TECHNICAL RIDER (v. 2.3)
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- Lawrence Chambers
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1 TECHNICAL RIDER (v. 2.3)
2 PLEASE REMEMBER THE FOLLOWING We like to start our show between 8 and 11 p.m. We like to sweat like hell and to pump the adrenaline, so NO BREAKS! We need +/- 30 min. for setting up (on an empty stage) & soundchecking Cannons (2 pieces) & flame jets (3 pieces) are optional (= full show ). Please respect ALL safety requirements when pyro is used (see below). We will not use pyro fx when these requirements are not acquired!!! When possible, we will place our backdrop behind the drums. We bring our own stands for the backdrop, so no truss has to be provided. Please provide a solid stage (minimal dimensions : 5 x 3 m) with stairway + some free parking places near the stage + a quality and powerful PA & light / fx system. Remember : a good PA and sound engineer can make or break a show! We have no own PA / sound engineer, but we have a very nice female sound advisor (with the lovely name of Wendy) who will guide the sound engineer and also start some samples (mp3) during the show Lead vocals uses wireless in-ear monitors (Shure PSM 200). Please no (or very little) reverb or delay on vocals or guitars. We like to sound as raw as possible! Bass drum has a built-in mic (Audix D6) Only the LOWER Marshall cab of the lead guitar amp shall be mic ed. The UPPER Marshall cab of the rhythm guitar amp shall be mic ed. (we know, it s quite confusing ) We prefer to eat, meet & greet after the show. Please provide some energy drinks (Red Bull, Monster, ) and a nice backstage. Groupies are fully optional. Money can be paid in cash to Wendy. We will provide a KVR declaration (kleine vergoedingsregeling) by on simple request. When needed you can always phone us : (Markus) of (Wendy)
3 CH. INST. MIC./D.I. INSERT REMARKS 1 Kick Drum Audix D6 or AKG D112 or similar gate Audix D6 built-in into bassdrum (not to be provided) 2 Snare Top Shure SM57 gate 3 Snare Bottom (optional) 4 Hi-hat (NOT optional needed for in-ears) Shure SM57 C451 or similar gate 5 Tom 1 Shure SM57, Beta 98 or similar 6 Floor 1 Shure SM57, Beta 98 or similar gate gate 7 OH left AKG C1000 or similar 8 OH right AKG C1000 or similar 9 Bass guitar External active D.I. compressor 10 Rhythm Guitar Shure SM57 11 Lead Guitar Shure SM57 Wireless system (Sennheiser EW100) 12 Vocals stage right Shure SM58 13 Vocals stage left Shure SM58 14 Lead vocals Shure SM58 Wireless (Shure PSM 200) MONITOR MIX NEEDED OPTIONAL WEDGE 1 (W1) Vocals + Rhythm guitar + Lead Guitar WEDGE 2 (W2) Vocals + Rhythm guitar + Lead Guitar WEDGE 3 (W3) Vocals + Lead guitar Rhythm guitar WEDGE 4 (W4) Vocals + Rhythm guitar Lead Guitar WEDGE 5 (W5) (drum fill) Vocals + Lead Guitar Rhythm Guitar / Bass Guitar
4 PYRO SHOW Pyroshow (or full show ) means the use of some visual extras during the show, more exactly the use of flame jets and cannons (during our last song For those about to rock ). We prefer to use the pyroshow only OUTDOORS for safety reasons and by night. SAFETY BEFORE ALL : WE WILL NOT USE THE PYRO FX IF OUR SAFETY REQUIREMENTS (see below) ARE NOT ACQUIRED! 1. FLAME JETS We use Stage Effects flamejets (3 to 5 pieces depending on location). More info :
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6 2. CANNONS Our cannons are controlled from distance by our pyro tech during the song For those about to rock and produce a loud pop - and some smoke - caused by the explosion of a banger (typically a Pyrostar Bermuda) inside the cannon barrel. Hearing protection is to be advised!
7 SAFETY REQUIREMENTS (very important!) - Please provide hearing protection for the crowd. This band plays AC/DC and our cannons are LOUD! - Provide a SAFETY LINE (= no persons allowed) with crush barriers and / or security guards of 2 METER in front of the stage and around the flame jets. - Minimal ceiling height when pyro show is used INDOORS : 5 METER. - Provide at least one working fire extinguisher near the stage. - If possible provide a raiser (or table) for the cannons (for visibility and safety reasons). The cannons should point above and NOT towards the crowd.
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9 Own PA Specifications Our own PA system is suited for venues up to +/- 200 persons. We will not share our backline or PA with other bands or artists, unless specified otherwise. FOH Top: 2 x db Technologies Flexsys F12 (2 x 400 W 2 x 127 db) Sub: 2 x Behringer Eurolive B1800D Pro (2 x 800 W 2 x 129 db) Full Range: 2 x Yamaha DSR 115 (2 x 1300 W 2 x 136 db) Mixing console: Mackie cfx 16 Compressor/gate: 2 x TC Electronics C300 1 x TC Electronics C400XL Feedback supressor: DBX AFS224 DI: Behringer DI-100 Monitoring: 1 x Shure PSM-200 in-ear monitoring system (wireless) 1 x db Technologies Flexsys F15 1 x db Technologies Flexsys F12 1 x Behringer Eurolive F1220a 1 x Yamaha DSR 115 Mics: 4 x Shure SM 57 2 x Shure SM 58 1 x Shure Beta 58 3 x Sennheiser e904 1 x Shure PG 52 1 x Rode M3 2 x Fame MS 57 FOR ALL FURTHER QUESTIONS, CONTACT US BY OR PHONE (Markus ) info@iesedaase.com Website Facebook IESE/DAASE
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