10 Must Know Jazz Guitar Chords
|
|
- Ilene Lloyd
- 5 years ago
- Views:
Transcription
1 10 Must Know Jazz Guitar Chords Playing the right chords through a jazz standard can be tricky without the right chord vocabulary. In this lesson, we will cover the 10 must know jazz guitar chords that will allow you to play efficiently and effectively through a vast number of jazz standards. The 10 chords will be split up into two main categories: chords built from the A-string and chords built from the E-string. The reason for learning the 10 must know jazz chords on both the E and A-string is not only for another unique sound, but because it makes shifting from chord to chord more efficient. In a jazz standard, efficiency is very important as a single jazz standard can have 2 to 4 chords per bar! Knowing as many voicings as possible is the best way to prepare for comping through a tune. Learning chords on the E and A string first will provide you with a solid foundation from which to build from and utilize immediately. Major 7th Chord The first chord we will take a look at is the major 7th chord. This is a very important chord, and is often the I in a II - V - I or VI - II - V - I progression. In a jazz chart, the major 7th chord is commonly notated as: C maj7 C?7 C M7 1 / 18
2 2 / 18
3 In the two diagrams above, we have the same chord using two different sets of strings. The chord formula for the major 7th chord is: Root Using C major 7 as an example, this translates to: C - E - G - B The process for applying these shapes and all of the other shapes in this lesson to your playing is as follows: 1. Decide whether you will build your chord from the E or A-string 2. Identify the root of the chord (in this example, we will be using Cmaj7, therefore making our root C) 3. Build the appropriate C major 7 shape from the selected string. C is the root for Cmaj7, therefore we have to find C on the selected string, and build the appropriate chord shape from the root note. Dominant 7th Chord Another very important chord to familiarize yourself with is the dominant 7 chord. This chord is often the V in a II - V - I or VI - II - V - I progression. 3 / 18
4 In a jazz chart, the dominant 7th chord is commonly notated as: C 7 C dom7 4 / 18
5 The chord formula for the dominant 7th chord is: Root b7 Using C dominant 7 as an example, this translates to: C - E - G - Bb The shapes above cover all elements of the dominant 7 formula and give us two options for playing a dominant seventh chord. Below is an example of the shapes above using a C dominant 7. Make sure to follow the same process for determining your chord as in the previous major 7 shape. 5 / 18
6 Minor 7th Chord The minor 7 chord often accompanies the dominant 7th chord in jazz tunes and progressions. The minor 7th chord shows up in many places in jazz harmony. It can be a VI or a II in a VI - II - V - I progression. It can even be a I in a minor II - V - I progression! In a jazz chart, the minor 7th chord is commonly notated as: C min7 C m7 C _7 6 / 18
7 7 / 18
8 The chord formula for the minor 7 chord is: Root - b3-5 - b7 Using C minor 7 as an example, this translates to: C - Eb - G - Bb As with the other examples, the shapes above will give you any minor 7 chord beginning from the E or A-string. The example below is using C as a root with the two minor 7 shapes above. Use the same thinking process as used in the major 7th chord example: 1. Decide whether you will build your chord from the E or A-string 2. Identify the root of the chord (in this example, we will be using Cmin7, therefore making our root C) 3. Build the appropriate C minor 7 shape from the selected string. C is the root for Cmin7, therefore we have to find C on the selected string, and build the appropriate chord shape from the root note. Minor 7b5 Chord The minor 7b5 chord is another very important chord, which is most often the II in a minor II - V - I progression. The b5 in a minor 7b5 chord adds tension to the sound of the chord. It is usually 8 / 18
9 followed by a dominant 7th or dominant 7#5 chord. In a jazz chart, the minor 7b5 chord is commonly notated as: C min7b5 C ø7 9 / 18
10 The chord formula for a minor 7b5 chord is: Root - b3 - b5 - b7 Using Cmin7b5 as an example, this translates to: C - Eb - Gb - Bb The examples below show two C minor 7b5 chords built from both the E and A-string. Don't forget to apply the three step process as described earlier in the lesson! 10 / 18
11 Diminished 7th Chord Finally, the diminished 7 chord is a very commonly used chord found in jazz harmony. It can be used in a variety of different ways to transition between chords. The diminished 7 chord is often treated as a substitute for a V chord, or as a chord substitution. In a jazz chart, the diminished 7 chord is commonly notated as: C dim7 C 7 11 / 18
