COGNITIVE CONSONANCE

Transcription

1 CHRISTOPHER TRAPANI COGNITIVE CONSONANCE Two studies or two lucked-strig soloists esemble ad electroics 2010

2 Cogitive Cosoace 2010 I Disorietatio qaû solo Iterlude II Westerig hexahoic electric guitar solo Duratio: ca 2 miutes Score i C Istrumetatio: Qaû Solo Hexahoic Electric Guitar Solo Alto Flute Flute oly i II Westerig Clariet i B lat Bass Clariet i B lat oly i II Westerig Madoli Just Itoatio Autohar i G Har Guitar ylo strigs oly i I Disorietatio Percussio 1 layer: Crotales Glockesiel Vibrahoe Marimba Zarb Bedir Sare Drum 2 suseded Cymbals tued gogs G2 B2 D F C4 Violi Cello Cotrabass with low C strig or th strig retued to C Cogitive Cosoace was writte i cojuctio with the Cursus 2 at IRCAM ad remiered durig the Agora estival o 9 Jue 2010 at the CENTQUATRE i Paris with Julie Jalâl Eddie Weiss o qaû Christelle Séry o hexahoic electric guitar ad the Esemble L Itiéraire coducted by Mark Foster The electroics were realized at IRCAM by the comoser uder the guidace o Eric Daubresse

3 Perormace Notes: 1 Disorietatio was writte seciically or the qaû layer Julie Weiss usig his system o itoatio with 1 microtoal ossibilities betwee C lat ad C shar ad otatio with the accidetals outlied i igure 1 2 The hexahoic electric guitar is a custom istrumet itted with a hexahoic icku such as the Rolad GK- caable o sedig out a searate sigal or each strig These six sigals must be set to the atch so a covertig device such as the RMC aout box may also be eeded The scordatura required o the esemble or Disorietatio is detailed i igure 2 4 The just itoatio autohar used i Westerig is a adated versio o the Aalachia olk istrumet retued ad itted with ew chord shaes It is easily layed by ay guitarist or madoliist Its tuig ad chord shaes are described i igure The istrumet is available rom the comoser Microtoal accidetals are used throughout the iece For the strigs ad wids these geerally deote temered quarter-toes though the layers are sometimes asked to tue to a itch already souded by the soloist or electroics Microtoes a quarter-toe or greater o retted istrumets are otated usig the retted itch with a u or dow arrow attached to its accidetal as a remider This same accidetal is used or the oe strig ad octave harmoic o the cello s retued A strig durig the irst hal o Disorietatio Diamod-head harmoics or retued strigs however are otated at the igered ositio without ay microtoal alteratio Dotted lies i the score betwee staves idicate a microtoal uiso A glissado is a icremetal chage i itch that lasts the duratio o the ote to which it is attached whereas a ortameto deotes a quick slide just beore the ial itch For strigs a x o the ote stem deotes a duller color obtaied by usig a harmoic-style touch at the ed o a oe strig deadeig the uer artials ad creatig a alm-mutig eect 8 The guitar art i Disorietatio is iteded or a classical ylo-strig guitar; It ca however be layed by the same layer who erorms the solo art o Westerig as log as two searate guitars are used 9 The electroics are cotrolled by a MaxMSP atch whose evets are triggered by the guitarist usig a MIDI oot edal The atch is available rom the comoser 10 The layers should be seated as outlied i Figure 4 Techical Note: The live electroics i Cogitive Cosoace require a Macitosh comuter equied with MaxMSP ad certai sulemetary atches such as IRCAM s Sat 40 sogs~ ad SuerVP objects with a miimum 29 MHz rocessor ad 8 MB o RAM The audio outut is i eight chaels iteded or eight equidistat seakers coigured i a rig aroud the audiece The esemble should be amliied i the rot let ad right seakers while a ith cetral seaker ositioed o stage simulates a local amliicatio or the soloists A video moitor ca be ositioed ostage to dislay evet umbers or the guitarist or coductor Further details are available rom the comoser

4 dierece i cets rom cetral itch MIDI CENTS MANDAL NUMBER FIGURE 1: QANÛN ACCIDENTALS devised by Julie Weiss dierece rom A 440 MIDI CENTS dierece rom A 440 MIDI CENTS VIOLIN MANDOLIN FIGURE 2: SCORDATURA i ENSEMBLE to be retued ad veriied beore the iece begis - CELLO GUITAR To tue the guitar: irst tue i just 4ths aroud 440 The: 1 Tue the 4th artial o the B strig to the th artial o the G strig 2 Tue the rd artial o the E strig to the retued B strig Tue the th artial o the A strig to the th artial o the retued E strig CONTRABASS Oly the two lowest strigs o the har should be retued The rest o the istrumet should be tued to A 440 HARP - 2

5 MIDI CENTS dierece i cets MIDI CENTS dierece i cets ORIGINAL PITCHES RETUNED PITCHES FIGURE : TUNING ad CHORDS or JUST INTONATION AUTOHARP i G to be retued ad veriied beore the iece begis G F9 G E1 G21 icludes all high strigs Asterisks deote itches which do ot aear i the ial chord shaes or the iece ad thus eed ot be recisely tued

