THE ROCK TENOR TOUR RIDER AND CONTACT SHEET! Primary Contact: Vincent Marini! Director/Producer m: (609) e:

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1 THE ROCK TENOR TOUR RIDER AND CONTACT SHEET! Primary Contact: Vincent Marini! Director/Producer m: (609) e: PLEASE CONTACT THE PRODUCER TO DISCUSS THE DAY-OF-SHOW SCHEDULE. WE WANT TO BE AS ACCOMMODATING AS WE CAN BE WHILE ALSO MAKING THE SHOW AS SUCCESSFUL AS POSSIBLE. IF THE THEATER IS DARK THE DAY BEFORE THE SHOW AND AVAILABLE, WE OFTEN PREFER TO LOAD-IN EARLY IF OUR TOUR SCHEDULE ALLOWS.! ALSO NOTE - all crew requirements should be discussed with lighting and sound designers on an individual basis as this show can rather easily scale up or down depending on venue size.! I. Transportation: Please contact the Producer to discuss transportation requirements for the show (if applicable).! II. Food Service: There is to be no food service during performance.! III. Security:! a. Purchaser shall guarantee proper security at all times to ensure the safety of Artist, Artist s crew, auxiliary personnel, instruments, and all equipment, clothing, and personal property, from the beginning of the load in to completion of the load out. Security protection shall commence upon arrival of Artist s equipment at the venue and continue until the removal of all of Artist s equipment. Purchaser (s) shall be financially responsible for loss due to lack of security. B. While uniformed security is not necessary for this show, there must be ushers or other applicable theater personnel guarding all entrances to the stage from the audience and preventing any unauthorized individuals from accessing the backstage area. C. Purchaser agrees to supply an All Area access identification system (cloth, stick on passes, wristband, badges, etc.). A total amount of such identification needed for Artist and Artist s crew shall be made available to Artist s tour manager upon arrival of Artist and Artist s equipment. D. No non-venue personnel are allowed access backstage or to dressing rooms without approval by tour producer.! IV. Advertising: Please contact marketing director Tom Thompson at (917) for all marketing materials.!

2 V. Recording: Absolutely no recording (audio, video, film or otherwise) of the concert or sound check is permitted without prior written authorization and releases from Artist, the Musicians, and the Producer. Producer retains the rights to record for personal and archival uses. VI. Performance: Artist retains the complete control over the manner and means of performance including, but not limited to: choice of program, lighting design and sound mix.! VII. Parking: Please arrange for three parking spaces for Artist s vehicles adjacent to stage door to be available before, during, and after performance (if applicable).! VIII. Complimentary Tickets: Purchaser agrees to provide a minimum of ten (10) complementary tickets in preferred seating locations for each show. Artist will inform Purchaser 48 hours prior to the show if tickets will be used. If tickets are not used, they may be released for resale.! IX. Catering and Hospitality:! 1. Dressing Rooms: a. 1 Star Dressing Room for Rob Evan b. Private Dressing Room for 1 female singers c. Private Dressing Room for 2 male singers d. Private Dressing Room for Musical Director (if available) e. (1) Large Dressing Rooms for Traveling Musicians. f. (1) Green Room (if available) for Production Staff g. (1) Tour Office (if available) for Producer All dressing rooms must be heated and cooled, have adequate electrical outlets and appropriate lighting. Dressing rooms must have clean private toilets, hot and cold running water, and a full- length mirror. All dressing rooms should have adequate clean comfortable furniture to facilitate the traveling party.! 2. Green Room or Dressing Rooms should have the following available at all times: a. A variety of soft drinks, juices (orange-not from concentrate, cranberry, and grape, etc.), bottled water (both cold and room temp), hot water, tea with lemon, honey, coffee (both decaf and regular) and Ricola throat lozenges. b. Light snacks - a variety of cheeses and sliced meats, crackers, a variety of fresh fruits (apples, grapes, bananas, berries, etc.), and mixed nuts, raisins, etc. as appropriate.!