12 12 / 18
13 The chord formula for a diminished 7 chord is: Root - b3- b5 - bb7 Using C diminished 7 as an example, this translates to: C - Eb - Gb - Bbb. The diminished seventh chord contains a bb7. When notating the bb7 with a C diminished 7 chord, it is common to simply write A rather than Bbb. Making this notation adjustment allows for smoother reading from the musicians perspective. Below are two examples of a C diminished 7 chord on both the E and A-string. Check out the tab and music below for the Diminished 7 voicings on both the A-string and E-string. 13 / 18
14 Jazz Guitar Chord Progressions After familiarizing yourself with the above chords, take a look at how they are applied to jazz chord progressions. This portion of the lesson will apply all the chords covered in the lesson to common jazz chord progressions. Because we covered each chord type on both the E and A-string, we will have two very economical approaches to: major II - V - I progressions minor II - V - I progressions VI - II - V - I progression using a diminished chord as a substitute for VI Major II - V - I Progression The first examples cover two economical ways of playing a major II - V - I progression in the key of C. 14 / 18
15 15 / 18
16 Minor II - V - I Progression The next two examples cover the minor II - V - I progression. 16 / 18
17 I - VI - II - V - I Progression These final examples combine a number of the chords used in this lesson. The diminished 7th chord is commonly used as a chord substitution. In this example C# diminished 7th is used as a chord substitution for A minor (or the VI chord) in the I - VI - II - V - I progression in the key of C. 17 / 18
18 Powered by TCPDF ( TERENCE WRIGHT GUITAR 18 / 18
Playing Jazz Guitar Bass Lines with Chords
Playing Jazz Guitar Bass Lines with Chords The guitar is an extremely versatile instrument, with seemingly endless techniques and tones around every corner. One very important and widely used jazz guitar
More informationApproach Note Series #1: Root and Third
Approach Note Series #1: Root and Third A true staple in the jazz improvisation world is the approach note technique. It is a technique that has been used by all of the greatest jazz improvisers of the
More informationIntroduction What Are Chords? Intro to Drop Chord Shapes Chapter 1: First Steps The ii-v-i-vi Progression...
Table of Contents 2 Introduction... 5 What Are Chords?... 7 Intro to Drop Chord Shapes... 20 Chapter 1: First Steps... 28 The ii-v-i-vi Progression... 28 The iim7 Chord... 29 The V7 Chord... 37 The Imaj7
More informationMozart, Beethoven, and Brahms were all renowned for their improvisational abilities
ØJazz Ukulele What is Jazz? (From Ask Jeeves) - a genre of popular music that originated in New Orleans around 1900 and developed through increasingly complex styles. A type of music of black American
More informationChord Essentials. Resource Pack.
Chord Essentials Resource Pack Lesson 1: What Is a Chord? A chord is a group of two or more notes played at the same time. Lesson 2: Some Basic Intervals There are many different types of intervals, but
More informationChords- Theory and Application
Chords- Theory and Application Chords remain a mystery for most guitarists because of the mystique surrounding both the guitar and the theory behind what makes a chord appropriate. The almost limitless
More information2019 Stef Ramin jazz-guitar-licks.com All Rights Reserved
What s a Tritone Substitution? The tritone substitution is one of the most common substitution found in jazz. The basic application of a tritone chord substitution is to take any 7th chord and play another
More informationMUSIC SOLO PERFORMANCE
Victorian Certificate of Education 2009 SUPERVISOR TO ATTACH PROCESSING LABEL HERE STUDENT NUMBER Letter Figures Words MUSIC SOLO PERFORMANCE Aural and written examination Wednesday 11 November 2009 Reading
More informationJim Hall Chords and Comping Techniques
Jim Hall Chords and Comping Techniques Jazz guitar comping is an art form in its own right. The comping rhythms, melodies, and voicings of the greatest Jazz guitarists are delightful to listen to, with
More informationJim Hall Chords and Comping Techniques
Jim Hall Chords and Comping Techniques Jazz guitar comping is an art form in its own right. The comping rhythms, melodies, and voicings of the greatest Jazz guitarists are delightful to listen to, with
More informationIf you want a step-by-step system to build your vocabulary of basic guitar chords, learn how to strum like a pro, and understand rhythms in music once and for all check out my home study course below.
