Virginia Standards of Learning IB.16. Guitar I Beginning Level. Technique. Chords 1. Perform I-IV-V(V7) progressions in F, C, G, Scales

Size: px
Start display at page:

Download "Virginia Standards of Learning IB.16. Guitar I Beginning Level. Technique. Chords 1. Perform I-IV-V(V7) progressions in F, C, G, Scales"

Transcription

1 Guitar I Beginning Level Technique 1. Demonstrate knowledge of basic guitar care and maintenance 2. Demonstrate proper sitting position 3. Demonstrate proper left-hand and right-hand playing techniques 4. Tune using the 5 th fret method, and an electric tuner 5. Demonstrate ability to play with metronome 6. Demonstrate competence in pick-style and finger-style (alternation rest and free-stroke) 7. Demonstrate effective practice, rehearsal, and performance skills 8. Perform RH arpeggio patterns with varying combinations of p, i, m, a 9. Slurs-ascending and descending (hammeron and pull-offs) 10. Students will demonstrate a clear and proper tone 11. The student will demonstrate completion of assignments and/or practice Virginia Standards of Learning IB.16 IB.3 IB.1 IB.3 IB.4 IB.1 IB.24, IB.25 IB.7 IB.5 IB.2 IB.1 Chords 1. Perform I-IV-V(V7) progressions in F, C, G, D, A, Am, Em 2. Play moveable power chords with roots on 5 th and 6 th strings 3. Play simple accompaniment patterns pickstyle and finger-style performing music from a variety of cultures and historical periods 4. Read chord charts IB.15 IB.15 IB.14, IB.15 IB.15 Scales 1. Perform F, C, G, D, A, Major, one-octave scales in first position 2. Perform A and E Natural Minor, one-octave scales in first position 3. One form of the moveable one-octave pentatonic scale 4. Perform a one-octave chromatic scale ascending and descending IB.6 IB.6 IB.6 IB.8

2 Reading Repertoire Improvisation/ Composition Theory/Aural 1. Read and perform whole, half, quarter, and eighth notes and corresponding rests with the quarter note receiving the count 2. Read and Perform dotted quarter and dotted half notes with the quarter note receiving the count 3. Read and Perform music in simple, duple, and triple meters 4. Read simple melodies at sight using above notes and rhythms, in the keys mentioned in the Scales section 5. Read and perform ties 6. Perform written articulations and dynamics 1. Perform unaccompanied guitar solos and ensemble parts with technical accuracy, musical phrasing, and dynamic contrast for musical expression 2. Identify and analyze composers, styles, and historical periods from materials being studied Repertoire Levels Improvise rhythms and accompaniments 2. Improvise using the scales listed in Scales Section 3. Compose melodies and rhythms, up to four measures in duration, utilizing tools in the Reading Section 4. Use available music technology 1. Sing and accompany songs with chords 2. Name all notes and their enharmonic spellings from low E to A one ledger line above the staff of the Treble Clef 3. Name all notes on the fingerboard in first position 4. Demonstrate an understanding of basic music terminology 5. Identify I-IV-V(7) in the keys of F, C, G, D, A, Am, Em 6. Match pitch 7. Ability to identify key signatures F, C, G, D, A, Am, Em IB.15, IB.12 IB.5, IB.11 IB.9, IB.10, IB.11 IB.21 IB.5 IB.18 IB.18 IB.13 IB.23 IB.12

3 Aesthetics 1. Analyze and discuss individual and group performances 2. Discuss musical performances and its value to community 3. Demonstrate concert etiquette as an active listener 4. Identify career options in music IB.22 IB.23, IB.25 IB.24 IB.20

4 Guitar II Intermediate Level Technique *Students will be able to demonstrate competency in Level 1 Skills* 1. Demonstrate proper sitting position 2. Demonstrate proper left-hand and right-hand playing techniques 3. Demonstrate increased competency in the use of pick-style, rest stroke, and free stroke 4. Tune using a variety of methods 5. Perform rest and free stroke with the thumb 6. Perform right-hand arpeggio patterns with varying combinations of p, i, m, a 7. Effectively use Barre techniques 8. Demonstrate a clear and proper tone 9. Properly execute natural harmonics 10. Demonstrate completion of assignments and/or practice 11. Identify and repair minor problems of the guitar Virginia Standards of Learning II.1 II.1, II.5 II.5 II.3 II.5, II.9 II.5 II.5 II.2 II.16 II.15 Chords 1. Perform I-IV-V(V7) progressions in Bb, F, C, G, D, A, E, Dm, Am, Em 2. Accompany songs using moveable chords 3. Perform Major, minor, Major 7, minor 7, Dominant 7, moveable chords with roots on the 5th and 6 th strings Scales 1. Perform Bb, F, C, G, D, A, E Major scales in first position 2. Perform A, D, E natural and harmonic minor in first position 3. Perform one or more moveable two-octave scale forms 4. Perform one or more moveable forms of the Blues scale 5. Perform a full-range chromatic scale. Ascending and descending in eighth notes II.6 II.6 II.6 II.6 II.8

5 Reading Repertoire Improvisation/ Composition Theory/Aural Aesthetics 1. Demonstrate ability to read and perform rhythms that include 16 th notes, syncopation, eighth note triplets, and more complex tuplet rhythms 2. Perform written articulations and dynamics 3. Perform and accurately read at sight, simple melodies through the 5 th position using the keys listed in the Scales Section. 4. Perform and read music in compound meters 1. Perform unaccompanied guitar solos and ensemble parts with technical accuracy and musical expression 2. Identify and analyze composers, styles, and historical periods from materials being studied Repertoire Levels Improvise over chords progressions in various musical styles 2. Compose a melody with chord accompaniment of at least 12 measures 1. Sing songs with accompaniments that include moveable chords 2. Demonstrate an understanding of music terminology regarding articulation and dynamics 3. Identify notes on the fretboard through the 12 th fret 4. Correctly identify and write key signatures specified in the scale column 5. Construct major scales 6. Aurally identify Major and minor 7. Analyze chord progressions that include secondary chords 8. Sing a part while other students sing or play contrasting parts 1. Analyze and discuss individual and group performances 2. Discuss musical performances and its value to community 3. Demonstrate concert etiquette as an active listener 4. Identify career options in music II.5 II.9, II.12 II.4 II.11 II.21, II.14 II.17 II.18 II.13 II.10 II.6 II.13 II.22 II.25 II.16, II.24 II.20

