fragile connections for violin, french horn and piano

Transcription

1 Hans Tutschku ragile connections or violin, rench horn and iano Score in C

2 2 Playing techniques and rearations ive itches damed with two sot erasers or other rubber material Piano cut a sot eraser into small triangles; cut a larger, harder eraser ut large eraser between the two strings o a and b-lat use alsways two small triangles to damen the ive higher strings the rearation o these notes remains throughout the entire iece izz. should be erormed with a guitar lectrum Violin change bow ressure to extreme bow ressure, roducing less and less tone and more and more scratching sound gradually go rom extreme sul onticello (noise sound) to sul onticello gradually go rom normal laying to sul onticello normal laying bowing behind the bridge, the our sta lines indicate the string on which to lay French Horn notation on two sta lines indicates noise sounds the itches are not seciic and should cover a range between low and high ast, irregular li movements are used to modulate the low and to give changing, irregular colors ast, irregular li movements are used to give luctuations to the tone using hal valves to change around the center itch dotted slurs indicate that the layer can breath whenever necessary these breath should be as little noticable as ossible back to normal laying ater secial laying technics low b-lat damed with harder eraser or other rubber material

3 Violin French Horn score in C A con legno, batutto n s.. ast, irregular li movement to modulate the, ragile ragile connections or violin, rench horn and iano behind the bridge, ragile modulate bow ressure irregularely izz izz, ragile behind the bridge, ragile Hans Tutschku m Piano izz m dry m m 1 extr.s.. s.. B con legno, batutto s.. izz H, oen ast, irregular li movement to modulate the m as ast as ossible m release edal with violin izz

4 C D Hans Tutschku - ragile connections - score in C 4 2 izz q = 80 q = behind the bridge con legno, batutto s.. H oen, noise tremolo izz q = 80 q = m izz as ast as oss. izz H 4 izz q =96 lautando, sul. ont. E gliss., 1/2 valves microvariations o itch oen extr. s.. q =80 F ast, irregular li movement to modulate tone continue dense igure m m q =96 m q =80 m m as ast as oss.

5 Hans Tutschku - ragile connections - score in C H 46 G sz q = 90 m, ragile H s.. s.. gliss. q = 90 continue dense igure m m m m Ped ad lib. H 2 s.. lautando, s.. Ped ad lib.

6 Hans Tutschku - ragile connections - score in C I 6 8 m m m s.. m H sz, ragile m m continue dense igure m m Ped ad lib. m J 68 lautando s.. K q =90 H () continue dense igure q =90 m m una corda

7 Hans Tutschku - ragile connections - score in C L q =4 extr.s.. s.. H q =4, oen 9 s.. con legno, batutto s.. izz izz H oen m ast, irregular li movement to modulate the, ragile m as ast as oss. release edal with violin izz izz

8 M Hans Tutschku - ragile connections - score in C 8 86 q =90 s.. m H gliss. q =90 m m m N 94 q =4 behind the bridge, static irregular., short accents H ast, irregular li movement high itched, short sounds to modulate the m m, 1/2 valves microvariations o itch q =4 izz. m izz. m

9 Hans Tutschku - ragile connections - score in C O q = s.t. s.. H m oen q =96 P 10 q =4 s.. behind the bridge, ragile s.. H m oen,, ragile q =4 m