Preview Only. Legal Use Requires Purchase. Lago del Oeste MATT HARRIS INSTRUMENTATION

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1 1st b lto Saxophone 2nd b lto Saxophone 1st b enor Saxophone 2nd b enor Saxophone b aritone Saxophone 1st b rumpet 2nd b rumpet 3rd b rumpet 4th b rumpet M HRRIS INSRUMNION 1st rombone 2nd rombone 3rd rombone rombone Guitar hords Guitar Piano Optional/lternate Parts lute Vibraphone uba (oubles ) Horn in (oubles 1st rombone) 1st aritone Horn /b enor Saxophone (oubles 1st rombone) 2nd aritone Horn /b enor Saxophone (oubles 2nd rombone) 3rd aritone Horn /b enor Saxophone (oubles 3rd rombone)

2 NOS O H ONUOR he groove or is an ro-uban ha-ha (It should not be onused ith the merian/latin dane rom the 1940s and 50s) xeuting this groove is the main objetive o the rhythm setion, as the eel and pulse must remain energized he intensity o the repetitive rhythm igures is ruial It ill take some ous or rhythm players to grasp the eetiveness o the repetition or an aural understanding o the groove, I suggest the ensemble, and espeially the rhythm setion, listen to the demo reording o this hart at alredom/donloads Or, hek out any lassi ito Puente or Ponho Sanhez reording the ro-uban groove is truly inetious nd that s the beauty o this musi ind something that orks, and stik to it; in this ase, the repetitive yet intense rhythmi groove he ritten parts ork great i read as is Horn players pay lose attention to the artiulations he staato notes should be risp and lean, but not too short or lipped It is essential that eah ind player ouses on the artiulation uniormity is ritial t m 91, the lo brass and rhythm also have marato, or rootop (), aents he rootop aents are played detahed, aented, and or their ullvalue Pay attention to other speii artiulations ombining slurs and short notes throughout the hart ous! Soloing on this tune an be quite easy he hord progression is 2-bars long ith only three hords: onert G minor, (major), and G (major) he G blues sale (G, b,,,, and ) ill ork great over the entire progression You an also try the G minor pentatoni sale (G, b,,, and ) ah sale an beome a bit repetitious, so onsider blending the to sales he and hords provide movement to get bak to the home-base hord o G minor In the setion at mm , the drummer an be more aggressive in at almost soloing in this setion Hoever, alays maintain aurate time and eel hen, in m 116, drums should be totally silent until the and o beat 4 into m 118 he rhythm setion parts are notated, but hen the guitarist has slashes, he or she may onsider omping ith the same rhythm notated in mm 6 8 Please enjoy! Matt Harris Matt Harris Matt Harris graduated ith a M rom the University o Miami and a MM rom the astman Shool o Musi He moved to Los ngeles ater touring, riting, and reording ith jazz legends, Maynard erguson and uddy Rih Matt is o-diretor o Jazz Studies at aliornia State University, Northridge, and is a urrent aulty member at Yellostone and Idyllild rts summer jazz amps He is urrently the VP or aliornia lliane or Jazz (J) and is a National Panelist or Young rts based in Miami He has onduted the Nevada, Oklahoma, rizona, South akota, and exas all state bands He has been ommissioned to rite musi rom bands spanning the globe, inluding; enmark, Germany, Ne Zealand, Japan, hina, urkey, as ell as numberous high shools and Universities in the United States Matt has played ith jazz legends inluding obby She, Lanny Morgan, ob Sheppard, ob Mhesney, Hoie Shear, Matt inders, Rob Lokart, arl Saunders, huk indley, im Ries, ob Summers, John Pisano, Gregg issonette, and an Higgins to name a e He has also played piano and/or ritten musi or some o today s top jazz voalists inluding aryn llison, Jakie llen, iane Shure, ena erose, Rosana kert, albria oti, evin Mahogany, urt lling, Marie armen oppel, and many others Matt is an ative liniian, ondutor and omposer or high shools, olleges, and proessional bands around the orld

3 ONUOR 41129S 1st Ñ lto Saxophone 2nd Ñ lto Saxophone 1st Ñ enor Saxophone 2nd Ñ enor Saxophone Ñ aritone Saxophone 1st Ñ rumpet 2nd Ñ rumpet 3rd Ñ rumpet 4th Ñ rumpet 1st rombone 2nd rombone 3rd rombone rombone Guitar Piano Latin salsa å = 120 n Opt 8va b n n Î b Í 1 b ë ë ë Solo ill 2 ~3} LGO L OS n o + + o + + o + + o MMN MUSI ll Rights Reserved inluding Publi Perormane n N 6 n n n N 7 y Matt Harris 8 ê

