Art Deco. Featuring Roaring Twenties by. Snow Leopard Designs

Size: px

Start display at page:

Download "Art Deco. Featuring Roaring Twenties by. Snow Leopard Designs"

Jared Harper
5 years ago
Views:

Featuring Roaring wenties by Snow Leopard Designs Beautiful foundation pieced clamshells create a quilt with beautiful curved lines, reminiscent of 920 s styling.

1 Featuring Roaring wenties by Snow Leopard Designs Beautiful foundation pieced clamshells create a quilt with beautiful curved lines, reminiscent of 920 s styling. Hmmm looks like the top of the Chrysler Building in New York City? Collection: echnique: Skill Level: Crafting ime: Finished Size: Roaring wenties by Snow Leopard Designs Foundation Piecing, Curved Piecing Advanced Longer erm 60 x 72 (54.20cm x 82.88cm) Crafting time based on Advanced skill level Version.0 of 2

Project designed by Stacey Day ech edited by Linda urner

YARDAGE (A) Designer Essentials Solids Raven CSFSESS.

DECOX 2 8 yard (.94m) (C) Charleston Jazz PWSL063.

DECOX 3 4 yard (68.58cm) (E) Floral Bough Deco PWSL060.

JAZZX 5 8 yard (57.5cm) (G) Floral Bough Swing PWSL060.

5cm) (H) Floral Bough Crystalline PWSL060.

5cm) (J) Whirling Dervishes Deco PWSL06.

SWING (L) Peony and Leaves Deco PWSL062.

SWING (N) Charleston Crystalline PWSL063.

SWING (A) (B) (C) (D) (E) (F) (G) (H) (I) (J) (K) (L) (M)

2 Project designed by Stacey Day ech edited by Linda urner Griepentrog Fabric Requirements DESIGN COLOR ARICLE CODE YARDAGE (A) Designer Essentials Solids Raven CSFSESS.RAVEN 7 8 yards (.7m) (B) Charleston Deco PWSL063.DECOX 2 8 yard (.94m) (C) Charleston Jazz PWSL063.JAZZX 2 yards (.83m) (D) Jazz Deco PWSL064.DECOX 3 4 yard (68.58cm) (E) Floral Bough Deco PWSL060.DECOX 5 8 yard (57.5cm) (F) Floral Bough Jazz PWSL060.JAZZX 5 8 yard (57.5cm) (G) Floral Bough Swing PWSL060.SWING 5 8 yard (57.5cm) (H) Floral Bough Crystalline PWSL060.CRYS 3 4 yard (68.58cm) (I) Jazz Swing PWSL064.SWING 5 8 yard (57.5cm) (J) Whirling Dervishes Deco PWSL06.DECOX (K) Whirling Dervishes Swing PWSL06.SWING (L) Peony and Leaves Deco PWSL062.DECOX (M) Peony and Leaves Swing PWSL062.SWING (N) Charleston Crystalline PWSL063.CRYS (O) Charleston Swing PWSL063.SWING (P) Jazz Crystalline PWSL064.CRYS (Q) Valentino Deco PWSL065.DECOX (R) Valentino Jazz PWSL065.JAZZX (S) Valentino Swing PWSL065.SWING () Bamboo Stripe Deco PWSL066.DECOX (U) Bamboo Stripe Swing PWSL066.SWING (A) (B) (C) (D) (E) (F) (G) (H) (I) (J) (K) (L) (M) (N) (O) includes binding (P) (Q) (R) (S) () Backing (Purchased Separately) 44 (.76cm) Floral Bough Crystalline PWSL060.CRYS yards (3.54m) OR 08 (274.32cm) 7 8 yards (.72m) (U) Backing 44 (.76cm) Copyright Coats 207 FS276SL Version.0 Note: All possible care has been taken to assure the accuracy of this pattern. We are not responsible for printing errors or the manner in which individual work varies. Please read instructions carefully before starting the construction of this project. 2 of 2