6 FIGURE 4: SEATING DIAGRAM OW ER BO OK 1 Liaiso Etheret P SUB R [courtesy o Clémet Marie]

7 Comosers Note: Cogitive Cosoace: A state o iteral harmoy arisig rom the recociliatio betwee two iitially cotradictory ideas Here a sigle iece divided ito two arts liked by a electroic iterlude Two lucked-strig soloists rom two disarate worlds Two dieret sets o tools or comosig with electroics ad two dieret aroaches to the racticality o writig o-temered esemble music Or a two-word maiesto or a music as cogitive caable o rovokig thought ad relectio egagig the aculties o associatio ad memory as it is cosoat a otio that the iece aims to exlore exad ad redeie the commo thread betwee its suericially disjuct eisodes The title o the irst sectio Disorietatio should be uderstood i a secod more etymological sese: a turig away rom the oriet the disassociatio o the qaû rom its Middle Easter cotext The sotlight here is o the custom-made istrumet ad microtoal tuig system devised by Julie Weiss which seciies itee o-equidistat itervals er strig betwee a give lat ad shar The itch is altered by raisig or lowerig small levers uder the strig madals ote i the middle o layig or eve while executig a hrase with the other had Based o a Pythagoria rather tha temered ramework Julies istrumet is caable o closely aroximatig several just itervals with reliable recisio With a scordatura or the strigs ostage a mixture o lucked ad bowed ad retued samles i the electroics the goal is to exlore the combiatorial ossibilities oered by the qaû while maitaiig the same recise cotrol o itch i the esemble writig The electroics mirror the soloist with several shades o lucked strigs created with IRCAMs hysical modelig sotware Modalys which sythesizes each itch accordig to the hysical arameters o three searate strigs give a slight variatio i itch as would be the case o a real qaû The ial eight-chael soud iles are created via a OeMusic iterace where itch sythesis ad satializatio usig the OMPrisma library are cotrolled i a sigle itegrated rocess Disorietatio is divided ito three sectios with the ollowig subtitles: 1 Iici Fallig: Startig rom a high E later uderstood as the 81st artial a rologed descet over about ive miutes durig which the artials o a low C rom the 1th a C shar to the th a atural third will serve as the local toics o makams costructed rom higher artials The descedig curve eds with a mass o resoat strigs a harmoic sectrum erturbed by commas derived rom wholeumber requecy ratios

8 2 Meya Midoit: A exloratio o the divisio o the erect ith or twelth with itches derived rom iverted ratios movig iwards rom each o the two oles Croissat Crescet: A eisode writte with a aroximatio o the Bohle-Peirce scale ad its odd-ratio itervals 9 9 etc triggers a rogressive accumulatio o strig souds the tactile models i Modalys sweeig motios over a lae o tued strigs modeled o Harry Partchs harmoic caos Mirrored harmoies with the same ascedig ad descedig ratios aroud a cetral itch ote the D above middle C create a icreasigly dese texture that sills over ito the electroic iterlude The title o the secod sectio Westerig evokes the idea o a westward movemet; the iece is largely isired by music associated with the west coutry ad wester guitar timbres West Arica balao music but above all music rom Calioria: the just itoatio ratios ad lucked-strig istrumets o Harry Partch to whom the adated autohar layed by the madoliist ays homage Los Ageles olkrock Joi Mitchells chais o cosoat harmoies Je Lyes suerimosed layers o strummed guitars as well as sychedelic rock rom Sa Fracisco ad its rig o classic guitar eects Here the soloist is a hexahoic guitar a electric guitar itted with a hexahoic icku that seds out a searate sigal or each strig With a ideedet trasositio cotrol or each strig a eve ier degree o microtoal recisio tha the qaûs ca be obtaied Eects ca be alied with a dieret rate to each strig creatig a olyrhythmic tremolo or istace a six-voice wah-wah eect or a dyamic delay that trasorms a strummed chord ito a areggio or a igerickig atter Satializig each strig searately as well the electroics cotrol the itch timbre ad movemet o several ideedet layers i real time The comuter-aided orchestratio sotware Orchidée was also used to reroduce the timbre ad itch cotet o distorted electric guitar chords i the esemble The image o a westward waderig is also embodied i the loose orm o the iece a chai o iterlockig evets that uurl like a series o discoveries i a uamiliar ladscae the wester myth o eretual ossibility Cogitive Cosoace is deely idebted to all the researchers develoers ad musicias at IRCAM who cotributed their time ad exertise otably Nicholas Ellis Marlo Schumacher Jea Lochard Clémet Marie Jea Bresso Reé Caussé ad Ya Maresz Secial thaks to Cyril Béros or his visio ad his ecouragemet ad Eric Daubresse or his ivaluable advice ad guidace throughout the roject

