G Major. String Orchestra SOSMusic Scales SERIES!
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1 G Major String Orchestra SOSMusic Scales SERIES!
2 G Major/G Dur Etude/Übung Andante q = 60 César Avilés & # 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ A 7 & # U Violin I Violin II T.C. Viola Viola Violoncello Double Bass m & # 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ m B # 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ m 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ m m & # U B # U U cantabile cantabile U,
3 2 15 & # & # B # œ œ œ # n 24 & # - œ -œ - œ - œ & # œ œ œ œ B # œ œ œ œ œ m m m m m
4 32 & # -œ - œ -œ -œ œ œ œ œ œ œ & # -, œ - œ -œ -œ œ œ œ œ B # - œ - - -, œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 3 39 & # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ & # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ B # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ -œ -œ -œ -œ -œ -œ - œ - œ
5 4 45& # U œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ & # B # non div. U œ œ œ œ œ œ œ œ œ œ œ œ non div. U œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ U - œ œ œ œ œ œ divisi U SOSMusic Scales SERIES
6 Violin I 7 Andante q = 60 & # 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ m G Major/G Dur Etude/Übung A César Avilés & # U 16 & # 26 & # œ œ œ œ œ - œ -œ -œ m 34 & # 1 2 œ œ œ œ œ œ & # 3 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ & # U œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
7 Violin II T.C. Viola 7 Andante q = 60 & # 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ m G Major/G Dur Etude/Übung A César Avilés & # U 16 & # & # , œ œ œ œ œ - œ -œ -œ 25 m 34 & # œ œ œ œ 42 & # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 45 & # œ œ œ œ œ œ œ œ œ œ œ œ non div. U
8 Viola 7 Andante q = 60 B # 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ m G Major/G Dur Etude/Übung A César Avilés B # U 16 B # 25 B # , œ œ œ œ œ œ œ œ m B # œ œ œ œ 34 B # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ B # œ œ œ œ œ œ œ œ non div. U œ œ œ œ
9 Violoncello Andante q = 60 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ m G Major/G Dur Etude/Übung César Avilés 7 U A cantabile 15 œ œ 24 m 32 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ divisi U
10 Double Bass G Major/G Dur Etude/Übung César Avilés Andante q = 60 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ m 7 A cantabile U, œ œ # n m 35 œ œ œ œ œ œ U œ œ œ œ œ œ œ œ œ œ œ œ œ œ 43
11 More Aesome String Orchestra Pieces Oriental Strings What better than a entatonic ear-orm to hook the orchestra right aay? Oriental Strings is based on a 16 measure melody that is orchestrated dierently ith each reetition (in an eic style). It is a un iece to erorm hile oering an interesting aroach to some o the basic string techniques. Viejos Tiemos Viejos Tiemos as comosed in The iece has been erormed in North and South America and in Euroe. It is a 6-minute long iece or string orchestra in the style o Barber s Adagio. The comosition as insired by my adventures as a young traveling musician. It can very ell serve as an overture or a illing iece in a tonal concert. Viejos Tiemos has been erormed by roessional and student orchestras.
12 Ready or Battle It takes disciline to become a good musician. But to stand u ater a breakdon you need more than that. Ready or Battle tells the story o a musician ho doesn't give u on her dreams. She is committed to beat the obstacles and ight or a chance to reach her ultimate goal. The iece is about courage, assion, and the inner arrior ho lives inside all artists. I dedicate it to my students ho ere the irst to hear it live. Mati I irst erormed Siegried's Idyll as an undergrad, and hen I learned that Wagner rote it or his ie ater the birth o their son, I kne I'd do something similar hen it as my turn. In the same sirit, Mati is a lullaby or my irstborn Mateo. The iece took me a bit over a month to rite and it resembles the tenderness and innocence o our young Mateo.
13 Elegy or String Orchestra Elegy or String Orchestra as comosed by César Avilés over the course o one year, being inished in the summer o The iece takes the listener through the stages o losing a loved one unexectedly; it as ritten in memory o the comoser s mother. The comosition begins by setting the atmoshere o the tragic event. A sorro section ollos resenting the irst theme ith high eeing strings. This theme transitions through contemlative harmonies into an angry orte (the loudest section o the iece). The music roceeds to a meditative segment in hich the memory o the lost one is echoed. A eaceul and serene ascent is then resented in the inal art o the iece. The elegy concludes ith an ambience o accetance and hoe.
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