3 Additional Requirements Coats Dual Duty XP All-purpose thread 68 x 80 (72.72cm x cm) batting Sewing machine Rotary cutter/mat/ruler Basic sewing and pressing supplies 4 (.64cm) bias tape maker 20 sheets Printable Foundation Paper Cutting WOF = Width of Fabric When cutting multiple pieces from a single fabric, draw the required quantity onto the fabric before cutting. Fabric A, cut: (54) emplate A (2) emplate B from double fold of fabric to yield (6) left and (6) right () 36 x WOF (9.44cm x WOF), for bias tape Fabric B, cut: (25) x WOF (6.99cm x WOF); sub-cut (55) x 6 (6.99cm x 5.24cm), (55) x 9 (6.99cm x 22.86cm) (2) 3 4 x WOF (4.45cm x WOF); sub-cut (20) 3 4 x 3 2 (4.45cm x 8.89cm) Fabric C, cut: (25) x WOF (6.99cm x WOF); sub-cut (60) x 6 (6.99cm x 5.24cm), (60) x 9 (6.99cm x 22.86cm) Fabric D, cut: () 9 4 x WOF (23.5cm x WOF); sub-cut (6) x 9 4 (6.99cm x 23.50cm), (6) x 8 2 (6.99cm x 2.59cm), (6) x 3 2 (6.99cm x 8.89cm) (7) 2 4 x WOF (5.72cm x WOF), for binding Fabric E, cut: (2) 9 4 x WOF (23.5cm x WOF); sub-cut (0) x 9 4 (6.99cm x 23.50cm), (0) x 8 2 (6.99cm x 2.59cm), (0) x 3 2 (6.99cm x 8.89cm) Fabric F, G, and I, cut from each: (2) 9 4 x WOF (23.5cm x WOF); sub-cut (8) x 9 4 (6.99cm x 23.50cm), (8) x 8 2 (6.99cm x 2.59cm), (8) x 3 2 (6.99cm x 8.89cm) Fabric H, cut: (2) 9 4 x WOF (23.5cm x WOF); sub-cut (8) x 9 4 (6.99cm x 23.50cm), (8) x 8 2 (6.99cm x 2.59cm), (8) x 3 2 (6.99cm x 8.89cm) () 3 2 x WOF (8.89cm x WOF); sub-cut (6) 3 4 x 3 2 (4.45cm x 8.89cm) Fabric L, N, and Q, cut from each: () 9 4 x WOF (23.5cm x WOF); sub-cut (6) x 9 4 (6.99cm x 23.50cm), (6) x 8 2 (6.99cm x 2.59cm), (6) x 3 2 (6.99cm x 8.89cm), (6) 3 4 x 3 2 (4.45cm x 8.89cm) Fabric J, K, M, O, P, R, S, and U, cut from each: () 9 4 x WOF (23.5cm x WOF); sub-cut (6) x 9 4 (6.99cm x 23.50cm), (6) x 8 2 (6.99cm x 2.59cm), (6) x 3 2 (6.99cm x 8.89cm) Fabric, cut: () 9 4 x WOF (23.5cm x WOF); sub-cut (6) x 9 4 (6.99cm x 23.50cm), (6) x 8 2 (6.99cm x 2.59cm), (6) x 3 2 (6.99cm x 8.89cm), (6) 3 4 x 3 2 (4.45cm x 8.89cm) Pattern Notes (Fig. on page 5) here are (6) pattern foundation piecing shapes for this quilt Left and Right Side Clams, Left and Right Bottom Quarter Clams, Right and Left op Quarter Clams--and () each of emplate A and B. A Full Clam is made by sewing together () Left Side Clam and () matching Right Side Clam. A op Half Clam is made by sewing together () Left op Quarter Clam and () matching Right op Quarter Clam. A Bottom Half Clam is made by sewing together () Right Quarter Clam and matching () Left Quarter Clam. Clam pieces are also used individually for corners and sides. Preparation Print out (55) each of Left and Right Half Clamshells; (5) each of Left and Right op Quarter Clamshells, and (5) each of Left and Right Bottom Half Clamshells onto foundation paper. Rough-cut the shapes about 4 (.64cm) outside the outer lines. Copyright Coats 207 FS276SL Version.0 Note: All possible care has been taken to assure the accuracy of this pattern. We are not responsible for printing errors or the manner in which individual work varies. Please read instructions carefully before starting the construction of this project. 3 of 2