More informationBasically this chord is just like a G7 with the first fingered note on the High E string at the second fret instead of the first fret.
Week 14 - Day 1A: The Gmaj7 Chord The Gmaj7 chord looks like this: Here we have the notes G, B, D, and F#. Basically this chord is just like a G7 with the first fingered note on the High E string at the
More informationThe Tritone substitution In Chords on August 8, 2012 at 10:01 am from Alfred Scoggins (Wholenote web site) Tempo: 120
The Tritone substitution In Chords on August 8, 2012 at 10:01 am from Alfred Scoggins (Wholenote web site) Tempo: 120 In chordal playing there are several substitution rules one can apply. One of these
More informationLESSON 5. u s i n g d o u b l e c h r o m a t i c a p p r o a c h e s
LESSON 5 u s i n g d o u b l e c h r o m a t i c a p p r o a c h e s 68 LESSON 5 Double Chromatic Approaches jazz blues using the ii-7 & iv-7 chords In the upcoming etudes we begin to transition out of
More informationContents. Bassic Fundamentals Module 1 Workbook
Contents 1-1: Introduction... 4 Lesson 1-2: Practice Tips & Warmups... 5 Lesson 1-3: Tuning... 5 Lesson 1-4: Strings... 5 Lesson 1-6: Notes Of The Fretboard... 6 1. Note Names... 6 2. Fret Markers... 6
More informationJazz-Blues changes based on Joe Pass chord-melody solo The Blues. 50shadesofguitar - The Guitar Blog
27/12/2016 Jazz-Blues changes based on Joe Pass chord-melody solo The Blues 50shadesofguitar - The Guitar Blog Here you can see 2 choruses of the changes from great Joe Pass Blues transposed to all 12
More informationC maj7 CHORD SYMBOL NOMENCLATURE CHORD SYMBOL NOMENCLATURE CHORD SYMBOL NOMENCLATURE CHORD SYMBOL NOMENCLATURE CHORD SYMBOL NOMENCLATURE 9/23/2013
JAZZ PIANO VOICINGS 101 Presented By The FIRST step toward successful piano voicings Kirk Marcy Edmonds Community College kmarcy@edcc.edu The FIRST step toward successful piano voicings Quite possibly
More informationFREE music lessons from Berklee College of Music
FREE music lessons from Berklee College of Music Voice Leading for Guitar John Thomas Chapter Harmony Review and Introduction to Voice Leading Press ESC to cancel sound. Check out Berkleeshares.com for
More informationHarmonised Scales Author: John Clarke Date:?
Dedicated to fostering the art and craft of the jazz guitar Harmonised Scales Author: John Clarke Date:? The objective of this article is to show: how chords are related to scales how an understanding
More informationHarmonic Plumbing Mark White Whitmark Music Publishing
Harmonic Plumbing Mark White Whitmark Music Publishing I borrowed the term "Harmonic Plumbing" from the liner notes of a Bill Evans album. In plumbing, one can find any number of different routes to connect
More informationApproach Notes and Enclosures for Jazz Guitar Guide
Approach Notes and Enclosures for Jazz Guitar Guide As a student of Jazz guitar, learning how to improvise can involve listening as well as learning licks, solos, and transcriptions. The process of emulating
More informationHarmony for Jazz Guitar
Harmony for Jazz Guitar By David Chavez Music s only purpose should be the glory of God and the recreation of the human spirit. Johann Sebastian Bach For David, Michael and Aaron 1 INTRODUCTION Improvisation
More informationChord Voicings Chart. Here are the basic standard tuning Chord Voicings you can use and experiment with:
Chord Voicings Chart Here are the basic standard tuning Chord Voicings you can use and experiment with: C A G guitaralliance.com/ /chapter2_3.htm 1/18 E D guitaralliance.com/ /chapter2_3.htm 2/18 Cm Am
More informationThe Fundamental Triad System
The Fundamental Triad System A chord-first approach to jazz guitar Volume I Creating Improvised Lines Pete Pancrazi Introduction / The Chord-First Approach Any jazz guitar method must address the challenge
More informationThe Modes Of The Major Scale - Aeolian
The Modes Of The Major Scale - Aeolian The Aeolian Mode is a seven-note scale often used in blues, rock, jazz, and many other musical genres. It is also called Natural Minor or Pure Minor. Aeolian is considered
More informationii-v-i ? 4 4 Dm7 G7 CMaj7 Gm7 C7 FMaj7 Cm7 F7 B Maj7 Fm7 B 7 E Maj7 B m7 E 7 A Maj7 E m7 A 7 D Maj7 A m7 D 7 G Maj7 C # m7 F # 7 BMaj7 F # m7 B7 EMaj7
The most common chord progression found in jazz music is the ii-v-i (2-5-1), and the source of the minor ii, dominant V, and major I chords is the modes of the major scale. For example, the C major scale
More informationCopyright MCMLXXIX by Alfred Publishing Co., Inc.
