Karnataka State Women s University Vijayapura.
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1 Karnataka State Women s University Vijayapura. DEPARTMENT OF FINE ARTS NEW SYLLABUS. U.G. Semester Scheme I to VI Sem. With Effect from on words Page 1
2 FIRST SEMESTER and SECOND SEMESTER : Theory 3 periods each of one hour duration per week. : Theory one Full course consisting 50 Marks of 2 Hours Duration. : Practical 12 hours per week each of one hour duration. : Practical consisting of 100 Marks of each 10 hour duration. I SEMESTER : THEORY PAPER-I (HISTORY OF INDIAN PAINTING) 40+10=50 A. 1. Ancient Indian painting 2. Pre Historical wall painting 3. Fresco paintings of Ajanta B. 4. Principles of Design - Repetition, Variety, Contrast, Rhythm, Balance, Harmony, Unity, Symmetry, Gradation. 5. Anatomy study Skull Front and side. PRACTICAL I- PICTORIAL DESIGN 80+20= Study of Decorative forms. Eg. Animals, Birds, Leaves, Butterflies, Geometrical Patterns. 2. Different types and purpose of designing. Eg. Textiles, Weaving - carpets and wall hangings, Ceramic design. II SEMESTER: THEORY PAPER-II (HISTORY OF INDIAN PAINTING) 40+10=50 A. Fresco painting 1. Bagh, Badami, Sittanivasal, 2. Vijaynagar, Tanjore, Elements of Art - Line, Tone, Colour, Texture. 2. Study of colour theory - Primary, Secondary, Territary, Complimentary; Warm and Cool colour; Opaque and Transparent colours and their relations 3. Anatomy study - Muscles study of Skull - Front, Side and Back. PRACTICAL-II STILL LIFE PAINTING: 80+20=100 Group of objects not more than five Selection and arrangements of objects, composition, eye level, structure, Source of light and its effect, tonal and textural values. Simple forms colour Vases, Fruits, and Flowers. Stuffed birds, objects based on Geometrical forms - Rectangular, Cone, Cube, Cylinder, Prism, Square etc. Medium: Water, Oil or Mixed media. Page 2
3 THIRD SEMESTER and FOURTH SEMESTER : Theory 3 periods each of one hour duration per week. : Theory one Full course consisting 50 Marks of 2 Hours Duration. : Practical 12 hours per week each of one hour duration. : Practical consisting of 100 Marks of each 10 hour duration. III SEMESTER: THEORY PAPER-III (HISTORY OF INDIAN PAINTING) 40+10=50 A. 1. Indian Miniature Painting Pala and Jain 2. Deccan and Mysore style. B. 1. Principles of composition Rhythm, Unity, Emphasis, Balance and Proportion 2. Anatomy study Hands and Legs - Front, Side and Back. PRACTICAL-III- PICTORIAL COMPOSITION 80+20=100 Composition from daily life with not less than three figures (Realistic or Miniature style). Submission: Five works. IV SEMESTER: THEORY PAPER-IV (HISTORY OF INDIAN PAINTING) 40+10=50 A. 1 Indian miniature painting - Rajput and Mogul 2 Surpur and Tanjore B. 1 Perspective study 2 Anatomy muscles study - Hands and legs PRACTICAL-IV- HEAD STUDY (PORTRAIT) 80+20=100 Study of Portrait of Male and Female of different age groups, expressing both physical and emotional characteristics of the sitter. Medium: Monochrome colour Pencil or Charcoal. Page 3
4 FIFTH SEMESTER AND SIXTH SEMESTER : Two Theory papers -3 periods each of one our duration per week. : Two Theory papers consisting each of 50 Marks of 2 hours duration. : Two Practicals 12 hours per week each of one hour duration. : Two Practicals consisting each of 100 Marks of 10 hours duration. V SEMESTER: THEORY PAPER V-I HISTORY OF INDIAN PAINTING 40+10=50 A Study of Historical Background of Indian Painting 1. Company School 2. Renaissance period (Bengal School) 3. Modern Indian Movement B. Anatomy Study Full figure Front, Side and Back. THEORY PAPER V-II HISTORY OF INDIAN