Varatkaa aikaa riisuutumiselle

Transcription

1 2 9 Minna Leinonen aratkaa aikaa riisuutumiselle or sorano, violin and guitar (Mirkka Rekola) 201

2 Coyright by the Comoser All Rights Reserved No art o this ublication may be coied or reroduced in any orm or by any means without the rior ermission o the comoser Distribution: Music inland Music Library Urho Kekkosen katu 2 C, th loor I Helsinki inland musiclibrary@musicinlandi wwwmusicinlandi Helsinki, 2017

3 Minna Leinonen aratkaa aikaa riisuutumiselle (201) or sorano, violin and guitar (Mirkka Rekola) duration aroximately 1 minutes

4 aratkaa aikaa riisuutumiselle is dedicated to etri Kumela, Tuuli Lindeberg and Eriikka Maalismaa aratkaa aikaa riisuutumiselle was comosed with the hel o Teosto Ahorisms by Mirkka Rekola (ree translation by arkko Hartikainen) I aratkaa aikaa riisuutumiselle Reserve some time or undressing II inä luulet minua niin vahvaksi että kestän sinut You think I m so strong I ll withstand you III Lintua lehahtava uu lintua enkö minä muista yhtä keveitä yhtä noeita arvittain mistä sinä olet kotoisin minussa? I Maailma akottaa, luita myöten In memoriam ouni Kaiainen Näet valolla a kuulet hilaisuudella a valo on haaantunut väreiksi a hilaisuus ääniksi tänne Birds lash rom a tree birds can I not remember equally lightweight equally ast in locks where are you rom in me? World ains to the bone You see with light and listen with silence And light is disersed into colors and silence into sounds here General inormation lease resect the grahical shaes o glissandi etc mv sv exresses intensity o the act, not the actual, sounding dynamics Molto vibrato ena vibrato revent the string rom resonating Touch the string very lightly Noisy sound with an audible itch Not damed Gradually move rom one sound or way o laying/singing to another ast tremolo sena misura short arrows indicate the direction o the given action Directions can be changed to achieve better laying technique, balance or sound Arrow directions can be taken as a suggestion Accidentals, including microtones, are valid or the current measure, but not in dierent octaves

5 ecial equiment Conduit Thimble olio use a lexible conduit which you can blow and wave in the air Lenght between centimeters Guitar and violin in movement oice: lace olio close to your lis so that olio will resonate as much as ossible iolin M T MT saolare Guitar M B T MT nail lug molto sul onticello sul onticello ordinario sul tasto molto sul tasto brushing along the string rom bridge to ingerboards Almost itchless molto sul onticello sul onticello ordinario sul boca lay in the middle o the boca sul tasto molto sul tasto lug rearation is used in movements I and Best result and sound may be achieved with screw lug aer cli is also ossible but it may not kee steady on string rearation in Lintua lehahtava uu with nail lug (registers in candinavian style): string: Between the lug and the nut: d, between the lug and the bridge a# 2 Hollow sound rearation in Näet valolla with nail lug (registers in candinavian style): 2 string: Between the lug and the nut: d 1, between the lug and the bridge a ounding itches aroximately: d 1, # 1, d 2, # 2 string: Between the lug and the nut: h, between the lug and the bridge b2 ounding itches aroximately: d# 1, e 1, a 1, e 2 string: Between the lug and the nut: #, between the lug and the bridge #2 ounding itches aroximately: c# 1, d 1, # 2 Aux crae with screw Auxiliary itch o a bi-tone luck the string behind the note toward the nut (move RH into osition behind LH) When layed in sot dynamics use less threads When layed in louder dynamics, use more threads In this movement always lay with the screw unless otherwise instructed (luck or sc with nail)

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7 I Lintua lehahtava uu Mirkka Rekola Minna Leinonen 201 orano iolin Guitar Leggiero q = c 0 ã conduit I m # # Lin tu - a # 7 7 reare the string blow continuosly breath when needed # # aster tremolo # # slower # # # # # # ã ( ) smooth aster lehah - - ta - va π π uu ric grainy (short ragments ad lib) π shae o the ragments sim

8 2 I Lintua lehahtava uu # M m ( ) # # M m # sv # T Lin - tu - a # # sv # # π Meno mosso # m > > # ã ( ) 1 # L n # L sim # > b n # # n # en - kö mi - nä b # unta d arco # O # > ż (re) # n # n mu - (u)is - ta en - kö mi - nä O # > # n # n b # b O O > > # O > #

