Rider 7NA Name: Maaike Schottink Name: Oscar Otten Mobile phone: Mobile phone:

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1 Rider 7NA 2017 Contact details General information: adress: Website: (managed by Oscar Otten) Management, planning, finance: Technique, marketing & Social Media: Name: Maaike Schottink Name: Oscar Otten Mobile phone: Mobile phone: Content 1. FUNCTIONS/ MEMBERS 2 2. GEAR/ BACKLINE 3 3. REQUESTS FOR ON STAGE 4 4. AUXILIARIES/ MONITORS (IF APPLICABLE) 5 5. INPUT LIST 6 6. STAGE COMPLETION & SOUND CHECK 7 7. MARKETING & SOCIAL MEDIA 7 8. WISHES FOR BACKSTAGE 7 9. FLOORPLAN 7NA 8 7NA rider v docx Pagina 1/ 8

2 1. Functions/ members Function: Instrument: s: Name: Bass player Bass guitar Backing Sander Kosters Drummer Drums Lead/ backing Bjorn Michorius Guitarist L1 (Lead) Electric Guitar Lead 1 Lead/ backing John Slagers Guitarist L2 (Rhythm) Electric Guitar Lead 2 Backing Paul Homan Keyboardist Lead/ backing Oscar Otten Lead s s Lead/ backing Maaike Schottink Necessities & Managing during live show: Please provide us an appropriate PA setup for the FOH mix with minimal 2 free XLR inputs for Main mix Left and Right (also fully panned left and right); 7NA uses her own FOH engineer. If desired, in cooperation with the FOH engineer of the event for real-time instructions for the benefit of the FOH mix; Please provide us an appropriate light setup with light jockey during our gig. We rely on a pleasant cooperation with a lot of fun! 7NA rider v docx Pagina 2/ 8

3 2. Gear/ backline Drums: Mapex 6-parts (kick/ snare/ 3x tom/ floor tom) Cymbals Bass: Bass guitar: Jazz bass (brand/ model alternately) Bass amp: Markbass LM3 with 2x12" speakers (2x 400 watt RMS) Wireless transmitter: Shure BLX14R (freq./ bandwidth MHz) In-ear system: LD Systems MEI 1000 G2 (freq./ bandwidth MHz & MHz) Guitarist Lead 1: Electric guitar: Jackson 1881 Guitar amp: Marshall JCM 2000 TSL Triple Super Lead Watt Combo Effects/ pedal board: Line 6 Helix Wireless transmitter: Shure BLX4 K14 (freq./ bandwidth MHz) In-ear system: LD Systems MEI 1000 G2 (freq./ bandwidth MHz & MHz) Guitarist Lead 2: Electric guitar: Fender/ Gibson SG Guitar amp: Marshall JCM Lead Series - 50 Watt Combo Effects/ pedal board: several hardware effects Wireless transmitter: Shure BLX4 K14 (freq./ bandwidth MHz) Lead s: In-ear system: Shure PSM 200 (freq./ bandwidth MHz) : (via own submixer): o Lower synth: Nord Stage 2EX o Middle synth: M-Audio Oxygen 61 MK4 MIDI keyboard o Upper synth: Korg M3 o Keytar: Alesis Vortex Wireless (freq./ bandwidth: based on Bluetooth) (alternately soft synths and sounds of upper/ lower synth in use) o Using a flexible MIDI-setup by Apple Mainstage 3 o Behringer ULTRA-DI PRO DI800 in use (8 channel active DI box) o FOH only receives 1 stereo link based on balanced XLR s In-ear system: Sennheiser EW300 IEM G2 (freq./ bandwidth MHz) Own microphone standard mounted on the keyboard standard 7NA rider v docx Pagina 3/ 8

4 3. Requests for on stage DI-boxes: N/A (cared for by ourselves) Electricity General (1 group for PA, 1 group for light, 1 group for backline): o Preferably Power flow based on 16A-6h 200/346V - 240/415V (3 groups) o Otherwise 3 separate groups based on 230V is desirable Drums: 1 power outlet(s) Bass: 1 power outlet(s) Guitar Lead 1: 2 power outlet(s) Guitar Lead 2: 2 power outlet(s) s: 1 power outlet(s) stage 1 st line front] : 1 power outlet(s) Monitor mixer: 1 power outlet(s) stage 3 rd line next to the keys] Mics: 1 x Shure Beta 58 A (preferred) for our keyboardist stage 1 st line front. If not provided he ll use the 3 mic stage 1 st line front (see floorplan) Other mics: N/A (cared for by ourselves). See input list. Multi s: We re using our own multi s for our backline Please provide a multi cable with the following specs: o 24x balanced inputs (based on XLR) We deliver all input channels to the FOH balanced and 100% clean; based on XLR male o 3x balanced returns (based on XLR) for: 1x Talk Back 1x Mains L (if applicable) 1x Mains R (if applicable) o Note: a break-out from our monitor mixer (a Behringer X32 Producer) is also possible if desired (please contact our Technical contact in this way at least 2 weeks before the gig). Risers (preferred): Drum riser: o Dimensions: at least 2m x 2m (d x w) o stage 3 rd line at the right-center riser: o Dimensions: at least 2m x 2m (d x w) o stage 3 rd line at the left-center Stands: 4x Mic stand stage 1 st line front for our lead vocals (see floorplan) o Note: our keys player also uses the mic of our Lead 1 guitarist for lead & backing vocals (if there s no provided 6 microphone arranged) Wedges: We ll need 1 active wedge for our Guitar Lead 2 guitarist located at the left-center stage 1 st line front 1x XLR balanced cable from wedge to our monitor mixer rack (sourced from stage 3 rd line left-center next to the keys) 7NA rider v docx Pagina 4/ 8

