TECHNICAL SPECIFICATIONS LABAN THEATRE

Transcription

1 TECHNICAL SPECIFICATIONS LABAN THEATRE The Bonnie Bird theatre is intended to provide a first class environment for an audience of 296 to watch contemporary dance performed by both student and visiting companies. The theatre is used for licensed public performances. The seating, on a single raked tier gives a good view of a 10m playing area on the stage, which may occasionally be increased to an 11m square. Because of the specialised nature of the theatre, there is no trap room or opening in the stage floor, and there is no orchestra pit. Technical Contacts: Head of Production Fay Patterson F.patterson@trinitylaban.ac.uk (Acting)Technician Responsible for Sound Berta Pibernat-Trias b.pibernat@trinitylaban.ac.uk Please note that the information stated in this document is subject to change at any time. Please check with the Trinity Laban Production Department in advance for updated information or any other enquiry you have. [Author name] [SCHOOL]

2 General Info Parking: Disabled Access: Car park is situated at the back of the building on Copperas Street. Parking facilities for 1x lorry 7.5tns Disabled parking is situated at front of the building Please speak to production department for details Most areas within the theatre are accessible for wheelchair users, including control room and fly floor Please ask for further details Get-in Double doors from carpark each 1.86m (w) x 5.3m (h) Raised loading dock 2.7m (w) x 0.81m (h) Portable ramp to go from van to dock Short passage to theatre dock door 2.37m max width Sliding door into theatre USL 2.6m (w) x 4.5m (h) Please note: there is extremely limited storage space apart from on stage. Call to discuss if you have flightcases to hide. Backstage Dressing Rooms: 2 x Dressing rooms with Showers / WC Accommodating up to 20 persons (8 and 12 approx) Equipped with ironing facilities Washing facilities are available ONLY with prior arrangement Auditorium Audience Capacity: 296 (292 when sound desk is situated FOH ) Seating row #1 - #4: Seating row #5: Elevation: 0.9 m from stage level Elevation: m from stage level

3 Stage Dimensions Scene Dock: Acoustic Door to Stage: Stage playing area: Stage Wall to Wall: Setting line: 5.20m high x 3.75m wide Stage level : 0.84m above ground level 4.30m high x 2.60m wide 10m wide x 14m deep 18m wide x 14m deep 1m from front of edge of stage Proscenium Width: Max: 10.3m, Min: 8.4m Variable with hard legs on tracking. CW 3 Proscenium Height: Max: 6m, Min: 2.45m Variable with flown hard header on CW 2 Clear height under Galleries: Grid height: 6m 10m Stage floor to underside of grid FOH bridges: lighting bridge #1: 1m from front edge of stage lighting bridge #2: 4.3m from front edge of stage Maximum Structural Loads Stage floor distributed: Stage floor point load: Grid distributed load: Grid point load: 750kg per square meter 450kg assumed over 300mm square 250kg per square meter 500kg assumed over 500mm square

4 The Generic Rig. PLEASE NOTE: Due to the high turnover of both in-house and visiting company work, the theatre is set with a generic rig; inclusive of light, AV, sound and stage dressing. This rig is designed specifically for dance and has proved suitable for most basic requirements. We would ask that where possible visiting companies add to, rather than moving or changing equipment that is a part of this generic rig. Anything that is changed without prior arrangement with Trinity Laban Production Department MUST BE REINSTATED AS A PART OF THE VISITING COMPANY GET OUT. Where necessary the theatre may be entirely re - rigged to meet visiting company requirements. Although it should be made clear that this requires an extensive get in and refit; which could only happen when specified in advance, and as part of the contractual agreement. Floor Usually laid: Spare: Canadian strip maple wood sprung dance floor Black Harlequin dance floor covering whole stage/ wings Grey Harlequin dance floor 13m wide x 14m deep The floor is intended foremost as a bare foot dance surface, as such it is NOT possible to screw or fix anything into the floor. No structures or substances that may cause damage or markings will be allowed. Black soled shoes that would leave scuff marks are not allowed on the grey floor. White soled shoes especially Converse that will leave marks are not allowed on either floor. PLEASE NOTE: ANY DAMAGE CAUSED TO EITHER WOODEN OR HARLEQUIN FLOORS WILL BE CHARGED BACK TO THE COMPANY Drapery Generic Rig: House curtain Golden velour, w/ straining wires 13.8m x 6.3m Full Black Velour 13.8m x 6.2m Black Gauze (sharks tooth) 13.0m x 6.1m Plastic BP cyclorama (Rosco T/White finish) 13.0m x 6.3m 5x Pairs of legs (black velour) 2.0m x 7m 4x Border (black velour) 14.0m x 3.0m White cotton Backcloth 13.8m x 6.2m Spare Drapery: 1 x Pair of legs black velour 2.0m x 7.5m 1 x Border black velour 14.0m x 3.0m 1 x White Gauze 13.8m x 6.85m

