Copyright 2012 by AMA Musikverlag. Play Accordion Vol. 2. Samples. The Beguine Accompaniment. Golden October. œ œ. J œ. œ ? 4 4. b œ. œ. œ. z 2.

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1 12 Play Accordio Vol 2 The Beguie Accopaiet Are there ay alteratives to the repetitive oo-pah oo-pah alteratig ass folloed y a susequet chord he playig i / tie Of course there are! A attractive ay of playig / tie i a light ad dace-like style is represeted y the folloig for of accopaiet: für eide Häde (Akkordeo oder Klavier) für die like Had a Akkordeo: The accopaiet is siilar to the Afro-Cua eguie rhyth (proouced uh-gee ) ut sipler Golde Octoer 7 a 1 2 z 2 C a D 7 Play Accordio Vol 2 z 9 a 1 z C

2 0 Play Accordio Vol 2 A Chapter o Haroy: Triads Built o the Steps of the Scale 1 The Triads of the C aor Scale With each scale you ca (if you do t use ay o-scale otes) create seve differet triads each of hich is uilt o a sigle step of the scale We call these scale triads They are uered cosecutively ith Roa uerals ad called degrees of the Play Accordio Vol 2 Before you read o ay further try to fid out hich of these triads is a aor chord ad hich is a ior chord Oe of the chords is either aor or ior hich oe The folloig staff ill give you the aser Here each triad has a chord syol assiged to it C D E F G A ( B ) The chords you fid here that are uilt o degrees I to VI of the scale ake up the group of ost ofte used chords i C aor Solely the iished triad VII is used ifrequetly 2 The Triads i Other aor Scales For copariso here are the scale triads i the D aor scale: D E F G A B ( C ) You ll fid the sae arrageet here: aor triads o degrees I IV V; ior triads o degrees II III VI as ell as a iished triad o degree VII The patter is idetical for all aor scales ad i every aor key degrees I to VI are the ost cooly used chords for chord sequeces The Priary Chords i Every aor Scale: Degrees I IV V I IV V C F G

3 Play Accordio Vol 2 Workshop Piece No 2 Chaaa s Rhyth Track : Playack to play alog to Track 16: Coplete versio for listeig Chord Sequece 1 Chord Sequece 2 The For of the Piece Itro Play Accordio Vol 2 Thee A Thee A2 Thee A Pop rock or folklore pieces ofte cosist of a series of differet sectios hich alterate ad repeat like uildig locks that are asseled ito a cohesive hole Fro vocal pieces you ko the eleets refrai ad verse; other uildig locks iclude itro (itroductio) iterlude ad the outro or edig The piece Chaaa s Rhyth is ade up of to sectios ith differig chord sequeces; the diagra at the left shos ho the sectios are put together Liste to the piece o the CD (track 16) ad try to follo the progressio of the differet sectios! Each part is 8 ars log ust the edig is exteded You ill realize that A ad A2 have the sae elody The sae is true for the itro ad the iterlude Iterlude Thee Edig The Chord Sequece Chord sequece 1 (itro ad iterlude) has the folloig chords: E B /D C B 7 (each chord is played for to ars) Chord sequece 2 (ai sectio) has the folloig chords: E C D B (each chord is played for to ars here as ell)

4 Play Accordio Vol the Rua Rhyth I ay Afro-Cua rhyths a typical sycopated rhyth appears either as a ass figure or percussio patter for the claves (oode sticks): a series of accets ++2 eighth ote rhyth The folloig exercises ad the folloig piece give you the opportuity to get to ko this rhyth etter The --2 Rhyth as a Figure i the Right Had Clap ith your hads: Tap ith your feet: C D A B/A Play Accordio Vol 2 N N D /A A The --2 Rhyth as a Figure i the Left Had This rhyth ca also sho up as a ass figure i the left had (like i a rua) Refer to the piece Cariea oke 2 o the ext page The left had plays the sycopated rhyth here hile the right had uflichigly cotiues i / tie (o ad agai oth hads do sycopate together hoever) You ll proaly have to practice this variatio a it loger first as a clappig ad tappig exercise ad the as a playig figure for oth hads: Clap ith your hads: Tap ith your feet: (see the usic o the folloig page)

5 1 Play AKKORDEON Accordio SPIEL Vol 2 Separació The very expressive seveth chord ith a ior ith (C 7/9 G 7/9) ca e very easily figered startig ith a couter ass Whe derivig this chord figerig refer to the figerig diagras i the idex hich start o page 16 T â F 7 very sehr cal ruhig ud o set frei tepo i Tepo 1 2 C 7/ 9 1 D 7/ G 7/ 9 Peter Haas R 8 C 7 A/C 1 C 7 C 7/ 9 12 Play Accordio Vol 2 2 F 7 D 7/ G 7/ 9 16 C 7 A/C C 7 C 7/