Jazz-Blues changes based on Joe Pass chord-melody solo The Blues. 50shadesofguitar - The Guitar Blog
|
|
|
- Sheena Carter
- 6 years ago
- Views:
Transcription
1 27/12/2016 Jazz-Blues changes based on Joe Pass chord-melody solo The Blues 50shadesofguitar - The Guitar Blog Here you can see 2 choruses of the changes from great Joe Pass Blues transposed to all 12 keys. The original Blues has got one more chorus of advanced chord-melody playing. Anyway, the changes of 3rd chorus are mix of similar concepts from previous choruses. After learning the changes I obviously recommend to forget them and use them spontaneously holding on to 12 bar of classic jazz blues harmonic frame when comping or soloing. It is not an easy thing and takes years to internalize so please be patient and easy to yourself. All the richness of Joe Pass harmony is perfectly hidden here by very nice blues melody in the high voice. IMO this makes it a very pleasant music experience for every listener, not only a conscious connoisseur or jazz musician. There are even equally pleasant short voice-led melodies in the middle parts. I suggest you can get original sheet music of Joe Pass and then get a lot of pleasure from analysing every bar ot two at a time. For the purpose of our harmony learning process and this exercise I will focus on just indicating some harmonic devices we can find in the Bb Blues: 1. The blues character comes from dom7 chords (Mixolydian) so doesn t matter if you are on I chord (tonic) IV or V (subdominant or dominant) chords you can always play dom7, dom7/9 or dom13 chords 2. You can always precede or substitute any dom7 chord with it s relative V- (minor) chords (7 and 9 for more colour) - example bar 4, bar Short before changing chord of basic blues frame (cadences I-IV in bar 1,4 and cadence V-I in bar 12) you can always spice up the usual dom7 or dom9 chords by altering its 5ths and 9ths (altering means lowering or raising the tone a half step). This creates more tension and make dominant chords willing to resolve even stronger. 4. Tritone substitution - another popular device that colours up harmonic momentum - check bars 1 and Half step approaching from below or above - the easy task for us, guitar players - just slide the chord shape from one fret left or right. See bars 10, 18 and 22. Explore this simple technique at any place of the form, just take care to put the target chord on strong beat or give it its thyrmic accent by longer note value. Or you can play the target chord and then outline it wth half-steps below and above then come back to the target. 6. Cycle of fifth motion V-I : see bars 7-8 sometimes resulting as: 7. Secondary dominants - you can precede any chord (not only I and IV chord) in the changes with his V7dom chord, see also bars I would like to make a separate post about every subject from above list. Each of these harmonic inventions deserves surely a more dedicated and detailed insight. I hope you enjoy this article and practicing the changes below will give you a lot of joy and inspiration - please subscribe to my blog and YouTube channel to stay updated and get informed about new posts. 50shadesofguitar - The Guitar Blog Thanks and stay tuned:) Tomasz Kaczmarczyk 50shadesofguitar.com slowmusic.pl
2 13b5
3 13b5
4 13b5
5 13b5
6 13b5
7 13b5
8 13b5
9 13b5
10 13b5
11 13b5
12 13b5
13 13b5
2019 Stef Ramin jazz-guitar-licks.com All Rights Reserved
What s a Tritone Substitution? The tritone substitution is one of the most common substitution found in jazz. The basic application of a tritone chord substitution is to take any 7th chord and play another
Weekly Bass Lessons: Week 7 Walking Bass Line Concepts
Weekly Bass Lessons: Week 7 Walking Bass Line Concepts In this weeks lesson we will be focusing on some Walking Bass Line Concepts. The Chord Progression I m using is based on the changes to the popular
The Baroque 3/4. ca Based on the writings of Anna Butterworth: Stylistic Harmony (OUP 1992)
The Baroque 3/4 ca 1600-1750 Based on the writings of Anna Butterworth: Stylistic Harmony (OUP 1992) NB To understand the slides herein, you must play though all the sound examples to hear the principles
An Approach to Jazz Piano
An Approach to Jazz Piano Fifth Edition Introduction This book is an attempt to address the techniques of piano playing as applied to the playing of jazz. It is also an attempt to address theoretical knowledge,