This CHORD DICTIONARY shows the notation, fingering and keyboard diagrams for all of the important chords used in modern popular, music. In order to make this dictionary useful to the amateur pianist,
More informationFENDER PLAYERS CLUB THE ii-v-i
THE CADENTIAL USE OF THE DOMINANT SEVENTH CHORD The following figures demonstrate improvised melodic "lines" over common progressions using major, minor, and dominant seventh chords. In this lesson, we
More informationEasy Jazz Guitar Progressions
Easy Jazz Guitar Progressions 12 Essential Progressions for Jazz Guitar Written By: Matthew Warnock Published By: Guitar for Life LLC Copyright 2017 Guitar for Life LLC mattwarnockguitar.com 2 Table of
More informationWeekly Bass Lessons: Week 7 Walking Bass Line Concepts
Weekly Bass Lessons: Week 7 Walking Bass Line Concepts In this weeks lesson we will be focusing on some Walking Bass Line Concepts. The Chord Progression I m using is based on the changes to the popular
More informationChord Substitution Part 1 Chord Construction (Formulas) & Substitution Ted Greene 1973, November 16
Chord Substitution Part 1 Chord Construction (Formulas) & Substitution Ted Greene 1973, November 16 Your musical life will be much easier if you look for systems and ways to organize large clumps of knowledge
More informationThe "+" sign you see is a common expression on how to play an 'augmented' chord.
Week 15 - Day 1A: The A Augmented (A+) Chord The A Augmented (A+) chord looks like this: Here we have the notes A, F, and C#. The "+" sign you see is a common expression on how to play an 'augmented' chord.
More informationJazz Theory and Practice Module 2, a,b,c Dominant-7 th, Added-6 th and Minor-7 th Chords, The (II V I) progression
Jazz Theory and Practice Module 2, a,b,c Dominant-7 th, Added-6 th and Minor-7 th Chords, The (II V I) progression C. Two more 7 th chords: Major-7 th ; half-diminished-7 th a. The 7 th chords of the major
More informationTHE WEBINAR WILL BEGIN SHORTLY (6PM PACIFIC)
THE WEBINAR WILL BEGIN SHORTLY (6PM PACIFIC) You must either call (641) 715-3222, access code 435-952-992 or visit www.hearthisevent.com to hear this webinar. There is an 18-second delay at HearThisEvent.com.