9 Score i C Qau Solo Electroics Madoli I Iici Fallig q 0 1 ca 12 sile i back o hall - soudile cotiues Further I am quite otimistic over the rosect o ew exoticisms i Louisiaa Wiscosi ad Calioria to ick a ew radom sots rom the ma regardless o what Idia ad Arabia do Harry Partch Geesis o a Music or Julie Jalâl Eddie Weiss I Disorietatio CHRISTOPHER TRAPANI 2010 Guitar Har Percussio Violi Violocello CROTALES very thi kittig eedles sul tasto - Cotrabass

10 2 Qau q 12 without chagig character A start madal trill without strikig strig D Mad Gtr H 0 rattle chostick betwee two lowest strigs m sul tasto 1 1 m col lego battuto uta darco ricochet arco sul tasto III IV

11 Qau 20 B SOLO util rehearsal mark S i the style o a Taksim imrovisatio ear bridge m Mad Gtr H sz m ut chostick dow sz m hit with chostick co Ped irregular tremolado m VIBRAPHONE with bow col lego battuto m col lego battuto uta darco ricochet uta darco izz ricochet 1

12 4 Qau Mad Gtr H 29 C ear bridge 0 m m m alm-muted P M m m m sz m scrae sul tasto seza vib arco sul ot Mlys sile i ceter high lucked souds cotiue izz trem IV P M sot mallets ear bridge sz m 0 0

13 - Qau oe had m Mad Gtr H m m arco m m CROTALES kittig eedles m scrae col lego tratto sul ot col lego battuto uta darco ricochet harmoics soud oe - octave higher tha writte VIBRAPHONE 1 sot mallets

14 Qau D Mlys ad retued glock sile m madal trill Mad Gtr H iger trill hammer o sz m m m arco ord III I ord sul tasto - reversed thi mallets 0 arco ord III m -

15 - Qau Mad Gtr H 8 8 m ear bridge E m m m m m m 8 8 m 2 m 2 sz m III sul ot m m 0 m m oe had III ear bridge III CROTALES budlesticks 0 0

16 8 Qau gliss F G 0 10 : m m trem ad gliss 0 - high artials sile reeated i soud ile oe had Mad Gtr H harmoic gliss to bridge 0 molto sul ot II 8 - izz ear bridge I arco 8 GLOCKENSPIEL budlesticks wood

17 Qau 4 0 ear bridge m m m ear bridge Mlys trem sile 9 Mad Gtr H ear bridge ; - - sz m rès de la table izz izz trem sul ot sul tasto : II sul tasto ord I 0 arco m

18 10 Qau ear bridge oe had H m m- m m m m 8 Mlys trem sile Mad Gtr H IV 8 m 2 - sul ot m m m m scrae m m II ord sul tasto m ord sul ot sul ot sul tasto izz arco izz 1 : VIBRAPHONE sot mallet : : sz sul tasto 8 m 1 0

19 Qau I oe had m m ear bridge retued vibrahoe trem samles Mlys staccato or slide with adhere Mad Gtr H III IV 0 ; ; III ; m ; ; m m m m reversed sticks m m ord arco m arco 8 m sz l h izz harm gliss ord

20 12 Qau 98 ear bridge m 0 0 m J : - ear bridge very oisy 10 Modalys soudile i ceter 8 Mad Gtr IV II III III ; 0 ; - - ; m m H sul ot m III sul ot sot mallets reversed mallets III 1

21 Qau Mad Gtr H 10 8 m 11 8 m 0 m- P M si out ad gliss 0 K m m m m sul ot II ord IV VIBRAPHONE budlesicks wood CROTALES 0 m gliss ord III m izz

22 14 Qau Mad Gtr 11 H two hads L 0 - m m m 1 m m 12 madal trill two hads 0 0 Mlys -> retued strigs sile IV oisy ear bridge 1 2 m m m m 0 m m m si out m m sul tasto III ort 9 - m m IV III arco sul tasto IV III ord

23 Qau Mad Gtr H 12 0 m M ear bridge 0 two hads m m izz vib m m 1 ord slow gliss to relected C sectrum ca 20 sec IV m m- - rès de la table sul ot - sul tasto

24 1 Qau Mad Gtr H 10 - m m m m > ; m m 1 : - bow arco sul ot ort th artial col lego tratto 8? 8 m - : izz vib arco III 8 8 m m m gliss ord harm? gliss m 0 N - 14 III - ear bridge

25 Qau 18 ear bridge m m - oe had two hads O retued vibes Mlys igures? Mad Gtr H > 2 m m 1 m ear bridge 2 m m m III - > 2 arco sul ot molto sul ot III? sul ot??? sul tasto bow m m IV 2 -?

