AKKAMAHADEVI WOMEN S UNIVERSITY VIJAYAPUR
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1 AKKAMAHADEVI WOMEN S UNIVERSITY VIJAYAPUR U.G. Semester B.A. I to VI Semester Fine Art Syllabus onwards Page 1
2 of the three year Degree Course FIRST SEMESTER and SECOND SEMESTER : Theory 3 periods each of one hour duration per week. : Theory consisting 30 Marks of 1 Hour Duration. (20 Exams + 10 Internal = 30) : Practical 12 hours per week each of one hour duration. : Practical consisting of 70 Marks of each 10 hour duration. (Exam Internal Assessment = 70) I SEMESTER : THEORY PAPER-I (HISTORY OF INDIAN PAINTING) 20+10=30 A. 1. Ancient Indian painting 2. Pre Historical wall painting 3. Fresco paintings of Ajanta B. 4. Principles of Design - Repetition, Variety, Contrast, Rhythm, Balance, Harmony, Unity, Symmetry, Gradation. 5. Anatomy study Skull Front and side. PRACTICAL I- PICTORIAL DESIGN 60+10=70 1. Study of Decorative forms. Eg. Animals, Birds, Leaves, Butterflies, Geometrical Patterns. 2. Different types and purpose of designing. Eg. Textiles, Weaving - carpets and wall hangings, Ceramic design. II SEMESTER: THEORY PAPER-II (HISTORY OF INDIAN PAINTING) 20+10=30 A. Fresco painting 1. Bagh, Badami, Sittanivasal, 2. Vijaynagar, Tanjore, Elements of Art - Line, Tone, Colour, Texture. 2. Study of colour theory - Primary, Secondary, Territary, Complimentary; Warm and Cool colour; Opaque and Transparent colours and their relations 3. Anatomy study - Muscles study of Skull - Front, Side and Back. PRACTICAL-II STILL LIFE PAINTING: 60+10=70 Group of objects not more than five Selection and arrangements of objects, composition, eye level, structure, Source of light and its effect, tonal and textural values. Simple forms colour Vases, Fruits, and Flowers. Stuffed birds, objects based on Geometrical forms - Rectangular, Cone, Cube, Cylinder, Prism, Square etc. Submission: Five works of each subject. Daily Indoor and Outdoor sketches: Five Medium: Water, Oil or Mixed media. Page 2
3 of the three year Degree Course III SEMESTER: THIRD SEMESTER and FOURTH SEMESTER : Theory 3 periods each of one hour duration per week. : Theory consisting 30 Marks of 1 Hour Duration. (20 Exams + 10 Internal = 30) : Practical 12 hours per week each of one hour duration. : Practical consisting of 70 Marks of each 10 hour duration. (Exam Internal Assessment = 70) THEORY PAPER-III (HISTORY OF INDIAN PAINTING) 20+10=30 A. 1. Indian Miniature Painting Pala and Jain 2. Deccan and Mysore style. B. 1. Principles of composition Rhythm, Unity, Emphasis, Balance and Proportion 2. Anatomy study Hands and Legs - Front, Side and Back. PRACTICAL-III- PICTORIAL COMPOSITION 60+10=70 Composition from daily life with not less than three figures (Realistic or Miniature style). Submission: Five works. IV SEMESTER: THEORY PAPER-IV (HISTORY OF INDIAN PAINTING) 20+10=30 A. 1 Indian miniature painting - Rajput and Mogul 2 Surpur and Tanjore B. 1 Perspective study 2 Anatomy muscles study - Hands and legs PRACTICAL-IV- HEAD STUDY (PORTRAIT) 60+10=70 Study of Portrait of Male and Female of different age groups, expressing both physical and emotional characteristics of the sitter. Submission: Five works of each subject. Daily Indoor and Outdoor sketches: Five Medium: Monochrome colour Pencil or Charcoal. Page 3