5 4. Auxiliaries/ monitors (if applicable) 7NA by default uses her own monitor mixer: Brand/ model: Behringer X32 Producer As a central patchbay on stage stage 3 rd line left-center next to the keys) o All of our input cables are splitted for the purpose of: 1x FOH mix 1x monitor mix Mixing her own monitors by their selves If it s specifically agreed that the monitor mixes are provided by an external monitor mixer, then basically the following monitor settings are desirable: Instrumentalist Aux Channels: Volume/ DB (starting from ) A: Drums Drums (kick, snare, hi-hat) -4dB own in-ear system Bass B: Bass Drums (kick, snare, hi-hat) own in-ear system Bass C: Guitar Lead 1 Drums (kick, snare, hi-hat) own in-ear system Bass D: Guitar Lead 2 Kick wedge provided by organization/ Bass sound engineers E: Lead s Drums (kick, snare, hi-hat) own in-ear system Bass F: Drums (kick, snare, hi-hat) -4dB own in-ear system Bass 7NA rider v docx Pagina 5/ 8

6 5. Input list Inputs: Instruments: Mics (& other gear): Compressor/ limiter: Effects/ notes: 1 Kick inside Optional by external provider Ratio 3:1, threshold: 0 Gate 2 Kick outside Shure Beta 52A Ratio 3:1, threshold: 0 Gate 3 Snare top Sennheizer e 904 Ratio 3:1, threshold: 0 Gate/ reverb 4 Snare bottom Shure SM57 Ratio 3:1, threshold: 0 Gate 5 Hi-hat Gatt Audio MOH-7 Ratio 3:1, threshold: 0 (Expander) 6 Tom 1 Sennheizer e 904 Ratio 3:1, threshold: 0 Gate 7 Tom 2 Sennheizer e 904 Ratio 3:1, threshold: 0 Gate 8 Tom 3 Sennheizer e 904 Ratio 3:1, threshold: 0 Gate 9 Floor tom Sennheizer e 904 Ratio 3:1, threshold: 0 Gate 10 Overhead L Røde M5 Ratio 3:1, threshold: 0 (Expander) 11 Overhead R Røde M5 Ratio 3:1, threshold: 0 (Expander) 12 Bas D.I. Ratio 3:1, threshold: 0-13 Guitar Lead 1 Shure SM57 Ratio 3:1, threshold: 0-14 Guitar Lead 2 Shure SM57 Ratio 3:1, threshold: 0-15 L Own submix/ incl. D.I. Ratio 3:1, threshold: 0 Full panned left 16 R Own submix/ incl. D.I. Ratio 3:1, threshold: 0 Full panned right 17 1: Drums (Bjorn) Shure SM58 Ratio 3:1, threshold: 4 Gate, reverb, tap-delay 18 2: Bass (Sander) AKG D5 Ratio 3:1, threshold: 4 Reverb, tap-delay 19 3: (John) Shure SM58 Ratio 3:1, threshold: 4 Reverb, tap-delay 20 4: (Paul) AKG D5 Ratio 3:1, threshold: 4 Reverb, tap-delay 21 5: lead (Maaike) Shure Beta 58 A Ratio 3:1, threshold: 4 Reverb, tap-delay 22 6: (Oscar) Shure Beta 58 A Ratio 3:1, threshold: 4 Reverb, tap-delay TALKBACK - Set over in ears only MASTER At a distance of 20 meters in the middle of the stage: min. 85dB. Aux out: Function: A Drums - - B Bass - - C Guitar Lead D Guitar Lead E Lead s (singer) - - F - - (G) Effect 1: reverb - - (H) Effect 2: stereo delay - - We kindly ask you to keep all vocal channels open (@ ) at the FOH as far as possible. This is because of our backing vocals. Thank you! 7NA rider v docx Pagina 6/ 8

7 6. Stage completion & Sound Check We would like to ask you to complete all (technical) work on and around the stage at least 1 hour prior to our performance. This way, the band is able to build up their backline quickly and is able to provide an optimal preparation for their show. The sound check will take place minutes prior to the show. Please have the FOH technicians ready for preparation within this period. 7. Marketing & Social Media Please download the presskit from our website using for marketing exposure for our gigs. If you d like to post some video s please first contact the Marketing & Social Media contact from the band for which video s are allowed for posting. Thank you! 8. Wishes for backstage A clean private & dry room/ environment with: o door lock o 1 mirror o some cold beers & soda o 4x 1L plastic bottles with lukewarm drinking water We re looking forward to surprises ;) 9. Finance Payments in cash please, otherwise please contact us at least 1 week before the show. 7NA rider v docx Pagina 7/ 8

8 10. Floorplan 7NA The dimensions of the stage should be at least 4m x 8m (d x w) If outdoor stage: the stage should always be covered and have at least one closed rear back side (strongly preferred both left and right side closed also) Monitor rack (provided by 7NA) Drums 1 Paired (otherwise 6 is using 3 s mic.) 3 6* Wedge 7NA rider v docx Pagina 8/ 8