4 ari pt 1 pt 2 pt 3 pt 4 bn 1 bn 2 bn 3 bn Gtr Pno ( ) ( ) n n N n N 9 10 {11} /ari, pt and bn /lto, pt and bn /lto, ari and bn /lto, ari and pt ê n n N n N b b b b sim 12 b b b b n n N n N n n N n N 15 b b b b 16

5 ari pt 1 pt 2 pt 3 pt 4 bn 1 bn 2 bn 3 bn Gtr Pno ( ) n N b n n b n 17 n N N 18 ê {19} b b b b b b b b n n N n N b n b b 20 b b b b n n N n N 21 N N N N 22 n n n n n 23 n n N N

6 ari pt 1 pt 2 pt 3 pt 4 bn 1 bn 2 bn 3 bn Gtr Pno b n n n b N b b b b N ( ) ( ) 24 N b b n n n N n N 25 b n N ñ ñ 26 {27} N! H N Solo melody (/gtr) (/enor) N Î n 27 Í b N G / n n sim ! 7 È È / / k - n - 29 GÍ 30 b! / b n G / n n n 31

7 ari pt 1 pt 2 pt 3 pt 4 bn 1 bn 2 bn 3 bn Gtr Pno ( ) ! 7 È È! k Î Set-up Opt 8va b N b n {36} n n n o + + o o + + o n n N n N ê

8 ari pt 1 pt 2 pt 3 pt 4 bn 1 bn 2 bn 3 bn Gtr Pno {40} ( ) n n N 40 n N b b b b b b b b 41 b b b b b b b b n n N n N ê n n N n N 44 b b b b b b b b 45 N N N N b b b b N n n n N n N 46 n N ñ 47

9 ari pt 1 pt 2 pt 3 pt 4 bn 1 bn 2 bn 3 bn Gtr Pno {48} Solo melody (/gtr)! H N Î n 48 Í b N N G / n n sim ! 7 È È / / k - n - 50 P P P GÍ ! / b n G / n n ! 7 È È! Î k Opt 8va b n b n Setup n

10 ari pt 1 pt 2 pt 3 pt 4 bn 1 bn 2 bn 3 bn Gtr Pno ( ) n n Solo {57} Open/Solos 2nd ime Opt Solo Opt Solo Solo 1st ime Solos n 57 b 58 n n N n N b n b 60 b n n n 61 n N N N - b 62 n n N n N 63 b n 64

11 ari pt 1 pt 2 pt 3 pt 4 bn 1 bn 2 bn 3 bn Gtr Pno {65} akgrounds on ue ( ) n n N b b b b b b n N 65 - N N b n N N 66 b n n n n n N n N 67 b n b b b b b b n n N n N 69 - N N N N 70 b n n n n N n N 71 72

12 ari pt 1 pt 2 pt 3 pt 4 bn 1 bn 2 bn 3 bn Gtr Pno {73} v b b b b b n 73 n N n N b N N N 74 N v b n n n n n N n N 75 N b b b v b b b n n N n N 77 b N N N 78 b n n n n n N n N 79 nd solo N n 80 nd solo

13 ari pt 1 pt 2 pt 3 pt 4 bn 1 bn 2 bn 3 bn Gtr Pno {81}! H N Î n 81 Í b N G / n n ! 7 È È / / k - n - 83 GÍ b! / b G / n n n 85 n ! 7 È È! k Î ill Opt 8va b n b n 88

14 ari pt 1 pt 2 pt 3 pt 4 bn 1 bn 2 bn 3 bn Gtr Pno 89 Solo ill ill ill ill 90 {91} Rokin'

15 ari pt 1 pt 2 pt 3 pt 4 bn 1 bn 2 bn 3 bn Gtr Pno 97 b b b b b b b b 98 {99} 99 n n ill ill ill 100 n n n n

16 ari pt 1 pt 2 pt 3 pt 4 bn 1 bn 2 bn 3 bn Gtr Pno n n 105 b b b b b b b b b b b b b 106 unison soli unison soli unison soli unison soli {107Ç N n N N! n ill ill ill 108 n! n 109! 110 n! n 111 b b b Opt 8vb b Opt 8vb 112

17 ari pt 1 pt 2 pt 3 pt 4 bn 1 bn 2 bn 3 bn Gtr Pno! 113 n n! 114 ill 115 reak! {116Ç n (Silene) o + + o n N o + + o n o + + o

18 ari pt 1 pt 2 pt 3 pt 4 bn 1 bn 2 bn 3 bn Gtr Pno {120Ç 120 N n n n b 121 n n n b 122 N N N 124 N N n n n b n N n b 125 a n N b a n N N 126 N N b b 127

19 ari pt 1 pt 2 pt 3 pt 4 bn 1 bn 2 bn 3 bn Gtr Pno {128Ç H N Î 128 Í n N N / sim È G / /G 130 Í k b n n! / / 132 G a È Î k n b n b n Solo ill N N ê 137