Catch Net, gouache on paper, 1986, x inches Cover page: Lion In Bouquet, 1984, goucahe on paper, x 18 inches
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1 J A M E S M A R T I N L I O N A R O U N D J A N U A R Y
2 One of Seattle s most beloved and prolific artists, Martin is a natural storyteller drawn to the unexpected, the surreal, the vaudevillian. Characters and objects interact in baffling scenes on muddled brown paper, offering a glimpse into the world of the famously shy artist and inviting viewers to believe in the irrational. In Martin s work, beetles ride ferris wheels and mummies sleep in storage rooms beside bottles of red wine. Lions walk tight ropes in tandem with Catch Net, gouache on paper, 1986, x inches Cover page: Lion In Bouquet, 1984, goucahe on paper, x 18 inches
3 acrobats and astrologers ride rickety carts pulled by fish. Yet Martin s humor is touched with poignant gravity. As one Seattle reviewer wrote, The art would be depressing if it weren t so zany, goofy, if it weren t so melancholic. In Martin s invented world, characters are animated, lovable versions of himself, his artistic influences and his cadre of connections. To anyone familiar with James Martin, these pieces illuminate his evolution as an artist. To newcomers, they provide a strange and wondrous introduction to a man whose work and story is integral to the artistic tradition of the Pacific Northwest. Bachelor Party, 1984, gouache on paper, x 29.5 inches
4 By George!, 2008, gouache on paper, 18.5 x 19.5 inches
5 African Winery, 1982, gouache on paper, 18.5 x 29 inches
6 Naked Rider, 1976, gouache on paper, 19 x 14.5 inches
7 Chair & Two Egg Plants, 1991, gouache on paper, 13.5 x inches
8 Ghost Town with Human Seal, 1994, gouache on paper, x 19 inches
9 El Paso Shoe Maker, gouache on paper, 18.5 x inches
10 Satyr s Bed Chamber, gouache on paper, 17 x 16.5 inches
11 Internal Combustion Engine, 2010, gouache on paper, 9 x 19.5 inches
12 King s Juggler, 1992, gouache on paper, 14.5 x inches
13 Lion From The Three Week Pudding Zoo, gouache on paper, 17.5 x 20 inches
14 Left Handed Kazoo 1965 gouache on paper 24.5 x 24 inches
15 Looks Under the Dresser, gouache on paper, 24 x inches
16 Lower Drawer Pie, 1976, gouache on paper, x 19.5 inches
17 Long Tailed Skipper, 1977, gouache on paper, 19.5 x 23.5 inches
18 Old Testament Egg Beater, 1972, gouache on paper, 20.5 x 21 inches
19 Potting Shed 1950 gouache on paper 23 x 21 inches
20 Scarecrow, 1986, gouache on paper, 19.5 x inches
21 Night Smoke,1976, gouache on paper, 16.5 x 20.5 inches
22 Moonlit Picnic, 1993, gouache on paper, 13.5 x 18.5 inches
23 Tomato Crate & Camel, gouache on paper, 12 x 19.4 inches
24 Tearoom, 1986, gouache on paper, 19.5 x 23.5 inches
25 Santana Sweatered, 1995, gouache on paper, 22.5 x inches
26 Storeroom with Mummy and Dress Dummy, 1991, gouache on paper, 15 x inches
27 JAMES MARTIN Education B.A., Creative Writing, University of Washington, Seattle Selected Exhibitions 2017 Lion Around, Foster/White Gallery, Seattle, WA 2016 Back In Time, Foster/White Gallery, Seattle, WA 2015 Journey Encounter with Day Glo, Foster/White Gallery, Seattle, WA 2014 Everyone with Violins on the Roof, Foster/White Gallery, Seattle, WA 2013 Whole Cloth and Mirror, Foster/White Gallery, Seattle, WA 2012 Edmonds Library, Edmonds, WA Poke-In-The-Eye, Foster/White Gallery, Seattle, WA 2011 Strawberry Series, Foster/White Gallery, Seattle, WA 2010 Guy Anderson and Other Friends: The Paul I. Gingrich, Jr. Collection, MONA, La Conner, WA Olive Branch, Foster/White Gallery, Seattle, WA Shorty s Black Dress, Foster/White Gallery, Seattle WA 2009 It s Only Paint Mrs. Rembrandt, Foster/White Gallery, Seattle, WA 2008 Is There Life After Crayolas? Foster/White Gallery, Seattle, WA No Joke: Selections from the Pruzan Collection, Museum of Northwest Art, La Conner, WA Century 21, Dealer s Choice, Wright Exhibition Space, Seattle, WA, curated by Seattle Art Dealers Association members No Woolly Mammoths Here, Foster/White Gallery, Seattle, WA 2006 Crime & Punishment, Bau-Xi Gallery Toronto, ON The Continental, Foster/White Gallery, Seattle, WA Souvenirs, Foster/White Gallery, Seattle, WA, group 2004 Searching for the Perfect Vehicle? Foster/White Gallery, Seattle, WA 2003 Paintings, Edmonds City Hall, Edmonds, WA, two person with Joyeanna Chaudiere 2001 The Museum of Northwest Art, La Connor, WA, a retrospective Imagine, Help Is on the Wall. Celebrations That You Won t Want To Miss, Foster/White Gallery, Kirkland, WA, solo 2000 Museum of Northwest Art, La Conner, WA, group 1999 Foster/White Gallery, Kirkland, WA, solo 1998 From the Duck Farm, Foster/White Gallery, Seattle, WA, solo 1996 New Paintings, Foster/White Gallery, Seattle, WA, group Advance Work, Foster/White Gallery, Kirkland, WA, solo