6

7 Guitar III Advanced Level Technique *Students will be able to demonstrate competency in Level II Skills* 1. Demonstrate proper posture and playing position 2. Perform artificial harmonics 3. Perform extended techniques such as pizzicato, Bartok pizzicato, and tambora 4. Perform RH exercises from Giuliani 120, Tarrega, or other arpeggios 5. Demonstrate increased competency in pickstyle performance (such as tremolo picking, sweep-picking, etc.) 6. Demonstrate increased competency in free stroke technique (such as Rasgueados and Travis Picking) 7. Demonstrate a clear and proper tone 8. Demonstrate completion of assignments and/or practice 9. Demonstrate musical phrasing and stylistically-appropriate interpretation of music being studied/performed 10. Identify and repair minor problems of the guitar Virginia Standards of Learning IAD.1 IAD.5 IAD.1, IAD.9 IAD.5 IAD.5 IAD.5 IAD.2, IAD.3 IAD.16 IAD.10 IAD.15 Chords Scales 1. Accompany jazz standards with appropriate jazz chord voicings 2. Arrange stylistically-appropriate chord accompaniments or counter melodies to a given melody 1. Perform first position scales up to the keys of Eb and B Major 2. Perform two-octave, moveable major, minor, and pentatonic scales 3. Perform modal scales 4. Perform a two-octave chromatic scale. Ascending and descending in sixteenth notes IAD.14 IAD.18 IAD.6 IAD.6 IAD.6 IAD.8

8 Reading 1. Read notes through the 12 th fret at sight 2. Read mixed and asymmetrical meters 3. Read two or more notes at once through fifth position 4. Read melodies with chromatic alterations 5. Demonstrate the a ability to read standard and jazz chord symbols IAD.12 IAD.12 IAD.12 IAD.12 IAD.21 Repertoire Improvisation/ Composition Theory/Aural Aesthetics 1. Perform solo compositions for classical guitar with technical accuracy and musical expression that incorporate tempo changes and a variety of rhythms and meters 2. Perform advanced ensemble repertoire with technical accuracy and musical expression 3. Identify and analyze composers, styles, and historical periods from materials being studied Repertoire Level Improvise in rock, blues, and/or jazz styles to varying chord progressions 1. Demonstrate the ability to spell major, minor, augmented, and diminished triads 2. Sing a part while other students sing or play contrasting parts 3. Build major and minor triads 1. Analyze and discuss individual and group performances 2. Discuss musical performances and its value to community 3. Demonstrate concert etiquette as an active listener 4. Identify career options in music IAD.14, IAD.4 IAD.11 IAD.14 IAD.17 IAD.21 IAD.13 IAD.21 IAD.22, IAD.23, IAD.26 IAD.25 IAD.24 IAD.20

9 Guitar IV Artist Level Technique Chords Scales Reading *Students will be able to demonstrate competency in Level III Skills* 1. Effectively apply extended techniques to solo and ensemble repertoire 2. Effectively perform trills, mordents, and other ornamentation during performance 3. Discuss and promote proper use of nails and nail care 4. Produce a clear and proper tone on the instrument 5. Research career opportunities in music and appropriate college level programs 6. Work to improve the economy of motion in their performing 7. Incorporate tempo changes and a variety of rhythms and meters in materials being studied/performed 8. Demonstrate musical phrasing and stylistically-appropriate interpretation of music being studied/performed 9. Demonstrate completion of assignments and/or practice 10. Identify and repair minor problems of the guitar 1. Perform major, minor, augmented, and diminished triads in the accompaniment of jazz progressions 2. Perform extended chords such as 9 th, 11 th, and 13 th chords 1. Perform various moveable major, natural, harmonic, and melodic minor, diminished and modal scale forms in various positions 2. Perform first position scales in all keys 3. Perform a two-octave chromatic scale, ascending and descending in sixteenth notes with the quarter note getting the beat 1. Sight read music of a variety of levels and difficulty 2. Read and write rhythmic patterns in complex meters 3. Read transposed notes up an octave Virginia Standards of Learning IAR.5, IAR.9 IAR.9 IAR.2. IAR.3 IAR.3 IAR.19 IAR.1 IAR.4 IAR.10 IAR.19 IAR.17 IAR.14, IAR.23 IAR.14, IAR.23 IAR.6 IAR.6 IAR.8 IAR.12 IAR.18 IAR.12

10 Repertoire 4. Read music that utilizes multiple voices IAR.9 1. Use technical skills such as rubato, IAR.9 embellishments, tambora, pizzicato, ponticello, and other techniques as a means of expression. Use of these techniques will be stylistically appropriate 2. Demonstrate advanced ensemble skills such IAR.11 as matching dynamics and tone color, responding to a conductor, ability to conduct simple beat patterns 3. Perform solo compositions for classical IAR.14, IAR.21 guitar with technical accuracy and musical expression from a variety of cultures and historical time periods. Improvisation/ Composition Theory/Aural Aesthetics 1. Appropriately use modal scales in improvisation 2. Demonstrate advance improvisation in various styles 3. Compose music in more than one voice, or for more than one instrument using the available technology 1. Match pitch and vocalize melodic lines 2. Sing while other students play or sing contrasting parts 3. Ability to spell major, minor, augmented, and diminished triads 4. Effectively critique their own musical performances as well as those of other performers 5. Build augmented and diminished chords 6. Aurally identify simple chord and singlenote progressions 1. Analyze and discuss individual and group performances 2. Discuss musical performances and its value to community 3. Demonstrate concert etiquette as an active listener 4. Identify career options in music 5. Describe interrelationships between music and other fine arts disciplines IAR.15 IAR.15, IAR.27 IAR.16 IAR.13 IAR.13 IAR.23 IAR.25 IAR.23 IAR.23 IAR.22, IAR.27 IAR.25 IAR.26 IAR.20 IAR.24