3 3. On the day of the first performance, a lunch will be required (please check-in with producer on the number of individuals for each meal):! a. Lunch! 1. A variety of sandwiches (please include chicken salad, italian meats, roast beef, turkey and a veggie sandwich) on a variety of breads.! 2. Caesar or Pasta Salad, pickles and chips.! 3. A single hot entrée and vegetable.! 4. A single dessert 4. On the day of the first performance, dinner is required:! b. Dinner 1. Two different hot entrees (Beef or Chicken, Pasta and Fish)! 2. At least two different hot vegetables! 3. A Tossed, Caesar, or Greek Salad.! 4. Bread and Rolls with butter and olive oil! 5. Two different desserts, one involving some sort of chocolate.

4 THE ROCK TENOR TOUR AUDIO AND BACKLINE REQUIREMENTS! Primary Contact: Nick Kourtides Sound Designer m: (215) e: Please note that all sound and backline requirements are designed for large and mid-size venues. For smaller venues, outdoor events, or other unique configurations, please contact the designer directly.! Stage: Stage size at least 32 deep x 40 wide Portable stages and risers must be stable, secure, and clamped together. All gaps in stage sections must be taped together.! Stools: (10) Black Wood (or metal) Backless Bar Type Stools with Foot rails. Chairs: (2) Cello Chairs (or equivalent)! Music Stands: (8) standard Hamilton (or equivalent) music stands (Big band style fronts are not acceptable). (8) music stand lights. Spare bulbs for music stand lights... Stand lights MUST be dimmable (1) flexible piano light! Mic Stands: (8) mic stands without booms. (4) of the stands should be one-hand adjustable style- Hercules or equivalent.! PLEASE SEE REMAINING UPDATED RIDER ON THE FOLLOWING PAGES.

