Floral Coaster Set. by Debby Forshey-Choma

Transcription

1 Floral Coaster Set by Debby Forshey-Choma

2 Floral Coaster Set By Debby Forshey-Choma Palette: DecoArt Americana Acrylics Antique Gold #13009 Antique Rose #13156 Avocado #13052 Brandy Wine #13079 Burnt Sienna #13063 Burnt Umber #13064 Butter #13252 Cool Neutral #13089 Dioxazine Purple #13101 Golden Straw #13168 Grape Juice #13236 Lamp Black #13067 Light Avocado #13106 Light Buttermilk #13164 Light Cinnamon #13114 Melon #13245 Midnite Green #13084 Neutral Grey #13095 Plantation Pine #13113 Red Violet #13140 Santa Red #13170 Snow White #13001 Soft Black #13155 Tangelo Orange #13196 Wisteria #13211 Surface: Coaster Box #62715 Misc. Supplies: DecoArt DuraClear Matte Varnish #87395 DecoArt DuraClear Satin Varnish #87394 DecoArt Faux Finish Glaze Medium #87401 DecoArt MultiPurpose Sealer #87392 White Graphite Paper #70139 Sea Sponge Pack #70391 Soft Grip Embossing Stylus Set #70125 Spattering Tool (or Old Toothbrush) Brushes: I have used Royal Brushes for this project. Comparable Papillon by the Artist s Club are in parantheses. Royal Brushes #1360 small, medium Debby s Texture brushes (Blending Set #20168) #4160 5/8 Majestic angular (Angular Shader, size 5/8 #20112) #930 ¼ Filbert Comb (Filbert Comb, size ¼ #20105) #4170 2, 4 Majestic filberts (Filbert, size 2 #20116; size 4 #20117) #1400 ½ SG White Blending Mop (Maxine Thomas Mop, size ½ #27179) # Oval Wash Combo (Varnish Set #20170) #4150 2, 4, 6, 8 Majestic shaders (Shader, size 2 #20125; size 4 #20126; size 6 #20127; size 8 #20129) # /0, 5/0, 0 Majestic liners (Liner, size 10/0 #20145; size 0 #20146) #4700 ¾ Majestic glaze wash (Glaze Wash, size ¾ #20102) 1

3 Preparation: 1. Seal the coaster box and coasters; with Multi Purpose Sealer, using the glaze wash brush. Lightly sand, wipe off with a lint-free cloth. Basecoat the entire coaster box, side edges and back sides of the coasters with Midnite Green; using the glaze wash brush, achieve an opaque coverage. Basecoat the surface of the coasters with Lamp Black; using the glaze wash brush, achieve an opaque coverage. Using the white graphite paper, a traced pattern and a stylus transfer the designs to the appropriate surfaces. Painting Instructions: Painting Flowers 2. Refer to individual instructions to complete painting flowers. For proper use of the Texture brush, use the following method. Dampen the bristles with water to start the separation of bristles. Tap bristles into the paint on your palette, hold it perpendicular to your palette, pounce it up and down to get some of the paint off keeping the paint sparse on the brush. Note this brush can be used on the whole foot or just the toe. Tap lightly on the surface, dance with the brush up and down, rolling the brush in different directions in between your fingers when it is up in the air (like dancing the twist, light on your feet). Allow some drying time in between dances so the paint sets up and you don t end up with a globby or muddy look. Faux Finish 3. The complete coaster box, side edges and back sides of the coasters are faux finished; they are the areas that have been basecoated with Midnite Green. Read through the steps in faux finishing before you begin First, to be able to work easier with the glaze mixture and have more open time to manipulate the faux finish effect, I apply one coat of satin varnish to the areas to be faux finished. Use the Oval Wash Combo to apply the varnish; it doesn t leave any visible brush stroke marks after the varnish has dried. Following the label instructions on the Faux Finish Glaze Medium; mix the glaze with Avocado and water. Work on one area at a time. Lightly brush over the area to be faux finished 2