Jim Hall Chords and Comping Techniques
Jim Hall Chords and Comping Techniques Jazz guitar comping is an art form in its own right. The comping rhythms, melodies, and voicings of the greatest Jazz guitarists are delightful to listen to, with
Jim Hall Chords and Comping Techniques
Jim Hall Chords and Comping Techniques Jazz guitar comping is an art form in its own right. The comping rhythms, melodies, and voicings of the greatest Jazz guitarists are delightful to listen to, with
FREE music lessons from Berklee College of Music
FREE music lessons from Berklee College of Music Voice Leading for Guitar John Thomas Chapter Harmony Review and Introduction to Voice Leading Press ESC to cancel sound. Check out Berkleeshares.com for
The Fundamental Triad System
The Fundamental Triad System A chord-first approach to jazz guitar Volume I Creating Improvised Lines Pete Pancrazi Introduction / The Chord-First Approach Any jazz guitar method must address the challenge
Jazz Lesson 12. Technique. Harmony & Theory. 1. Playing Modes over 5-1 Resolution. 1. The ii-7-v7-i Resolution. Jazz Piano School 2014
Jazz Lesson 12 Technique 1. Playing Modes over 5-1 Resolution a. The V-I resolution is incredibly important. So much so, thatpracticing V-I resolutions in every key using specific modes will be an important
Jazz Standard Study Guide Corcovado
Jazz Standard Study Guide Corcovado Written By: Matthew Warnock Published By: Guitar for Life LLC Cover Photo By: Twizzlebird Creative Copyright 2017 Guitar for Life LLC Introduction to This Study Guide
10 Must Know Jazz Guitar Chords
10 Must Know Jazz Guitar Chords Playing the right chords through a jazz standard can be tricky without the right chord vocabulary. In this lesson, we will cover the 10 must know jazz guitar chords that
Easy Jazz Guitar Progressions
Easy Jazz Guitar Progressions 12 Essential Progressions for Jazz Guitar Written By: Matthew Warnock Published By: Guitar for Life LLC Copyright 2017 Guitar for Life LLC mattwarnockguitar.com 2 Table of
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 The
Blues turnaround chord melody lick
Blues turnaround chord melody lick Week 1: 52 weeks to better jazz guitar Blues turnaround chord melody lick Page 1 Copyright Darren Dutson Bromley Blues Turnaround Chord Melody Lick. As a guitarist, regardless
Chord Tones: Targeting Blues Guitar. Chord Tones: Targeting Blues Guitar
Chord Tones: Targeting Blues Guitar Chord Tones: Targeting Blues Guitar In this chord tones lesson we will learn to target the notes in each individual chord of the 12-bar blues progression and adjust
10 Must Know Jazz Guitar Licks
10 Must Know Jazz Guitar Licks Building A Vocabulary From Studying What The Masters Play Written By: Jamie Holroyd Edited By: Jamie Holroyd and Britt Reed 2012 Jamie Holroyd http://www.jamieholroydguitar.com/
Jazz Theory and Practice Module 5 a, b, c Dim. 7 th & 9 th Chords; Extensions to the 13 th ; Other Harmonic Structures
Jazz Theory and Practice Module 5 a, b, c Dim. 7 th & 9 th Chords; Extensions to the 13 th ; Other Harmonic Structures B. Extensions: 9 th, 11 th and 13 th chords Jazz Theory and Practice Harmonic extensions
The Tritone substitution In Chords on August 8, 2012 at 10:01 am from Alfred Scoggins (Wholenote web site) Tempo: 120
The Tritone substitution In Chords on August 8, 2012 at 10:01 am from Alfred Scoggins (Wholenote web site) Tempo: 120 In chordal playing there are several substitution rules one can apply. One of these
Jazz Lesson 20. Technique. Harmony & Theory
Lesson 20 Jazz Lesson 20 Technique 1. Minor Bebop Scale a. Playing minor bebop scales is going to be exactly the same as a dominant bebop scale fingering wise except for the fact that you will play a minor
Harmonic Plumbing Mark White Whitmark Music Publishing
Harmonic Plumbing Mark White Whitmark Music Publishing I borrowed the term "Harmonic Plumbing" from the liner notes of a Bill Evans album. In plumbing, one can find any number of different routes to connect
The Fundamental Triad System
The Fundamental Triad System A chord-first approach to jazz theory and practice Pete Pancrazi Copyright 2014 by Pete Pancrazi All Rights Reserved www.petepancrazi.com Table of Contents Introduction...