5 The Rock Tenor Audio REVISED 8/3/09 Nick Kourtides Sound Design 1221 Marlborough St Philadelphia, PA SN4149 House PA: Line Array systems preferred: Meyer Milo/Mica, L'Acoustics Vdosc/Dvdosc, or JBL Vertec with subs, front fills, and balcony delays per advance System must be flown, patched and working prior to arrival House mix position must be on main audience floor, on center, not under a balcony (seat kills may be necessary to achieve this position) No equipment substitutions permitted without approval, any changes are likely to increase soundcheck and rehearsal time Expert, sober systems engineer must be onsite and available at all times system is being used System must be aligned with Smaart/SIM analyzer or equivalent, all transducers verified for polarity, FFT traces and delay measurements must be made available to artists' engineer Avalon VT737 inserted on lead vocal channel. On a PM5DRH this requires an additional AD/DA card, ADDA96 or equivalent FOH Console: Yamaha PM5D/RH Input Source Mic/Line/DI Stand Stereo and Matrix: 1 Kick Shure 91 Pillow Stereo A House PA Left and Right 2 Snare Shure 57 Short Boom or LP Claw Stereo B House PA Center 3 Snare Bottom Shure 57 Short Boom Matrix 1 House Subs Left 4 Hat AKG 451/CK1 Short Boom Matrix 2 House Subs Right 5 Floor Tom 1 Shure 98 Clip Matrix 3 House Front Fills 6 Floor Tom 2 Shure 98 Clip Matrix 4 House Rear Delays 7 Rack Tom 1 Shure 98 Clip Matrix 5 Reserved 8 Rack Tom 2 Shure 98 Clip Matrix 6 Reserved 9 OH Left AKG 414 B-ULS Tall Boom Matrix 7 Reserved 10 OH Right AKG 414 B-ULS Tall Boom Matrix 8 PROGRAM To: ALS Transmitter, 70V, Press Feeds, etc. 11 Electric Bass DI Shure UR1 with 1/4 plug - NOTE: Shure UHF-R to Pedals 12 Upright Bass DI Radial Active DI - 13 Keys Left Radial Stereo DI Left - 14 Keys Right Radial Stereo DI Right - 15 Piano Low AKG 414 TLM-II K&M Clamp 16 Piano High AKG 414 TLM-II K&M Clamp 17 Electric Guitar Shure Cabinet, Shure UHF-R with 1/4 plug Short Boom NOTE: Shure UHF-R to Amplifier Acoustic Guitar Shure UR1 with 1/4 plug - NOTE: Shure UHF-R to Pedals Aaron Acoustic Guitar Shure UR1 with 1/4 plug - NOTE: Shure UHF-R Dustin Acoustic Guitar Shure UR1 with 1/4 plug - NOTE: Shure UHF-R Acoustic Cello DPA 4061 Clip NOTE: With DPA DAD v XLR adapter 22 Electric Cello Shure UR1 with 1/4 plug - NOTE: Shure UHF-R Acoustic Violin DPA 4061 Clip NOTE: Shure UHF-R Electric Violin Shure UR1 with 1/4 plug - NOTE: Shure UHF-R Vox 1 Rob Evan Shure UR2/KSM9 INSERT: Avalon VT737 (house and monitors) Tall Straight stand with speed clutch NOTE: Please have 58 capsules onsite Vox 2 Aaron Shure UR2/KSM9 Tall Straight stand with speed clutch NOTE: Shure UHF-R Vox 3 Dustin Shure UR2/KSM9 Tall Straight stand with speed clutch NOTE: Shure UHF-R Vox 4 Morgan Shure UR2/KSM9 Tall Straight stand with speed clutch NOTE: Shure UHF-R Vox 5 Erin Shure UR2/KSM9 Tall Straight stand with speed clutch NOTE: Shure UHF-R Vox Spare Shure UR2/KSM9 Tall Straight stand with speed clutch NOTE: Shure UHF-R Aaron Headset Shure UR1/DPA 4088 headband - NOTE: Shure UHF-R Mandolin DPA 4061 Clip NOTE: With DPA DAD v XLR adapter 33 Roland SPD-S Pad Left Radial Stereo DI - 34 Roland SPD-S Pad Right Radial Stereo DI - 35 Percussion 1 36 Percussion 2 37 Nuendo Track 1 DI (Rob Vox Left) - NOTE: Computer Piano position 38 Nuendo Track 2 DI (Rob Vox Center) - 39 Nuendo Track 3 DI (Rob Vox Right) - 40 Nuendo Track 4 DI (Instrumental Left) - 41 Nuendo Track 5 DI (Instrumental Right) - 42 Nuendo Track 6 DI (Click) - 43 Click 2 DI (Metronome at drum riser) NOTE: PRIVATE! Label Percussion 3 44 Music Director Talk Shure SM58S at piano Monitor System: Console with cards as noted below: Aviom Y1, ADDA96 Expert, sober monitor tech must be onsite and present at all times system is being used - this tech handles all RF prep and coordination Monitor console patched from transformer split, FOH console patched direct Avalon VT737 inserted on lead vocal channel. On a PM5DRH this requires an additional AD/DA card 6 Aviom A16II Personal mixers, with PSUs and Cat5 as required 4 Clair 12AMs or equivalent on 1 mix downstage 1 EAW SB250 or equivalent sub upstage of drum riser (elevated to same height as riser) Monitor console must cue to both IEM and matching wedge Monitor Console: Yamaha PM5D/RH To Aviom Y1 A-Net card: A-Net Channel Description Source A16II Mixes Location Wedges 1 Kick Channel 1 Direct Out A16 1 Drums Ears 2 Snare Channel 2 Direct Out A16 2 Drums EAW SB250 3 Drums Mix 1 A16 3 Bass Ears 4 Percussion Mix 2 A16 4 Keys1/Piano Ears 5 Bass Mix 3 A16 5 Keys 2 Ears 6 Guitars Mix 4 A16 6 Spare 7 Piano Low Mix 5 8 Piano High Mix 6 9 Keys 2 Mix 7 10 Cello Mix 8 11 Violin Mix 9 12 Vox 1/Rob Evan Mix BG Vox Mix Utility Mix Click 2 Channel 41 Direct Out 16 Mix Description Location 1 Drums To A-Net Channel 3 2 Percussion To A-Net Channel 4 3 Bass To A-Net Channel 5 4 Guitar To A-Net Channel 6 5 Piano Low To A-Net Channel 7 6 Piano High To A-Net Channel 8

