Preview Only. Legal Use Requires Purchase. Give It One JAZZ. MAYNARD FERGUSON and ALAN DOWNEY Arranged by ALAN BAYLOCK INSTRUMENTATION

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1 a division o Alred JAZZ Give It One MAYNARD ERGUSON and ALAN DOWNEY Arranged by ALAN BAYLOC 1st Eb Alto Saxophone 2nd Eb Alto Saxophone 1st Bb Tenor Saxophone 2nd Bb Tenor Saxophone Eb Baritone Saxophone 1st Bb Trumpet 2nd Bb Trumpet 3rd Bb Trumpet th Bb Trumpet 5th Bb Trumpet (Optional) INSTRUMENTATION 1st Trombone 2nd Trombone 3rd Trombone Trombone Guitar Chords Guitar Piano (Electric)

2 NOTES TO THE CONDUCTOR Thank you or your interest in Give It One! Although this arrangement is based on the classic version recorded by Maynard erguson, there are a e notable dierences Unlike the original, there are no key changes This keeps the trumpet 1 part in a manageable register throughout In addition, the alto solo has been replaced by an open section or various trumpet solos Despite these dierences, the overall vibe should be the same, and it ould be o great beneit to listen closely to Maynard s original version, as ell as the exceptional recording provided at alredcom/donloads Throughout the chart, clean and accurate articulation is essential The staccatos should be very short, yet played ith a sharp attack In contrast, phrases marked ith a slur (ie, mm 7 8, 13 1, and so on) should be played smoothly and connected Another issue in this chart is energy and orard motion That may sound easy to accomplish, but the horn lines and articulation tend to make the band slo don Avoid overbloing in general, as that oten ill make the tempo drag I suggest all players practice ith a metronome The syncopation patterns can also make it troublesome to maintain a steady tempo or example, caution the saxes and rhythm section not to rush in measures 7 8 and similar places that syncopated pattern occurs You can play the chart sloer or rehearsal purposes, then speed things up gradually Strive to hit the target tempo indicated or a perormance The solo section at measure 7 is designed to accommodate 1, 2, 3,, or all 5 (optional part) trumpet players I multiple players are soloing, the background igures should be played only occasionally or example, the 2nd time through each solo, or every other solo Hoever, they should deinitely be played the last time through each solo or the solo section at measures , all the trumpets could solo simultaneously, some could trade ours, or one soloist could play it all Whatever you decide, the solos should be active and very energetic Although the trumpet 5 part is optional, or best results, use it! or the guitar player comping patterns, keep it basic and rock-lavored Try a simple pattern o quarter note, eighth rest, eighth note tied to a hal note, or some variation Thanks again or your interest in this arrangement! I sincerely hope you, the band, and the audience enjoy it! Alan Baylock Alan Baylock Alan Baylock is quickly becoming recognized as one o the most creative young voices in the music business today He is in demand as a composer, arranger, conductor, producer, instrumentalist, educator, and is the leader o the Alan Baylock Jazz Orchestra He is the chie arranger or the renoned USA Airmen o Note and Jazz Composer in Residence at Shenandoah University Baylock s music has been perormed and/or recorded by jazz greats reddie Hubbard, Michael Brecker, Joe Lovano, Paquito D Rivera, Maynard erguson, Phil Woods, David Liebman, Arturo Sandoval, urt Roseninkel, enny Werner, Nicholas Payton, Nnenna reelon, Tierney Sutton, urt Elling and many more His eclectic talents have also led him to riting music or Roy Clark, Clint Black, Wynonna, Al Jarreau, Chaka han, Patti LaBelle, Spyro Gyra, Ronan Tynan, and symphony orchestras here and abroad Baylock s mastery o the art o jazz arranging and composition expresses itsel in his incomparable technique, virtuosity, and an unquenchable desire to challenge and surprise Along ith explosive energy, ingenious reharmonizations, imaginative melodic, tonal and rhythmic expressions, Alan s creations beam ith a sense o joy and soululness, and are a glimpse into the depth o the human spirit An inspiring educator, Alan is regularly eatured as guest artist, clinician, and adjudicator at jazz estivals, universities and high schools across the country Many o his compositions/arrangements are published by Alred Music

3 CONDUCTOR 0368S Jazz-Rock å = 220 1st EÑ Alto Saxophone nd EÑ Alto Saxophone st BÑ Tenor Saxophone 2nd BÑ Tenor Saxophone EÑ Baritone Saxophone 1st BÑ Trumpet 2nd BÑ Trumpet 3rd BÑ Trumpet th BÑ Trumpet 5th BÑ Trumpet (Optional) 1st Trombone 2nd Trombone 3rd Trombone Trombone Guitar Piano (Electric) Lead k k k k k k k k k k k k k k k k 1 k k - - k k - - k k - - k k k k k k k k k k GIVE IT ONE k k k k k k (Reneed) DESTRUCTIVE WORLD MUSIC This Arrangement 2013 DESTRUCTIVE WORLD MUSIC All Rights Reserved including Public Perormance Used by Permission ill n b n k k - - k - By Maynard erguson and Alan Doney Arranged by Alan Baylock k k 6 k k - b b b 7 n n n n b b b b N k k k N k k k N k k k