26 18 Qau 14 P madal trill m 1 oe had m m sile layer o vibe sec Mad Gtr H m m 1 : 2 m m - bow III ord m m molto sul ot 0 IV III -? 2

27 Qau 1 Q madal trill sile sec vibes Mlys igures o sigle lucks 0 0 madal trill F madal trill m R 18 modalys soud ile madal trill - 19 Mad Gtr H iger trill ? iger trill iger trill ? - m iger trill 2 iger trill iger trill > - > sz m rès de la table rès de la table edal trill m izz ut dow bow IV III iger trill I ; ; - ; - iger trill II iger trill ord iger trill I ? 0 m co vib gliss co vib izz

28 20 Qau rall S q 90 madal trill madal trill m 19 modalys soud ile - 0 Mad Gtr H A > > A m m m m m m edal trill edal trill edal buzz edal gliss gliss co vib III iger trill ; gliss co vib IV iger trill 0 ; ; iger trill gliss co vib co vib 0 m gliss 0 m

29 Qau Mad 12 oco rit T q the high 1 m 21 Gtr H m m 0 m edal gliss sz m : arco izz III 12 m m arco 8

30 22 Qau Mad Gtr H ade out loger ile short Mlys ile i II Meya Midoit U I I > I izz > - Subito Aimato q 80 retue to 4 reeat ad lib > m - m with chostick as beore > sz sz > ZARB igertis ear rim ; ; ;? > A sz sz sz m m 8 8 > > l h > arco ord 21 loger sile o III izz - m > - I kuckles o wood

31 Qau 189 ear bridge 1 2 V > 0 - m 2 Mad Gtr H > ear bridge 2 to 1 reeat ad lib to reeat ad lib 1 2 > rès de la table > m > -? m 12 ; > ;B sz m harmoic gliss to scroll retue to A 2 1 > B m retue - reeat ad lib m retue low dull soud i ceter o membrae > > > high resoat soud ear edge II arco arco II I 1 m

32 24 Qau Mad Gtr 198 W 0 m C C 1 : - m -m m m m C - 1 m m Modalys sile i ceter H ;? ; ; ; - A - 1 m 1 m ;B m I l h izz B B check tuig the correct i ecessary sz izz B sz m sz sul ot molto sul ot izz m m sz

33 2 Qau 20-2 Modalys sile i ceter Modalys sile ceter -> out 0 > > Mad Gtr H > - > sz 0 > B I sz m m > ; ; ; ; ;? > ;B ;B ; ; I izz m m arco sz arco I sul ot B sul ot III 1 ; 2 - A arco ord izz m m sz I B B B B > ord B B B B B B B B B > B sz sla let had o strigs o itch > m

34 2 Qau Mad Gtr H 21 X Y q 88 > 0 sz m m 2 izz vib sul ot - m maquette sile ceter maquette sile > Poco iù mosso III > sz m > 1 0 sz m rès de la table > sz ;B ;B ;B B ; sz sz > 1 : VIBRAPHONE? ; ; > 1 ; ; ; izz ; arco 1 > : ;B ; m B ;B ;B 1 : ;B B ; - 1 : B B B ;B - B ; B ; m m izz vib ; ; ; arco sul ot ; ; ; ; sul tasto > - m m arco m izz m > 2 budlesticks wood

35 Qau Mad Gtr H ord m sz > - - m Z > - m > 0 sec > sz sz ; m ;B scrae > ; ; ; > 1 0 ; ; 0 ; - 1 ; B m B > arco 0 ear bridge 28 sile 118 iths outward > sul ot > > 29-0 CROTALES sile with retued vibrahoe samles ths I arco sul ot - 0 sul ot 2

36 28 Qau Mad Gtr H 24 > > > > m m- 0 Mlys sile with retued trem samles ths III IV ; ; ; ;B 10 ;B - m m 0 m ; m sz ; 2 vib ; m m 0 m ; ; > gliss B ; ;B sz ; ; ; > VIBRAPHONE 0 - sot mallets dead-stick white gliss reversed sticks ;sec ; 0 1 ; ; > - ; 0 1 ; ; ; ;B ; 0 0 ; ; ; 0 ; m ;B sz sz izz ord > 0 ;B 1 ; 0 B ; B ; 0 ; sz m m col lego battuto ricochet III ord > IV - 0 m col lego battuto ricochet > 1 sile retued ricochets ad reversed sticks gliss m

37 Qau Mad Gtr H 24 > > mute strigs o itch > > 0 A 1 0 A ; mute strigs o itch ; 0 0 > 0 > A 0 - sz ; gliss ad lib > 1 > sz > > budlesticks wood 1 :1 > > ; ; ; ; 0 1 ; ; 0 ; ; ; - 0 ; D sz vib gliss III I arco sul ot II sul tasto seza vib > > ;B B ; ;B II sul ot III arco ord > > - AA 1 sz 2 Modalys soud ile moves to back 0-1 > > > > arco sul ot Modalys soud ile high RM artials back swirl to rot 4 ord - - retued budlesticks rev sticks sile 29

38 0 Qau 2 BB gliss gliss m sz m Mad Gtr?????? - - III m m H rès de la table sec gliss ; ; ; ; ; ; ; 0 sz ; ; ; sot mallets ; ; 1 ; 1 ; ; 1 ; ; 0 ; D D m 0 I izz II III - m sz m m m