4 of the three year Degree Course. FIFTH SEMESTER AND SIXTH SEMESTER : One Theory paper -3 periods each of one our duration per week. : Two Theory paper consisting each of 80 Marks of 3 hours duration. (80 Exams + 20 Internal = 100) : One Practical 12 hours per week each of one hour duration. : One Practical consisting each of 80 Marks of 20 hours duration. (Exam Internal Assessment = 100) V SEMESTER: THEORY PAPER V-I HISTORY OF INDIAN PAINTING and AESTHETICS 80+20=100 A Study of Historical Background of Indian Painting 1. Company School 2. Renaissance period (Bengal School) 3. Modern Indian Movement B. Anatomy Study Full figure Front, Side and Back. C. Aesthetics 1. Aesthetics 2. Imitation, Expression, Illusion, Sublimity, Creativity, Distortion. 3. Art Literature, Performing and Visual Arts. 4. Art and Communication PRACTICAL V-I: PAINTING FROM NATURE LANDSCAPE 80+20=100 Study of different eye level and perspective drawing and colour study of nature and monuments. VI SEMESTER: THEORY PAPER VI-I HISTORY OF INDIAN PAINTING and AESTHETICS 80+20=100 A. Study of Indian Painters and their Paintings. 1. M.F. Hussain, K.K. Hebbar, G.R. Santhosh, Anjali Ela Menon. Satish Gujaral. 2. Karnataka painters - K. Venkatappa, Dandavati Math, Dr. S.M. Pandit, S.S. Munnoli, Peter Louis, J.S. Khanderao. 3. Introduction and types of Mural Paintings. 4. Anatomy Muscles Study Full figure Front, Side and Back. B. AESTHETICS Indian Aesthetics Background 1. Rasa Theory 2. Shadangas, 3. Art and Religion, Society, Craft, Dream 4. Indian Academies, Museums and Galleries. PRACTICAL VI-I: MURAL PAINTING 80+20=100 Introduction to Mural painting keeping in view of objects and comparative concepts of composition and studies of methods and understand the basic concept of mural decoration. Indian mythology, religion and historical subjects. Page 4
5 BOOK REFERENCES FOR FINE ART (Drawing & Painting): 1. VISUAL ARTS BASIC STUDIES GAJANAN BHAGAVAT AND ARAVIND DESAI 2. HISTORY OF ART INDIA AND CEYLON A.K KUMAR SWAMY 3. THE CULTURE AND ART OF INDIA RADHAKAMAL MUKHARJI 4. KALA PRAPANCHA - DR. K. SHIVARAM KARANTH 5. KARNATAKA KALEGALU - S.K RAMACHANDRA RAO 6. CONTEMPORARY ART IN INDIA A PERSPECTIVE PRAN NATH MAGO 7. KARNATAKA SAMSKRUTI SAMIKSHE DR. TIPPERUDRA SWAMY 8. KARNATAKA BHITTI CHITRAGALU K.L.K. ACADEMY Publications, Bangalore. 9. PRE-HISTORIC ANCIENT AND HINDU INDIA - BANARG 10. WHAT IS ART A. MAD 11. HISTORY OF AESTHETICS KUSHAN AND GITTRT 12. INDIAN AESTHETICS RAMASWAMY 13. INDIAN ART AND AESTHETICS HARIDAS MITRA 14. ART AND AESTHETICS A.K KUMAR SWAMY 15. INDIAN PAINTING PERCY BROWN 16. INDIAN PAINTING C. SIVARAM MURTHY 17. ANATOMY DRAWING VICTOR PERARD 18. SUCCESSFUL DRAWING ANDRE LOOMIS 19. COLOUR MANUAL FOR ARTIST GUPTA 20. COMPOSITION DAVID FRIEND 21. ART NOW HERBERT READ 22. HISTORY OF MODERN ART HERBERT READ 23. INTRODUCTION TO INDIAN ART - A.K KUMAR SWAMY 24. HOW TO DRAW AND PAINT BODO W. JAXTHEINNER 25. HISTORY OF INDIAN AND ASIAN ART EDITH SOMARY 26. HISTORY OF FINE ARTS IN INDIA EDITH TOMARY 27. INDIAN ART AND HERITAGE O.C GANGULY 28. RAJA RAVI VARMA RUPIKA CHAWLA 29. INDIAN LIFE AND LANDSCAPE BY WESTERN ARTISTS PAULINE ROHTAGI 30. INDIAN PAINTING MIRA SETH 31. RENAISSANCE ROLF JOMAN 32. THE VISUAL ARTS A HISTORY HUGH HONOUR RJF 33. ART OF MODERN INDIA BALRAJ KHANNA AND AZIZ KURTHA 34. INDIAN MINIATURE PAINTINGS DR. DALJEET AND DR. P.C JAIN 35. THE TRANSFORMATION OF NATURE IN ART A.K KUMAR SWAMY 36. INDIAN AESTHETICS - K.C PANDEY 37. SOUNDARYA SAMIKSHE Dr. G.S SHIVARUDRAPPA Page 5
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