CONTENT AREA: MUSIC EDUCATION

CONTENT AREA: MUSIC EDUCATION COURSE TITLE: Advanced Guitar Techniques (Grades 9-12) CONTENT AREA: MUSIC EDUCATION GRADE/LEVEL: 9-12 COURSE DESCRIPTION: COURSE TITLE: ADVANCED GUITAR TECHNIQUES I, II, III, IV COURSE NUMBER: 53.08610

More information

Electric Guitar Foundation Level 1

Electric Guitar Foundation Level 1 Electric Guitar Foundation Level 1 & INSTRUMENT The student should adopt the correct playing position including, how to hold the instrument and place both hands in the correct position. The student should

More information

WHITTIER UNION HIGH SCHOOL DISTRICT Whittier, California. June BOARD APPROVED: August 18, 2008 COURSE OF STUDY

WHITTIER UNION HIGH SCHOOL DISTRICT Whittier, California. June BOARD APPROVED: August 18, 2008 COURSE OF STUDY WHITTIER UNION HIGH SCHOOL DISTRICT Whittier, California June 2008 BOARD APPROVED: August 18, 2008 COURSE OF STUDY Course Title: Department: GUITAR 2 P FINE ARTS Grade Levels: 10 12 COURSE DESCRIPTION

More information

MUSIC THEORY GLOSSARY

MUSIC THEORY GLOSSARY MUSIC THEORY GLOSSARY Accelerando Is a term used for gradually accelerating or getting faster as you play a piece of music. Allegro Is a term used to describe a tempo that is at a lively speed. Andante

More information

Arts Education Guitar II Curriculum. Guitar II Curriculum. Arlington Public Schools Arts Education

Arts Education Guitar II Curriculum. Guitar II Curriculum. Arlington Public Schools Arts Education Arlington Public Schools Arts Education 1 This curriculum was written by Matt Rinker, Guitar Teacher, Gunston Middle School Kristin Snyder, Guitar Teacher, Yorktown High School Carol Erion, Arts Education

More information

Level 6. Piece #1 12 Piece #2 12 Piece #3 12 Piece #4 12. Total Possible Marks 100

Level 6. Piece #1 12 Piece #2 12 Piece #3 12 Piece #4 12. Total Possible Marks 100 Level 6 Length of the examination: 30 minutes Examination Fee: Please consult our website for the schedule of fees: www.conservatorycanada.ca Corequisite: Successful completion of the THEORY 2 examination

More information

Level 7. Piece #1 12 Piece #2 12 Piece #3 12 Piece #4 12. Total Possible Marks 100

Level 7. Piece #1 12 Piece #2 12 Piece #3 12 Piece #4 12. Total Possible Marks 100 Level 7 Length of the examination: 35 minutes Examination Fee: Please consult our website for the schedule of fees: www.conservatorycanada.ca Corequisite: Successful completion of the THEORY 3 examination

More information

Music I. Marking Period 1. Marking Period 3

Music I. Marking Period 1. Marking Period 3 Week Marking Period 1 Week Marking Period 3 1 Intro. Piano, Guitar, Theory 11 Intervals Major & Minor 2 Intro. Piano, Guitar, Theory 12 Intervals Major, Minor, & Augmented 3 Music Theory meter, dots, mapping,

More information

Foundation Piano Level 1

Foundation Piano Level 1 Foundation Piano Level 1 Be able to sit comfortably in a balanced position and play with basic dynamics. Have a good hand shape without flat fingers. Read a range of notes over a fifth in both treble and

More information

The University of Texas String Project Promotional Guidelines (Revised: ) Pre Ensemble B

The University of Texas String Project Promotional Guidelines (Revised: ) Pre Ensemble B The University of Texas String Project Promotional Guidelines (Revised: 10.22.16) Pre Ensemble B Plays consistently with good posture. See Position Checklist. When using left hand - places the fingers

More information

Student Form. Name: Corps:

Student Form. Name: Corps: Student Form Name: Corps: It is recommended that all the following areas be completed before proceeding to a higher level: METHOD BOOK - Exercises to be completed before evaluation. TECHNIQUE - Includes

More information

LEVEL THREE. Please consult our website for the schedule of fees. REQUIREMENTS & MARKING

LEVEL THREE. Please consult our website for the schedule of fees.  REQUIREMENTS & MARKING LEVEL THREE Length of the examination: Examination Fee: Co-requisite: 25 minutes Please consult our website for the schedule of fees. www.conservatorycanada.ca None. There is no written examination corequisite

More information

Music Theory. Content Skills Learning Targets Assessment Resources & Technology CEQ: HOW IS MUSIC PUT TOGETHER?

Music Theory. Content Skills Learning Targets Assessment Resources & Technology CEQ: HOW IS MUSIC PUT TOGETHER? St. Michael-Albertville High School Teacher: Adam Sroka Music Theory September 2014 CEQ: HOW IS MUSIC PUT TOGETHER? UEQ: How do we read pitch? A1. Letter names A2. Enharmonic Equivalents A3. Half steps

More information

ROCK GUITAR COMPLETE SYLLABUS

ROCK GUITAR COMPLETE SYLLABUS ROCK GUITAR COMPLETE SYLLABUS Orange Rock Guitar - Complete Syllabus INTRODUCTION Why take the Online Music Exams? Officially recognised qualifications Entry to UK higher education About this syllabus

More information

5 th Grade Orchestra Curriculum Map

5 th Grade Orchestra Curriculum Map 5 th Grade Orchestra Curriculum Map Music Reading: Student can read and perform the following notes: o Violin G string: G, A, Bb, B, C, C#, D D string: D, Eb, E, F, F#, G, G#, A A string: A, Bb, C, C#,

More information

CONTEMPORARY COMPOSING

CONTEMPORARY COMPOSING ELECTIVE COURSE CONTEMPORARY COMPOSING OBJECTIVES 1. Recognize and identify the major components of the composing software. 2. Demonstrate and use the basic functions of the composing software: - Replace,

More information

Beginning Guitar. By: Catherine Schmidt-Jones

Beginning Guitar. By: Catherine Schmidt-Jones Beginning Guitar By: Catherine Schmidt-Jones Beginning Guitar By: Catherine Schmidt-Jones Online: < http://cnx.org/content/col10421/1.2/ > C O N N E X I O N S Rice University, Houston, Texas This selection