39 Qau Mad Gtr 2 H 1? m m ord oco rit sile qau lae i ceter CC Meo mosso q m m sz m lightly with alm 0 0 m m sz m sile laes 8 sile laes IV A reversed mallets sz ord IV IV arco sul tasto izz seza vib vib 0-0 m m izz

40 2 Qau m 9 soudile with cao trasositios the ths - III Croissat Crescet Subito iù mosso q 84 DD BP burst higher artials Mad Gtr - A A - H m sz m 1 1 : -? m BENDIR igertis ear rim low soud i ceter sul tasto seza vib arco I -

41 Qau Mad Gtr RM burst m EE m m RM burst ear bridge oisy H izz sz shar ear rim col lego battuto ricochet gliss m sz rès de la table m sz m? m m m m col lego tratto izz col lego tratto II

42 4 Qau Mad Gtr H 29 - m -m - - gliss m m m m m ricochet col lego battuto izz ; - m m m m? rès de la table - harmoic gliss to bridge gliss co vib ear bridge 0 izz gliss co vib - ear bridge m

43 Qau Mad 02 FF 10-0 m m risig s sile GG risig s sile etc Gtr H scrae 0 m m m co vib ;? IV SOLO co sord molto vib ort arco sul ot ord ort sul ot ord ort m - C col lego battuto arco molto sul ot gliss ; ; - - : 0 gliss co vib m m m m col lego battuto gliss m

44 Qau Mad Gtr H m - 0 risig 9s sile etc ear bridge sz edal buzz arco co vib ord ort molto sul ot C m m III arco 1 risig s sile itch burst quickersoter etc 2 risig 9s sile - 00 A AA sz ear bridge ; 0 A m sz ; scrae 0 m? siccato very resoat sul ot molto sul ot ord 0 : ; ; ; 0 ; ; ; ; ; ; 0 ; ; ; ; - ; ; C SOLO co sord - 1 izz gliss co vib etc 0 -

45 Qau Mad Gtr H 1 0 0? gliss m HH - m ear bridge Mlys sile: burst siral stes the siral risig ratios to high A 0 - ear bridge m ear bridge m rès de la table 0 0 m edal buzz col lego battuto ricochet gliss m m molto vib sul ot col lego battuto ort siccato arco gliss ricochet m m molto sul ot sul tasto gliss m m ; ; 0 ; ; ; ; 1 C 00 arco gliss 0 - C C -

46 8 Qau oco rit 22 II brushes o retued crotales ad vibes descedig 0 Meo mosso - JJ q Mlys sile 0 Mad Gtr H m m VIBRAPHONE budlesticks wood rès de la table sz - ; sz D II seza sord izz III - - m m izz II 9 arco sz II m- ord 0 - IV sz m - sec m III II IV sz m arco 9 m-

47 Qau Mad Gtr H m 0 1 m sul tasto ord m 0 0 Più vivo q 92 KK co Ped large swee the BP burst lus swee ; ; ; ; ; ; m m ear bridge ; ; ; ; ; ; ; 1 : m m rès de la table ; ; sz m ; 1 bowed - ossibile leggero ort 9 9 ; gliss 9 ; ; ; ; 0-0 ; seza sord I m m 9

48 40 Qau Mad Gtr H 9 harmoic cao sat sile 1 m m ; 0 m m m sz m ; ; sec - ort seza Ped ;B gliss ort gliss sz m ;9 ;9 9 ; ; sul ot ; ord ort ;9 III ; ; 1 m sz m m ort sul ot ord sul ot harmoic cao sat sile 0 sz LL m m m m ort ort m m m m m m 8 sile D 12h autohar trajectory ; ; ; ; ; 0 ; ; B ; m ; sz ; ; ; ; ; ; ; ; ; ; ; rès de la table sz m sot mallet dead-stick ; 1 -

49 Qau Mad Gtr H 4 sz 0 m m m 0 arco I ord sul ot m m IV III IV II 1 : ; IV 4 - Isul ot II MM q 100 oisy ear bridge m IV 9 sz sz D 11th artial sliterig sile 1 : : oisy ear bridge sz m m sz m sz rès de la table dead-stick dead-stick reversed sticks dead-stick ;B ;B ; 1 ;B m sz III gliss col lego battuto ricochet arco sul ot III ; izz ; - D gliss molto vib molto vib molto sul ot 41

50 42 Qau Mad Gtr H NN ; m 1 with guitar ick gliss 1 - m sul ot 0-0 swee orward sz gliss 8 8 molto sul ot sul ot gliss : D D D sul ot molto vib - - with guitar ick rès de la table budlesticks wood : : gliss sz

51 Qau Mad Gtr H gliss ; ; m m- sz m m 4 sz m gliss col lego battuto ricochet trache hybrids si outwards i two directios m col lego battuto gliss m gliss izz - gliss gliss co vib 4

52 44 Qau 9 gliss Mad Gtr H ; gliss ad lib m gliss m ricochet 0 ; ricochet : 1 0 m 0 2 m m ricochet