Jazz Theory and Practice Module 4 a, b, c The Turnaround, Circles of 5ths, Basic Blues
Jazz Theory and Practice Module 4 a, b, c The Turnaround, Circles of 5ths, Basic Blues C. The Basic Blues If you ask a dozen musicians, you ll get at least a dozen answers to the question: What is the
Playing Jazz Guitar Bass Lines with Chords
Playing Jazz Guitar Bass Lines with Chords The guitar is an extremely versatile instrument, with seemingly endless techniques and tones around every corner. One very important and widely used jazz guitar
Scale Patterns for Guitar and Why You Need Them
Scale Patterns for Guitar and Why You Need Them In this lesson, the topic of scale patterns for guitar will be covered in detail. You ll be both introduced to a number of scale patterns, and taught how
œ œ œ œ œ œ œ œ œ b œ œ œ œ œ œ œ œ œ n œ ? b b ? b b œ # œ ? b b œ œ b œ ? b b œ œ œ b œ
Bass Lines WHERE THE PASSING TONES COME FROM Every chord has one or more scales which contain the chord tones (1,, 5, 7) and a set of passing tones (2, 4, 6). Diatonic, scale, passing tones come from the
FUNDAMENTAL HARMONY. Normal Progressions using Circle of Fifths (Major Keys) ii 5 V I I V I. Dominant Function Group. Pre-Dominant Function Group
FUNDAMENTAL HARMONY Dr. Declan Plummer Lesson 5: Pre-Cadential Chords & nverted Chord Progressions Pre-Cadential Chords 1. Deciding what chords to use as pre-cadential chords is determined by what chords
Cadences Ted Greene, circa 1973
Cadences Ted Greene, circa 1973 Read this first: The word diatonic means in the key or of the key. Theoretically, any diatonic chord may be combined with any other, but there are some basic things to learn
Bass Lines You Should Know: Week 5. Bass Line Played By Bernard Odum Cold Sweat by James Brown
Bass Lines You Should Know: Week 5 Bass Line Played By Bernard Odum Cold Sweat by James Brown This lesson contains: A Video Demonstration A Lesson Outline Document A Downloadable Mp3 Playalong Track I
Approach Notes and Enclosures for Jazz Guitar Guide
Approach Notes and Enclosures for Jazz Guitar Guide As a student of Jazz guitar, learning how to improvise can involve listening as well as learning licks, solos, and transcriptions. The process of emulating
FREE music lessons from Berklee College of Music
FREE music lessons from Berklee College of Music Jazz Composition Theory and Practice Ted Pease Chapter 2 Harmonic Considerations Modal Harmony Click CD icons to listen to CD tracks from book. Press ESC
5 Miles Davis ii V I licks.
5 Miles Davis ii V I licks. BASS CLEF Matt Lawton WWW.MATTLAWTONBASS.COM MATTLAWTONBASS@GMAIL.COM About The Author Thanks for downloading my ebook! If you don t know who I am allow me to introduce myself;
Blues Guitar 101 Classic Licks
Blues Guitar 101 Classic Licks Essential Blues Guitar Licks and Phrases Written By: Matthew Warnock Audio By: Jack Taylor Published By: Guitar for Life LLC Copyright 2018 Guitar for Life LLC mattwarnockguitar.com
How to Make Scales Sound Like Solos
How to Make Scales Sound Like Solos Part 1: Introduction to the Pentatonic Scale Live Stream Thursday April 5 th 2018 By Erich Andreas YourGuitarSage.com Click Here to Watch the First 30 UGS Lessons TODAY!
Jazz Theory and Practice Module 2, a,b,c Dominant-7 th, Added-6 th and Minor-7 th Chords, The (II V I) progression
Jazz Theory and Practice Module 2, a,b,c Dominant-7 th, Added-6 th and Minor-7 th Chords, The (II V I) progression C. Two more 7 th chords: Major-7 th ; half-diminished-7 th a. The 7 th chords of the major
Tutorial 1C: Melodic Color
Tutorial 1C: Melodic Color Welcome! In this tutorial you ll learn how to: Other Level 1 Tutorials 1. Find and use color tones in solos 1A: Virtual Practice 2. Find and use color intervals in solos 1B:
Jazz Theory and Practice Module 4 a, b, c The Turnaround, Circles of 5ths, Basic Blues
Jazz Theory and Practice Module 4 a, b, c The Turnaround, Circles of 5ths, Basic Blues A. The Turnaround The word really provides its own definition. The goal of a turnaround progression is to lead back
Delyth Knight Certified Music Judge LABBS Music Category Director
Delyth Knight Certified Music Judge LABBS Music Category Director 1. No question is a stupid question. If you need to know, ask 2. We will make sure that all the basics are understood 3. All animals are
Chord Progressions. Simple Progressions
Chord Progressions A chord progression (or harmonic progression) is a series of musical chords, or chord changes that "aims for a definite goal" of establishing (or contradicting) a tonality founded on
The Jazz Piano. What s the function of the jazz piano in the jazz ensemble?
