OGRE Portugal Technical Rider

Transcription

1 OGRE Portugal Technical Rider

2 Technical rider Sound 1.FOH 1.1- Speaker system Must be in stereo and of adequate size to cover the venue. Speaker system will include all needed amplifiers and controllers or crossovers. Line array preferred or the PA system should be set on a riser 1 meter high (if the auditorium is flat) the front edge of this riser will be ahead of the edge of the stage toward the audience seats. The riser will not touch the stage. Venue of up to 2500 capacity: Line array Meyer MILO, MELODY, MICA, NEXO GEO, D&B, Martin, EV. Conventional Per side: Meyer sound: 2-sub bass 650-B OR 700, 2 DS6,4-MSL 4, 1- EDGE FILL UPA.The main system is stereo, controlled by 1/3 octave graph EQ. the edge fills is stereo as well with separate output control. This system should able to deliver an appropriate level to the audience ( 5 watt per person). Reference:D&B, MeyerSound, Milo, Melody, Mica, Nexo Geo. 1.2-Flying system ( if appopriate): All rigging gear (Motors, flying-bars, safetys, etc.) In case of balcony - should be covered with flying speakers. Delay line should be added to the set. Front Rows/Near fields Speaker s coverage for the first rows is also necessary (4 small speakers UPA-1, 2xD&B C6, 4x E3 etc. 2- F.O.H - Mixing console: 24 inputs with parametric EQ. 2 stereo effect ret. Digital Mixer preferred: Recommended mixers:yamaha- PM5D RH OR PM ;MIDAS- XL 4/3 /200, Heritage 3000/4000 ;Digico D1, D5, SD8 ; Soundcraft Vi6. ; Digidesign Venue or Profile, SC48 In case of a Digital Mixer, these effects are unnecessary. 5 CH. of 1/3 octaves EQ for F.O.H 3

3 1 x TC M 2000/3000/4000,or Lexicon 81/91 or SPX 1000/990; TC Electronics DTwo 2 ch of compression DBX160/1066, BSS404/402or C2 Subs must be separated from speakers system, send from AUX /group. Good lighting for the mixer and the effects Rack 3- Details for Monitor system Monitor system includes monitor wedges and in-ears: 3 x monitors on 3 Bi-amp sends. 1 Wireless Shure PSM600 Recommended monitors: 12 D&B, Meyer, Apogee, L-Acoustics 4- Microphones: According to the attached channel list. All necessary cables, multi cores, and power distribution needed to operate the system. DI's must be active and of the same kind (most recommended Radial DI, BSS or Countryman). 5- Stage and risers: In case of stage access not at the same levels than dressing rooms, please make sure that stage access will be set with solid, stable and lighted staircases. Stage has to be solid, flat and on the same level without bumps. -Black drapes to close the stage. 6-Input List and Stage Plot ( see page 5) 4

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5 8-Backline Requirements (Please check the stage-plot ): DRUMS/Joel PIANO/Júlio RHODES/Farinha LAPTOP/André MARIA JOÃO 1 Bass drum 18" 1 Snare drum 14" 1 Tom 12" 1 Tom 14" w/ legs Hi-Hat stand 4 Cymbal stands 1 Snare stand 1 Drum throne 1 Dark carpet 1 Kick pedal 1 x FENDER RHODES, PREFERABLY MK II 1 x FENDER TWIN REVERB 1 M-AUDIO AXIOM (AXIOM PRO OU AXIOM AIR) 4 OCTAVES USB M-AUDIO OZONIC 3 OCTAVES FIREWIRE OR 1 Mic stand for a P16M Behringer 1 NOVATION SL MKII 61 5 OCTAVES OR ROLAND 61 KES KEYBOARD MIDI CONTROLLER Any Roland Kick Pad (KD7, KD9, KD120, KD30) 1 x PIANO STOOL FOR F. RHODES 1 x STOOL OR CHAIR FOR LAPTOP 1 CHAIR Yamaha, D.W., Gretsch, Tamburo, Ludwig, Premier, Canopus, or any model or label that the drummer agrees. FULL CONCERT PIANO STEINWAY, YAMAHA, BOSENDORFER, 2 TABLES COVERED WITH BLACK FABRIC TO USE AT LAPTOP AND RHODES POSITION, BIG ENOUGH FOR A LAPTOP AND A 49 FAZIOLI, OR A KEY MIDI KEYBOARD MODEL THAT THE PIANIST AGREES TO. OGRE provides: BEHRINGER POWERPLAY PERSONAL MONITORING SYSTEM 6

6 1 x BEHRINGER P16-I 3 x BEHRINGER P16-M (AT VOCALS, LAPTOP AND RHODES POSITION) 1 x MICROTECH GEFELL M x WIRELESS SHURE PSM 600, ANTENNA AND RECEPTOR SOME INSTRUMENT CABLES 7