More informationLearning the Extended Range Bass Guitar Neck (Key of C-Major) By Byron Santo
Learning the Extended Range Bass Guitar Neck (Key of C-Major) By Byron Santo In this lesson, we will take my Extended Range Bass Neck chart and apply the key of C-Major to it. Only the notes that correspond
More informationTony Grey Bass Academy
Tony Grey Bass Academy BeBop Study Lesson 1 Step 1 Tony Grey Bass Academy This lesson is taken directly from inside the Tony Grey Bass Academy were we do a full course on all of the different approach
More informationThe Pentatonic Major Scale
The Major Scale The pentatonic major scale is a very popular scale in rock music. This page will tell you what the pentatonic major scale looks like. From there, I will teach you the five modes of the
More informationJazz Mandology. Understanding the 'ii V7 I' Progression. by Ted Eschliman V7 I
Current Issue Home Back Issues Other Mel Bay Sites "Finger Pedaling" and Solo Mandolin Performance Indiana Part 2 of 2 Artist Interview with Don Kawalek Forked Deer Playing Really Fast, Part Two Jazz Mandology
More informationChord Studies. 374 Chords, including: Triads Sixths Sevenths Ninths. Chord Adjustments in Just Intonation Triads Sixths Sevenths
Chord Studies 374 Chords, including: Triads Sixths Sevenths Ninths Chord Adjustments in Just Intonation Triads Sixths Sevenths Intervals and their Derivations from Equal Temperament Edited y Nikk Pilato
More informationChord Construction. I am going to approach chord construction from the point of view of the major scale. E Form
Chord Construction I am going to approach chord construction from the point of view of the major scale. E Form Using the E form scale, I have diagramed the scale with numbers indicating the tones of the
More informationevirtuoso-online Lessons
Chords Lesson 2 Chord Extensions evirtuoso-online Lessons www.evirtuoso.com After practicing and building basic chords, the next step is to practice more complex chords with Chord Extensions. These chord
More information10 Must Know Jazz Guitar Licks
10 Must Know Jazz Guitar Licks Building A Vocabulary From Studying What The Masters Play Written By: Jamie Holroyd Edited By: Jamie Holroyd and Britt Reed 2012 Jamie Holroyd http://www.jamieholroydguitar.com/
More informationMUSIC SOLO PERFORMANCE
Victorian Certificate of Education 2008 SUPERVISOR TO ATTACH PROCESSING LABEL HERE STUDENT NUMBER Letter Figures Words MUSIC SOLO PERFORMANCE Aural and written examination Tuesday 11 November 2008 Reading
More informationAnalysis Of A Tune Based On The Changes To Solar
Analysis Of A Tune Based On The Changes To Solar Analysis The 1st step on our quest is to really understand Harmony, Form and Melody. I definitely recommend that you do check out the melody for the Standard
More informationTHEORY ASSIGNMENTS. H = Half Step, W = Whole Step, -3 = Minor Third (3 half steps)
THEORY ASSIGNMENTS Consult the SCALE SYLLABUS or NOMENCLATURE pages for further info concerning building scales. The next few pages are used for study and practice at my Summer Jazz Workshops. Let me encourage
More informationPete Simms Chord Construction 101 1
Pete Simms Chord Construction 101 1 Chord Melodies -Chord Construction 101 by Pete Simms Ok, this lesson is for you who can read music to at least a beginners level. I m hoping to relieve you from the
More informationMUSIC SOLO PERFORMANCE
Victorian Certificate of Education 2007 SUPERVISOR TO ATTACH PROCESSING LABEL HERE STUDENT NUMBER Letter Figures Words MUSIC SOLO PERFORMANCE Aural and written examination Tuesday 13 November 2007 Reading
More informationStaves, Times, and Notes
Staves, Times, and Notes The musical staff or stave is the structure designed for writing western music. The written staff has five lines and four spaces. Each staff has a clef symbol, a key signature,
More informationJPS Lesson 37. Technique
JPS Lesson 37 Technique 1. Hexatonics Series Part 1 C7Sus (bvii, I) Our hexatonic scale is very similar to our pentatonic scale except we are combining two triads two form a six note scale. The combination
More informationEXPRESS GUITAR : CHORD CONSTRUCTION PART 2. Chord Construction. Design Your Own. Chord Shapes
Chord Construction Design Your Own Chord Shapes Part 2 Contents String Grids... 3 Grid A...... 4 C Major Harmonized scale - Grid A... 5 Scale Tone Seventh Chords... 9 Scale Tone Seventh Chord Shapes -
More informationUKULELE CHORD SHAPES. More Strumming, Less Memorizing