4 Bari Tpt 1 Tpt 2 Tpt 3 Tpt (Opt) Tpt 5 Tbn 1 Tbn 2 Tbn 3 Tbn Gtr Pno ~9} k k k k b k k b - - (Hi-Hat) k k b k - - b - 10 k b k k - b k k k n k k b b 13 n n n n b b b b N k k k N k k k N k k - - b Lead b k k Lead b k - b - - b k b k b - - b - k - - b

5 Bari Tpt 1 Tpt 2 Tpt 3 Tpt (Opt) Tpt 5 Tbn 1 Tbn 2 Tbn 3 Tbn Gtr Pno b- n - - k b n k k b b b b b n n n n b b b b N k N k {21} N k k k N k k k N k k k ill b b Heavy Rock Groove b b b b Give it One b n b b n b n n 2 D b b b

6 Bari Tpt 1 Tpt 2 Tpt 3 Tpt (Opt) Tpt 5 Tbn 1 Tbn 2 Tbn 3 Tbn Gtr Pno b b ( D b ) n A n ill ill Solo ill 26 # k k k 27 A n - - A n n 28 B Q N n 29 n

7 Bari Tpt 1 Tpt 2 Tpt 3 Tpt (Opt) Tpt 5 Tbn 1 Tbn 2 Tbn 3 Tbn Gtr Pno {33} Groove 33 k k k k k G b b 35 n n G b b N 36 # # # # # n - n - n - n - n - 37 k k k k k k k k k k 38 G b b 39 k k b G Cñ N - 0

8 Bari Tpt 1 Tpt 2 Tpt 3 Tpt (Opt) Tpt 5 Tbn 1 Tbn 2 Tbn 3 Tbn Gtr Pno {1} b b 1 ÿ b ÿ ÿ ÿ b ÿ b b # b - N b - N n Gò A n b n k k k k 6 k k k k - - b k k b b n n ill 8 B Q

9 Bari Tpt 1 Tpt 2 Tpt 3 Tpt (Opt) Tpt 5 Tbn 1 Tbn 2 Tbn 3 Tbn Gtr Pno n Groove 9 n \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ 50 Solo ill {55} Groove 55 - k k k k 56 b G b n b 57

10 Bari Tpt 1 Tpt 2 Tpt 3 Tpt (Opt) Tpt 5 Tbn 1 Tbn 2 Tbn 3 Tbn Gtr Pno N k k G N 58 Cñ # # # # # A n - n - n - n - n - 59 b - - k k k k k k k k n G b b b 61 N k k b N G Cñ 62 - {63} b b 63 ÿ b ÿ ÿ ÿ b ÿ b b

11 Bari Tpt 1 Tpt 2 Tpt 3 Tpt (Opt) Tpt 5 Tbn 1 Tbn 2 Tbn 3 Tbn Gtr Pno # b - N b - N n 66 Gò A N b n k k 67 k k k k b b b b - - b b b - - b b k k b b b n n n n b b b b N k k k N k k k N k k k ill 73

12 {7} Bari Solo on Cue Tpt 1 Solo on Cue Tpt 2 Solo on Cue Tpt 3 Solo on Cue Tpt Solo on Cue (Opt) Tpt 5 Tbn 1 Tbn 2 Tbn 3 Tbn Gtr Pno 1st Time n Only 1st Time Only 1st Time Only 1st Time Only 1st Time Only 1st Time Only G 1st Time Only G 1st Time Only G 1st Time Only G n 1st Time Only G 1st Time Only 1st Time Only 1st Time Only 1st Time Only 1st Time Only OPEN or Trumpet Solos 7 Groove \ \ \ \ \ \ \ \ \ \ \ \ \ \ 75 ( G) ( G) ( G) ( G) ( G) 76 Cñ 77 G G G G G Continue Sim Groove Cñ 81 {82} G G G G G 82 83

13 Bari Tpt 1 Tpt 2 Tpt 3 Tpt (Opt) Tpt 5 Tbn 1 Tbn 2 Tbn 3 Tbn Gtr Pno ( G) ( G) ( G) ( G) ( G) ( ) G G G G G n 89 D b D b D b D b D b B ill 93

14 Bari Tpt 1 Tpt 2 Tpt 3 Tpt (Opt) Tpt 5 Tbn 1 Tbn 2 Tbn 3 Tbn Gtr Pno {9} Bkgds on cue Bkgds on cue b Bkgds on cue Bkgds on cue Bkgds on cue Bkgds on cue Bkgds on cue Bkgds on cue Bkgds on cue Bkgds on cue Bkgds on cue Bkgds on cue Bkgds on cue Bkgds on cue G G G G G Bkgds on cue Groove b Bkgds on cue Bkgds on cue Bkgds # on cue n b n n 97 G G G G G N A b # n b n n Cñ 101