53 Qau Mad Gtr m gliss gliss gliss ; ; ; ; ; H 2 2 swee high to low gliss alteratig hads sz sz sz m 8 m ; ; ; E ; ; INTERLUDE OO ca 1 40 massive 8ch Mlys siles

54 4 Flute ca 20 q or Paul Edmods II Westerig O this my thirtieth birthday I kow othig ad there is othig to do but all rey to desire Nothig remais but desire ad desire comes howlig dow Elysia Fields like a mistral Walker Percy The Moviegoer Clariet i Bb Hexahoic Electric Guitar soudig Electroics ca 20 4 strum with lesh o igers very light buer record o all strigs rot ad ceter Madoli Just Itoatio Autohar Har Percussio umeasured gliss ad lib uder soud ile m Violi Violocello Cotrabass

55 4 Fl 4 Cl Guitar soudig m move gradually towards bridge trigger sogs oe voice at a time to matrix sat i back o hall am volume dow strig buers read with 8 sec delay very ear bridge graulatio atters choke strigs with let had Mad H

56 48 Fl A Cl Guitar soudig iaudible radom rakig motios o muted strigs somethig like this sat igures Mad H arco sul tasto co sord arco sul tasto co sord I arco sul tasto co sord - ord trasverse bowig measured II sul ot 2 2 SNARE trasverse bowig measured trasverse bowig measured with oe had back ad orth wire brush 4

57 49 Fl Cl Guitar soudig Mad H 10 0 m col lego battuto itchless mute strigs col lego battuto with let had 9 ricochet izz izz ricochet izz ma be setito itchless mute strigs izz col lego battuto col lego battuto with let had 9 ricochet izz ricochet 9 ma be setito itchless mute strigs with let had high o igerboard I col lego battuto uta darco m ma be setito high mid low JUST INTONATION AUTOHARP i G G otated with chord butto strum rhythm ad aroximate ositio ricochet ricochet

58 0 Fl 14 B Cl Guitar soudig 8 record o-trasosed to delay buer 1 echo 9 gliss trasose with attr m : Autohar H strum atter sim m arco molto sul tasto I m

59 1 Fl Cl 1 Guitar soudig 0 : delaybuer - trasosed layer [remove A strig] 1 record o traose delay ade out low strig with attr Autohar H ; VIBRAPHONE sot mallets izz 2 > izz? > 2 sul tasto arco 2 2 izz 0

60 2 Fl Cl Guitar soudig Autohar H 19 C m m m record o lay delay : : 0 > > 4 0 F9 m m m m m m budlesticks wood secod time record o II arco sul tasto 2 m G izz 2 arco II

61 Fl Cl Guitar soudig Autohar H 24 D m m m- m m- sul tasto seza vib m arco sul ot oco vib m m > : m 9 record o 0 m sul ot > >? MARIMBA sot yar mallets gliss : :

62 4 Fl Cl Guitar soudig Autohar H 0 E F m m m m 80 record gra o 81 gliss 82 delay or gra o m m m 1 scrae 2 2 > col lego battuto > 8 m m 84 m 2 2 buer2 o record o ord seza vib E1 sul ot rès de la table col lego battuto record delay o trigger echoes ALTO FLUTE i G m 2 0 izz arco gliss IV seza vib col lego battuto IV > 2 2 2

63 Fl Cl Guitar soudig Autohar H G CLARINET i Bb m m m 0 m record delay o regular at irst the diuse m m oco vib m m gliss arco gliss arco sul ot m retrigger buer lay retued record o retrigger B C motio ew ev B - C motio retuig : arco ord seza vib oco vib seza vib? 2? ? retrigger buer lay retued diuse atters ow rès de la table budlesticks wood??

64 Fl Cl Guitar soudig Autohar 44 H m m m m 92 record o Sat 1 2 scatter disaears record o 9 0 m remove A chord ecart Sat buer record o sat moves aroud ad out m- m- H m sz m sz sz m rès de la table 2 GLOCKENSPIEL m m m izz gliss m m m seza sord IV m II izz gliss izz trem seza sord I arco 2 2 > seza sord sz m sul ot vib ord 2 m arco

65 Fl Cl Guitar soudig Autohar 2 breathy? : 2 I sz 9 gliss vib Sat reset m 9 trasose rec o ta srigs lightly with oe alm retue record gra lay through 99 grais aear dac record o add itches G21 slow gliss H sz VIBRAPHONE budlesticks lastic budlesticks wood sz gliss arco sul tasto col lego battuto seza vib slow gliss 2 2 II 4 m gliss col lego battuto seza vib slow gliss arco III sul tasto m m m col lego battuto uta darco I ord 2

66 8 Fl Cl Guitar soudig Autohar H 1 J 100 record o to delay buers doubled m sub m m m 1 2 m 2 : : : 2 2 m m m m m II ord 101 record o 2 m m m :? K m sot mallets 2 2 : : breathy very ast strum : retue grais ad ade out scrambled igerickig atters to Sat : to MANDOLIN 2 m 2 m

