Preview Only. Legal Use Requires Purchase. Hit the Road Jack JAZZ. Words and Music by PERCY MAYFIELD Arranged by MIKE LEWIS INSTRUMENTATION
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1 a division o Alred JAZZ Hit the Road Jak Words and Musi y PERCY MAYFIELD Arranged y MIE LEWIS ISTRUMETATIO Condutor 1st E Alto Saxophone 2nd E Alto Saxophone 1st B Tenor Saxophone 2nd B Tenor Saxophone E Baritone Saxophone 1st B Trumpet 2nd B Trumpet 3rd B Trumpet 1st Tromone 2nd Tromone 3rd Tromone Guitar Chords Guitar Piano Optional Alternate Parts C Tua Horn in F (Doules 1st Tromone) Baritone TC/B Tenor Saxophone (Doules 1st Tromone) Previe Only
2 OTES TO THE CODUCTOR Hit the Road Jak as made amous y the legendary Ray Charles in the RB style It is a sing hart ith a solid akeat on eats 2 and 4 Eighth notes are sung ith a light eel avoid overdoing the sing eel or it ill sound stilted, and it on t sing! The drumset player should keep the snare drum akeat on 2 and 4 to give it an RB eel When the saxes enter in measure, they should dig in and e airly aggressive, hih is the nature o this tune and hart Unison lines should, o ourse, e in tune Players must listen and e aare o eah other to adjust as needed, ut still maintain a onident and solid sound For the s or the saxes in measure 10, they should try to imitate the sound o a voalist ing a note It s not as radial as it looks ut aution the saxes not to too muh Just a slight drop o the ja should do it, and then ring the pith ak up immediately The eet an e omitted entirely i desired Unison rass at 1, so listen or intonation and diret the players to listen to eah other The groove hanges at measure 37, so all inds should e areul o intonation on the unison setions Regarding artiulation, the rootop aents () should e played detahed and aented, ut not staato think daht The last eighth in a group o to or more is short, ut not lipped For the rhythm setion, the guitar ill have slash marks to indiate omping using three- or our-note hords in a quarter note pattern For the est sound, ask the guitarist to use medium-thikness piks hih ill give the sound a very right, aousti quality, and to hold the pik loosely eteen the thum and index inger Strum straight quarter notes, trying to ut o (mute) the sound o the hord right ater striking the strings Strum rom the elo, giving a right, singing sound that propels the rhythm setion orard The guitarist s quarter note rhythm should peretly mesh so that the guitar and ass merge into one ig sound The ass player is alking a ass line throughout keep it steady! The drumset player should alays e thinking aout aurate time as the priority over playing ills or setting up and igures Remind the drummer that the drum part is a guide to hat is happening in the ensemle and not every igure needs to e played Measures 43 and 44 and 65 and 66 are the loudest parts o this hart, dynamially Enjoy! Mike Leis Mike Leis Previe Only Mike Leis has een a reelane arranger/omposer or many years Starting ith the Jakie Gleason TV Variety Sho as a sta arranger, he eame heavily involved in the pop musi ield, arranging hit reords or some today s top pop artists He has also een ommissioned to rite harts or the Glenn Miller Orhestra, and the Lionel Hampton and Jimmy Dorsey orhestras
3 CODUCTOR 36026S C 1st EÑ Alto Saxophone 2nd EÑ Alto Saxophone 1st BÑ Tenor Saxophone 2nd BÑ Tenor Saxophone EÑ Baritone Saxophone 1st BÑ Trumpet 2nd BÑ Trumpet 3rd BÑ Trumpet 1st Tromone 2nd Tromone 3rd Tromone Guitar Piano Medium Sing å = 120 Solo Ride Cym SD 1 D7 <! 5 D7 <! 5 2 sim HIT THE ROAD JAC 3 D7 <! 5 D7 <! Words and Musi y PERCY MAYFIELD Arranged y MIE LEWIS Soli Soli Soli Soli Soli n D7 <! 5 6 D7 <! 5 Previe Only 161 (Reneed) TAGERIE MUSIC CORP This Arrangement 2011 TAGERIE MUSIC CORP All Rights Reserved inluding Puli Perormane Used y Permission 7 D7 <! 5 k k D7 8
4 Bari Tpt 1 Tpt 2 Tpt 3 Tn 1 Tn 2 Tn 3 Gtr Pno {} C/D D C/D D n n D7 C/D D7 C/D n n 14 1 Previe Only 15 - n - n - n - n - n - n D7 <! 5 D7 k k 16
5 Bari Tpt 1 Tpt 2 Tpt 3 Tn 1 Tn 2 Tn 3 Gtr Pno 2 17 C/D 18 C/D {1} 1 Dñ 20 Dñ Dñ D7 k k 22 Previe Only n n n - n - n - n n D7 <! 5 24 D7 <! 5
6 Bari Tpt 1 Tpt 2 Tpt 3 Tn 1 Tn 2 Tn 3 Gtr Pno 25 - n - n - n - n - n - n D7 <! 5 D7 k k C/D D C/D D n n 30 Previe Only 31 n D7 C/D D7 C/D n 32
7 Bari Tpt 1 Tpt 2 Tpt 3 Tn 1 Tn 2 Tn 3 Gtr Pno n - n - n - n - n - n D7 <! 5 k k D C/D {37} C RH LH Previe Only 3 40
8 Bari Tpt 1 Tpt 2 Tpt 3 Tn 1 Tn 2 Tn 3 Gtr Pno D7 <! 5 Dï Dñ Dñ Previe Only 47 D7 k k Dñ 48
9 Bari Tpt 1 Tpt 2 Tpt 3 Tn 1 Tn 2 Tn 3 Gtr Pno n n n - n - n - n n D7 <! 5 50 D7 <! n - n - n - n - n - n D7 <! 5 D7 <! 5 k k {53} Previe Only 55 - C/D D C/D D n n 56
10 Bari Tpt 1 Tpt 2 Tpt 3 Tn 1 Tn 2 Tn 3 Gtr Pno 57 D7 C/D D7 C/D n n n - n - n - n - n - n D7 <! 5 D7 k k Previe Only - C/D D7 C/D n 62
11 Bari Tpt 1 Tpt 2 Tpt 3 Tn 1 Tn 2 Tn 3 Gtr Pno {63} ( C/D ) ( ) C/D n D7 <! 5 D7 <! 5 A 66 Previe Only 67 U U U U U U U n u U U U U U GÈ C U n ue GÈ C U U U U æ 68
12 Previe Only alredom
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