GREETINGS SO DEER! by Sharon Bond
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1 GREETINGS SO DEER! by Sharon Bond EXCLUSIVE
2 Greetings So Deer by Sharon Bond PALETTE DecoArt Americana Acrylics Antique Maroon #13160 Black Forest #13083 Buttermilk #13003 Canyon Orange #13238 Cashmere Beige #13091 Cinnamon Drop #13544 Cocoa #13253 Espresso #13261 Fawn #13242 Holly Green #13048 Irish Moss #13548 Lamp Black #13067 Marigold #13194 Milk Chocolate #13174 Olive Green #13056 Rookwood Red #13097 Snow White #13001 Soft Black #13155 Tomato Red #13169 Traditional Burnt Umber #13221 Warm White #13239 DecoArt Glamour Dust Glitter Paint Gold Glitz #13590 (optional) SURFACE Basswood Country Round Medium #63286 MISC. SUPPLIES Acrylic Sealer Finisher Matte Spray #70836 Americana Premium Tube Extender Medium #87432 Dura Clear Gloss Varnish #87393 Cling Stamps Delicate Snow Set #70895 Classic Gelly Roll Pen White #70216 (optional) Identi Pen Black #70830 (for finer outlining) Ruler (to aid with straight lines) Flat sponge or brayer tool BRUSHES Papillon by the Artist s Club Angular Shader size 1/4 inch #20109 Angular Shader size 3/8 inch #20110 Laurie Speltz's Stencil Brush size 3/8" #29002 Hightlighters sizes 1/4 inch and 1/2 inch (from set #20173) Round size 2 #20158 Script Liner size 10/0 #20137 Shader size 8 #20129 PREPARATION Start by basecoating the surface with Fawn and let dry. Do not paint over the edge around the bark, unless you wish. For our second coat, we will Slip Slap with both Cashmere Beige and Fawn. This will help break up a solid looking background. Let dry completely. Trace on your basic outline to use as a guideline for stamping. Use a flat sponge or a brayer tool to apply Snow White to your Delicate Snow stamps. I used the largest snow stamp in between his antlers and the smaller ones here and there on the plaque. Let dry. Shade around the entire edge of the plaque, as well as around the basic outline with Traditional Burnt Umber. (Please note, I did not shade where the lettering would be). Once dry, we can start our painting! PAINTING INSTRUCTIONS Deer For his face and a very tiny section below his bow: Basecoat in Milk Chocolate. Once dry, apply a second coat that is an equal 50:50 mix of Milk Chocolate and Cocoa. Once dry, drybrush these areas with Cocoa (only). Drybrush to highlight around the insides of his ears, the eye patches, the muzzle, the chin and above his nose with Fawn. With the exception of the area above his nose, drybrush these areas again using Warm White. Drybrush his chin stronger with Warm White. Basecoat the deer s neck solidly with Cashmere Beige. Drybrush with Warm White and let dry. To soften this area, stipple both Cashmere Beige and Warm White over this same area at the same time. Let dry completely. Shade around the face and neck with Traditional Burnt Umber. Finely outline the deer in Lamp Black. Basecoat the insides of the ears with an equal 50:50 mixture of Cashmere Beige and Warm White. Let dry, then drybrush with Warm White alone. Line fine hairs around these areas with thinned Snow White. I added a few thinned Lamp Black lines inside his ears at the base. 2 artistsclub.com
3 Also line fine hairs around the eye patches as well with thinned Snow White. The eyes are finely lined in Lamp Black (including the eyelashes). You may wish to do this with your Black Identi Pen. The eyes are based in Milk Chocolate and the pupils are Lamp Black. I added a tiny Warm White dot and thin accent line to each eye. The nose is basecoated with Soft Black. His nostrils are solid Lamp Black. Drybrush the upper right corner of his nose with a bit of Espresso. Finely outline his nose in Black as well. His antlers are basecoated solidly in Espresso. You may need two coats for solid coverage. Drybrush with Cocoa with just a touch of Espresso added. Shade with Soft Black around the base of the antlers, as well as where the antlers overlap. Finely outline all of the antlers with Lamp Black, including adding a few fine lines of Lamp Black