4 Sewing All seam allowances are /4 (.64cm) and pieces are sewn right sides together. Seams are pressed down toward the curve as you go. his pattern assumes a knowledge of basic paper piecing.. Using the Side Clam foundations, Fabric B pieces in sections 2 and 4, and the fabrics listed below in the sections, 3, and 5, and matching the cut pieces to the sizes listed on the foundations, make a total of (20) full clams, (4) top and bottom half clams, (5) each of left- and right-side clams, (2) top quarter clams (right and left), and (2) bottom (right and left) quarter clams. Press center seams open. Full Clams: (4) Fabric E; (3) each Fabrics H and P; (2) each Fabrics D, L, N, and Q; () each Fabrics J and Right Side Clam: (2) Fabric J; () each Fabrics D, E, and Left Side Clam: (2) Fabric J; () each Fabrics D, E, and op Half Clam: () each Fabrics H, L, N, and Q Note: hese are pieced using only the ¾ x 3 2 (4.45cm x 8.89cm) fabric pieces. Bottom Half Clam: () Fabrics H, L, N, and Q Bottom Quarter Clams (left and right): () each Fabric 2. Using the Side Clam foundations, Fabric C pieces in the 2 and 4 sections, and the fabrics listed below in sections, 3, and 5, matching the cut pieces to the sizes listed on the foundations. Make (30) Full Clams. Press center seams open. Full Clams: (4) each Fabrics F, G, and I; (3) each Fabrics K, M, O, R, S, and U 3. rim around each clam on the solid outside line. Carefully remove the paper from each clam. 4. Sew a emplate A piece to the bottom of each Full Clam and op Half Clam. Press seams toward the clam. 5. Sew a emplate B piece to the bottom of each Side Clam and op Quarter clam, matching right side with right side and left with left. Press seams toward the clam. (Fig. 2 on page 5) 6. Following the directions included with the bias tape maker, use the Fabric A rectangle to make approximately (40) yards (36.58m) of 4 (.64cm) single-fold bias tape. Finishing Refer to the Quilt Layout diagram on page 7 for the clam fabric placement in each row, noting that the Fabric B accent clams form the odd numbered rows and the Fabric C accents clams form the even numbered rows. 7. Sew the Left and Right op Quarter Clams and op Half Clams together into Row as shown. Press the seam allowances open (Fig. 3 on page 6). 8. Pin the first clam of Row 2 right sides together on top of Row, matching the center of the clam to the center of the first concave curve of Row. urn the entire piece over so that the clam is on the bottom and pin the ends of the concave curve to the end of the clam. Sew around the curve with the clam against the feed dogs, easing the concave curve around the curved edge of the clam. Press the seams down toward the clam (Fig. 4 on page 6). 9. Continue sewing the Row 2 clams to Row in order from left side to right side, pinning, sewing, and pressing one at a time, until all the Row 2 clams are sewn. 0. Sew the Row 3 clams to the convex curves in Row 2, starting with a Left Side Clam and ending with a Right Side Clam, like Row 2.. Continue sewing Rows 4-2 to the concave curves of the row previous, pinning, sewing, and pressing the same each time. Sew Row 3 last, starting with the Left Bottom Quarter Clam, then the Bottom Half Clams, and ending with the Right Bottom Half Clam. 2. Pin the 4 (.64cm) Fabric A bias tape to the top of the Row 2 clams, with the seam of the row centered under the bias tape, mitering at each junction between the clams so that the bias tape overlaps the top of the Row 3 clam by about 8. Cut the bias tape after the last clam in the row, and then topstitch both sides of the bias tape to secure it. 3. Pin the bias tape to the top of the Row 3 clams, making sure the bias tape at the top of each clam overlaps the bias tape at the junction of the row above. opstitch. Repeat, until each row of clams has bias tape applied. Finishing 4. Sew together the (7) 2 4 x WOF (5.72cm x WOF) Fabric D binding strips end to end using diagonal seams. Press the seams open. Press the binding strip in half wrong sides together. 5. Layer the backing (wrong side up), batting, and quilt top (right side up). Baste the layers together and quilt as desired. rim excess batting and backing even with the top after quilting is completed. 6. Leaving an 8 (20.32cm) tail of binding, sew binding to top of quilt through all layers matching all raw edges. Miter corners. Stop approximately 2 (30.48cm) from where you started. Lay both loose ends of binding flat along quilt edge. Where these two loose ends meet, fold them back on themselves and press to form a crease. Using this crease as your stitching line, sew the two open ends of the binding together right sides together. rim seam to 4 (.64cm) and press open. Finish sewing binding to quilt. 7. urn the binding to the back of quilt and hand-stitch in place. Copyright Coats 207 FS276SL Version.0 Note: All possible care has been taken to assure the accuracy of this pattern. We are not responsible for printing errors or the manner in which individual work varies. Please read instructions carefully before starting the construction of this project. 4 of 2