9 I Lintua lehahtava uu # M n b mu - (u)is - ta en - kö mi - nä # O b > b b # # n m # O b O b O n O > > > # > 1 b b b mu - (u)is - ta rubato ad lib 1 b O n O b O > > b O > > 1 b 1 b reely agitato b b # # 2 n n b 17 # # # # #, # # leggiero ad libitum yh - tä ke - e - e - vei - tä yh - tä no - e - (e)i - ta 17 U 17 b b b b b b b b U

10 Temo I a - (a)r vit # b Ÿ i ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ b # I Lintua lehahtava uu Ÿ i ~~~~~~~~ # # # # ta - a - aa - - a - aa - - ain b # # n # b # # # # # 21 sv ( U ) 21 # # M g # ż wu 21 g ww w # ż ( U ) ã

11 2 conduit wave in the air eaking temo, iu mosso whistling I Lintua lehahtava uu sv (breath ad lib) 2 2 ã 2 ã w conduit π wave in the air whiser seaking, hal-voice mis - tä si- nä o - let mis - tä si - nä o - let ko - toi - sin w saolare π miss whiser [s(u) w - s(i)] w 2 2 w w miss [s(u) ã whiser si - nä o - let ko - toi - sin mi - nus - sa? - ã s(i)] si - nä o - let ko - toi - sin mi - nus - sa? 1 ã Temo ad lib, non misurato conduit overtones rhythm ad lib 10-1 sec Attacca 1 ã conduit blow U overtones rhythm ad lib (breath ad lib) 1 ã conduit grainy (short ragments ad lib),,,

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13 II Maailma akottaa Mirkka Rekola Minna Leinonen 201 Moderato q = c 72-7 orano kee laying the conduit iolin Guitar Loosen the bow and take one hair under your index inger (do not detach the hair rom the bow) lay the hair with your index inger dolce (ossibile) kee laying the conduit as long as ossible w scrae (sc) with screw almost vertically (use ressure) T sim dry, no B distinctive itch more grainy at times (slide aster and use more ressure) "" B (ew threads) > > (dry, no sounding itch) T > B > > grainy sound sc (itch) mv T

14 2 II Maailma akottaa # Ï bend dolce (ossibile) sc (itch) sim Release the hair you layed and lace the hair under I and III strings r # L 1 # 1 1 L Ï bend M B > release Maa # - il - 20 olio > w 20 - i 20 ma crae the strings with hair by one hand, ress the index inger and the thumb very close to the strings Move the hair horiontally M MT MT M III I B sc sc # ƒ # sc RH a! MT single wounds sc

15 II Maailma akottaa seaking l l l a -a a - a k-o -o - o t itch # > sena olio like sitting M MT M - olio > taa + sc # o MT MT w luck o + # sc MT 2 w a! 2 2 MT ad lib (the number o attacs) sim (h) + # sc MT M M + # sim sc r MT + #

16 II Maailma akottaa sena olio lu sc with screw ar itches w sc with nail bend i - : I, III, I B w B # - ta T # T II (not muted) T extremely slowly, single wounds sc with screw M sc with screw T sim Ï bend RH C l Ï lu olio i - T sc Ï # - ta RH C sena olio bend #l M MT lu M - i ta MT T sc with screw ar itches 1 w sc with nail B B T T MT sc with screw

17 II Maailma akottaa 0 0 myö srechgesang M ten MT M extremely slowly, single wounds 0 luck sc sc with screw Ïbend sc extremely slowly, single wounds MT π MT M MT, M # Ï B MT sc sc bend, MT M MT T M MT M

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19 III aratkaa aikaa Mirkka Rekola Minna Leinonen 201 orano oave e = c -0 # ( U ) a - rat - kaa iolin r R tremolo irregular π a 7 b - R - # i - π kaa ż 7 ż ż π 7 U b - # - L - n - a i - 7 U b π b b ż

20 2 III aratkaa aikaa 10 airy l - "sing" while inhaling unstable U b ż kaa T b U 12 - # R 12 π rii (i) - suu - tu - mi - sel - le M b π 1 whiser inhale sing n rii - (i) - suu tuu - whiser exhale (h)u 1 bow on the MT MT b bridge b π # n

21 III aratkaa aikaa # rii - (i) - (i) - (i) - suu - tu - mi - sel - le rii - b M π 2 2 MT whiser suu, saolare b b - # k - rii (i) - suu - tu - mi - sel - le rii - (i) - suu, MT M π k MT b whiser inhale bow on the bridge whiser exhale MT saolare k n - rii - (i) - (i) - (i) - suu - tu - mi - sel - le 19 1 b MT