for details on the antlers. Bow Basecoat the bow solidly with Rookwood Red. Add a second basecoat with an equal 50:50 mixture of Rookwood Red and Tomato Red. Let dry. Drybrush with Tomato Red (only). Once dry, highlight with Cinnamon Drop. Shade around the creases of the bow with Antique Maroon. The inside of the loops are painted with Soft Black. Finely outline the entire bow with Lamp Black. Cardinal Basecoat the cardinal solidly with Rookwood Red. You may need to apply two coats for a solid coverage. Once dry, drybrush with Tomato Red. Highlight the face, chest, wing and tail with Cinnamon Drop, then again with Canyon Orange. Shade around the wing with Antique Maroon. The beak is based solidly with Canyon Orange (two coats) and lined across the top with Marigold. Outline around the eye and fill in the bird s mask with Lamp Black. Dot the eye with Milk Chocolate and then again with Black for the pupil. I added a tiny dot of Warm White to the eye as well. Finely outline the entire bird, including the details on the wing and tail with Lamp Black. Twigs and Berries These should already be shaded in the background with Traditional Burnt Umber, if not, shade them at this point and let dry. Line the twig s branches with Lamp Black. Outline the berries with Lamp Black and fill them in with Cinnamon Drop dots. artistsclub.com 3
4 Ornaments If you wish, use a ruler to create the lines that the ornaments are hanging from. I just used my Black marker to create the lines. Chubby Ornament Basecoat this with Irish Moss. You may need to apply two coats for solid coverage. Drybrush with Olive Green. Highlight on the right side with a bit of Buttermilk added to your (same) brush. Shade the left side with Holly Green. Once dry, you can use your White Gelly Roll pen to create the design. Or, if you wish, you can use your liner and Snow White. The top is solid Marigold. Finely outline the ornament in Lamp Black. Skinny Ornament Basecoat this ornament with Holly Green. You may need to apply two coats for solid coverage. Drybrush this with Irish Moss. Highlight on the right side with Olive Green. If this appears too bold, simply add a bit of Holly Green back into your brush to help blend and tone it down. Shade on the left side of the ornament with Black Forest Green. Once dry, you can use your White Gelly Roll pen to create the design. Or, if you wish, you can use your liner and Snow White. The top is solid Marigold. Finely outline the ornament in Lamp Black. Star Ornament Basecoat this ornament with Marigold. You may need two coats for solid coverage. Drybrush with Buttermilk. Drybrush again, lightly with Marigold to help blend. Shade the left side with Canyon Orange. Once dry, you can use your White Gelly Roll pen to create the design. Or, if you wish, you can use your liner and Snow White. Finely outline the ornament in Lamp vblack. Lettering I used my Black Identi Pen and outlined the lettering after I traced it onto the design. I then filled in the letters with Black Forest Green. FINISHING Before we can add any extra touches, we will need to seal our project. I simply sprayed sealed mine with Americana s Matte Spray Finisher. Let dry before continuing. The following steps are optional, but I love the extra bit of shine they add to the project! I added DecoArt s Gold Glitz Glamour Dust Paint to the Marigold tops of the ornaments and let dry. I also added DecoArt Dura Clear Gloss Varnish to the following areas: The bird s eye and beak the deer s eyes all of the ornaments and to all of the berries. 4 artistsclub.com
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6 6 artistsclub.com
7 Pattern at 100% 1" x 1" To ensure your pattern is at 100%, this box should measure 1" x 1" when printed. artistsclub.com 7
8 Copyright 2018 by Sharon Bond and Crafts Group, LLC. All Rights Reserved. # No. *A332365* Artist s Club. All rights reserved. For private, non-commercial use only. Please see our web site for terms of use.
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