Frits Leffef Arrangeur, Compositeur, Interprete, Editeur, Professeur

Transcription

1 rits Lee Arrageur Compositeur Iterprete Editeur roesseur ays-bas Apeldoor A propos de l'artiste Bor 28 sept 1948 Apeldoor The Netherlads ad still livig there Music teacher (lute ad rass) musicia (lute trumpet tromoe ad tua) ad composer/arrager Also creator o iep the lute ad may other methods or more iormatio see his Eglish wesite or Dutch sites: Site Iteret: A propos de la pièce Titre: Compositeur: Arrageur: Licece: Editeur: Style: Commetaire: 20 Duets or rech Hor ad Tromoe Vol 2 Shueruk Richard Lee rits rits Lee All rights reserved Lee rits Classique ulished i 1920 y RSheuruk or trumpet ad tromoe rits Lee sur ree-scorescom Cotacter l'artiste Commeter cette partitio Aouter votre iterprétatio M Accès partitio et écoute audio avec ce QR Code : Aoutée le : Cette partitio e ait pas partie du domaie pulic Merci de cotacter l'artiste pour toute utilisatio hors du cadre privé Iterdictio de diusio sur d'autres sites We Derière mise à our le : :51:59

2 TODAY S MSIC SERIES 20 DETS BY RICHARD SHEBRK volume 2: No 1-20 arraged or rech hor Tromoe BY rits lee BL 212 BL - MSIC HOLLAND

3 BL 212 TODAY S MSIC SERIES reace These 20 duets are irst pulished i1920 y Richard Shueruk or trumpet ad tromoe Bor i Bristol Eglad August he came to the S i 1876 He oied the Bosto Symphoy trumpet sectio i the seaso ad ecame pricipal trumpet the ext seaso or oe year I the 1920s ad 190s he was a music teacher i New York City ad also played i the rederick Neil Ies ( ) Bad His advices as a teacher are still very useul: Do't low harder or the high otes; pich tighter istead / It is ever ecessary to play oisily Ayody ca play loud Artists oly ca play sot ad well / As much coidece ad attetio is required to play with oe other perormer as with a hudred others Thereore duet practice is the est sustitute or playig i the ad / Duets are like coversatio: you must liste as well as talk The duets are writte with great imagiatio i authetic styles They are very melodious with eautiul harmoic ad polyphoic structures Here you will id them arraged or rech Hor ad Tromoe hece some chages had to e made to ollow Richard s ideas Because o today s cousio aout how to iterpret old school music otatio istructios have ee added which are explaied here i logical order Clarity - Make the music at most a lively discussio lay seteces divide them ito logical phrases ad take a rhythmic rest i-etwee that cotriutes to the low This has also the advatage that you ca take a logical or eve uoticed reath Be sure that your astest rus are still uderstadale Doule-time - I the eat o a meter is divided y two the irst part seems to have more volume; i divided y our the irst ad third part seem to e louder ad so o This impressio is idepedet o the real volume ad origiates rom our sese o meter ad our iary hearig Alog with the accet(s) o the meter we hear thereore other strog ad weak eats also By givig i to this impressio part o the origial eat ca e played as the ew eat i such a way that a sigle ar emraces more weaker ars with the origial meter cout This is called doule-time ad composers use it to prevet a setece gettig too much loud irst eats to let more tempi e heard simultaeously ad or stadig out Geerally oe is trusted to recogize it without otiicatio (see also Tempo mark) Iégale - This is playig the irst hal o the eat (i doule-time the irst hal o the ew eat) a little it loger tha the secod oe Normally the legtheig must e less tha i the two parts were a triplet hece it is ot possile to write that i otes It makes the eat audile (ad is a expressio tool) Sycopatio - This is playig or composig a ote origially o a strog eat earlier or later Beig eve shited to aother strog eat or the origial eat eig replaced y a weak ote or a rest it is ot always easy to discover a sycope The est way to eel it is playig a sycope or possile oe at irst a ew times o the eat you expect it came rom A sycope is a surprise ad must thereore e strikig: give it at least the accet o the eat it suggests a suito piao a gliss or whatever olyphoy - This meas the accompaimet is a melody also A accompaimet ca e total polyphoic or has otes or harmoy ad polyphoic oes as well So apart rom ovious polyphoic phrases use the rule: I the solo is t movig might e still playig it s my tur Let s talk! Tempo mark - This is a short text aove the sta that idicates the speed impressio o the shortest sigiicat otes A mark with colictig terms idicates doule-time (Adate moderato Allegro maestoso) Although the earliest descriptio o these playig styles reers to aroque music they are hardly practiced i classical music today No woder most perormaces o music rom great masters as Bach Hotteterre Mozart Quatz Telema ad more soud very peculiar But ow you ca easily decide wether a three cout piece is ust that or a lati or related azz walz or has to e played sosteuto (a style very ote used y these masters ut oly heard i classical azz) You are ow elighteed ad will ever misiterpret a piece with eats divided i our as a kid o psychotic march a isult to the composer eig icapale o writig a proper oe at all Eoy playig this heart-warmig music rom a great composer rits Lee April 201 Cotets 1 Two Step 14 Soatia Allegro Theme ad variatios Rodo 15 Bolero At Home Ceremoial Miuet oloaise Militaire The Rivals NOT ST A REMARK: NIET ZOMAAR EEN OMERKING: You copyig rom this work without permissio utterig your read with or without commissio remid the day is doomed your wasted lie will liger or it's i act my ood that eeds your ilthy iger Waeer i die uit dit werke copiëert dik o du e oterhamme smeert moet e edeke dat e ees zal kwie wat i eite zi het wel de mie copyright 201 y BL - MSIC The Netherlads

