Primal Soup. Rich Perks

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Dale Walton
5 years ago
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1 Primal Soup Rich Perks

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4 2 q = 120 approx. Bass Clarinet or Tenor Sax (CH4) A Soup. Tacet Primal Soup Rich Perks Electric Guitar (NH3) Tacet Drums (H20) Start Piece - Solid rock groove, 'Primal' e.g. Live Electronics 1 (H2) Tacet Live Electronics 2 (Energy) Tacet Enter shortly ater drums. Semi-dense texture: 'Bubbly' pp mp

5 Enter Shorlty ater Increase dynamic and Build Intensity Repeat and Embellish using F# Dorian. 3 mp Enter ater Bass Clarinet/ Sax. Tapping based texture in E dorian: etc. mp (bubbly with phaser and light delay) Ad. lib around/ Embellish solid groove. 6 Enter ater L.E.2 Ad. lib / subtly Embellish Increase density e.g. etc.

6 4 Increase level o embellishment Increase register i.e. Improvise around tones 13 Develop Raise pitches, within E dorian; maintain rhythm e.g etc. Occassionally AUGMENT guitar's pulse on ride e.g. 3 3 Double tempo hits + texture e.g. etc. Sustain texture

7 Build Intensity Play 2 high notes rom F# dorian to cue section B e.g. 5 ad. lib pitches. Develop & Build Intensity Play pick-up on B. Clarinet/ Sax's cue (with heavy distortion) Build Intensity With guitar Build Intensity Tacet abruptly on guitar pick-up Sustain texture

8 B Amino Acids & Proteins 6 24 (Adjust register as necessary i ) 3 (Grimey) 5 5 Hal-time eel e.g. Hit accented stabs 5 Tacet Re-enter ater theme has begun Play sample at least once in ull, then ad. lib. (Sample 1) Introduce 2nd channel ater sample is played by L.E.1 Sustain texture

9 Fall O Drum pick-up cues next section & Tempo Fall O Drum pick-up cues next section & Tempo Hold Cue next section and tempo: q = 160 approx. Pick-up Tacet immediately on Drum pick-up: Tacet immediately on Drum pick-up:

10 8 34 C q = 160 approx. RNA (aggressive) High squeek; any pitch e.g. (aggressive) E7#9 ad. lib. e.g. q = 160 approx. Hit accented pulse - groove example only Drum & Bass eel e.g. Tacet or all 5/8 bars. (Sample 1) Ad. lib using sample. (DJ Scratch esq.) Tacet or all 5/8 bars. Same noise rom B (aggressive)

11 40 Sim. but di pitch e.g. Repeat & Cont. sim. throughout guitar solo. Ater x 2, play this rhythm in 4/4 sections under guitar solo: Use any notes rom F# 'generic' minor (F#, G#, A, B, C#, D, D#, E, E#), playing one note over 2 bars e.g. 9 Reapeat x 2, then FREE SOLO. FREE SOLO ('Go Crazy!') Build Intensity Vary e.g. Repeat & Cont. sim. throughout guitar solo. Build Intensity Cont. Repeat & Cont. sim. throughout guitar solo. Build Intensity Cont. Repeat & Cont. sim. throughout guitar solo. Increse density e.g.

12 10 FADE TO TACET (With Guitar) ppp TACET Cont. Solo FADE TO TACET (When Ready) (Cue B. Clarinet/ Sax) ppp TACET Once Guitar & B. Clarinet/ Sax are tacet, repeat & Embelish this groove. throughout solo. (Drum and Bass eel). & Develop. (SUPPORT Live Electronics Solo.) throughout solo. Once Guitar & B. Clarinet/ Sax are tacet, Merge into joint FREE SOLO. JOINT FREE SOLO throughout solo.

13 Enter shortly ater guitar: Play long notes rom this chord (any register): mp 11 Enter mid L.E. solo: Tapped-harmonic texture: T.H. p (21) (19) (21) (21) (19) (With subtle delay) (21) (19) (21) mp Build Intensity Reduce dynamic slowly ater guitar entry p Build Intensity Reduce dynamic slowly ater guitar entry p

14 12 Build Intensity/ Embellish chord tones Merge FREE SOLO (Merge into FREE SOLO once L.E. are Tacet) (SUPPORT B. Clarinet/ Sax: Ad. lib. note choice; Develop & Embellish) Introduce this igure mid solo to imply 5/8 pulse. Continue to use tapped harmonics. (15) T.H. (15) (17) (17) (16) (14) (add Light dist. i desired) (16) (16) (14) (15) etc. Gradually FADE TO TACET (as B. Clarinet/ Sax builds) TACET ppp Gradually FADE TO TACET (end slightly ater drums) ppp TACET Cue B. Clarinet/ Sax solo

15 D Cells 78 STOP SUDDENLY (when ready; sometime ater L.E. has re-entered) TACET 13 mp (on B. Clarinet/ Sax's exit) Develop, Embellish & re-build ater drums enter Enter, when ready, ater B. Clarinet/ Sax Tacet: SUPPORT guitar pulse e.g. Develop No cymbals e.g. etc. pp Enter ater guitar establishes 5/8 pulse: Cue section D. pp (Sample 2) Loop sample 2 (Add eects as desired) (Gradually intrroduce 2nd channel: AUGMENT Drums) mp Cont. loop Sim. (subtly embellish whilst on loop) etc. etc. TACET

16 Enter, ater cymbals are reintroduced. 14 Improvise around this melody: rubato: etc. 5 Merge into ree improvisation when ready, ater 's entry Ater B. Clarinet/ Sax entry, become increasingly ree; both rhythmically & melodically. Merge Freely Improvise 8 5 Cont. Sim. Re-introduce ull kit, cymbals etc. e.g. 8 5 etc. Maintain intensity Build Intensity (Increasingly Embellish/ manipulate sample 2) Enter when ready, ater B. Clarinet/ Sax. (see sup. score [inner ront cover] or graphic stimulus) (Primal soup)

17 E Organism 15 Become increasingly ree; both rhythmically & melodically. Merge Freely Improvise Gradually reduce pule level Merge Freely Improvise Become increasingly ree & intricate Merge Freely Improvise Become increasingly ree; gradually negate graphic stimulus. Merge Freely Improvise

18 16 Collective Free Improvisation (Listen or L.E.2: Sample 3 cues dim. & ending) 'Beore I go...' mp Enter when ready. Sample 3 cues ending (Sample 3) Play straight; 1 channel only. Prominant. 'Beore I go...'

19 '...which is this.' HOLD LARGE NOTE/ SOUND OVER SAMPLE PAUSE (3-4 seconds) UNISON TACET (Guitar cues) '...which is this.' PAUSE (built into sample) (3-4 seconds) 'O course that's NOT what scientists believe.'

Dastgāh Piece # 6. for Tar and Fretless Guitar duo; then solo Live Electronics. by Rich Perks

Dastgāh Piece # 6. for Tar and Fretless Guitar duo; then solo Live Electronics. by Rich Perks Dastgāh Piece # 6 or and retless Guitar duo; then solo Live Electronics. by Rich Perks Dastgāh Piece #6 Perormance notes 1.) Dastgāh system is taken by the Persian musician to internalise the melodies