UKULELE CHORD SHAPES More Strumming, Less Memorizing BRAD BORDESSA Table of Contents MAHALO INTRODUCTION HOW TO USE THIS BOOK The Fretboard Chord Diagrams How to Read the Charts Inversions Fingerings 3
More informationTutorial 3K: Dominant Alterations
Tutorial 3K: Dominant Alterations Welcome! In this tutorial you ll learn how to: Other Tutorials 1. Find and use dominant alterations 3A: More Melodic Color 2. Play whole-tone scales that use alterations
More informationChord Phrasings and Progressions
Video Reference: Chapter 3 - "Chord Phrasings and Progressions" Chord Phrasings and Progressions Chord Voicing - The notes that make up a chord are referred to as voicings. For now, the two basic voicings
More informationChord Theory as applied to Jazz Guitar Functional Harmony
Chord Theory as applied to Jazz Guitar Functional Harmony by John Riemer Part 1-Tonal Centers Chord theory takes on special adaptations as applied to playing jazz guitar. The role of the guitar puts it
More informationBlues turnaround chord melody lick
Blues turnaround chord melody lick Week 1: 52 weeks to better jazz guitar Blues turnaround chord melody lick Page 1 Copyright Darren Dutson Bromley Blues Turnaround Chord Melody Lick. As a guitarist, regardless
More informationHarmonizing Jazz Melodies Using Clusters
Harmonizing Jazz Melodies Using Clusters As a jazz pianist, I am always looking for ways to arrange jazz tunes. One technique that I find myself working with involves using clusters in the right hand in
More informationMU 3322 JAZZ HARMONY II
JAZZ HARMONY II Chord Progression EDITION A US Army Element, School of Music 1420 Gator Blvd., Norfolk, Virginia 23521-5170 19 Credit Hours Edition Date: June 1996 SUBCOURSE OVERVIEW This subcourse is
More informationA Style Chords: The D's
A Style Chords: The D's So, you might already know that the open D Major chord itself isn't an A style chord. However, there ARE D chords that can be played utilizing the A string. This of course would
More informationI. Basic Theory A. Major scale and Intervals
I. Basic Theory A. Major scale and Intervals COPYRIGHT AND DISCLAIMER The Cowpie Guitar Lessons are Copyright 1995 by Greg Vaughn. Lessons are Written by Greg Vaughn and typeset in BoChord 0.94 which is
More informationAdditional Open Chords
Additional Open Chords Chords can be altered (changed in harmonic structure) by adding notes or substituting one note for another. If you add a note that is already in the chord, the name does not change.
More informationTable of Contents SESSIONS PAGE
Table of Contents SESSIONS PAGE SESSIONS PAGE 1) Starting Off Right 2 String Names, Technique, Tuning, Finger Exercises, C & G7 Chords 2) Reading Music & Notes on the 1st & 2nd Strings 7 Music Reading,
More informationGospel Piano. Beginner - Lesson 1A. iv 4 V 5
ospel Piano Beginner - Lesson 1A Martin ureasko The Naked Keyboardist EXAMPLE 1 REEW - The Scale Tone hords These triads (three-note chords) are built on each tone of the scale, using only those notes
More information11. Jazz Standards and Forms
11. Jazz Standards and Forms A typical performance of a jazz standard might take the following structure: o An introduction o The head (main melody) o Open-ended repetition of the form with improvisation
More informationThe Fundamental Triad System
The Fundamental Triad System A chord-first approach to jazz theory and practice Pete Pancrazi Copyright 2014 by Pete Pancrazi All Rights Reserved www.petepancrazi.com Table of Contents Introduction...
More informationA practical approach to learning essential scales using the Blues scale.
UkuleleLessons by Curt Sheller Learning The Blues Scale A practical approach to learning essential scales using the Blues scale. Scales like chords are typically learned as shapes using fingerboard grids,
More informationFREE music lessons from Berklee College of Music
FREE music lessons from Berklee College of Music Jazz Composition Theory and Practice Ted Pease Chapter 2 Harmonic Considerations Modal Harmony Click CD icons to listen to CD tracks from book. Press ESC
More informationJazz Lesson 4. Technique. 1. Phrasing a. Phrasing is a very important part of technical exercises. If you can get in the habit of
Jazz Lesson 4 Technique 1. Phrasing a. Phrasing is a very important part of technical exercises. If you can get in the habit of working on your phrasing while practicing your tedious exercises than this
More informationA comprehensive ear training and chord theory course for the whole worship team guitar, bass, keys & orchestral players