67 9 Fl Cl Guitar soudig L 10 record o 104 sostetuto molto vib m m m distortio record o other strigs o remove attacks SVP tras to DAC? stretched versio i SVPlay 2 2 m m m 1 : clea remove A : 10 SVPlay ramdow record o 10 slower strum : to Sat butterly motio double u E strig Autohar H m 2 0 m 2 > > m 2 > 2 > arco sul tasto sul ot molto vib gliss ord

68 0 Fl Cl Guitar soudig Autohar H 4 M 2 10 m 1 2 delay record o 2 2 m m > m MANDOLIN II ort 1 vib m izz m m m m m m m m m m m- 2 m sz sz m m MARIMBA sot mallets 2 2 II izz trem III IV III bisb with slide bottleeck 109 co vib molto sosteuto very ast strum 2 : 110 three sat objects ed u together B strig SVPlay to Sat remove attacks 0 m sz izz 2 0 sul ot co vib m Sat igerickig si record o

69 Fl Cl Guitar soudig Mad H m m m m m m arco m gliss gliss m IV m m m 2 m m m m N 1 Poco iù mosso : q 2 2 col lego battuto III 2 4 breathy : do ot reattack molto vib record o retrigger chord to DAC retrigger chord soter reture retrigger chord to DAC 2 I 2 izz arco sul tasto 11 IV gliss col lego battuto gliss sul ot I arco quick cho without slide III

70 2 Fl Cl Guitar soudig Mad 89 H 2 2 m m 11 record o ut dow slide 11 O m 2 4 ear bridge IV record D delay 1 IV > m 0 m 11 retrigger stacc chord retued ad arther away m rès de la table 118 olyrhythms with sigle delay buer doublig ote lower eveloes tha attack halo eect record o delay1 to Sat record F ad G delay 2 to Sat 4 co vib sul ot m sz m arco ord gliss m ricochet arco ord gliss - m SOLO MARIMBA hard yar mallets 9 2 > molto sul ot - sul ot arco sul ot col lego battuto 4 ricochet m m

71 Fl Cl Guitar soudig Mad H 99 P m m m sul tasto 4 m stretch record o guitar to Sat record all to gra gliss m m m SOLO : : : m 8 0 m izz 2 arco ord retue III III IV 4 molto sul ot 4 2

72 4 Fl Cl Guitar soudig Mad H Poco iù mosso q 2 10 Q 2 BASS CLARINET i Bb with ick > retued dieret tremolo rates distortio wo attacks to delay buers->sat gra buers to dac w log oset cascade 2 2 sz m m m : 124 record o gliss 2 izz arco co vib m

73 Fl Cl Guitar soudig m : m record SVPlay aed-msgs Mad H m 0 2 -m sul ot gliss siccato ort 2 : : : m m ort ord sul ot 2 2 m > m III 2 molto vib ort

74 Fl Cl Guitar soudig Mad H 118 R bisb 2 12 m molto sul ot ord 2 2 m sz 2 2 : : 0 : 0 2 : 8 8 m retue trem ramdow 2 rès de la table ord 128 oisy distortio o E strig to Sat togue -sla m m do ot re-attack 2 togue -sla 2 : dist trem molto vib ort m 2

75 Fl Cl Guitar soudig Mad H 12 4 molto sosteuto : : S 2 m 10 m 11 record SVPlay aed msgs to Sat diad wah A gliss m m m m m uta darco uta darco 12 ramdow i matrix m sz m sz gliss 2 2 gliss molto sul ot co vib ord 1

76 8 Fl Cl Guitar soudig Mad H 1 T 2 B 2 2 m m m- m B détimbré B 2 2 trem immediately trigger gra ad retued dist delay 2 2 B 2 B 14 i trem lus small distortio wave 1 co vib m m B edal buzz B VIBRAPHONE sot mallets B 2 co Ped B trem dist wo attacks sul tasto do ot re-attack 2 B m sul ot B sul tasto m m

77 Fl Cl Guitar soudig Mad H toe color chage breathy ord B B m ord sul ot m seza vib : B alterate igerigs m 2 m m B 2 2 : B : m B B B 1 1 harmoy exads to meet melody : retued dist swirl - with gliss iterolatio with matrix clea trm soud -> dist 0 ord seza vib m m sul ot B sul ot 9 B 1 B : 9

78 0 Fl Cl Guitar soudig Mad H 14 U détimbré m m m m m 19 with slide slower gliss 18 : : m m m m co Ped ; sul ot seza vib ord ort m m m oco vib col lego tratto sul ot ord ord I m- m m oco vib sul tasto sul ot sul ot 2 m m m m II 2 m m 2 2 m m m 2 2 sz 2 FLUTE breathy co vib breathy 2 4 iterserse swells rom delay distortio VIBRAPHONE sot mallets remove attacks dist to am ad Sat triggers dist delay swell attacks come i 2 >

