169 Warm White #13239 Wasabi Green #13519 BRUSHES Royal Brushes #1360 sm, med Debby s Texture brush #4160 5/8 Majestic angle #1114 med Royal stencil brush # Majestic filbert #1400 ¾ SG White Blending mop #4585 5/0, 0 Majestic liners # Oval Wash Combo #4700 ¾ Majestic glaze wash #4150 0, 2, 4, 6, 8, 12 Majestic shaders #K 4 Langnickel palette knife MEDIUMS Acrylic Sealer Finisher Matte Spray #70836 Americana Decor Image Transfer Medium #72006 DecoMagic Brush Cleaner #84160 Media Gesso White #87415 Dura Clear Matte Varnish #87395 Multi Purpose Sealer #87392 Faux Finish Glazing Medium *discontinued SURFACE Square Paddle #62566 MISC. SUPPLIES Blue Shop Towel C-Thru Graph Ruler Frog Tape Grey Graphite Paper #70141 Soft Grip Embossing Stylus Set #70125 Grunge Textures Old Red Barn (8-1/2" x 8-1/2") Collage Paper #CLPR298_2 availble through www. creativeartslifestyle.com Tim Holtz Collection Layering Stencil #THS090 Crossed available through PREPARATION 1. Seal the entire paddle with the Multi-Purpose Sealer; using the glaze wash brush. Lightly sand; wipe off with a lint-free cloth. PAINTING INSTRUCTIONS Basecoating Paddle 2. Basecoat the surface with Bleached Sand; using the glaze wash brush. Basecoat the side edges and backside of the paddle by loading one corner of the glaze wash brush with Tomato Red, the other corner with Black Plum, in a slip-slap motion apply to the paddle. Do not over blend the colors together, you want both colors to show. When, dry repeat basecoating steps to the side edges and backside. Image Transfer Background 3. Lay the paddle on the Old Red Barn paper, trace around, cut-out with scissors. Apply a generous coat of the Image Transfer Medium to the surface area and the front side of the paper, lay the paper face down and flat into the Medium pressing firmly. Refer to image #1 When dry, use a wet terry cloth over the image to gently scrub away the paper, until the image begins to show clearly. Then switch to using your fingers for the remaining fibers. If you are not sure if you have removed all of the paper, let it dry for a few minutes, any remaining paper on the image will show as fuzz. Remoisten the image and rub it away. Allow to dry. Refer to image #2 Applying Gesso 4. Place some Gesso on your palette. Be sure to close the jar until you need more and keep the edges of the jar clean to ensure that the jar will re-seal properly. Pick up a small quantity of Gesso with the edge of the palette knife and begin applying it to the surface. Work with small amounts at a time to give you more control. Your application should be very thin. Lay the knife flat to apply the medium, then stand it up on the edge to lightly scrape away excess. Apply randomly in small overlapping patches to avoid developing a set pattern; refer to photo for placement. Allow to dry well and then very lightly sand to remove any sharp or loose pieces. Refer to image #3 2 artistsclub.com

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4 IMAGE #1 IMAGE #2 IMAGE #3 4 artistsclub.com

5 IMAGE #4 IMAGE #5 Rouging Background Color 5. Dampen a blue shop towel with water, pick up Faux Glazing Medium and Charcoal Grey, slightly blend on your palette, then randomly rouge color over the surface (the paper and Gesso areas); refer to photo for placement. Allow to dry. Refer to image #4 Crossed Stenciling 6. With the Crossed stencil and Soft Black, randomly stencil over the surface; using the med stencil brush. Position the stencil on the surface; refer to photo for placement. Secure with the Frog Tape or hold with your fingers. Load the med stencil brush with a bit of Soft Black, swirl the brush on a blue shop towel to remove excess. Apply color in a circular motion one direction and then in a circular motion in the other direction (changing directions frequently) over the stencil. Fill in some of the design fully and leave other areas incomplete. When completed, this application should have a slight distressed appearance. If it is too solid or perfect, simply use a moist piece of the blue shop towel with a little Faux Glazing Medium, to gently rub away some of the excess color. Carefully remove stencil by holding one end with your fingers and lifting the opposite end. Clean stencil and brush immediately; using the Deco- Magic Cleaner. Refer to image #5 When dry, lightly mist over the surface with the matte spray. Transferring Design 7. When dry, transfer the barn setting to the surface; using the graph ruler. To aid in the transferring of any straight lines, drag the stylus along the ruler s edge. Background Pines 8. With a pencil and graph ruler, transfer the center line for each pine. Work only on a couple of pines at a time. Slightly pre-dampen the surface area with clean water. This will help the paint bleed; giving the boughs a softer effect. Use the #10 filbert loaded with Black Green across the chisel edge. Up on the chisel edge, vertically pull the very top of the pine. Horizontally tap from left to right for the boughs, slowly and slightly widening as you work towards the base of the pine. Allow a bit of the background to show through; so the pine doesn t look like a triangle. Repeat the same steps with the remaining pines. When dry, repeat steps with Black Green, randomly tapping on the boughs; to deepen. Now repeat the steps lightly with Avocado, randomly tapping on the boughs; for highlight. Refer to image #6 Background Shrubs 9. With the med Texture Brush and Avocado, dance in the shrubs to the left of the barn setting. Then with Wasabi Green on the toe of the Texture Brush, lightly dance on each shrub; for highlighting and separation. For proper use of the Texture brush, use the following method: Dampen the bristles with water to start artistsclub.com 5