4 2 Warig: Because our hearig is iary a ast six cout meter is ote misiterpreted as a meter with hal the ar divided i our istead o three So similar to playig triplets this meter has a costat delayig eect 1 Two Step 6 8 Allegro {q = 110}? #? # # ^ 10? Richard Shueruk #? 15 20? #? 25 Copyright 201 BL-MSIC Hollad

5 0 #? # 5? 40? # # #? 45 # # 50? # volti suito? 55 BL 212 Arraged or rech Hor ad Tromoe y rits Lee

6 4 61 Trio? 65? 69? # 77 #? 81 #? BL 212 Arraged or rech Hor ad Tromoe y rits Lee 7?

7 85 89? 9??? 101?? BL 212 Arraged or rech Hor ad Tromoe y rits Lee < 5

8 6 14 Soatia c? c Allegro {q = 154} e ~ e 6 Richard Shueruk? 11? # # # # Ó 16? #? 20 # # < <? Ó 24 Copyright 201 BL-MSIC Hollad

9 7 28 Ó?? 2 # < < Ó 6? 40 Ó? -? # ? Ó 48 BL 212 Arraged or rech Hor ad Tromoe y rits Lee 4 4

10 8 Because it is ovious that Var 1 is doule-time ad Var 2 is ot the composer added semplice i the Theme as a warig ot to play it doule-time also (would give Lati) The tempo mark idicates the speed o the astest music ad that is Var 1 Thus the Theme ad Var 2 are less ast 4 semplice e» e - - e ~ e? 4 Allegretto {q = 90} 5 9 Theme ad variatios??? Var e» e? ? 21 Copyright 201 BL-MSIC Hollad

11 9 Sosteuto is playig i a impellig way y egiig each eat with more emphasis ad usig aster air-speed throughout each ote? 25? Var 2 4 # sosteuto? 4 7 # 29? 41? dolce e»e 45 BL 212 Arraged or rech Hor ad Tromoe y rits Lee? 24 24

12 10 Allegretto {q = 77} Rodo ? # ? 54 x» x # #? 59 # #? 6 # # # # x» x x»x x ~ x? 69 74? < # < BL 212 Arraged or rech Hor ad Tromoe y rits Lee #

13 # a tempo - x» x x ~x?? 84 # ? 88 92? rit ? x» x? dim x ~x rit x» x BL 212 Arraged or rech Hor ad Tromoe y rits Lee

14 12 The quarter otes are the Moderato ad the doule-time ito eighth ad agai i sixteeth otes is the Vivace So othig is iégale! 15 Bolero Moderato vivace {q = 86} 4 # <? Richard Shueruk? << < < # # #? # -? ? ? Copyright 201 BL-MSIC Hollad

15 1 1? # # a tempo rit? # rit a tempo a tempo? ? # rit rit a tempo a tempo #? # # VS p #? 52 BL 212 Arraged or rech Hor ad Tromoe y rits Lee

16 14? # 56 # 60 # p #? 6? #? 66 74? # # p - # # iu Leto {q = 76} #? - 70 BL 212 Arraged or rech Hor ad Tromoe y rits Lee

17 15 Tempo I # # #? # 78 82? 86? 90? 94? 98 a tempo rit # a tempo rit iù mosso {q = 90} #? ^^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ BL 212 Arraged or rech Hor ad Tromoe y rits Lee

18 16 16 At Home Richard Shueruk 9 8 < < co espressioe? 9 8 < < 5? Adate {q = 56} x ~ x 9? -? 1 - agitato #? 17? 20 - cresc Copyright 201 BL-MSIC Hollad -

19 17 a tempo rall? 2 26? 0? 4? < < < < -più-rall-? - 7 rit a tempo <<< p dolce rall? p 41 # # - CODA BL 212 Arraged or rech Hor ad Tromoe y rits Lee

20 18 17 Ceremoial March maestoso {q = 80} 4? < sim # # # - - -?? 7 Richard Shueruk - # - - sim # - - #? 10 sim? 1 16 ###? # # Copyright 201 BL-MSIC Hollad

21 19 ### #? ## 19 ###? ## 22 25? 27? 29? BL 212 Arraged or rech Hor ad Tromoe y rits Lee - VS -?