6 7 Keys 2 To A-Net Channel 9 8 Cello To A-Net Channel 10 9 Violin To A-Net Channel Vox 1/Rob Evan To A-Net Channel BG Vox To A-Net Channel Utility To A-Net Channel Rob Evan Ears Left To Sennheiser EW300 G2 IEM 1 Left Rob Evan Ears Right To Sennheiser EW300 G2 IEM 1 Right 15 BG Vox 1 Ears Aaron To Sennheiser EW300 G2 IEM BG Vox 2 Ears Dustin To Sennheiser EW300 G2 IEM BG Vox 3 Ears Morgan To Sennheiser EW300 G2 IEM BG Vox 4 Ears Erin To Sennheiser EW300 G2 IEM Guitar Ears Mono To Sennheiser EW300 G2 IEM Violin Ears Mono To Sennheiser EW300 G2 IEM Cello Ears Mono To Sennheiser EW300 G2 IEM Front Wedges Clair 12AMs or equivalent (4) on one mix 23 FX Send Spare 24 FX Send ME NOTES: Please provide 16 channels Shure UHF-R, 6 UR-2 with KSM9 and 10 UR-1, elements as noted above (THIS NUMBER INCLUDES SPARES) Please provide 10 mixes of Sennheiser EW 300 G2 or G3 IEMs. IEM 2 is Rob Evan spare, IEM 9 is spare, IEM 10 is CUE Please provide small distribution mixer for program feeds: Rane SM26S or similar RF receivers and IEM transmitters must have active antenna distribution, LPDA or Helical antennas Please provide 6 short mic stands without boom arms for Aviom mixers Please provide at least 2 quad AC drops at each musician's location BACKLINE: Bass: NOTE: Subject to change 1 Ampeg B15 in perfect condition, free of hums, buzzes, crackles, etc. 2 Bass stands 1 Long instrument cable (35'+) Keyboards: 1 Kurzweil K2600 with all pedals (stereo volume, patch, sustain) 1 Keyboard stand 1 Piano bench Piano: 1 Steinway B, Yamaha C6 or better 1 Piano bench 1 Rehearsal cube or similar placed at upstage corner of keyboard 2 Littlites with weighted bases (artist will remove lyre and lay sheet music above tuning pegs) Drums: Guitars: 1 Yamaha Custom Recording or better in perfect condition with new heads 4 Rack toms: 8, 10, 12, 14 2 Floor toms: 16, Metal snare 2 Snare stands 4 Cymbal stands: 2 crash, ride, hats 1 5 section (minimum) plexi drum shield with no scratches 1 Solid, dark drum rug 1 Drum throne 4 Guitar stands Please provide music stands and stand lights for all positions

7 THE ROCK TENOR TOUR STAGING, SOFTGOODS, LIGHTING & PROJECTION REQUIREMENTS (OPTIONAL)! Primary Contact: Vincent Marini Director/Producer m: (609) e: Risers: SEE ATTACHED GROUNDPLAN Two 4 x 8 x 24 risers Two 4 x 8 x 36 risers Two 2 x 4 x 12 risers! Appropriate black skirting or facing for risers! Stairs: Four sets of stairs for the risers (2) must reach 32 inches and (2) must reach 18 inches Please Any changes to the ground plan must be approved in advance by the producer.! Softgoods and Screens:! (4) Sets of flat black legs (4) Flat black borders (1) Full Stage Flat Black (without fullness) with a center split does not need to travel can be dead hung. (4) lengths of white spandex (provided by producer) (3) Projection screens (optional) - exact sizes and location depend on specific stage size. Please contact Producer for additional info. We can utilize anything from a full stage RP to various smaller front or rear projection surfaces. Projectors (optional):! (1) 10k or better projector for center screen (2) 8k or better projectors for left and right positions (3) Appropriate cabling, to reach running position! We have a great deal of flexibility regarding projections for the show. If you have gear available, please let us know.! Lighting - we have several configurations available for the show depending on the size of venue. Please contact lighting designer Stephen Terry at (801) or stlx@mac.com for details. All configurations require an ETC Ion or Eos for show control. Full lighting rider will be forwarded upon request.

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