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7 IMAGE #6 the separation of bristles. Tap bristles into the paint on your palette, hold it perpendicular to your palette, pounce it up and down to get some of the paint off keeping the paint sparse on the brush. Note this brush can be used on the whole foot or just the toe. Tap lightly on the surface, dance with the brush up and down, rolling the brush in different directions in between your fingers when it is up in the air (like dancing the twist, light on your feet). Allow some drying time in between dances so the paint sets up and you don t end up with a globby or muddy look. Refer to image #6 Basecoating Barn Setting 10. With the appropriate size shaders, basecoat: Bleached Sand white barn walls, silo walls Tomato Red red barn walls Slate Grey barn roofs, silo roofs. Refer to image #6 Detailing Barn Setting 11. WALLS With the 5/0 liner and Slate Grey, pull the wall lines on the silo walls and Bleached Sand barn walls. With the 5/0 liner and Black Plum, pull the wall lines on the Tomato Red barn walls. artistsclub.com 7

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9 Corner load the angle with Slate Grey, float shading down the left and right sides of the silo walls; to create a rounding effect. Then float shading under the roofs of the Bleached Sand barn walls and under the A frame of the larger barn wall. Corner load the angle with Warm White, float a highlight across the top of the A frame shade. Corner load the angle with Black Plum, float shading under the roofs of the Tomato Red barn walls and over the left side wall of the right barn. ROOFS With the 5/0 liner and Graphite, pull the barn roof lines. Corner load the angle with Graphite, float shading across the top of the silo roofs and the barn roofs. Corner load the angle with Warm White, float highlighting along the bottom edges of the silo roofs and barn roofs. With the 2 shader and Slate Grey, pull the ventilator on the roof. When dry, wash over the ventilator with Graphite. Double load the 0 liner with Graphite + Slate Grey, pull the side roof lines and silo rods. With the 0 liner and Warm White, pull the roof trim lines on the silos and barn roofs. WINDOWS AND DOOR With the appropriate size shaders, pull the windows and door with Graphite. With the 5/0 liner and Warm White, outline the windows and door, pull the window panes and door knob. Foreground 12. Corner load the angle with Black Green, randomly chisel float* under the barn setting and into the foreground area; refer to photo for placement. *chisel float by corner loading the angle, blend off on your palette, lay the bristles of the brush flat on the surface, chisel edge up. Push the paint on the bristles from left to right in a scratching motion, allowing the bristles to pull a broken line that is slightly floated. Foreground Shrubs 13. To complete foreground shrubs, refer to steps in no. 9 Background Shrubs; using the sm Texture brush. FINISHING 14. To protect your painted piece, varnish the entire paddle with the DuraClear Matte Varnish; using the Oval Wash Combo brush. This brush doesn t leave any brushstroke marks after the varnish has dried.- For any questions concerning this design you can contact Debby at debbyforshey@gmail.com, visit her web site or on Facebook. artistsclub.com 9

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11 Pattern at 100% 1" x 1" To ensure your pattern is at 100%, this box should measure 1" x 1" when printed. artistsclub.com 11

12 Copyright 2018 by Debby Forshey-Choma and Crafts Group, LLC. All Rights Reserved. # No. *A332442* Artist s Club. All rights reserved. For private, non-commercial use only. Please see our web site for terms of use.