22 p sim dolce? 12 8 sosteuto 6? TRIO - < <? 9 42? ? 45 48? qk» q c e» e c BL 212 Arraged or rech Hor ad Tromoe y rits Lee -

23 ? 54 # - - -? # ? ? rall? 6 - allargado BL 212 Arraged or rech Hor ad Tromoe y rits Lee - - Ó Ó

24 22 4? 4 5? 2? 1 # 19? 2 e» e? 18 Miuet Tempo miuetto {q = 120}? # e» e # e ~ e e» e e ~ e # Richard Shueruk # Copyright 201 BL-MSIC Hollad

25 2 1 e» e # #? 5? 9 # # rit 4? 47 #? 52 a tempo # BL 212 Arraged or rech Hor ad Tromoe y rits Lee # # # e» e e» e #? # # e» e rit e» e? # a tempo 4 4

26 Trio? 4 61? 69 e» e? 7? 77? e ~ e BL 212 Arraged or rech Hor ad Tromoe y rits Lee - # # - e» e # # e» e # # e» e 65? iù {q = 125}

27 25 81 poco accel ? 85 a tempo? 89? 9? 97? 101? - rit e» e # BL 212 Arraged or rech Hor ad Tromoe y rits Lee cresc e ~e cresc e» e e» e

28 26 This is a doule-time piece (see reace) Tempo di polacca {q = 100} 19 4? 7? 1? oloaise Militaire - 4 < # Richard Shueruk sosteuto < <? 19 #? 25? - < < 1 Copyright 201 BL-MSIC Hollad

29 % 27? 7 TRIO? ie ^ -? 47 5 # # # <? 59? # # < # # # DS al ie # rall? 64 BL 212 Arraged or rech Hor ad Tromoe y rits Lee

30 28 Allegro maestoso meas that some ars are played doule-time with except i Lati the sixteeth otes iëgale = Allegro; the other ars are the Maestoso 20 The Rivals c < sim? c Allegro maestoso {q = 80} = d- toguig x» x Richard Shueruk - < < < < x» x? - < < < 8 x» x Lati # x» x? < < 1 2 4? < < < < x ~ x - -? - < ? 12 1 Copyright 201 BL-MSIC Hollad

31 29 21 delicate? 24? 27? 1 iù leto {q = 68} Ó iù {q = 76} - - Agitato {q = 80} ? - - accel ? vs e ~ e Leto {q = 72} e» e Ó ad li rit rit e-~ e e» e -? e» e 4 7 vs BL 212 Arraged or rech Hor ad Tromoe y rits Lee

32 0? Cadeza ad li Cadeza ad li - - -? 41 # rall? Allegro maestoso {q = 80} x ~ x 42 4? 46 <? x-~ x x» x << - -? 49 BL 212 Arraged or rech Hor ad Tromoe y rits Lee x» x -

33 ? ? 55 Theme w w w # p sosteuto < < <? 4 Adate {q = 60} 64? < < < - - e» e? cresc - VS? e» e BL 212 Arraged or rech Hor ad Tromoe y rits Lee

34 Variatio 1 2 #? < - p ^ 76 - ^ < #? 78 ^ #? 81 e» e? 84 86? 89? e» e rall a tempo e» e BL 212 Arraged or rech Hor ad Tromoe y rits Lee a tempo xrit ~x ^ e ~ e ^

35 Variatio 2 4 x» x? 4 x» x Lati 92 94? -? Ÿ Ÿ? ? rit? BL 212 Arraged or rech Hor ad Tromoe y rits Lee

36 4 2 4 Allegretto {q = 76}? 2 4 iale (Rodo) 108 # 112? -? 117 # cresc cresc ^ # ^ - -? 121? #? BL 212 Arraged or rech Hor ad Tromoe y rits Lee

37 # #? 15 p? # 145? pomposo ç? 150 # ß Ÿ rall < < x» xp < molto legato? 155 Adatio {q = 52} " < < < < x» x? " 159 BL 212 Arraged or rech Hor ad Tromoe y rits Lee

38 6 164 iù vivo {q = 56}? # #? 167? - 17? < # # - # - # -? # x» x accel x» x - ^ x»- x x ~ x? 180 BL 212 Arraged or rech Hor ad Tromoe y rits Lee

39 ? x» x 184 x» x 7 x ~ x? 187? 191 # # x» x 194? - x» x BL 212 Arraged or rech Hor ad Tromoe y rits Lee