More information

Assessment Schedule 2014 Music: Demonstrate knowledge of conventions used in music scores (91094)

Assessment Schedule 2014 Music: Demonstrate knowledge of conventions used in music scores (91094) NCEA Level 1 Music (91094) 2014 page 1 of 7 Assessment Schedule 2014 Music: Demonstrate knowledge of conventions used in music scores (91094) Evidence Statement Question Sample Evidence ONE (a) (i) Dd

More information

Major Pentatonic Scales: Lesson 1

Major Pentatonic Scales: Lesson 1 Major Pentatonic Scales: Lesson 1 In the next 4 video lessons we will be looking at and discussing some simple concepts for creating grooves and groove solos. The 4 Lessons will focus on Using Major Pentatonic

More information

Choosing your own song for Vocals Initial Grade 8

Choosing your own song for Vocals Initial Grade 8 Choosing your own song for Vocals Initial 8 All techniques are cumulative but it is not expected that songs will contain everything in the list; this is intended to be a general guide to the type of techniques

More information

Easy Guitar Soloing Your stress free guide to soloing in the jazz guitar style.

Easy Guitar Soloing Your stress free guide to soloing in the jazz guitar style. Easy Guitar Soloing Your stress free guide to soloing in the jazz guitar style. Written By: Matthew Warnock Published By: Guitar for Life LLC Copyright 2018 Guitar for Life LLC Expanded Preview Table of

More information

COMPLETE GUITAR COURSE

COMPLETE GUITAR COURSE COMPLETE GUITAR COURSE Level 1 Week 1 00:00 Course overview and how to get started 01:50 The journey begins guitar tablature 02:37 How to read tab.pdf 02:46 Frets explained 03:23 How to play an A-minor

More information

The Fundamental Triad System

The Fundamental Triad System The Fundamental Triad System A chord-first approach to jazz guitar Volume I Creating Improvised Lines Pete Pancrazi Introduction / The Chord-First Approach Any jazz guitar method must address the challenge

More information

COMPLETE GUITAR COURSE

COMPLETE GUITAR COURSE COMPLETE GUITAR COURSE Stage One Week 1 Complete Chapter List- Program length: 28:17 00:00 Course overview and how to get started 01:50 The journey begins guitar tablature 02:37 How to read tab.pdf 02:46

More information

LEVEL FOUR. Please consult our website for the schedule of fees. REQUIREMENTS & MARKING ONE SUPPLEMENTARY 10

LEVEL FOUR. Please consult our website for the schedule of fees.  REQUIREMENTS & MARKING ONE SUPPLEMENTARY 10 LEVEL FOUR Length of the examination: Examination Fee: Co-requisite: 25 minutes Please consult our website for the schedule of fees. www.conservatorycanada.ca None. There is no written examination corequisite

More information

LEVEL SIX. The THEORY 2 written examination must be completed successfully for the awarding of the Level 6 Practical Certificate.

LEVEL SIX. The THEORY 2 written examination must be completed successfully for the awarding of the Level 6 Practical Certificate. LEVEL SIX Length of the examination: Examination Fee: Co-requisite: 30 minutes Please consult our website for the schedule of fees. www.conservatorycanada.ca The THEORY 2 written examination must be completed

More information

Chromatic Chord Tone Patterns

Chromatic Chord Tone Patterns A scale-like approach to add chromatics to Gypsy Jazz improvisation By Jim Vence March 2011 As a progressing Gypsy Jazz improviser, you have been probably working on your chord and arpeggio patterns, as

More information

Blues Guitar E E E E E A E E E A E E A A E E A A E E A A E E B A E B B A E B B B E E

Blues Guitar E E E E E A E E E A E E A A E E A A E E A A E E B A E B B A E B B B E E Blues music uses a 3 Chord Progression - I IV V Chord numbering example in the key of C: C = I, D = II, E = III, F = IV, G = V, A = VI, B = VII Examples of different scales A D E B E F C F G D G A E A

More information

Gypsy And Jazz Arpeggio Book Arpeggios and Tricks

Gypsy And Jazz Arpeggio Book Arpeggios and Tricks Gypsy And Jazz Arpeggio Book Arpeggios and Tricks Yaakov Hoter P a g e 1 TABLE OF CONTENTS Arpeggios... 3 Rest-stroke Picking... 5 Daily Practice... 8 Major Vertical Arpeggios... 9 Minor Vertical Arpeggios...

More information

Parts of The Guitar: Tuning Pegs. Headstock. Nut. Frets. Neck. Soundhole. Body. Pick guard. Bridge. Bridge Pins

Parts of The Guitar: Tuning Pegs. Headstock. Nut. Frets. Neck. Soundhole. Body. Pick guard. Bridge. Bridge Pins Parts of The Guitar: Tuning Pegs Nut Headstock Frets Neck Body Soundhole Pick guard Bridge Bridge Pins Holding Your Guitar: Folk Sitting Position: Hold your guitar so that it rests on your right thigh

More information

Staves, Times, and Notes

Staves, Times, and Notes Staves, Times, and Notes The musical staff or stave is the structure designed for writing western music. The written staff has five lines and four spaces. Each staff has a clef symbol, a key signature,

More information

The Non-Method Guitar Book

The Non-Method Guitar Book The Non-Method Guitar Book 52 Lessons for Teachers and Students by Charlotte Adams Contents Introduction... 1 Lesson #1 - Sustain (Warm-Up Exercise)... 3 Lesson #2 -The Chromatic Scale... 5 Lesson #3 -

More information

Group Piano. E. L. Lancaster Kenon D. Renfrow BOOK 1 SECOND EDITION ALFRED S

Group Piano. E. L. Lancaster Kenon D. Renfrow BOOK 1 SECOND EDITION ALFRED S BOOK SECOND EDITION ALFRED S Group Piano FOR A D U LT S An Innovative Method Enhanced with Audio and MIDI Files for Practice and Performance E. L. Lancaster Kenon D. Renfrow Unit 9 Scales (Group ) and