15 Bari Tpt 1 Tpt 2 Tpt 3 Tpt (Opt) Tpt 5 Tbn 1 Tbn 2 Tbn 3 Tbn Gtr Pno {102Ç G G G G G N A 102 BÌ BÌ BÌ BÌ BÌ AÌ n 103 Eò Eò Eò Eò Eò b 10 Aó Aó Aó Aó Aó Gó n # n A n n Cñ 106 n # n n 107 G G G G G k # k AÌ - AÌ - AÌ - AÌ - AÌ n GÌ 109

16 Bari Tpt 1 Tpt 2 Tpt 3 Tpt (Opt) Tpt 5 Tbn 1 Tbn 2 Tbn 3 Tbn Gtr Pno {110Ç A G b n b b k k b k A k k k k # k G ê A G b n b b k k b k A k k # k G ê ill 117 Cñ

17 Bari Tpt 1 Tpt 2 Tpt 3 Tpt (Opt) Tpt 5 Tbn 1 Tbn 2 Tbn 3 Tbn Gtr Pno Solo A {118Ç b b G G G G G Solo Solo Solo Solo 118 # # BÌ BÌ BÌ BÌ BÌ n n AÌ 119 n n Eò b Eò Eò Eò Eò b n n 120 Aò Aò Aò Aò Aò Gò A A n ill 121 ê \ \ \ \ \ \ \ \ Groove G G G G G 12 n Cñ ill 125 {126Ç Soli Soli Soli Soli Soli G G G G G A 126 b b b b b k T T N T T N T T N T T N T T N G b 128

18 Bari Tpt 1 Tpt 2 Tpt 3 Tpt (Opt) Tpt 5 Tbn 1 Tbn 2 Tbn 3 Tbn Gtr Pno G ñ ñ ñ - ñ - ñ G b G b # 16 - # n n n # Soli Soli Soli Soli Soli N G Cñ 133 {13Ç b b - b - b n - b - b - b N - b b - N - b N k b - - N - b b - b - - n - b b - b N b N k N b N 137 b - - b k b b k k n k b k b b k k

19 Bari Tpt 1 Tpt 2 Tpt 3 Tpt (Opt) Tpt 5 Tbn 1 Tbn 2 Tbn 3 Tbn Gtr Pno # n n n G n N - N n - n n k n N k n k 138 n n n T T T T T A n 139 {10Ç «2 «2 «Solo ill 13 Groove 1 2 «2 «2 « «2 «2 «17

20 Bari Tpt 1 Tpt 2 Tpt 3 Tpt (Opt) Tpt 5 Tbn 1 Tbn 2 Tbn 3 Tbn Gtr Pno {18Ç 18 n n n b n n n n n n b A b n n n n b A n n n b n n n n n n n n n n n n n n n A 152 n n n b n n n n n n b # # # n b n n # b # # n b n n n n n n # n n n # # n n n # n 155

21 Bari Tpt 1 Tpt 2 Tpt 3 Tpt (Opt) Tpt 5 Tbn 1 Tbn 2 Tbn 3 Tbn Gtr Pno {156Ç b b k k k k n n n N k k k N N k k k N k k b n n - # 156 n- b b - n- b - b - n- - n - k k - n- - - k k k k k - k k 157 A - n - - n # # - b - n - k k n - n n - k # # n # - - n n - - n n k k - k # # N A b n n # n # # n # N # A n n # N N b # # n A n n A n n n A n n n A n A n n b Groove # # n N n # N 161 # # # # # ill

22 Bari Tpt 1 Tpt 2 Tpt 3 Tpt (Opt) Tpt 5 Tbn 1 Tbn 2 Tbn 3 Tbn Gtr Pno {163Ç b b b ê 163 b b b b N k - - N k N- - - N k k k N k k k N k k k N k k k ê 165 b b b n n n b b b N k k k N k k k N k - - k - - k - - k k ê b b b 167 n b N k k N k k N k k - - k k 168 k k k

23 Bari Tpt 1 Tpt 2 Tpt 3 Tpt (Opt) Tpt 5 Tbn 1 Tbn 2 Tbn 3 Tbn Gtr Pno b - b- - b - b- b- A A 171 b n b n B 172 Groove 173 Solo ill k k k k k k {178Ç ê 178 k k - - k k

24 Bari Tpt 1 Tpt 2 Tpt 3 Tpt (Opt) Tpt 5 Tbn 1 Tbn 2 Tbn 3 Tbn Gtr Pno k k k k k k k k k k k k ê k k - - k k - - k k k k k k k k k k ê k k k k k k 183 ill n b n k k Groove # n 186 Groove b ñ ñ ñ ñ ñ A n b b b b 187 ill N n n ñ A n 188