All Shall Be Well. for Assembly, SATB Choir, Keyboard, Guitar, and B$ Trumpet I & II. > w. > œ w. > œ œ.> > Œ w. b œ. œ œ œ œ œ œ œ œ. .

Transcription

1 Timothy Dudley-Smith Organ or Piano 16' Ped or Electric Bass & or Assemly, SATB hoir, Keyoard, Guitar, and B$ Trumpet I & II & sempre marcato INTRO Vigorous, oyul (q = ca 144) sempre staccato J J J N John oley, SJ Text 1984, Hope Pulhing o, arol Stream, IL All rights reserved Used ith permsion Music 1985, John B oley, SJ Pulhed y OP Pulications, 5536 NE Hassalo, Portland, OR All rights reserved rom collection ONE BREAD, ONE BODY ompact Dc #10440 assette # NE Hassalo Portland OR OP Pulications ocporg

2 2 VERSES 1, 2 Soprano marcato & Alto Tenor Bass & & 1 2 & 1 2 All All marcato hrt sin - ner * J e e J ell! ell! J J sempre staccato Sun reed, or The o on our sac - ri - Eas - ice ter Righ - price teous - o skies made; see ness par - a - don * ue size notes are alternatives or electric ass Edition Z

3 3 & 1 re 2 paid & & & 3 cross and pas - sion past; poco cresc VERSE 3 3 All e dark su ell! The night

4 4 & & & & 3 done, 3 last 3 last, J J right right ẇ J J morn - ing molto cresc molto cresc molto cresc morn - ing 4 N VERSE 4 J come Je - sus a - live! J at No

5 5 & & & & 4 on our Eas - ter 4 Righ - teous - skies see J ness a - hrt re Sun o

6 6 VERSE 5 S P & A 5 All e & P & T B & 5 dark J J J ell! The night J cross and pas - sion done, J N J past; P J right P J

7 7 & 5 morn - ing & N P VERSE 6 ƒ & & ƒ ƒ ƒ J come at 6 Je - sus a - live! Re - J J last last, right oice and sing a - ẇ morn - ing J J J J gain, All

8 8 & & & & & 6 e 6 A - ell or - ^ men! ev - er - ^ ^ more, ^ U u U

9 B TRUMPET I & II 9 John oley, SJ & # 4 4 & # VERSES 1-2 n a2 & # J 5 a2 VERSE & # 3 1,2 All e ell! 12 & # & # n VERSE 4 4 Je - sus a - live! VERSE 5 12 J 1 Righteous-ness 2 par - VERSE 6 6 Je - sus a -live! ^ v J a - don re paid 5 a2 Righteous -ness a - re ^ v 7 ^ n v A - men II ^ n v I 1985, John B oley, SJ Pulhed y OP Pulications, 5536 NE Hassalo, Portland, OR All rights reserved U u

10 10 Timothy Dudley-Smith (Guitar/Vocal) John oley, SJ VERSES 1, 2 & INTRO Vigorous, oyul (q = ca 144) (\D) (G\D) E$/ B$/ apo 3: & 4 1 All 2 All (G) B$ e e (G\D) B$/ ell! ell! or The (A\D) / on our Eas - ter sac - ri - ice (\D) E$/ (GÂÅÔ \D) (A\D) B$ma7/ / skies made; see (BÂ) Dm hrt sin - & 1 Sun 2 reed, VERSE 3 (G) B$ & & o J 3 All e 3 night VERSE 4 & (B$) D$ done, (D\#) (G) /A B$ Righ - price ell! (G\D) B$/ 4 Je - sus a - live! teous - o The (DÂ&) m7 right (D A) / ness par - cross and No a - don pas - sion molto cresc morn - ing come past; re paid (A\D) / at on our Eas - ter (A&) 7 last (E$) G$ dark 2 ner skies see & (BÂ) Dm (G) B$ (D\#) (G) /A B$ (D A) / 4 hrt Sun o Righ - teous - ness a - re Text 1984, Hope Pulhing o, arol Stream, IL All rights reserved Used ith permsion Music 1985, John B oley, SJ Pulhed y OP Pulications, 5536 NE Hassalo, Portland, OR All rights reserved

11 11 VERSE 5 (G) B$ & P J (DÂ&) m7 (E$) G$ 5 All e ell! The cross and pas - sion past; dark & 5 night VERSE 6 ƒ & & & (B$) D$ done, (G\D) B$/ P right 6 Je - sus a - live! Re (BÂ) Dm men! a\d e a\d (G) B$ ell ( or - (G\D) B$/ morn - ing come (A\D) / at oice and sing a - (D\#) (G) /A B$ ev - er - (B$\D) (E$\D) D$/ G$/ Guitar harts _ ( (D A) / more, OR OR OR 5 _ (A&) 7 last gain, (Â\D) (Â&\D) E$m/ E$m7/ dim ( A - U,, c\d All c,\d c,7\d e_ e_ e-\d g\d g,/7\d 4 4 OR 3 ( (

12 12 Assemly Edition ALL SHALL BE WELL John oley, SJ Verses 1, 2, 4, 6 1 All 2 All 4 Je 6 Je Sun reed, Sun ell Verses 3, 5 3 All 5 All o o or 3 night 5 night sus sus Righ price Righ ev done, done, e e a a ell! ell! live! live! teous o teous er e ell! e ell! or on our Eas ter skies The sac ri ice made; No on our Eas ter skies Re oice and sing a gain, 1-3 ness a re par don paid ness a re The cross and pas sion The cross and pas sion right morn right morn ing ing (to Vs2) (to Vs3) (to Vs5) more, A men! come come inal past; past; Text: Timothy Dudley-Smith, 1984, Hope Pulhing o, arol Stream, IL All rights reserved Used ith permsion Music 1985, John B oley, SJ Pulhed y OP Pulications, 5536 NE Hassalo, Portland, OR All rights reserved at at see see All last last hrt sin hrt dark dark or reprint permsions, please vit OneLicensenet or contact us at ner e (to Vs4) (to Vs6) Perormance Notes a glorious celeration o Easter mystery or use anytime during Easter season or henever paschal mystery rememered Keep tempo ast, and completely constent throughout Special care should e taken ith seventh measure o verses 1, 2, 4, and 6 that quarter notes are not rushed The perormance should e highly marcato (stressed) The exuerance ill decrease unless choir uses accented consonants and volume as marked Verse 5, especially in its eginning or omen s voices alone, a contrast ith quieter dynamic markings Verses 3 and 5 have a dierent melody rom ors The molto crescendo o last our measures o se verses very important or leading into climactic ords Jesus alive! o Verses 4 and 6 Leave room or it to gro spectacularly The crescendo should hit its loudest point on ord Jesus o olloing verse The keyoard part can e realized in any o three ays: (1) piano and electric ass; (2) organ, ith rassy stop on right-hand manual and right, almost metallic stop on let-hand manual; or (3) synsizer (using rass patch) and electric ass Utmost exuerance called or! J