pick the gun up Eric Skytterholm Egan 17 Minutter in memoriam Malcom X Some times you have to pick the gun up, to put the Gun down.

Transcription

1 ick the gu u i memoriam Malcom X Cotrabass Clariet i Bb Percussio - Drum Kit - Electric Guitar 17 Miutter Eric Skytterholm Ega 2017 Some times you have to ick the gu u, to ut the Gu dow. Malcom X

2 Perormace otes: The score is trasosed. There are o arts - the iece should be erormed rom the score. Cotrabass Clariet i Bb Dieret (similar) bass itches or the multihoics ca be chose i ecessary. Toms (), Sare, Pedal Bass Drum, Crash, Ride, Hi-Hat, Cowbell Double Bass Pedal. 2 Woodblocks or Marimba Bars tued to B ad C# aroud Middle C. Hard Sticks, Bow Woode Thimbles (2), Glass Thimbles (2), Rubber Thimbles (2). Percussio - Drum Kit - Electric Guitar The Drum Kit (cymbals ad drums but ot woodblocks/marimba bars) should be heavily reared with chais ad other accessories, to create comlex, distorted timbres. Whammy Bar, E-Bow Distortio Pedal, Volume Pedal, Eects Pedal.

3 Perormace Score (trasosed) ick the gu u - i memoriam Malcom X - o the virtue o the oble act o idustrial sabotage, ad agaist the quatiicatio o materials ito bite-sized chuks or immediate (cogitive) cosumtio. Eric Skytterholm Ega These otes should all be as similar as humaly ossible; i itch, duratio, dyamic, eveloe, ad timbre throughout. Cotrabass Clariet i Bb q = 60 Weightless ad motioless with outbursts o volatile eergy - rom the miute to the catastrohic. With some residual air * a o Rich, oe air soud. Colour with vowel chages. Percussio Bowed cowbell or marimba bar**. Electric Guitar Scordatura E-bow*** (ot layed, istructio oly) (volume edal) Eects Pedal *** Ambiet (sectral) hiss. Stay Motioless or Some Time - Beore Begiig. * Blue otes are with some residual air throughout. ** Blue otes are bowed throughout. *** Blue otes are with E-bow throughout. ***High-itched, arrow hiss. Broad wide-bad hiss. (ot layed, istructio oly) Where there are o rests, the music should be read i sace time, i relative correlatio with the other ars,

4 2 Rich, oe air soud. ** / a o Woode Thimble Imitate this soud i the E. Git. E. Git. Eects Pedal Ambiet (sectral). * Brow ote-heads always with woode thimbles. ** Key click with air ad a (very) ait hit o itch (same or these oteheads throughout).

5 // / Sadaer (Bow) > * Red ote-heads are always layed with sadaer.

6 4 * * Bite the reed or orce it too ar ito the mouth.very high-itched. Air Oly a (itch) o / Rich, oe air soud. a o Rich, oe air soud. * (Bow) > Sadaer (Bow) attacca Hit all strigs (o amliicatio) (m) Pos o distortio. * Remai comletely motioless or some time.

7 oco gliss. a o > Rich, oe air soud. (like E. Git.) / attacca ** Rubber Thimble* (Sadaer) * Gree ote-heads are always with rubber thimbles. ** Rub 1 cm. rom rim i a circular motio.

8 6 Sla sz Scream + Growl* ** > to Wide Multihoic*** > Woode Thimble Rubber Thimble > E. Gtr Distortio**** * Sream, Growl, ad geerally make a lot o aggressive oise. **Pitch as high as ossible. *** Gradually move rom a hiss to a wide-requecy multihoic o your choice, with this base itch. **** Gradually add distortio with eects edal. (I this case goig rom oe to very little.) Distortio Levels: Noe Some Heavy

9 Passages where the temoral scoe aears to be exaded (as i cl. ad erc. below) should be layed i the time-rame rom which they have bee removed (aster tha the sace-time dictates). 7 Scream + Growl sz + > Sla Rich, oe air soud. a o / /> Glass Thimble* Sadaer Sigle Woode Thimble Clicks > ** With Sticks*** sz sz> Pos o distortio. E. Git. / ** Amliied 'Clicks' * Yellow ote-heads are layed with glass thmbles throughout. ** These clicks i the ercussio ad guitar should soud as similar as ossible. *** All loud assages should be layed with sticks.

10 8 to Wide Multihoic / Distortio Amliied 'Clicks' Distortio (m) /

11 9 (scream) sz /m / + Sla + m to Narrow Multihoic m m m Distortio sz > sz E.Git. / (m) m /

12 10 7 Loud Multihoic m Distortio / Wide Multihoic (m) > Narrow Multihoic With Heavy Distortio* m m Whammy Bar** 6 * Heavy Distortio throughout these loud sectios. ** To o lie = omral. Bottom lie = ully deressed.

13 11 Narrow Multihoic Squeek m Air Oly Amliied 'Clicks' Imitate* (Sadaer) > / Distortio > * Imitate i Gitar ad

14 12 m a o Rich, oe air soud. / > a o / (Bow) /> E.Git. 'Click' sz

15 1 Air Oly a o Rich, oe air soud. / a o (Bow) E. Git. 'Clicks'' (m) Distortio Distortio (m)

16 14 / (re-togue) (scream) m Distortio (bow) / Glass Slide Distortio Whammy Bar 6

17 1 Air Oly / Air Oly 7 / / / (re-togue) (scream) Loud Multihoic / / m m/ 6 Whammy Bar

18 16 Loud Multihoic 9 / / > Air Oly Air Oly (bow) (orm.) m m m m sz > Glass Slide Distortio m ( ) sz Whammy Bar /

19 17 Loud Multihoic / / Air Oly m m m Air Oly > /m (bow) m > m m m / m Distortio sz m Whammy Bar m m m de-tue B strig (ot layed, istructio oly)

20 18 Air Oly Air Oly > > Air Oly m m/ m /sz m m m m m / m m m Molto Vibrato (1/4 toe) to ( ) ( ) Glass Slide Distortio tue B strig (ot layed, istructio oly) re-tue B strig (ot layed, istructio oly)

21 19 / > m/ m > m m m sz sz > > Glass Slide sz sz sz sz

22 Reeat each cell ad lib. Playt rom begiig to ed, ollowig the lies. Esure that the age is eded with sudde simultaious silece. wait 4-6 secods /m m * wait 4-6 secods 9 m Whammy Bar * With Heavy Distortio or the duratio o the age. m sz sz sz m / m / /m m m / / m / sz / m sz sz sim. * Air Oly 20 * Wait util silet. Clariet eters whe almost silet.

23 21 Air Oly > (Bow) (Bow) Air Oly Rich, oe air soud. a o Distortio tue u B strig (m) (ot layed, istructio oly) (E-bow) ( ) ( )

24 22 SLUTT