The Jazz Piano Welcome to the wonderful world of jazz piano! Understanding the function of the piano and how to play your part in the jazz band can be overwhelming when first exposed to standard jazz material.
TABLE OF CONTENTS. Preface... iii
i TABLE OF CONTENTS Preface........................................................................... iii Chapter 1 Cycles and II-V Sequences............................................ 1 Fast-moving
Minor Blues Chord Progressions
Minor Blues Chord Progressions In this jazz guitar lesson you will learn the most common chord progressions used when playing a minor blues. These progressions will start off rather simply, with what is
Analysis Of A Tune Based On The Changes To Solar
Analysis Of A Tune Based On The Changes To Solar Analysis The 1st step on our quest is to really understand Harmony, Form and Melody. I definitely recommend that you do check out the melody for the Standard
Additional Open Chords
Additional Open Chords Chords can be altered (changed in harmonic structure) by adding notes or substituting one note for another. If you add a note that is already in the chord, the name does not change.
Major Pentatonic Scales: Lesson 1
Major Pentatonic Scales: Lesson 1 In the next 4 video lessons we will be looking at and discussing some simple concepts for creating grooves and groove solos. The 4 Lessons will focus on Using Major Pentatonic
The Shearer Method: Guitar Harmony. by Alan Hirsh
The Shearer Method: Guitar Harmony by Alan Hirsh TABLE OF CONTENTS PREFACE About this book I BUILDING BLOCKS... 1 Step... 1 The Major Scale... 2 Chromatic Notes... 2 The Key... 4 Intervals... 6 Major,
Audition Overview for B-FLAT TRANSPOSING INSTRUMENTS
Jazz Improvisation Audition Overview for B-FLAT TRANSPOSING INSTRUMENTS Each candidate for Jazz Ensemble will perform a minimum of 1 chorus (16 bars) of improvised solo over the changes for Summertime
Beginning Harmonic Analysis *
OpenStax-CNX module: m11643 1 Beginning Harmonic Analysis * Catherine Schmidt-Jones This work is produced by OpenStax-CNX and licensed under the Creative Commons Attribution License 3.0 Abstract An introduction
THE LANGUAGE OF HARMONY
THE LANGUAGE OF HARMONY The diatonic scale is a starting place for available chords to choose from in your score. These chords are triads built on the root of each degree. Each scale degree has a name
LESSON 5. u s i n g d o u b l e c h r o m a t i c a p p r o a c h e s
LESSON 5 u s i n g d o u b l e c h r o m a t i c a p p r o a c h e s 68 LESSON 5 Double Chromatic Approaches jazz blues using the ii-7 & iv-7 chords In the upcoming etudes we begin to transition out of
How to Improvise Jazz Melodies Bob Keller Harvey Mudd College January 2007
How to Improvise Jazz Melodies Bob Keller Harvey Mudd College January 2007 There are different forms of jazz improvisation. For example, in free improvisation, the player is under absolutely no constraints.
Harmonizing Jazz Melodies Using Clusters
Harmonizing Jazz Melodies Using Clusters As a jazz pianist, I am always looking for ways to arrange jazz tunes. One technique that I find myself working with involves using clusters in the right hand in
A0S2 HARMONY & TONALITY A0S2 HARMONY & TONALITY A0S2 HARMONY & TONALITY A0S2 HARMONY & TONALITY
Harmony Harmony is when two or more notes of different pitch are played at the same time. The accompanying parts in a piece of music are sometimes called the harmony Harmony can be diatonic or chromatic
Need Help?