More information

Target Intervals in Jazz Blues Guitar. Target Intervals in Jazz Blues Guitar

Target Intervals in Jazz Blues Guitar. Target Intervals in Jazz Blues Guitar Target Intervals in Jazz Blues Guitar Target Intervals in Jazz Blues Guitar When learning to solo on a jazz blues it is important to learn to target intervals in each chord of the progression. This will

More information

Parts of The Guitar: Tuning Pegs. Headstock. Nut. Frets. Neck. Strap Peg. Body. Pick guard. Pickups. Pickup Selector Volume and Tone Knobs

Parts of The Guitar: Tuning Pegs. Headstock. Nut. Frets. Neck. Strap Peg. Body. Pick guard. Pickups. Pickup Selector Volume and Tone Knobs Parts of The Guitar: Tuning Pegs Headstock Nut Frets Neck Strap Peg Body Pickups Bridge & Tremolo (6 individual saddles make up the bridge assembly) Pick guard Pickup Selector Volume and Tone Knobs Input

More information

Sight Reading For Bass Lesson #1. Lesson #1

Sight Reading For Bass Lesson #1. Lesson #1 Lesson #1 Hello and welcome to Sight Reading For Bass Guitar & Acoustic Bass. Thanks so much for enrolling. I really appreciate it! I'm Cliff Engel, and I will be your instructor for this online bass course.

More information

WMHFA Solo and Ensemble Festival

WMHFA Solo and Ensemble Festival Honors Track - Information and Rules Entrance Requirements Purpose: To select the best performers for Honors Ensemble Concert to Perform in May under the direction of a college or professional conductor.

More information

Chapter 3: Scales, arpeggios, and easy pieces. Scales

Chapter 3: Scales, arpeggios, and easy pieces. Scales Scales Modern western music is based on a 12-tone scale of consonances and dissonances divided into equal intervals of tones and semitones: C, C#, D, D#, E, F, F#, G, G#, A, A#, B. Major scales are built

More information

String Orchestra Curriculum: grades 4-12 Bexley City Schools Revised

String Orchestra Curriculum: grades 4-12 Bexley City Schools Revised Ohio State Standards Abbreviations Key: HSC: Historical, Cultural and Social Contexts CED; Creative Expression and Communication VM/AR: Valuing Music/Aesthetic Reflection CRA: Connections, Relationships

More information

Beginner Guitar Theory: The Essentials

Beginner Guitar Theory: The Essentials Beginner Guitar Theory: The Essentials By: Kevin Depew For: RLG Members Beginner Guitar Theory - The Essentials Relax and Learn Guitar s theory of learning guitar: There are 2 sets of skills: Physical

More information

TABLE OF CONTENTS ABOUT THE AUTHOR...4 INTRODUCTION...5

TABLE OF CONTENTS ABOUT THE AUTHOR...4 INTRODUCTION...5 ABLE OF CONENS ABOU HE AUHOR...4 INRODUCION... CHAPER Getting Started 6 he Fretboard...6 Reading Standard Music Notation... Reading Bass ablature...9 Chord Symbols...9 Accidentals... 0 he Chromatic Scale...

More information

By John Geraghty ISBN Copyright 2015 Green Olive Publications Ltd All Rights Reserved

By John Geraghty ISBN Copyright 2015 Green Olive Publications Ltd All Rights Reserved By John Geraghty ISBN 978-0-9933558-0-6 Copyright 2015 Green Olive Publications Ltd All Rights Reserved Book One Manual and CD 1 Table of Contents Introduction... 1 Contents within the Course Part 1...

More information

The Shearer Method: Guitar Harmony. by Alan Hirsh

The Shearer Method: Guitar Harmony. by Alan Hirsh The Shearer Method: Guitar Harmony by Alan Hirsh TABLE OF CONTENTS PREFACE About this book I BUILDING BLOCKS... 1 Step... 1 The Major Scale... 2 Chromatic Notes... 2 The Key... 4 Intervals... 6 Major,

More information

MUS 194: BEGINNING CLASS GUITAR I FOR NON-MAJORS. COURSE SYLLABUS Spring Semester, 2014 ASU School of Music

MUS 194: BEGINNING CLASS GUITAR I FOR NON-MAJORS. COURSE SYLLABUS Spring Semester, 2014 ASU School of Music MUS 194: BEGINNING CLASS GUITAR I FOR NON-MAJORS Instructor: Brendan Lake Email: Brendan.Lake@asu.edu COURSE SYLLABUS Spring Semester, 2014 ASU School of Music REQUIRED MATERIALS *Acoustic Guitar - Bring

More information

10 Must Know Jazz Guitar Licks

10 Must Know Jazz Guitar Licks 10 Must Know Jazz Guitar Licks Building A Vocabulary From Studying What The Masters Play Written By: Jamie Holroyd Edited By: Jamie Holroyd and Britt Reed 2012 Jamie Holroyd http://www.jamieholroydguitar.com/

More information

emedia Intermediate Guitar Method Detailed Curriculum

emedia Intermediate Guitar Method Detailed Curriculum emedia Intermediate Guitar Method Detailed Curriculum Introduction i Introduction ii Contents iii Types of Guitars and Their Parts iv Stringing the Guitar v Tuning the Guitar vi String and Finger Numbering

More information

Tutorial 3K: Dominant Alterations

Tutorial 3K: Dominant Alterations Tutorial 3K: Dominant Alterations Welcome! In this tutorial you ll learn how to: Other Tutorials 1. Find and use dominant alterations 3A: More Melodic Color 2. Play whole-tone scales that use alterations

More information

Jazz Standard Study Guide Corcovado

Jazz Standard Study Guide Corcovado Jazz Standard Study Guide Corcovado Written By: Matthew Warnock Published By: Guitar for Life LLC Cover Photo By: Twizzlebird Creative Copyright 2017 Guitar for Life LLC Introduction to This Study Guide

More information

SOLO and ENSEMBLE PROFICIENCY SCALES WIND and MELODY PERCUSSION INSTRUMENTS These scales are not listed in concert pitch.