5 Single Purchase Counterweight Flying System The stage area is not fire separated from the auditorium and there is no safety curtain. There is an overall steel grid above the stage, but its height does not permit full flying out of view. Instead a single purchase counterweight system, located stage right, provides suspension. There are two areas over the stage where the grid is raised. These allow for 4 bars downstage and 6 bars two thirds of the way upstage rigged with house curtain and backcloths to be raised out of view with the careful use of masking borders. S.W.L 400kg per bar evenly distributed Maximum of 45kg per metre 5x suspension points per bar Cross sets: 36x ladder bars 13m long Extensions on both sides up to 1m (not load bearing) Up/Downstage sets: 2x ladder bars 13m bars ( SL and SR ) Up/Downstage Hemp sets: 2 x half length bars SR 2 x half length bars SL These sets are intended for light distributed loads of 100kg. max per bar In two areas of the stage the cross stage sets have extended travel where the grid is omitted Bar travel heights: Up/Downstage Bars: CW 01 to 04 and CW 48 to 53: 12m CW 05 to 47 and CW 54 to 61: 10m 10m NB the fly path of the up/down sets traverses the usual cross sets, as such careful planning is required when using the up/down sets

6 Lighting Control: Master ETC Ion permanently situated in the control room. Slave ETC Ion with 1536 DMX outputs (3 universes) able to be moved into the auditorium as a production desk 2x 20 fader wing 1x ETC Net 3 Gateway: 3 Ports 4x ETC Net 3 Gateway: 1 Port 20x DMX loop points distributed around theatre 20 x non-dim (DMX/switch control) Hard wired to 15A outlets around theatre Spare Power: Dimming: 300A 3phase supply onstage DSL corner Strand LD90 Dimmers Hard wired to various 15A and 32A outlets around theatre Patch floor: kw kw Stage level: kw kw FOH Bridges: kw kw Perches and Balconies: kw kw

7 The Generic Lighting Rig Overhead Rig: 7 x designated LX bars Trim 7m LX bar 1, 2, 3 & 5: 24 way 15A IWB LX bar 4: 12way 2x multicore 15A socapex fans LX6 fully rigged with cyc floods LX7 24 way 15 amp IWB Lanterns: 15pt. Top light 15x Robert Juliat 1.2 kw Fresnel O/W Backlight 9x Robert Juliat 2 kw Fresnel Scroller Cross wash 20x Thomas Par 64. cp62 Scroller Back diagonals 2x 2kW Strand Patt 243 O/W Cyc top 8x Thomas 4 cell cyc floods R,G,B,O/W Cyc bottom 8x Strand Orion 4 cell ground row R,G,B,O/W Cyc top 8x AC1001 Flood L201 FOH 8x Source 4 36 (US & DS) O/W Tab warmers 5x Source4 par (wide lens) O/W Sidelight: 12 x 2.5m high sidelight booms (6 x SL, 6 x SR) all run on 15A socca (each boom is a 6-way IWB) 10 booms permanently rigged with: Shins 12x S4 EDLT 36 profile Mids 12x Rama PC 1.2kw Heads 12x S4 36 profile 2.7m 12x Par CP62 Please see attached plan for full details If the generic rig is in use free addresses on Universe 1 are and

8 Lighting Equipment Spare lanterns When generic rig is in use (Total) No of lanterns Lanterns: Robert Juliat 310 Fresnel 1.2kW 25 (40) Robert Juliat 329 Fresnel 2kW 9 (18) Selecon Arena Fresnel 2kW 6 (06) Robert Juliat 614 Zoom Profile 16/35 1.2kW 14 (14) Robert Juliat 613 Zoom Profile 28/54 1.2kW 9 (10) ETC Source4 Zoom Profile 15/30 14 (15) ETC Source4 Profile 50 LENS TUBE 14 (15) ETC Source4 Profile 36 LENS TUBE 21 (45) ETC Source4 Profile 26 LENS TUBE 17 (23) ETC Source4 Profile 19 LENS TUBE 04 (04) ETC Source4 Profile 10 LENS TUBE 01 (01) ETC Source4 BODY 750kW 50 (68) ETC Source4 BODY 575kW 7 (10) Thomas PAR64 1kW cp62 30 (51) Thomas PAR64 1kW cp61 or cp60 08 (08) (please check availability of lamp types) ETC Source4 Par 575W 20 (25) AC1001Asymmetric Flood 1kW 8 (16) MAC Aura moving lights rigged as standard on LX5 (3) Cabling: A variety of socapex + fan in and out 5m 20m A good selection of 15A TRS and grelcos Gobo holders: Irises: Telescopic stands: A number of gobo holders for all stocked profile types 4x ETC Source4 2x Robert Juliat 4x 1.26m 2.20m Doughty Shadow Quasar T x 1.50m 2.50m Doughty Shadow Neutron T x 1.70m 3.30m Doughty Nebula 33 winch stands