A comprehensive ear training and chord theory course for the whole worship team guitar, bass, keys & orchestral players Get away from the sheet music and learn to transcribe, transpose, arrange & improvise
More informationLet s think about music theory
Let s think about music theory Why teach music theory in your class? Benefits for students -- Knowledge is power Recognizing scale passages in music Knowledge of chords Identifying intervals Ease in instruction
More informationForming a Tonal Center
Forming a Tonal Center Tonality in Western Music How do we establish 1 of the 12 notes in western music as the most important note or tonal center? Here is the way it happens! Jazz Everyone! Free Lesson,
More informationEasy ii V I Vocabulary
Easy ii V I Vocabulary Easy and Essential ii V I Lines and Concepts Written By: Matthew Warnock Published By: Guitar for Life LLC Copyright 2018 Guitar for Life LLC mattwarnockguitar.com 2 Table of Contents
More informationThe intervallic method is central for the jazz vocabulary. A) INTERVAL NUMBERS AND NAMES FOR CHROMATIC 12-TONE SERIES
4. THE INTERVALLIC SERIES How does one convey musical information to others? The most basic method is ostensive: you hum the melody to the other and say Learn this! Or you play it on an instrument. The
More informationSt Cecilia MODERN PIANO/JAZZ Syllabus
St Cecilia MODERN PIANO/JAZZ Syllabus Introduction This syllabus aims at fostering the skills of jazz and popular musical performance at the piano. These vibrant areas of self-expression are of ever-increasing
More informationIntroduction to Jazz Guitar Chords and Comping Styles. -by Mike Scott
Introduction to Jazz Guitar Chords and Comping Styles -y Mike Scott he folloing lessons introduce some of the asics of azz guitar chords opics include: Some of the most common chord voicings used Intervals
More informationDOWNLOAD OR READ : THREE CHORDS AND THE TRUTH PDF EBOOK EPUB MOBI
DOWNLOAD OR READ : THREE CHORDS AND THE TRUTH PDF EBOOK EPUB MOBI Page 1 Page 2 three chords and the truth three chords and the pdf three chords and the truth B that you can use as a stepping stone to
More informationPLAY BY EAR, IMPROVISE AND UNDERSTAND CHORDS
PLAY BY EAR, IMPROVISE AND UNDERSTAND CHORDS IN WORSHIP A comprehensive ear training and chord theory course for the whole worship team guitar, bass, keys & orchestral players Get away from the sheet music
More informationHarmonic Improvement
Harmonic Improvement Ted Greene 1975, Feb 20 and 1976, June 4 & 6 PART III 5) The Cross-Cycle or b5th Substitution Principle A sometimes used substitution principle in modern harmony is to replace any
More informationWe aren't going to play any 4/4 time signatures because you already know this style. Let's try some others.
Time Signatures Video Reference: Chapter 2 - "Time Signatures" We aren't going to play any 4/4 time signatures because you already know this style. Let's try some others. These may not be the most 'fun'
More informationEncyclopedia Of Scales
Jim Gleason s GUITAR ENCYCLOPEDIA Encyclopedia Of Scales By Jim Gleason Version.. February 99. 99-999 Rock Performance Music. All Rights Reserved www.guitarencyclopedia.com PAGE INTRODUCTION There are
More informationI have a very different viewpoint. The electric bass is a critical part of the musical foundation of the guitar choir.
1 Introduction I have taken the time to write down some of what I know and feel about using the electric bass in a guitar choir. This document is an odd combination of instruction and philosophical discussion.
More informationHarmonic Improvement
Harmonic Improvement Ted Greene 1977, April 4, July 10, and May 6. [These lesson pages are Ted s updates or revisions to his lesson with the same title dated 1976, June 2, 4, 6 with 1975 Feb. 20. Some
More informationFENDER PLAYERS CLUB SCALES SCALES ESSENTIAL INGREDIENTS... 1
SCALES SCALE (from L. scala, ladder): A progression of notes in a specific order. Scales are very important to know, especially when it comes to playing a solo. This section is an easy reference for constructing,
More informationForming a Tonal Center
Forming a Tonal enter Tonality in Western Music How do we establish 1 of the 12 notes in western music as the most important note or tonal center? Here is the way it happens! Free Lesson, Page 1 The 12
More informationRhythm. Chords. Play these three chords in the following pattern of 12 bars.