22 III aratkaa aikaa 21 "sing" while inhaling unstable n # - L - n - va 21 - rat - kaa a saolare (sena tremolo) # L # n K # 2 airy whiser inhale U U 1 i - kaa - (a) K 2 # saolare u u 1 # # # L n # L b b 29 Lento e = c 0-29 b rii # # k - (i) - suu - tu - mi - sel - le π rit oco # b π U U #

23 I inä luulet minua Minna Leinonen (201) Mirkka Rekola orano Energetically, aggressively q = 120 whiser > > si-nä s(i) si - nä luu - let mi - nu - a niin seak /oice whiser > whiser shout > iolin M b b s(i) Í MT û w si - nä I II b # n move the bow vertically MT π /oice whiser Guitar s(i) sc MT reare strings with knitting needle lace the needle under strings (MT) T si! knitting needle ì let rattle (do not lit the scraing ingers) MT sc T ì

24 2 I inä luulet minua niin 2 MT sc T # ì MT vertic sim MT sc # # MT T niin ì # # MT sc 2 # # sc kn needle tremolo T va a a II III I lay the knitting needle dam with let hand - a va - a a - va - a a - a, a, I II III ric ì lay the knitting needle ì lay the knitting needle

25 I inä luulet minua ln/oice 1 a 1 - va ƒ I II ± a π ± π ± ± vocal ry va whiser h(a) /oice 1 whiser 1 ì ƒ sc h(a) sc 17 2 itch ad lib shout a va ah! ln/oice 2 shout /oice ± π 2 2 ha! areggio l shout 17 luck luck lay kn needle ì sim 2 ha! >

26 I inä luulet minua 20 urioso shout > va h - vah - va - ksi y (h ) y 20 I II ± ± ± ± ± # # ar tremolo ƒ 20 Imrovise with the material reely and wildly al Temo I: scrae, glissandi, knitting needle 2 Temo I seak > whiser > > ln/oice et - tä kes - tän s(i) si - nut! T 2 # b l T π whiser et - tä > kes - tän s(i) Í π > > si - nut! M # # # # # # # /oice 2 2 lay the knitting needle ì π whiser et - tä > kes - tän s(i) Í > > "ƒ" si - nut! ì

27 Näet valolla Minna Leinonen (201) in memoriam ouni Kaiainen orano q = c 0 Intimately iolin thimble on RH Guitar (sounding) Guitar K K # strings 2,, reared (sounding, aroximate itches) scrae (sc) T 2 L L K # K # L sim 2 aux 1 aux o l aux 1 aux 2 2 # o sc B # # 1 # ȯ l aux 2 # 2 2 ort # # n ort # # # ort 2 T arco Nä - et va - lol - la a kuu - # # n ## > # ## æ æ let K # l # 2 1 M # 2 o # 2 2 #

28 2 Näet valolla 9 # ostenuto, delicato k k k 9 # æ π kuu π 1 g æ M l # # π - let aux 2 luck next to the lucking inger 2 luck next to the lucking inger hil I! g # # # # o π ta with thimble MT (next to LH) 2 - ai - suu g l k # 2 ta with timble ad lib (B-) when ossible T del la # + + ta sim - # # o 1 A temo n # n # # ( ) + (ta irregular -ord) a va - lo on ha - aan - tu - nut O # i O O # # # 1 l k n # # n# # # (ta irregular -ord) sim # aux 2 o o o #

29 Näet valolla # # vä # - rei ksi a hil - arco O O # O # # tremolo rit # Ȯ Ȯ æ! laut l π T # O O 1 aux close to the nail lugs 1 tremolo accel 2 π æ æ MT tremolo n# n# g o π 19 l 19 - ai - # # aux 1 o suus ± ± # # # o ȯ # n ȯ clb ric # # # ± o ȯ ȯ # n ää sicc ± π 2 2 # # o sc - nik - # # n o

30 Näet valolla I # # # # # si tän - ne ta with thimble + ȯ o o # + aux # # ȯ # # n o # # + # (thimble irregular) # # o o ta with thimble (thimble gliss,) # + aux aux 1 2 # 27 (thimble irregular) # + # # + # sim # + 27 aux 1 aux 2 # # o (thimble irregular) # 2 aux aux o # # n o # # o o