4 with clean water; using the glaze wash brush. Then brush on the glaze mixture; using the glaze wash brush. With the silk sponge; which has been dampened with water and squeezed out, dance over the area. The sponge will be picking up some of the glaze mixture, allowing some of the background color to show through. Continue to work the sponge over the surface to manipulate and soften the finished look. Rinse the sponge and repeat the same steps on the remaining areas to be faux finished. Sunflower: 1. Pull the petals marked (*) with Antique Gold; using the 2 or 4 filbert. Then pull the remaining petals with Golden Straw. The pattern is just a guideline. The sunflower petals are pulled from the center of the flower out. Fully load the brush with the appropriate color. Press the brush down on the surface, slightly apply pressure. Pull gradually releasing pressure and slightly turning the brush to the right as you pull the stroke to the petal s tip. Slowly allow the bristles to return to the chisel edge, pulling the stroke on a slight curve to give the petal life. Repeat steps to pull remaining petals. 2. Corner load the angle with Burnt Sienna, float a C stroke shade at the base of each petal. With Burnt Umber, deepen the shade at the base of the petals on the back double row. Float a tint on a couple of the petals with thinned Avocado and a couple with thinned Dioxazine Purple; refer to photo for placement. 3. The center of the sunflower is danced in using the small Texture brush loaded with Burnt Umber. Allow some of the black basecoated background to come through for shade. Redance the area with Burnt Umber, the second time will show up brighter - working as a highlight. Using paper towel, clean the brush and pick up Lamp Black to dance in the center indented area; refer to photo for placement. Lightly dance the pollen at the base of the petals along the left side of the sunflower, using the small Texture brush with Soft Black. With the small Texture brush, dance a highlight, tint at the top left in the sunflower center; at about eleven o clock, see photo for placement. First use Santa Red, then Dioxazine Purple, Avocado, and Tangelo Orange. Use paper towel to clean the brush in between each application of color. Leaves: 4. Refer to the instructions on the Leaves page. 3

5 Violets: 1. A violet has five petals, four being single comma strokes. The fifth petal opens into the lead petal, this petal is larger and requires three strokes. The pattern is just a guideline. Load the 2 or 4 shader with Snow White. Press down on the surface at the petal edge. Apply pressure. Pull, gradually releasing pressure and slightly turning the brush to the right as you pull the stroke towards the center. Slowly allow the bristles to return to the chisel edge pulling the stroke on a slight curve to give the petal life. Repeat steps to pull the remaining petals. 2. Corner load the angle with Golden Straw, float a shade in the throat area of each violet. 3. With the angle corner loaded with Red Violet, float over each petal. Work from the petal edge in, leaving a hint of white in some places for highlight. Corner load the angle with Dioxazine Purple and randomly deepen some of the Red Violet floats. 4. With the 10/0 liner and Butter, pull a few wisps in the throat area. Place a smudge of Santa Red in the throat area; using the 10/0 liner. Allow to dry. To create the mustache, use Snow White and the 10/0 liner, pull a comma stroke on each side of the center to tie all five petals together. Leaves: 5. Refer to the instructions on the Leaves page. Daises: 1. Pull the full size petals with Snow White; the small back oval petals will be pulled after the centers have been completed. Use the 1/4 Filbert Comb to pull the petals. Pulling the petals with the Filbert Comb will give a realistic rough edge to the petals. The petal can be made in a single stroke (which does look better); but if necessary, you can go back over the stroke. The pattern is just a guideline, you could end up with more or fewer petals. Fully load the brush with Snow White, press down on the surface to allow the bristles to spread. Gradually release pressure and slightly turn the brush to the right as you pull the stroke towards the center. Slow down to allow the bristles to return to the chisel edge. Think: press...pull...turn...lift Using the 10/0 liner, pull veins in the petals with thinned Burnt Umber. 3. With the 4 filbert and Antique Gold, basecoat in the centers. Basecoat over part of the oval petals; these back petals will be pulled over the top later. The center will require two or three coats. Corner load the angle with Soft Black, float a shade along the back 4

6 side of each center. This is a wide float of shade placed by the unpainted petals. Now corner load the angle with Golden Straw, float a highlight along the front side of the centers. With Soft Black and the small Texture brush, lightly dance pollen in the shade area of each center and lightly at the base of each petal. Then dance a little Golden Straw in the highlighted area of the centers. Background Foliage: 4. Using the med Texture brush with Avocado, dance green foliage around the area where the back petals will be pulled. Then for highlight, randomly dance Light Avocado. Back Petals 5. The back petals are pulled half on the center and half on the foliage. In this case too, the pattern is just a guideline. Fully load the Filbert Comb with Snow White, press the brush down on the surface, lift, press down again partially on the previous stroke, lift, repeat working around the back side of the center. Be sure to maintain the curve around the center when pulling these strokes. Leaves: 6. Refer to the instructions on the Leaves page. Geraniums: 1. For the base layer of blossoms, use the med Texture brush with Brandy Wine, dance throughout the geranium pattern area. 2. Pull blossoms to form the geranium cluster, the blossoms contain five small strokes. The petal can be made in a single stroke (which does look better); but if necessary, you can go back over the stroke. For the second layer of blossoms, load the 2 shader with Antique Rose, pull petals throughout the geranium area in groups of five. Press down on the surface to allow the bristles to spread, lightly apply pressure, begin to pull, gradually release pressure, slightly turn the brush to the right as you pull the stroke towards the center of that group. Slow down to allow the bristles to return to a chisel edge. Randomly stroke some petals on and outside of the pattern lines. 3. The top layer of blossoms are Melon. Follow the same steps for stroking these blossoms, randomly throughout the geranium area in groups of five. There will be fewer of these blossom clusters than the second layer. 4. Use the 10/0 liner loaded with Golden Straw, place a smudge dot in the middle of the Melon blossoms. With the liner and Antique Rose, pull the buds. Leaves: 5. Refer to the instructions on the Leaves page. 5