Need Help? Email support@rev.com 7 Shortcuts To More Exciting Piano Playing! Including Lots of Videos Along The Way This is Duane, and if you play the piano but want to play it in a more exciting way,
The Basics of Jazz Piano Missouri Music Educators Association Conference January,
The Basics of Jazz Piano Missouri Music Educators Association Conference January, 25 2018 Phil Dunlap Director of Education and Community Engagement Jazz St. Louis phil@jazzstl.org 2.4 2.5 2.6 3.0 General
Jazz Lesson 4. Technique. 1. Phrasing a. Phrasing is a very important part of technical exercises. If you can get in the habit of
Jazz Lesson 4 Technique 1. Phrasing a. Phrasing is a very important part of technical exercises. If you can get in the habit of working on your phrasing while practicing your tedious exercises than this
Elements of Predictability
Advanced Harmonic Concepts Elements of Predictability There are a number of similar characteristics associated ith the composition and performance of standard jazz With these characteristics come a number
HS Virtual Jazz Final Project Test Option Spring 2012 Mr. Chandler Select the BEST answer
HS Virtual Jazz Final Project Test Option Spring 2012 Mr. Chandler Select the BEST answer 1. Most consider the most essential ingredient in jazz to be A. time B. jazz "sounds" C. improvisation D. harmony
Using Impro- Visor in the Jazz Laboratory
Using Impro- Visor in the Jazz Laboratory TI:ME 2012 Presentation Robert M. Keller Harvey Mudd College 5 January 2012 Copyright 2012 by Robert M. Keller. All rights reserved. Motivation Having taught jazz
GRADE 6 MUSIC THEORY. First Inversions I V I. ii 5 V I I I 6 V I I V 7. Strong in the soprano part suggests a I - V - I chord progression.
GRADE MUSC THEORY Dr. Declan Plummer Lesson : Pre-Cadential Chords & nverted Chord Progressions Pre-Cadential Chords. Deciding what chords to use as pre-cadential chords is determined by what chords go
Chords- Theory and Application
Chords- Theory and Application Chords remain a mystery for most guitarists because of the mystique surrounding both the guitar and the theory behind what makes a chord appropriate. The almost limitless
Virginia Standards of Learning IB.16. Guitar I Beginning Level. Technique. Chords 1. Perform I-IV-V(V7) progressions in F, C, G, Scales
Guitar I Beginning Level Technique 1. Demonstrate knowledge of basic guitar care and maintenance 2. Demonstrate proper sitting position 3. Demonstrate proper left-hand and right-hand playing techniques
The Evolution of Jazz Blues Chords
The Evolution of Jazz Blues Chords Jazz blues chords, progressions and tunes appear throughout the Jazz genre in many different forms and arrangements. The influence of Blues on Jazz is undeniable. The
MU 3322 JAZZ HARMONY II
JAZZ HARMONY II Chord Progression EDITION A US Army Element, School of Music 1420 Gator Blvd., Norfolk, Virginia 23521-5170 19 Credit Hours Edition Date: June 1996 SUBCOURSE OVERVIEW This subcourse is
========= Playing Outside C HAPTER E IGHT
========= Playing Outside P LAYING O UTSIDE C HAPTER E IGHT Sequences Playing a Half Step Away Playing a Tritone Away Playing Scales to Get Outside Some Piano Stuff The Chromatic Scale Be Brave, Go Ahead
Tony Grey Bass Academy
Tony Grey Bass Academy BeBop Study Lesson 1 Step 1 Tony Grey Bass Academy This lesson is taken directly from inside the Tony Grey Bass Academy were we do a full course on all of the different approach
Easy Major ii V I Comping
Easy Major ii V I Comping Easy and Essential ii V I Chords for Guitar Written By: Matthew Warnock Published By: Guitar for Life LLC Copyright 2018 Guitar for Life LLC mattwarnockguitar.com 2 Table of Contents
Project Two - Building a complete song
Project Two - Building a complete song Objective - Our first project involved building an eight bar piece of music and arranging it for three backing instruments. In this second project we will consider
SCOOBY-SAX NEWSLETTER (August, 2013)
SCOOBY-SAX NEWSLETTER (August, 2013) Welcome Well, it has been quite a while since I sent out a Newsletter! Hopefully you will find that it was been worth the wait. The main focus of this issue is the
If anything appears confusing, refer to the big packet or schedule a time to work with Mr. Cox prior to the due date.