5 Fig. Left op Quarter Clam Right op Quarter Clam Full Clam Left Side Clam Right Side Clam Right Bottom Clam Quarter Left Bottom Clam Quarter Bottom Half Clam op Half Clam Fig. 2 Copyright Coats 207 FS276SL Version.0 Note: All possible care has been taken to assure the accuracy of this pattern. We are not responsible for printing errors or the manner in which individual work varies. Please read instructions carefully before starting the construction of this project. 5 of 2

6 Fig. 3 Fig. 4 Copyright Coats 207 FS276SL Version.0 Note: All possible care has been taken to assure the accuracy of this pattern. We are not responsible for printing errors or the manner in which individual work varies. Please read instructions carefully before starting the construction of this project. 6 of 2

7 Quilt Layout Row G L I Q R N F H K Row 2 Row 3 J E P H L J S R M U O Row 4 Row 5 N H D E I U G S F Row 6 Row 7 E P H J N E O K I F U Row 8 Row 9 D L Q E P D F M S O K Row 0 Row J E D Q J G I M G R Row 2 N Q L H Row 3 Copyright Coats 207 FS276SL Version.0 Note: All possible care has been taken to assure the accuracy of this pattern. We are not responsible for printing errors or the manner in which individual work varies. Please read instructions carefully before starting the construction of this project. 7 of 2

8 emplate A emplate B his square should measure " x " (2.54cm x 2.54cm) when printed. Measure templates before cutting to confirm printing at 00%

9 5 3/4" x 3 /2" (4.45cm x 8.89cm) 4 Left op Quarter Clam /4" x 9 /4" (6.99cm x 23.50cm) 4 2 3/4" x 9" (6.99cm x 22.86cm) 3 2 3/4" x 8 /2" (6.99cm x 2.59cm) 2 2 3/4" x 6" (6.99cm x 5.24cm) 2 3/4" x 3 /2" (6.99cm x 8.89cm) Left Bottom Quarter Clam Join here to make Bottom Half Clams Join here to make op Half Clams his square should measure " x " (2.54cm x 2.54cm) when printed. Measure templates before cutting to confirm printing at 00%

10 Right op Quarter Clam /4" x 8 /2" (6.99cm x 2.59cm) 4 2 3/4" x 9" (6.99cm x 22.86cm) 2 2 3/4" x 6" (6.99cm x 5.24cm) 2 3/4" x 3 /2" (6.99cm x 8.89cm) Right Bottom Quarter Clam 3/4" x 3 /2" (4.45cm x 8.89cm) /4" x 9 /4" (6.99cm x 23.50cm) Join here to make Bottom Half Clams Join here to make op Half Clams his square should measure " x " (2.54cm x 2.54cm) when printed. Measure templates before cutting to confirm printing at 00%

11 4 2 3/4" x 9" (6.99cm x 22.86cm) 5 2 3/4" x 9 /4" (6.99cm x 23.50cm) his square should measure " x " (2.54cm x 2.54cm) when printed /4" x 8 /2" (6.99cm x 2.59cm) Join here to make Full Clams Right Side Clam 2 2 3/4" x 6" (6.99cm x 5.24cm) Measure templates before cutting to confirm printing at 00% 2 3/4" x 3 /2" (6.99cm x 8.89cm)

12 5 2 3/4" x 9 /4" (6.99cm x 23.50cm) 4 2 3/4" x 9" (6.99cm x 22.86cm) 3 2 3/4" x 8 /2" (6.99cm x 2.59cm) 2 2 3/4" x 6" (6.99cm x 5.24cm) Join here to make Full Clams 2 3/4" x 3 /2" (6.99cm x 8.89cm) Left Side Clam his square should measure " x " (2.54cm x 2.54cm) when printed. Measure templates before cutting to confirm printing at 00%

Siesta in the Garden. Spring Fever by Jane Sassaman

Siesta in the Garden. Spring Fever by Jane Sassaman Featuring Spring Fever by Jane Sassaman This brightly colored quilt is reminiscent of south-ofthe-border handmade tiles, combined with bold stripe accents a garden delight. Collection: Technique: Skill