(Pop) Art on my sleeve- Some notes

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1 (Pop) Art on my sleeve- Some notes

2 In 1957 pop artist Richard Hamilton listed the characteristics of pop art in a letter to his friends the architects Peter and Alison Smithson: Pop Art is: Popular (designed for a mass audience), Transient (short-term solution), Expendable (easily forgotten), Low cost, Mass produced, Young (aimed at youth), Witty, Sexy, Gimmicky, Glamorous, Big business. Whether all these record covers from my collection fit this description is definitely arguable, but I hope they reflect some of the spirit and influence of Pop Art. Thanks to Helen Hartstein, Sophie Yarde-Buller and to The Royal Albert Memorial Museum & Art Gallery for letting me join in... Phil Wilson, Collector s Corner, Finders Keepers? Gallery, Royal Albert Memorial Museum & Art Gallery, Exeter 10 July to 30 September 2018

3 Sgt Pepper s Lonely Hearts Club Band The Beatles, 1967 Cover by Peter Blake & Jann Hanworth Based on a drawing by Paul McCartney, it was art -directed by Robert Fraser and photographed by Michael Cooper. The collage includes 57 photographs and nine waxworks that depict a diversity of famous people, including actors, sportsmen, pop stars and gurus chosen by the band. John Lennon s choices of Jesus and Adolf Hitler for the sleeve were rejected. The Faust Tapes Faust, 1973 Cover art by Bridget Riley The Faust Tapes is the third album by the German band. The album sold 50,000 copies in the United Kingdom thanks to a marketing gimmick by Virgin Records that saw it go on sale for the price of a single. Bridget Riley s artwork was used without permission, and is replaced on later re-pressings of the album. Andy Warhol s Velvet Underground The Velvet Underground, 1971 Design by Davis/Berney/Wade A compilation album of the Velvet Underground released by MGM Records in Originally released as a double LP, the cover artwork and inside gatefold sleeve feature Andy Warhol's paintings of Coca-Cola bottles. The album was released in the UK to capitalise on the interest from Warhol's film Pork. This Is Our Art The Soup Dragons, 1988 Artwork by Ross Sinclair Popular, witty, gimmicky, mass - produced...ross Sinclair (the band s drummer) certainly ticked many of the Pop Art reference points in his 1988 album cover for The Soup Dragons.

4 ...And Don t the Kids Just Love It The Television Personalities, 1981 Cover by Daniel Treacy Records by the Television Personalities are awash with Pop Art imagery. Dan Treacy, the band s leader, mixed 1960s aesthetics with a post-punk DIY sensibility. Treacy s own record label was named Whaam! Records, after the Lichtenstein painting. The Best Of Jimi Hendrix The Fremont s Group, 1971 Cover photo by Didier Jenoudet You would be forgiven for thinking that this is a Jimi Hendrix album. But it s not. A bargain bin tribute album by a band called The Fremont s Group. The cover has elements drawn from both Pop Art and Op Art... Spilt Milk Pete Astor, 2016 Pink Flag Wire, 1977 Photo by Annette Green A simple, vibrant, splash of cartoonish colour. Very Pop. Pete Astor is also Senior Lecturer at the University of Westminster, where he teaches, researches and writes about music With music as stark and stripped-back as its cover, the first Wire album is an influential classic. The use of such impersonal, mundane, imagery is very influenced by the Pop Art aesthetic.

5 On The Hot Dog Streets Go-Kart Mozart, 2012 Cover art by Laura Findley On the Hot Dog Streets is the third studio album by Go-Kart Mozart, the musical project of former Felt and Denim frontman Lawrence. A pastiche of the Andy Warhol Velvet Underground LP with the banana cover? With a dab of Roy Lichtenstein? A Can Of Bees The Soft Boys, 1971 Cover art uncredited "This album is dedicated to anyone who started out as an animal and winds up as a processing unit." Odessey and Oracle The Zombies, 1968 Cover by Terry Quirk The cover art was made by a friend of the band, who later insisted that the Odessey mis-spelling was entirely deliberate. The Best Of... The Troggs, 1967 Cover art uncredited The mix of cartoon imagery and photography by the unknown designer make this well within the Pop Art remit for me...

6 #1 Record Big Star, 1972 Neon Sculpture by Ron Pekar This was designed by the sculptor and painter Ron Pekar. It is the only record sleeve he ever designed, and its simple, advertising-themed, design is a bold and brilliant image. Days Of Future Passed The Moody Blues, 1967 Cover by David Anstey On the cusp between Pop Art and the later Psychedelic Art, which was much influenced by Pop. The intertwining cover painting by David Anstey can be viewed from all angles. Ege Bamyasi Can, 1972 Artwork by Ingo Trauer Again, the use of mundane imagery in a different context puts this plainly in the Pop Art camp. With Warhol clearly being an inspiration, also. Temple Of Fiddes Barrett s Dottled Beauty, 2018 Artwork by Alan Cynics (aka Alan Da- Every copy of the album (100 copies only) has an individually made collage as the front cover. "Ege Bamyası" means "Aegean Okra" in Turkish.

7 A Quick One The Who, 1966 Cover art by Alan Aldridge The album was touted as being pop music, as a sonic participant in the pop art movement. The cover was designed by the pop artist Alan Aldridge, Ptooff!! The Deviants, 1967 Cover design by KIPPS Roy Lichtenstein was not involved. Surprisingly... Wrapping Yourself In Silver Foil Won t Save You From the Blast The Total Rejection, 2018 Artwork by Andrew Arthur Jarrett Each sleeve (in a limited edition of 100) is individually painted. Splattering 100 copies with paint seems to me to fit nicely with Andy Warhol s Factory concept of mass-producing art... Sticky Fingers The Rolling Stones, 1971 Cover concept by Andy Warhol The cover of the original release features this working zipper and perforations around the belt buckle that opened to reveal a subcover image of briefs, stamped in gold with Andy Warhol s name.

8 All images are the property of their respective owners.

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