9 Sound Desk: Yamaha CL1 Digital Desk 2 x RIO1608 I/O rack (16 ins and 8 outs each) The sound desk is in control room and it is possible to move to FOH position at back of auditorium with prior arrangement Playback: Amps: DSP: Speaker set up: imac with Qlab v3 CD Tascam CD-01U Pro CD Denon DN-700H MD Tascam MD-350 DVD HHB UDP-89 Yamaha XP7000, Crown CE 4000 and CE 2000 series Yamaha MTX5-D All speakers are Nexo FOH: 2 x PS15 low position proscenium arch Fixed 2 x LS1200 Subs low position Proscenium arch Fixed 2 x PS10 centre front of proscenium Fixed Stage: 4 x PS10 Monitoring on stage Mobile 2 x LS 500 Subs Monitoring on stage Mobile Other Information: 42 Mic lines, stage to control room 16 Tie-lines, stage to control room 100A Single phase spare sound power on stage DSL 32A Single phase spare sound system in Control Room Infrared system for hearing impaired people Various microphones and other loose equipment (desk, speakers/amp, outboards...) are available to visiting companies with prior arrangement. Video Projector: EIKI LC-X85, Rigged on back of auditorium Native Resolution: 1024x768 Brightness: 7,000 Lumens, 2200:1 contrast ratio Aspect Ratio: 4:3 (XGA) Lens: Sanyo LNS-T31A Long Throw Zoom Lens Power Zoom & Focus FL: (63.5~111.5mm) f: 2.00~2.90 Projector CYC (bar 53) distance: 25m

10 Other Equipment Hazer: Unique Hazer, with DMX control Hire charge to be arranged with venue Access Equipment Tallescope (access to 8m) 2x Zarges ladder (10 rungs) Fire and Safety Regulations Fire and licensing officers are entitled to inspect the premises at any time without notice. Any scenery onstage or stored backstage must be constructed only from materials accepted by the London Fire Brigade for use on open stages: Non combustible/inherently non flammable materials Timber hardboard or plywood rendered flame resistant by process of impregnation Durably flame proof fabrics, self-extinguishing plastics, materials having flame resistance The Theatres maintained emergency lighting must remain on at all times Electrical Equipment: Pyrotechnics: Any Electrical equipment brought into the theatre must comply with current regulations issued by the Institute of Electrical Engineers. Please be prepared to provide PAT certificates on request. Application with risk assessment and an outline of use must be made to Trinity Laban s Head of Production at least 1 month prior to your first performance

11 Scroller Colours Pipe ends -16 x 1kW Thomas Par - (Chroma Q original) Frame Colour Name 1 ### Clear ½ CT Blue CT Blue 4 R65 Daylight Blue (HT) Deeper Blue Special Lavender (HT) Light Lavender Pale Amber Gold Pale Gold ½ CT Orange Rust Easy White Dirty Ice Fluorescent Fluorescent Hampshire Frost Back Light 9 x 2.5kw RJ fresnels (Rainbow Pro 2) Frame Colour Name 1 ### Clear 2 L502 ½ New Colour Blue 3 L201 CT Blue 4 L200 Double CT Blue 5 R65 Daylight Blue 6 R85 (HT) Deeper Blue 7 R382 Congo Blue 8 L143 Pale Navy Blue 9 L137 Special Lavender 10 L341 Plum 11 L194 Surprise Pink 12 L152 Pale Gold 13 L009 Pale Amber Gold 14 L162 Bastard Amber 15 L777 Rust 16 R49 Medium Purple 17 L106 Primary Red 18 L164 Flame Red 19 L242 Fluorescent L213 White Flame Green 21 L101 Yellow 22 L124 Dark Green 23 L735 Velvet Green 24 L131 Marine Blue 25 L328 Follies Pink

12 FLY PLOT From Front edge of Stage State mm house curtain mm house header mm proscenium side masking mm mm mm LX mm mm mm Border mm Legs mm mm mm LX mm mm Border 22 Legs mm mm Border mm Legs mm mm LX mm Border mm Legs mm mm LX 4 44 Border mm mm Backlight Bar, LX mm mm Legs mm Full Blacks mm Black Gauze mm White Plastic Cyclorama mm Cyc Floods mm Extra flood bar mm White bounce cloth SL up/down bar SR up/down bar SR Hemp Bar SL Hemp Bar