Improv Pathways. Table of Contents. CD 1 Track List

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2 Introduction Lessons 1-8: The I Chord Head Charts: I Chord Lessons 9-13: The IV Chord Head Charts: I & IV Chords Lessons 14-18: The V Chord Head Charts: Blues Progression Improv Pathways Beginning Jazz Improvisation Method By Curtis Winters 2013 StepWise Publications Table of Contents Patterns in Scale Tone Notation Walking Bass Line Summary Transcribing Worksheets Solo Transcribing Transcribing Answer Key Chord & Scale Reference At-A-Glance Master Chart CD 1 Track List 1 I Chord Practice 2 IV Chord Practice 3 V Chord Practice 4 Improvising 1 - Musical Conversation 5 Improvising 2 - Rhythmic Playing 6 Transcribing 1 - Tenor Sax Solo 7 Group Improv 1 8 Expression 1 - Scoops and Bends 9 Improvising 3 - Pausing for Punctuation 10 Comping 1 - Walking Bass Line 1 11 Transcribing 2 - Short Pattern 1 12 Transcribing 3 - Short Pattern 2 13 Group Improv 1 14 Comping 2 - Rhythms 1 & 2 15 Improvising 4 - Single Pattern 16 Improvising 5 - Three Patterns 17 Transcribing 4 - Trumpet Solo 18 Comping 3 - Rhythm 3 + Altered Tones 19 Expression 2 - Growling 20 Group Improv 3 21 Comping 4 - Stop-Time 22 Transcribing 5 - Loose Transcribing 23 Guide Tone Pattern 1 - I & IV Chords 24 Expression 3 - Grace Notes & Curls 25 Improvising 6 - Telling a Story 26 Transcribing 6 - Trombone Solo 27 Comping 5 - Walking Bass Line 2 28 Expression 4 - Range Exploration 29 Group Improv 4 30 Improvising 7 - Trading Fours 31 Comping 6-9th 13th Chords 32 Transcribing 7 - Alto Sax Solo 33 Guide Tone Pattern 2 - Blues Progression 34 Improvising 8 - Quoting Melodies 35 Comping 7 - Walking Bass Line 3 36 Improvising 9 - Fixing Mistakes 37 Improvising 10 - Putting It All Together CD 2 Track List Patterns: Call & Response 1 Level 1 - I Chord: 3 Notes 2 Level 2 - I Chord: 4 Notes 3 Level 3 - I Chord: 6 Notes 4 Level 4 - I Chord Mixolydian Scale 5 Level 5 - I Chord with Altered Tones 6 Level 6 - IV Chord: 4 Notes 7 Level 7 - I Chord to IV Chord 8 Level 8 - IV Chord with Altered Tones 9 Level 9 - IV Chord to I Chord 10 Level 10 - Triplets & Double-Time 11 Level 11 - V Chord: 4 Notes 12 Level 12 - I Chord to V Chord 13 Level 13 - V Chord with Altered Tones 14 Level 14 - V Chord to IV Chord 15 Level 15 - Blues Scale Head Charts 16 It s a Figure of Speech 17 It s a Figure of Speech Solo Section 18 One For The Road 19 One For The Road Solo Section 20 Late Night Lemonade 21 Late Night Lemonade Solo Section 22 Solista Suave 23 Solista Suave Solo Section 24 Backseat Driver Blues 25 Backseat Driver Blues Solo Section 26 Blue Salsa 27 Blue Salsa Solo Section Transcribing Solos 28 I Chord Swing 29 I Chord Rock 30 I & IV Chords Swing 31 I & IV Chords Bossa Nova 32 Blues Progression Swing 33 Blues Progression Salsa

Lesson 1 3 Vocabulary Scale: A series of tones that are arranged in a step-by-step ascending or descending pattern: Pattern: A short melody using specific scale tones:

Notation Scale Tone Notation Patterns - Level 1 CD 2: 1 Use scale tones 1-2-3 to play each pattern you hear. Turn to page 27 to see the patterns in Scale Tone Notation.

47-48) may be placed next to the patterns as you practice them. At-A-Glance Fingering Chart Pattern Samples (see p.