SOLO and ENSEMBLE PROFICIENCY SCALES WIND and MELODY PERCUSSION INSTRUMENTS These scales are not listed in concert pitch. SOLO and ENSEMBLE PROFICIENCY SCALES WIND and MELODY PERCUSSION INSTRUMENTS These scales are not listed in concert pitch. Required Scale Rhythm: Chromatic: Even Rhythm Such as even eighth notes or triplets

More information

Church Music Grades repertoire list

Church Music Grades repertoire list LONDON COLLEGE OF MUSIC EXAMINATIONS Church Music Grades repertoire list 1 January 2013 31 December 2017 Contents Page Guidelines... 3 Publications... 4 Grade 2... 5 Grade 4... 8 Grade 6... 12 Grade 8...

More information

Study Guide. The five lines that we use to demonstrate pitch are called the staff.

Study Guide. The five lines that we use to demonstrate pitch are called the staff. Guitar Class Study Guide Mr. Schopp Included is all the information that we use on a daily basis to play and communicate about playing the guitar. You should make yourself very comfortable with everything,

More information

Practice Regimen. for Beginning Musicians. Learn how to focus your practice time to get the most out of it. By Ralph Martin

Practice Regimen. for Beginning Musicians. Learn how to focus your practice time to get the most out of it. By Ralph Martin Practice Regimen for Beginning Musicians Learn how to focus your practice time to get the most out of it. By Ralph Martin 1 Written by Ralph Martin January 2008 All Rights Reserved 2 Purpose The purpose

More information

5 Miles Davis ii V I licks.

5 Miles Davis ii V I licks. 5 Miles Davis ii V I licks. BASS CLEF Matt Lawton WWW.MATTLAWTONBASS.COM MATTLAWTONBASS@GMAIL.COM About The Author Thanks for downloading my ebook! If you don t know who I am allow me to introduce myself;

More information

What/when do we want to assess???

What/when do we want to assess??? What/when do we want to assess??? First Year Orchestra 4. Pizzicato 5. Bowing a. Bow hold b. Bow Control 6. Bowing Style a. staccato and legato 7. Reading: a. D to D octave; b. Clef; c. Time d. key e.

More information

Legacy Learning Systems 624 Grassmere Park Dr., Suite 16 Nashville, TN 37211

Legacy Learning Systems 624 Grassmere Park Dr., Suite 16 Nashville, TN 37211 Legacy Learning Systems 624 Grassmere Park Dr., Suite 16 Nashville, TN 37211 Gibson's Learn and Master Guitar. Copyright 2010 by Legacy Learning Systems, Inc. All rights reserved. No part of this product,

More information

ONE-OCTAVE MINOR PENTATONIC BLUES

ONE-OCTAVE MINOR PENTATONIC BLUES The Musicarta Pentatonics Workbook ONE-OCTAVE MINOR PENTATONIC BLUES This catchy 12-bar minor blues uses the white-key A minor and D minor pentatonic scales chords I and IV (One and Four) of a twelve-bar

More information

MUSIC SOLO PERFORMANCE

MUSIC SOLO PERFORMANCE Victorian Certificate of Education 2007 SUPERVISOR TO ATTACH PROCESSING LABEL HERE STUDENT NUMBER Letter Figures Words MUSIC SOLO PERFORMANCE Aural and written examination Tuesday 13 November 2007 Reading

More information

MUSIC SOLO PERFORMANCE

MUSIC SOLO PERFORMANCE Victorian Certificate of Education 2009 SUPERVISOR TO ATTACH PROCESSING LABEL HERE STUDENT NUMBER Letter Figures Words MUSIC SOLO PERFORMANCE Aural and written examination Wednesday 11 November 2009 Reading

More information

Music and Engineering: Review of the Western Music system for Engineers

Music and Engineering: Review of the Western Music system for Engineers Music and Engineering: Review of the Western Music system for Engineers Tim Hoerning Fall 2017 (last modified 9/12/17) Outline Twelve Tones of Equal Temperament Clefs The Staff Pitch & Rhythm Notes & Rests

More information

The University of Texas String Project Promotional Guidelines (current as of 2/26/2015) Pre Ensemble B

The University of Texas String Project Promotional Guidelines (current as of 2/26/2015) Pre Ensemble B The University of Texas String Project Promotional Guidelines (current as of 2/26/2015) Pre Ensemble B Plays consistently with good posture. See When using left hand - places the fingers in tune and adjusts

More information

Jim Gleason s Guitar Encyclopedia. Advanced Guitar. Version 3.1. March Rock Performance Music All Rights Reserved

Jim Gleason s Guitar Encyclopedia. Advanced Guitar. Version 3.1. March Rock Performance Music All Rights Reserved Jim Gleason s Guitar Encyclopedia Advanced Guitar Version 3.1. March 1995. 1984-2006 Rock Performance Music All Rights Reserved www.guitarencyclopedia.com QUICK CONTENTS Page Introduction... 2 Contents...

More information

VCE - Outcome 3 (Musicianship & Theory)

VCE - Outcome 3 (Musicianship & Theory) VCE - Outcome 3 (Musicianship & Theory) Curriculum Overview Sample VERSION 4 For Students undertaking Units 3 and 4 across 1 year Using the Level 3 Musicianship & Aural Training for the Secondary School

More information

The Big Book of Pentatonics & Fourths

The Big Book of Pentatonics & Fourths Eric Bolvin For All Instruments Treble Clef Edition The Big Book of Pentatonics & Fourths Eric Bolvin Music Studios www.bolvinmusic.com 408.236.2009 2010 Faded Duck Publishing All rights reserved. Printed

More information

Table of Contents SESSIONS PAGE

Table of Contents SESSIONS PAGE Table of Contents SESSIONS PAGE SESSIONS PAGE 1) Starting Off Right 2 String Names, Technique, Tuning, Finger Exercises, C & G7 Chords 2) Reading Music & Notes on the 1st & 2nd Strings 7 Music Reading,

More information

CHAPTER TWO BASIC SKILLS REVIEW COMMON CHORDS

CHAPTER TWO BASIC SKILLS REVIEW COMMON CHORDS 6 PROGRESSION 1. I - IV - V7 2. I - vi - IV - V7 3. I - ii - V7 4. I - iii - IV - V7 CHAPTER TWO BASIC SKILLS REVIEW COMMON CHORDS The chart below contains the seven pitches of five major scales. Upper