Jazz Improvisation Audition Overview for E-FLAT INSTRUMENTS (edition for Alto and Baritone Saxophone) Each candidate for Jazz Ensemble will perform a minimum of 1 chorus (16 bars) of improvised solo over
Mozart, Beethoven, and Brahms were all renowned for their improvisational abilities
ØJazz Ukulele What is Jazz? (From Ask Jeeves) - a genre of popular music that originated in New Orleans around 1900 and developed through increasingly complex styles. A type of music of black American
MUSIC SOLO PERFORMANCE
Victorian Certificate of Education 2008 SUPERVISOR TO ATTACH PROCESSING LABEL HERE STUDENT NUMBER Letter Figures Words MUSIC SOLO PERFORMANCE Aural and written examination Tuesday 11 November 2008 Reading
The Non-Method Guitar Book
The Non-Method Guitar Book 52 Lessons for Teachers and Students by Charlotte Adams Contents Introduction... 1 Lesson #1 - Sustain (Warm-Up Exercise)... 3 Lesson #2 -The Chromatic Scale... 5 Lesson #3 -
FENDER PLAYERS CLUB THE ii-v-i
THE CADENTIAL USE OF THE DOMINANT SEVENTH CHORD The following figures demonstrate improvised melodic "lines" over common progressions using major, minor, and dominant seventh chords. In this lesson, we
Harmony for Jazz Guitar
Harmony for Jazz Guitar By David Chavez Music s only purpose should be the glory of God and the recreation of the human spirit. Johann Sebastian Bach For David, Michael and Aaron 1 INTRODUCTION Improvisation
Wes Montgomery Licks. From the Master. Written by Sam Smiley Copyright 2012 by Sam Smiley
Wes Montgomery Licks From the Master Written by Sam Smiley Copyright 2012 by Sam Smiley http://www.samsmileymusic.com twitter.com/samsmileymusic facebook.com/samsmileymusic Table of Contents Introduction...
Tools of the Trade. The Boys of Summer, Part II. By Chris Buono
Tools of the Trade The Boys of Summer, Part II By Chris Buono Welcome back to the second installment of this two part series showcasing just a few of the great educators I work alongside at the National
Swing & Jump Blues Guitar Matthieu Brandt
Swing & Jump Blues Guitar Matthieu Brandt March 2016 Version 3.0 Goto www.swingblues.com for more on Swing and Jump Blues Guitar. 1997-2016 No part of this material (book/cd/website) may be reproduced
Pedals, or Suspension via Bass Note Glen Halls. All Rights Reserved
Pedals, or Suspension via Bass Note Glen Halls. All Rights Reserved A 'Pedal' is literally putting a tone other than the root in the bass. A 'Pedal Point' is a string of chords over the same tone in the
Chord Theory as applied to Jazz Guitar Functional Harmony
Chord Theory as applied to Jazz Guitar Functional Harmony by John Riemer Part 1-Tonal Centers Chord theory takes on special adaptations as applied to playing jazz guitar. The role of the guitar puts it
Chronicles II Part 1: Chord Phrasing Chord Phrasing Lesson 1: The C Shape
Chronicles II Part 1: Chord Phrasing Chord Phrasing Lesson 1: The C Shape The open C chord is one of the first things a guitarist will learn, but did you know that there's a built-in scale pattern that
Chapter 1 - Jazz Guitar Chords Essential Jazz Guitar Chords For Beginners How to Transpose Guitar Chords... 13
1 2 Contents Chapter 1 - Jazz Guitar Chords... 8 17 Essential Jazz Guitar Chords For Beginners... 9 How to Transpose Guitar Chords... 13 Your First Jazz Chord Progression... 15 Essential Jazz Comping Rhythms...
Jazz Mandology. Understanding the 'ii V7 I' Progression. by Ted Eschliman V7 I
Current Issue Home Back Issues Other Mel Bay Sites "Finger Pedaling" and Solo Mandolin Performance Indiana Part 2 of 2 Artist Interview with Don Kawalek Forked Deer Playing Really Fast, Part Two Jazz Mandology
Tutorial 3K: Dominant Alterations
Tutorial 3K: Dominant Alterations Welcome! In this tutorial you ll learn how to: Other Tutorials 1. Find and use dominant alterations 3A: More Melodic Color 2. Play whole-tone scales that use alterations
Chord Phrasings and Progressions
Video Reference: Chapter 3 - "Chord Phrasings and Progressions" Chord Phrasings and Progressions Chord Voicing - The notes that make up a chord are referred to as voicings. For now, the two basic voicings
Stormy Weather Ted Greene Arrangement Ted made this solo guitar arrangement for a student during a private lesson, so the format is a little rough mor
Stormy Weather Ted Greene Arrangement Ted made this solo guitar arrangement for a student during a private lesson, so the format is a little rough more of an outline or sketch. There are places where he
MUSIC SOLO PERFORMANCE
Victorian Certificate of Education 2007 SUPERVISOR TO ATTACH PROCESSING LABEL HERE STUDENT NUMBER Letter Figures Words MUSIC SOLO PERFORMANCE Aural and written examination Tuesday 13 November 2007 Reading
album for Impulse!, simply titled Duke Ellington & John Coltrane. The bassist and
John Coltrane s Solo on Take The Coltrane Transcription & Analysis by Seth Carper In 1962 John Coltrane and Duke Ellington went into the studio to record an album for Impulse!, simply titled Duke Ellington
Easy Guitar Soloing Your stress free guide to soloing in the jazz guitar style.