Improvising 1 - Musical Conversation CD 1: 4 When you are talking to a friend you simply say the things that come into your mind.

3 Lesson 1 3 Vocabulary Scale: A series of tones that are arranged in a step-by-step ascending or descending pattern: Pattern: A short melody using specific scale tones: Tibetan Chant Notation Notation: A system for representing musical sounds through written symbols: Standard Music Notation Guitar Tablature Notation Gregorian Chant Notation Scale Tone Notation Patterns - Level 1 CD 2: 1 Use scale tones to play each pattern you hear. Turn to page 27 to see the patterns in Scale Tone Notation. You may also use the At-A-Glance Fingering Charts to help you quickly find the tones on your instrument. The removable At-A-Glance master chart (pp ) may be placed next to the patterns as you practice them. At-A-Glance Fingering Chart Pattern Samples (see p. 27) 1A 1B These numbers represent the Scale Tones on your instrument, NOT which fingers to use. Improvising 1 - Musical Conversation CD 1: 4 When you are talking to a friend you simply say the things that come into your mind. You don t read a script or give a memorized speech. Improvising on your instrument should be like talking in a conversation. On Your Instrument: 1) Use scale tone 1 to answer questions 2) Use scale tone 3 to have a conversation 3) Use scale tones to have a conversation You can get extra practice speaking with scale tones using CD 1: 1.

Ear-to-Hand Coordination: Ability to play the notes you are hearing or audiating on your instrument. Often called playing by ear.

4 6 Vocabulary Lesson 4 Inversion: A chord in which the bottom note is not 1. Basic Chord Inverted Chords Audiation: Imagining the sounds of music in your head instead of hearing the sounds with your ears. Ear-to-Hand Coordination: Ability to play the notes you are hearing or audiating on your instrument. Often called playing by ear. Patterns - Level 3 CD 2: 3 Use scale tones to play each pattern you hear. (See p. 27) At-A-Glance Fingering Chart Expression 1 - Scoops & Bends CD 1: 8 The human voice is full of expressive possibilities. Jazz musicians try to make their instruments sound like the human voice rather than a mechanical device. Two ways to do this are scooping into notes and bending notes. Scoop Bend To Scoop or Bend on the Piano: Use the key directly below the target note (chromatically) to create scoops and bends. To get the best sound, play the lower note like a quick grace note. Improvising 3 - Pausing for Punctuation CD 1: 9 When you talk, or read, you sometimes pause between ideas for commas and periods. When improvising it sounds good if you put some empty space in your solo rather than trying to play constantly. On Your Instrument: 1) Use scale tones with more SPACE than sound 2) Use scale tones with very rhythmic playing 3) Use scale tones with both space and rhythmic playing Use CD 1: 1 for extra practice

5 In each pattern, numbers are used to represent the scale tones of the I, IV, and V Chords. Each level of patterns is presented in a Call-and-Response format on CD 2: You may use the At-A-Glance fingering charts (pp ) to help you find each scale tone on your instrument. Patterns Black numbers ( ) = I Chord (Concert B b7) Striped numbers ( ) = IV Chord (Concert E b7) White Numbers ( ) = V Chord (Concert F 7) 27 Level 1 - I Chord: 3 Notes CD 2: 1 1A 1B 1C 1D 1E 1F Level 2 - I Chord: 4 Notes CD 2: 2 2A 2B 2C 2D 2E Level 3 - I Chord: 6 Notes CD 2: 3 3A 3B 3C 3D 3E 3F 3G

At-A-Glance Fingering Chart Piano - Side

6 At-A-Glance Fingering Chart Piano - Side 1 47 Level 1 Level 2 Cut along dotted line to use this At-A-Glance master chart with each level of patterns. Level 3 Level 4 Level 5 & 10 Level 6 Level 7 Level 8 Improv Pathways 2013 StepWise Publications

Improv Pathways. Table of Contents. CD 1 Track List

Improv Pathways. Table of Contents. CD 1 Track List Introduction & CD Track Lists........ 1-3 Lessons 1-8: The I Chord............ 4-14 Head Charts: I Chord.............. 15-16 Lessons 9-13: The IV Chord........ 17-23 Head Charts: I & IV Chords........