More information

Learn Guitar The Method For A New Generation

Learn Guitar The Method For A New Generation pt pt Presents Learn Guitar The Method For A New Generation Written & Method By John McCarthy Adapted By: Jimmy Rutkowski Supervising Editor: Joe Palombo Music Transcribing & Engraving: Jimmy Rutkowski

More information

Contents. Beginning Theory for Adults. Introduction Chapter One 5

Contents. Beginning Theory for Adults. Introduction Chapter One 5 2 Contents Introduction... 4 Chapter One 5 Lesson 1: What Is Music?... 5 Pitch... 5 Time... 5 Lesson 2: The Musical Alphabet and Reading Pitch (Treble)... 6 Notes... 6 The Musical Alphabet... 6 Lesson

More information

Week 5, Unit 5: Review

Week 5, Unit 5: Review Day 1 1. Discuss objectives for the week (p. 66). 2. Introduce Playing Major, Augmented, Minor and Diminished Chords (p. 67). 3. Introduce Playing Triads of the Key and Inversions (p. 67). 4. Introduce

More information

Sample Pages for Online Display only. May not be printed or copied

Sample Pages for Online Display only. May not be printed or copied Sample Pages for Online Display only May not be printed or copied 2 Why Scales? This book has been a labor of love we wish to dedicate to our students. Many of these students originally thought playing

More information

INTRODUCTION TO CHORDS

INTRODUCTION TO CHORDS INTRODUCTION TO CHORDS Indicates Files in Piano Marvel Repertoire Introduction to Chords Print out this file and use it at your keyboard to study/ Prepared by Christine Brown Please give me your feedback

More information

Blues Guitar 101 Classic Licks

Blues Guitar 101 Classic Licks Blues Guitar 101 Classic Licks Essential Blues Guitar Licks and Phrases Written By: Matthew Warnock Audio By: Jack Taylor Published By: Guitar for Life LLC Copyright 2018 Guitar for Life LLC mattwarnockguitar.com

More information

Scale Patterns for Guitar and Why You Need Them

Scale Patterns for Guitar and Why You Need Them Scale Patterns for Guitar and Why You Need Them In this lesson, the topic of scale patterns for guitar will be covered in detail. You ll be both introduced to a number of scale patterns, and taught how

More information

Moving On. Beyond the Basics of Guitar Playing. by Charlotte Adams CD INCLUDED

Moving On. Beyond the Basics of Guitar Playing. by Charlotte Adams CD INCLUDED Moving On Beyond the Basics of Guitar Playing by Charlotte Adams CD INCLUDED Introduction Moving On is designed for the guitar player who is able to play songs using first position chords and a few basic

More information

Mozart, Beethoven, and Brahms were all renowned for their improvisational abilities

Mozart, Beethoven, and Brahms were all renowned for their improvisational abilities ØJazz Ukulele What is Jazz? (From Ask Jeeves) - a genre of popular music that originated in New Orleans around 1900 and developed through increasingly complex styles. A type of music of black American

More information

Esperanza Spalding: Samba Em Prelúdio (from the album Esperanza) Background information and performance circumstances Performer

Esperanza Spalding: Samba Em Prelúdio (from the album Esperanza) Background information and performance circumstances Performer Esperanza Spalding: Samba Em Prelúdio (from the album Esperanza) (for component 3: Appraising) Background information and performance circumstances Performer Esperanza Spalding was born in Portland, Oregon,

More information

Lesson 10 The Eb/D# sequence

Lesson 10 The Eb/D# sequence Learn Your Scales and Arpeggios, Saxophone Book 3 Paul Copas Lesson 10 The Eb/D# sequence You should already be familiar with the scale and arpeggio of Eb major. Scale of Eb major for two octaves Arpeggio

More information

Additional Open Chords

Additional Open Chords Additional Open Chords Chords can be altered (changed in harmonic structure) by adding notes or substituting one note for another. If you add a note that is already in the chord, the name does not change.

More information

CURRICULUM AT-A-GLANCE

CURRICULUM AT-A-GLANCE Course Name: CURRICULUM AT-A-GLANCE Grade Level: 8 th Grade Guitar Content(s): Unit Name Unit Length Unit Dates Unit 1: Introduction to the Guitar Unit 2: Beginning Chords, 1 st String Notes, & Musical

More information

What s My Musical Range?

What s My Musical Range? Grade Level: All Levels Author: Sam Fritz and Phil Louden Class: Band Overview As music becomes more difficult, range becomes increasingly important. SmartMusic s scale patterns are an excellent way for

More information

West Michigan Homeschool Fine Arts Solo and Ensemble Festival Instrumental Honors Track:

West Michigan Homeschool Fine Arts Solo and Ensemble Festival Instrumental Honors Track: Instrumental Honors Track: All senior high school instrumental soloists (9 th,10 th, 11 th, 12 th grade) choosing the Honors Track must perform the Proficiency Examination Section. Proficiencies I - IV

More information

Strings Foundation Level 1

Strings Foundation Level 1 Strings Foundation Level 1 The pupil must be able to produce one clear sound on each of the four strings The pupil must be able to play using both long and short bows The pupil must understand the need

More information

Table of Contents SESSIONS PAGE

Table of Contents SESSIONS PAGE Table of Contents SESSIONS PAGE SESSIONS PAGE 1) Starting Off Right 2 String Names, Technique, Tuning, Finger Exercises, C & G7 Chords 2) Reading Music & Notes on the 1st & 2nd Strings 7 Music Reading,

More information

The Shearer Method: Guitar Harmony. by Alan Hirsh

The Shearer Method: Guitar Harmony. by Alan Hirsh The Shearer Method: Guitar Harmony by Alan Hirsh TABLE OF CONTENTS PREFACE About this book I BUILDING BLOCKS... 1 Step... 1 The Major Scale... 2 Chromatic Notes... 2 The Key... 4 Intervals... 6 Major,