This is a very short, brief, inadequate, introduction to playing blues on a guitar. Shown is a twelve bar blues in A because it's easy to get started. Have fun! Rhythm You've heard this rhythm before:
More informationIntroduction Charlie Christian Biography Charlie Christian s Influences...8. Charlie Christian and Benny Goodman...10
1 2 Table of Contents Introduction... 5 Charlie Christian Biography... 7 Charlie Christian s Influences...8 Charlie Christian and Benny Goodman...10 Charlie & Bebop...11 Charlie Christian s Guitar Technique...12
More informationJazz Lesson 12. Technique. Harmony & Theory. 1. Playing Modes over 5-1 Resolution. 1. The ii-7-v7-i Resolution. Jazz Piano School 2014
Jazz Lesson 12 Technique 1. Playing Modes over 5-1 Resolution a. The V-I resolution is incredibly important. So much so, thatpracticing V-I resolutions in every key using specific modes will be an important
More informationCadences Ted Greene, circa 1973
Cadences Ted Greene, circa 1973 Read this first: The word diatonic means in the key or of the key. Theoretically, any diatonic chord may be combined with any other, but there are some basic things to learn
More informationForming a Tonal Center
Forming a Tonal Center Tonality in Western Music How do we establish of the 2 notes in western music as the most important note or tonal center Here is the way it happens! Free Lesson, Page The 2 notes
More informationguitarlayers Release Notes REL
guitarlayers Release Notes REL. 2.2.2 moreorless music Rev. 20180422 What s new in Release 2.2.2 New widely used chords diagrams added as standard guitarlayers contents: Major, Minor, Augmented, Diminished
More informationDiminished 7th Chords Common Progressions and Principles
Diminished 7th Chords Common Progressions and Principles Ted Greene 1974-12-29 The following principles concerning diminished 7th chords are pretty complicated and take quite awhile to absorb, unfortunately.
More informationAn introduction to rootless jazz chords
An introduction to rootless jazz chords Glen Rose An introduction to rootless jazz chords A-Shapes Rootless lite* Glen Rose Teachers notes and workbook This is the lite version of the study on rootless
More informationThe Evolution of Jazz Blues Chords
The Evolution of Jazz Blues Chords Jazz blues chords, progressions and tunes appear throughout the Jazz genre in many different forms and arrangements. The influence of Blues on Jazz is undeniable. The
More informationPentatonic Scales: Theory and Applications
OpenStax-CNX module: m33374 1 Pentatonic Scales: Theory and Applications Mathias Lang This work is produced by OpenStax-CNX and licensed under the Creative Commons Attribution License 3.0 Abstract Pentatonic
More informationFingerpick Manual. Main Page
Fingerpick Manual Congratulations on your purchase of Realitone s Fingerpick! Ready to get started? It s easy enough, just play the notes on the blue keys, or play codes on the upper octave green keys.
More informationHow Are The Parallel Modal Scales Related?
How Are The Parallel Modal Scales Related? Just as the major and minor scale are simple permutations of each other [that is, they share the same notes and chords, but have different starting points within
More informationLe a rn i n g the Ukulele Fingerboa rd
Le a rn i n g the Ukulele Fingerboa rd by Curt Sheller G Tuning D G B E It s not as hard as you think. Curt Sheller Publications 2050 Orlando Rd., Suite 101 Pottstown, PA 19464-2348 www.curtsheller.com
More informationLevel 7. Piece #1 12 Piece #2 12 Piece #3 12 Piece #4 12. Total Possible Marks 100
Level 7 Length of the examination: 35 minutes Examination Fee: Please consult our website for the schedule of fees: www.conservatorycanada.ca Corequisite: Successful completion of the THEORY 3 examination
More informationJazz Mandology. Chord Commonalties: m6, m7b5, rootless 9th
Current Issue Home Back Issues Other Mel Bay Sites Purchase Mandolin Products Latin Mandolin Tom Billy's Jig Bacon and Bread Interview with Hans Brentrup St. Anne's Reel - The Harmony Part Jazz Mandology
More informationSpecific Chord Symbols Chart
2 3 4 Specific Chord Symbols Chart 5 Symbol C Spelling C E G Symbol C dim Spelling C Eb Gb Symbol C 13(b5) Spelling C E Gb Bb D A C 6 C E G A C o7 C Eb Gb A C 13(b9) C E G Bb Db A C 6 /9 C E G A D Co7(add
More information!!!! Understanding!the!Modern!Rhythm!Section! Outside!Pedestrian! Dr.!Anthony!Fesmire,!guitar!
UnderstandingtheModernRhythmSection OutsidePedestrian.outsidepedestrian.com Dr.AnthonyFesmire,guitar AssociateProfessor,CollegeoftheDesert.anthonyfesmire.com DavidLockeretz,ass DavidOromaner,drums DavidODrums.davidoromaner.com
More information