28 1995 Foster/White Gallery, Kirkland, WA, group Bellevue Art Museum, Bellevue, WA Pulliam Deffenbaugh Nugent Gallery, Portland, OR, solo 1994 Glories of the Game: The Art of Baseball, SAFECO, group Recent Paintings & Drawings, Foster/White Gallery, Kirkland, WA 1993 Foster/White Gallery, Seattle, WA, group Pulliam Deffenbaugh Nugent Gallery, Portland, OR, solo 1992 Recent Paintings, Foster/White Gallery, Seattle, WA, solo 1991 Foster/White Gallery, Seattle, WA, group 1990 Pulliam/Nugent Gallery, Portland, OR, solo 1989 Foster/White Gallery at Frederick & Nelson, Seattle, WA solo 1988 Through The Looking Glass, Bellevue Art Museum, Bellevue, WA 1987 Foster/White Gallery at Frederick & Nelson, Seattle, WA, solo Fur, Feathers and Scales: Especially For Children, Bellevue Art Museum, Bellevue, WA 1986 Martin Tour Collection: The Art of St. Martin s Abbey, Tacoma Art Museum, Tacoma, WA 1985 Woodside/Braseth Gallery, Seattle, WA, solo Fountain Gallery, Portland, OR, group 1983 Woodside/Braseth Gallery, Seattle, WA, group 1982 Fountain Gallery, Portland, OR, solo Woodside/Braseth Gallery, Seattle, WA, solo 1979 Gordon Woodside Gallery, Seattle, WA, solo 1975 Gordon Woodside Gallery, Seattle, WA, solo 1972 Gordon Woodside Gallery, Seattle, WA, solo Fountain Gallery, Portland, OR, group 1971 Gordon Woodside Gallery, Seattle, WA, solo 1970 Gordon Woodside Gallery, Seattle, WA, solo Fountain Gallery, Portland, OR, group 1969 James Martin Showcase, Edmonds, WA 1968 Seattle Art Museum, 28th Annual Exhibition of NW Watercolors, Seattle, WA 1967 Summer Salon, Henry Art Gallery, Seattle, WA 1966 Otto Seligman Gallery, Seattle, WA 1965 Otto Seligman Gallery, Seattle, WA, two person with Polly Rawn Seattle Art Museum, 51st Annual Exhibition of NW Artists, Seattle, WA 1964 Fountain Gallery, Portland, OR, solo Seattle Art Museum, 50th Annual Exhibition of NW Artists, Seattle, WA Seattle Art Museum, 24th Annual Exhibition of Watercolors, Seattle, WA Northwest Craft Center and Gallery, Seattle WA
29 1963 Younger Washington Artists, Henry Art Gallery, Seattle, WA 1962 Otto Seligman Gallery, Seattle, WA, solo Otto Seligman Gallery, Seattle, WA, two person with Herbert Scribner Seattle Art Museum, 48th Annual Exhibition of NW Artists, Seattle, WA Seattle Art Museum, 22nd Annual Exhibition of Watercolors, Seattle, WA 1961 Seattle Art Museum, 47th Annual Exhibition of NW Artists, Seattle, WA Seattle Art Museum, 21st Annual Exhibition of Watercolors, Seattle, WA 1958 Seattle Art Museum, 44th Annual Exhibition of NW Artists, Seattle, WA Otto Seligman Gallery, Seattle, WA, two person with Virginia Kobler 1955 Louise Gilbert Little Gallery, Frederick & Nelson, Seattle, WA Seattle Art Museum, 41st Annual Exhibition of NW Artists, Seattle, WA Selected Publications Brotman, Eric. The Mystery of 309 Main Street. Edmonds Beacon, April 8, 2010 Upchurch, Michael. Like Tetrasomy Two, skeels was a true original. Seattle Times, December 16, Out of the Dust. Edmonds: Edmonds Arts Festival, Kangas, Matthew. Artists show folk sensibility. Seattle Times January 21, 2005: 43H. Farr, Sheila. Layered meanings come standard with James Martin s Perfect Vehicle. Seattle Times February 20, Johnson, Barry. The James Martin Treatment. Booksweek March 18, 2001: E12. An ephemeral service with lasting impact. Union Record th Anniversary Exhibit. Portland, Oregon: Fountain Gallery of Art, Tarzan, Delores. Fine Paintings at Four Galleries. Seattle Times March 4, 1975: C4. Gregory, Anne. Unusual World of James Martin Shown. The Enterprise October 30, 1968: 1-6. Duncan, Don. Jim Martin: A Man and His Paintings. Seattle Times October 1, 1968: 12. Batie, Jean. Martin s Lions in Plain Brown Wrappers. Seattle Times Batie, Jean. Something with Six Toes Is Afoot. Seattle Times September 1, 1967: 24. Faber, Ann. Martin Show at Seligman. Seattle Times October 14, Northwest Artists of the Otto Seligman Gallery. Seattle: Otto Seligman Gallery, Lehmann, Thelma. Pizzuto Paintings Mixed in Quality. Callahan, Kenneth. Martin Drawings, Seattle Times January 12, Complete Resume Available Upon Request
30 Lion From The Three Week Pudding Zoo, gouache on paper, 17.5 x 20 inches F O S T E R / W H I T E G A L L E R Y 220 THIRD AVENUE SOUTH, SEATTLE WA TELEPHONE : SEATTLE@FOSTERWHITE.COM Copyright 2016 Foster/White Gallery
Cover: Color Study #2 acrylic on canvas 48 x 48 inches. Left: Color Study #3 acrylic on canvas 48 x 48 inches
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Cover image: Moon Blowing Through Dark Streets, mixed media on panel, 60 X 60 inches This page: Pilgrims Walk Slowly, mixed media on panel, 40 X 30
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