More information

MUSIC SOLO PERFORMANCE

MUSIC SOLO PERFORMANCE Victorian Certificate of Education 2008 SUPERVISOR TO ATTACH PROCESSING LABEL HERE STUDENT NUMBER Letter Figures Words MUSIC SOLO PERFORMANCE Aural and written examination Tuesday 11 November 2008 Reading

More information

I would like to thank the following faculty and staff for their assistance in developing the plectrum guitar curriculum:

I would like to thank the following faculty and staff for their assistance in developing the plectrum guitar curriculum: Guitar Curriculum 1 I would like to thank the following faculty and staff for their assistance in developing the plectrum guitar curriculum: Nero Catalano Alan Ens Mark Forchic Luke Honer Karin Orenstein

More information

Jazz Port Townsend 2018 Trombone Application Guidelines for New or Returning Applicants

Jazz Port Townsend 2018 Trombone Application Guidelines for New or Returning Applicants Trombone app. 1 Jazz Port Townsend 2018 Trombone Application Guidelines for New or Returning Applicants After you have chosen whether you would like to audition for the BEGINNER/INTERMEDIATE, ADVANCED

More information

PERFORMANCE GENERALITIES THE SWING

PERFORMANCE GENERALITIES THE SWING PERFORMANCE GENERALITIES THE SWING In a nut shell, Swing is dividing the beat in 2 uneven parts (in a longshort pattern), and moving the accents from the downbeats (as in classical music) to the upbeats.

More information

Jazz Port Townsend 2018 Piano Application Guidelines for New or Returning Applicants

Jazz Port Townsend 2018 Piano Application Guidelines for New or Returning Applicants Jazz Port Townsend 2018 Piano Application Guidelines for New or Returning Applicants After you have chosen whether you would like to audition for the BEGINNER/INTERMEDIATE, ADVANCED or SEMI-PRO level,

More information

Students at DOK 2 engage in mental processing beyond recalling or reproducing a response. Students begin to apply

Students at DOK 2 engage in mental processing beyond recalling or reproducing a response. Students begin to apply MUSIC DOK 1 Students at DOK 1 are able to recall facts, terms, musical symbols, and basic musical concepts, and to identify specific information contained in music (e.g., pitch names, rhythmic duration,

More information

The following table shows the maximum marks that can be awarded in each section of the examination.

The following table shows the maximum marks that can be awarded in each section of the examination. Introduction To Bass Guitar Examinations Internationally Recognised Qualifications These examinations offer a formal recognition of the specific talents of bass guitar players. The examinations have been

More information

Companion to the Cape Breton Piano Accompaniment Online Workshop Winter 2012

Companion to the Cape Breton Piano Accompaniment Online Workshop Winter 2012 Companion to the Cape Breton Piano Accompaniment Online Workshop Winter 2012 I ve written this companion with the intention that the information presented here will help solidify the concepts outlined

More information

Conservatorium High School (SIPA) This does NOT apply to Functional Piano. A snapshot of a student s progress on an instrument

Conservatorium High School (SIPA) This does NOT apply to Functional Piano. A snapshot of a student s progress on an instrument Conservatorium High School SOLO INSTRUMENTAL & VOCAL PERFORMANCE ASSESSMENT (SIPA) 2018 This does NOT apply to Functional Piano. What: A snapshot of a student s progress on an instrument When: Term 4 Week

More information

GUITAR / MUSIC THEORY GLOSSARY

GUITAR / MUSIC THEORY GLOSSARY GUITAR / MUSIC THEORY GLOSSARY Accelerando Is a term used for gradually accelerating or getting faster as you play a piece of music. Acoustic Guitar A type of guitar that does not use an amplifier but

More information

Read Notes on Guitar: An Essential Guide. Read Notes on Guitar: An Essential Guide

Read Notes on Guitar: An Essential Guide. Read Notes on Guitar: An Essential Guide Read Notes on Guitar: An Essential Guide Read Notes on Guitar: An Essential Guide As complicated as it might seem at first, the process to read notes on guitar may be broken down into just three simple

More information

Learned your scales what s next? By John Cipolla

Learned your scales what s next? By John Cipolla Learned your scales what s next? By John Cipolla This article suggests ways to practice scales on the clarinet or saxophone to develop a keener sense of rhythmic and metric awareness. With practice, these

More information

2018 Alabama All-State / District Honor Band Auditions Info at a Glance

2018 Alabama All-State / District Honor Band Auditions Info at a Glance 2018 Alabama All-State / District Honor Band Auditions Info at a Glance Registration Deadline: Friday, December 1 st 2017 - $10.00 Audition Date: Saturday, January 13 th 2018 Albertville HS District II

More information

Approach Notes and Enclosures for Jazz Guitar Guide

Approach Notes and Enclosures for Jazz Guitar Guide Approach Notes and Enclosures for Jazz Guitar Guide As a student of Jazz guitar, learning how to improvise can involve listening as well as learning licks, solos, and transcriptions. The process of emulating

More information

HS Virtual Jazz Final Project Test Option Spring 2012 Mr. Chandler Select the BEST answer

HS Virtual Jazz Final Project Test Option Spring 2012 Mr. Chandler Select the BEST answer HS Virtual Jazz Final Project Test Option Spring 2012 Mr. Chandler Select the BEST answer 1. Most consider the most essential ingredient in jazz to be A. time B. jazz "sounds" C. improvisation D. harmony

More information

Concept 1 The Pebber Brown Scaletone Form System Concept 2 The 4-sided triangle Tetrahedron concept. Concept. Concept 3 4 Triangle Groups 3A 3B 3C 3D

Concept 1 The Pebber Brown Scaletone Form System Concept 2 The 4-sided triangle Tetrahedron concept. Concept. Concept 3 4 Triangle Groups 3A 3B 3C 3D This is the syllabus or course outline for the Pebber Brown Scaletone Form system for Guitar and Bass. It represents a general comprehensive outline that is followed when teaching any student. It can take

More information

Rock Guitar Basics instructor Rick Mollindo B.A.

Rock Guitar Basics instructor Rick Mollindo B.A. Rock Guitar Basics instructor Rick Mollindo B.A. www.lessonsonlocation.com 2005 Rick Mollindo T he scope of this course is to introduce you to the basics of playing Rock Style Guitar. Elements of Scales,

More information