79 Fl Cl Guitar soudig Mad H 18 V 14 do ot re-attack vib quick gliss m 4 m trem to rot dacs distwah record to delay 1 attacks suddely disaear to rot ad Sat 1 2 rogressively add otes to gra harmoy back to o attacks Più vivo W q 84 breathy : sz sz 14 2 molto vib 14 add attacks record to gra 14 cascade layback over distorio oisy ear bridge sz oe other strigs ade i 1-2 II I ord co vib sul ot co vib sul ot co vib gliss m gliss 2 m gliss to bridge 2 sul ot m sz gliss to bridge sul ot sul ot : :

80 2 Fl Cl Guitar soudig Mad H 1 ut dow slide B X B : m 1 B m 8 m sz 2 2 : : : : : m : : B 2 III IV B 2 sz B sz sz m edal buzz with alm 2 B 2 0 B ; ; B B 148 : arco : sul ot B m m sz m 149 iaudible : low strigs resoate reely to Sat E - A 0 D -80 PITCHED GONGS ; ; ; ; ; gliss ; ; m izz vib col lego tratto sot mallet - 2 col lego tratto - 2 ; ; ;

81 Fl Cl Guitar soudig Mad H 1 Più vivo q 92 breathy Y gliss tur out ord breathy C B 2 B 2 : 2 : : sz m sz m 10 iaudible sz 11 > B : : : B arco sul ot low strigs resoate reely to Sat E A 100 D sz m sz C B C B with alm C B 2 2 C 2 B m arco gliss col lego tratto arco IV molto vib sul ot - sul ot ; ; ; ; C 2 B gliss col lego tratto - arco sul ot B C m 2 C B arco ord 2 2 togue -sla stacc dist hits to gra swirl togue -sla m togue -sla C C C

82 4 Fl Cl Guitar soudig Mad 182 D B Z overblow D 2 B : - 12 sat out relace ad back wah record to delay quick rise i attr 2 D B D B D B 1 gliss : trem dist to Dacs retue delay 1 wah to Sat record trem to gra ad retue istatly H D B D B D B IV molto vib ord gliss D B I ord 2 gliss D B m III ord gliss D B m m

83 Fl Cl Guitar soudig 18 : 0 : : : : : 0 : > : > : : B : 14 molto staccato > B : 2 2 B 1 : B Mad B H B B B ort B 2 : : ort ort B gliss 2 B m

84 Fl Meo mosso q 190 AA BB Cl Guitar soudig Mad 1 with igers SOLO 1 oco rubato co vib : m 1 gliss 18 : lay retued chos rom gra gliss dow gra to sat distat si gliss to SVPlay 19 gliss 10 oco vib gliss ramtime 11 triggers sile with delay sile retued vibes isolated attacks with slide molto sosteuto edal steel guitar eect record to SVPlay 2 H co Ped m VIBRAPHONE bowed otor o m m co sord

85 Fl Cl Guitar soudig 204 CC retued vibes siles : : gliss oco vib 1 2 sile vib 1 sosteuto ram i tremolo 1 18 without slide iaudible strum with lesh o igers sile vibes gliss motor 19 Mad H 2 2 co sord m sim m bowed motor at 1 Hz co sord sim m co vib sim m motor at 2 Hz m

86 8 Fl Cl Guitar soudig Mad H 21 DD 10 with slide lus gra evs trem ram vibes gra sile 11 co vib : 12 retue gra remove strig détimbré without slide m m 2 : 0 sul tasto II uta darco sul tasto 2 2 sul tasto uta darco uta darco record to SVP echoes to Sat 2 gra i retued attacks o? 14 bowed vibes sile lus 2d layer gra m m iaudible 1 siles retued vibes Mlys strummig attaacks-removed set to delay buer ad Sat1 IV 2 2 m 2 2 II ort

87 9 Fl Cl Guitar soudig 22 EE 1 m 1 m 1 ort : m trem set to delay 2 buer layback mius low E strig trem to dac record distorted versio to SVPlay trem to Sat trem dist o attacks to SVPlay see about buer aed mode m Mad H m > m m I ord m 2 m sul tasto 0 I SUS CYMBALS reversed mallets I sul ot 2 2 uta darco

88 80 Fl 229 co vib FF 2 breathy 2 2 > Cl Guitar soudig Mad H m m 2 m m 2 m record SVPlay reversed mallets > IV col lego tratto m m m m sul tasto 2 slow strum sost sot mallet reversed mallets 181 record o record dist o attacks to gra retue sot mallets m m 2 I ear bridge scrae I II 2 col lego tratto m 2 1 >

89 Fl Cl Guitar soudig Mad H 2 m m sz m sz sz E m 2 E 2 2 very breathy FGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGG sul ot 2 2 CROTALES bowed 2 m m col lego tratto uta darco m E sz key clicks itchless igerigs ad lib key clicks itchless E 2 E to Sat quick retreat souds o E E E col lego battuto ricochet sigle throw do ot re-attack col lego battuto ricochet sigle throw do ot re-attack E E 81 Paris 24 Aril 2010