PAINTING (Aesthetics) 40+10=50 A. 1. Aesthetics 2. Imitation, Expression, Illusion, Sublimity, Creativity, Distortion. B. 1. Art Literature, Performing and Visual Arts. 2. Art and Communication PRACTICAL V-I: PICTORIAL COMPOSITION 80+20=100 Advanced study of previous experience towards a complete pictorial interpretation, theme and expression of moods, symbolism, dramatization and distortion for emotional effect. Emphasis for purely traditional forms, colours and textural values. The treatment either in Realistic or Decorative. PRACTICAL V-II: PAINTING FROM NATURE LANDSCAPE 80+20=100 Study of different eye level and perspective drawing and colour study of nature and monuments. VI SEMESTER: THEORY PAPER VI-I HISTORY OF INDIAN PAINTING 40+10=50 Study of Indian Painters and their Paintings. A. 1. M.F. Hussain, K.K. Hebbar, G.R. Santhosh, Anjali Ela Menon. Satish Gujaral. 2. Karnataka painters - K. Venkatappa, Dandavati Math, Dr. S.M. Pandit, S.S. Munnoli, Peter Louis, J.S. Khanderao. B. 1. Introduction and types of Mural Paintings. 2. Anatomy Muscles Study Full figure Front, Side and Back. THEORY PAPER VI-II HISTORY OF INDIAN PAINTING (AESTHETICS) 40+10=50 Indian Aesthetics Background 1. Rasa Theory 2. Shadangas, 3. Art and Religion, Society, Craft, Dream 4. Indian Academies, Museums and Galleries. PRACTICAL VI-I: MURAL PAINTING 80+20=100 Introduction to Mural painting keeping in view of objects and comparative concepts of composition and studies of methods and understand the basic concept of mural decoration. Indian mythology, religion and historical subjects. PRACTICAL VI-II: LIFE STUDY (FULL FIGURE) 80+20=100 Study of male and female figures in different postures and dresses of different age groups, expressing both physical and emotional characteristic of the sitter. Medium: Monochrome colour Pencil or Charcoal. Page 4
5 BOOK REFERENCES FOR FINE ART (Drawing & Painting): 1. VISUAL ARTS BASIC STUDIES GAJANAN BHAGAVAT AND ARAVIND DESAI 2. HISTORY OF ART INDIA AND CEYLON A.K KUMAR SWAMY 3. THE CULTURE AND ART OF INDIA RADHAKAMAL MUKHARJI 4. KALA PRAPANCHA - DR. K. SHIVARAM KARANTH 5. KARNATAKA KALEGALU - S.K RAMACHANDRA RAO 6. CONTEMPORARY ART IN INDIA A PERSPECTIVE PRAN NATH MAGO 7. KARNATAKA SAMSKRUTI SAMIKSHE DR. TIPPERUDRA SWAMY 8. KARNATAKA BHITTI CHITRAGALU K.L.K. ACADEMY Publications, Bangalore. 9. PRE-HISTORIC ANCIENT AND HINDU INDIA - BANARG 10. WHAT IS ART A. MAD 11. HISTORY OF AESTHETICS KUSHAN AND GITTRT 12. INDIAN AESTHETICS RAMASWAMY 13. INDIAN ART AND AESTHETICS HARIDAS MITRA 14. ART AND AESTHETICS A.K KUMAR SWAMY 15. INDIAN PAINTING PERCY BROWN 16. INDIAN PAINTING C. SIVARAM MURTHY 17. ANATOMY DRAWING VICTOR PERARD 18. SUCCESSFUL DRAWING ANDRE LOOMIS 19. COLOUR MANUAL FOR ARTIST GUPTA 20. COMPOSITION DAVID FRIEND 21. ART NOW HERBERT READ 22. HISTORY OF MODERN ART HERBERT READ 23. INTRODUCTION TO INDIAN ART - A.K KUMAR SWAMY 24. HOW TO DRAW AND PAINT BODO W. JAXTHEINNER 25. HISTORY OF INDIAN AND ASIAN ART EDITH SOMARY 26. HISTORY OF FINE ARTS IN INDIA EDITH TOMARY 27. INDIAN ART AND HERITAGE O.C GANGULY 28. RAJA RAVI VARMA RUPIKA CHAWLA 29. INDIAN LIFE AND LANDSCAPE BY WESTERN ARTISTS PAULINE ROHTAGI 30. INDIAN PAINTING MIRA SETH 31. RENAISSANCE ROLF JOMAN 32. THE VISUAL ARTS A HISTORY HUGH HONOUR RJF 33. ART OF MODERN INDIA BALRAJ KHANNA AND AZIZ KURTHA 34. INDIAN MINIATURE PAINTINGS DR. DALJEET AND DR. P.C JAIN 35. THE TRANSFORMATION OF NATURE IN ART A.K KUMAR SWAMY 36. INDIAN AESTHETICS - K.C PANDEY 37. SOUNDARYA SAMIKSHE Dr. G.S SHIVARUDRAPPA Page 5
KARNATAKA STATE WOMEN S UNIVERSITY, BIJAPUR
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