7 Lilacs: 1. For the base layer of blossoms, use the medium Texture brush with Grape Juice, dance throughout the lilac pattern area. 2. There are four small strokes that form each flower blossom. The petal can be made in a single stroke (which does look better); but if necessary, you can go back over the stroke. For the middle layer of blossoms, load the 2 filbert with a Lilac mixture (Grape Juice + Snow White 1:1), pull petals throughout the lilac area in groups of four. Randomly stroke some petals on and outside of the pattern lines. Press down on the surface to allow bristles to spread, apply pressure, begin to pull, gradually release pressure, slightly turn the brush to the right as you pull the stroke towards the center of the group. Slow down to allow the bristles to return to the chisel edge. 3. For the top layer of blossoms, load the 2 filbert with Wisteria. Follow the same steps for stroking these blossoms, randomly throughout the lilac area in groups of four. There will be fewer of these blossom clusters than the second layer. 4. With the 10/0 liner and Snow White, place a smudge dot in the center of the Wisteria blossom clusters. Leaves: 5. Refer to the instructions on the Leaves page. Pussywillows: Pussy Willow Pods 1. Basecoat the pods with Light Cinnamon, using the appropriate size filbert. Corner load the angle with Soft Black, float a shade across the bottom of each one. Pussy Willows step one 2. With the small Texture brush and Cool Neutral, dance one coat on each willow. Lightly dance to create irregular outside edges and a texture effect. Repeat step if necessary, to achieve a proper coverage over the background color, but still maintain a fluffy look. Stems 3. Double load the 0 liner with Light Cinnamon + Soft Black, pull the stems. Completing Pussy Willows 4. Corner load the angle with Light Cinnamon, float in a choppy, hit and miss shade at the base of each willow. Repeat the same steps with Neutral Grey. With the small Texture brush, dance a highlight of Light Buttermilk at the top third of each willow; refer to photo for placement. 6

8 Leaves: 1. Corner load the angle with Midnite Green, walk a wide float from the tip of the leaf towards the flower or another leaf. When I get close to these shade areas, I leave a little of the black basecoat unpainted for shade - or you can always float the shade back in with Lamp Black. The Midnite Green float is floated twice on each leaf. The leaves are formed with a layering of floated highlights. Corner load the angle with Plantation Pine, float a wide highlight along the leaves edges; mop to soften. Be sure to leave some of the Midnite Green in the shade areas. Then corner load with Avocado, float the next highlight along the leaf s edge; mop to soften. This will not be as wide; so the Plantation Pine and Midnite Green floats are still seen. Now corner load the angle with Lt. Avocado, randomly float the final highlight along the leaves edges; mop to soften. Tint: 2. Corner load the angle with water thinned color to float a tint on a leaf or two. Choose a color used from the palette from that particular flower design. Refer to photos for placements. Ex: Antique Gold sunflower and daisies, Antique Rose geranium, Dioxazine Purple violets Background Clean Up: 3. Clean up around the flowers and leaves with Lamp Black. When I do any background clean up, I do it in a float of the basecoat color. This might have to be floated a couple of times; but this way your clean up doesn t show up after it dries. Also if the shade areas under flowers or overlapping leaves look muddy, float a shade of Lamp Black. Sunflower Stem: 4. Basecoat the stem of the sunflower with Plantation Pine. Then corner load with Avocado, float a highlight down the left side of the stem; repeat with Lt. Avocado. Stems: 5. Double load the liner with Plantation Pine and Avocado, pull the stem to the violet, geranium and attach leaves. Leaf Veins: 6. Load the 4 shader across the chisel edge with Avocado and Lt. Avocado, up on the chisel edge, pull the veins in each leaf. Pull on a slight curve to give the leaf life and also have the vein fade off before the tip, so as not to cut the leaf in half. Tendrils: 7. Pull the tendrils by double loading the liner with Plantation Pine and Avocado. You can follow the pattern for the placement of tendrils or be creative. Tendrils can be used to cover or soften a mistake, to direct the eye to a particular point in the design or used as filler. Tendrils can be straight, gently curved or kinky. They can be pulled separately or intertwine. Spattering: 8. Thin Avocado with water; using the Spattering Tool (or Old Toothbrush); spatter over the design on each surface. 7

9 Finishing: 4. To protect finished painted pieces, varnish the entire coaster box and coasters with the Dura- Clear matte varnish, using the Oval Wash Combo. This brush doesn t leave any visible brushstroke marks after the varnish has dried. Pattern at 100% 1 x 1 To ensure your pattern is at 100%, this box should measure 1 x 1 when printed. 8

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12 Copyright 2013 by Debby Forshey-Choma and Crafts Americana Group, Inc. All Rights Reserved. # No. *A331735* Artist s Club. All rights reserved. For private, non-commercial use only. Please see our web site for terms of use.