Easy Guitar Soloing Your stress free guide to soloing in the jazz guitar style. Written By: Matthew Warnock Published By: Guitar for Life LLC Copyright 2018 Guitar for Life LLC Expanded Preview Table of
Progressions & Composing
10-Week Teaching Plan: Intro to Chords, Progressions & Composing The Most Kick-Butt Chord Teaching Program Ever Tim Topham 10-Week Teaching Plan: Intro to Chords, Progressions & Composing The Most Kick-Butt
CHAPTER TWO SECOND SPECIES (2:1)
HANDBOOK OF TONAL COUNTERPOINT G. HEUSSENSTAMM Page 9 CHAPTER TWO SECOND SPECIES (2:1) In Second Species, one part changes pitch twice for every single change of pitch in the other part. If one part is
Target Intervals in Jazz Blues Guitar. Target Intervals in Jazz Blues Guitar
Target Intervals in Jazz Blues Guitar Target Intervals in Jazz Blues Guitar When learning to solo on a jazz blues it is important to learn to target intervals in each chord of the progression. This will
Instructions for BHS Jazz Auditions 2017 RHYTHM SECTION
Instructions for BHS Jazz Auditions 2017 RHYTHM SECTION Hello and welcome! Thank you for deciding to audition for the BHS Jazz Lab II band and/or the BHS Jazz Ensemble for the 2017 2018 school year. You
ii-v-i ? 4 4 Dm7 G7 CMaj7 Gm7 C7 FMaj7 Cm7 F7 B Maj7 Fm7 B 7 E Maj7 B m7 E 7 A Maj7 E m7 A 7 D Maj7 A m7 D 7 G Maj7 C # m7 F # 7 BMaj7 F # m7 B7 EMaj7
The most common chord progression found in jazz music is the ii-v-i (2-5-1), and the source of the minor ii, dominant V, and major I chords is the modes of the major scale. For example, the C major scale
The Shearer Method: Guitar Harmony. by Alan Hirsh
The Shearer Method: Guitar Harmony by Alan Hirsh TABLE OF CONTENTS PREFACE About this book I BUILDING BLOCKS... 1 Step... 1 The Major Scale... 2 Chromatic Notes... 2 The Key... 4 Intervals... 6 Major,
Minor Keys and Scales *
OpenStax-CNX module: m10856 1 Minor Keys and Scales * Catherine Schmidt-Jones This work is produced by OpenStax-CNX and licensed under the Creative Commons Attribution License 3.0 Abstract The interval
how to play guitar in less than 10 steps
how to play guitar in less than 10 steps everything you need for a lifetime of playing your favorite songs written by josh espinosa graphic design by blueline branding introduction People often look at
150 Frequently Asked Questions about Improvisation
150 Frequently Asked Questions about Improvisation Copyright 2004 Visual Jazz Publications Here are some of the questions you may have wondering about when it comes to improvisation. Each question number
Intro to Jazz Improvisation: Mus121b Tues. + Friday 12:30-1:50
Intro to Jazz Improvisation: Mus121b Tues. + Friday 12:30-1:50 Prerequisites: Ability to read music and facility on an instrument. This course explores some of the tools improvisers use to develop their
Rock Modes III by Chris Botta
Rock Modes III by Chris Botta In our last lesson, we worked to solidify our concepts of modal improvisation by looking at how pentatonic scales are applied modally in everyday rock and blues, and also
Everything should be made as simple as possible, but not simpler Albert Einstein
Everything should be made as simple as possible, but not simpler Albert Einstein No part of this publication, such as the music, text, design or graphics, may be reproduced in any form, or by any means,