At the Shore of the World
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1 Szymko At the Shore o the World SSATB, so solo, hand erc, iano dur; '50" At the Shore o the World OAN SZYMKO MUSIC
2 NOTES rom the COMPOSER The seed o this ork is a chant I coosed hile I as a Fello at Instituto Sacatar, an artist residency in Bahia, Brazil (2009). I as there in art to observe music and estivities surrounding the large annual Festival de Iemanjá on February 2. I also exlored the mythology and music o the Arican sourced sirituality, candomblé ith its antheon o Aro Brazilian gods and goddesses, called orixás. Yemanjá (Yoruba selling) is the orixá o the aters. All lie is deendent on ater and so Yemanjá is also considered the Mother o Lie. To short condomblé song texts (one in the original Yoruba language, the other translated into Portuguese) honoring Yemanjá are combined ith a lovely oem by Bengali oet Rabindranath Tagore that, in this ork, serves as the voice o Yemanjá. And so this is a love song o sorts beteen the orld (eole) and the aters (Yemanjá). For some time no, I have been o the belie the human race is coming to a threshold a oint o no return, in regards to our relationshi to our lanet. My hoe is that this ork ill be sung to bring aareness to our deendence on our Mother Earth and on her suering. The traditional rhythm, Ijexá is an integral art o At the Shore o the World. It is one o the candomblé rhythms used to accoany songs honoring Yemanjá. (Ijexá tutorials can be ound on YouTube.) Conga tye drums are reerred. Lé and Rui are drums used in candomblé. A high (quinto) and medium (conga) conga styled drums are the best aroximation. It is iortant that the drummers lay hat s in the score. Once the atterns start, they don t vary. ( Although there are iortant stos and dynamics to observe.) In selecting an agogo (2-tone Brazilian bell) take care that the itches o the bell do not clash ith tonality the iece. I an agogo bell ith coatible itches is not available, a single cobell or ood block o indiscriminate itch can be used (laying both high and lo notes). The iece can stand on its on ith just the ercussion as accoaniment; although iano is deinitely reerred hen available. A searate ercussion score is available. PERCUSSION KEY S = sla tone O = oen tone M = muled t = touch ith ingertis (ghost notes) Regarding Ms.61-65: the sh o shore should be lengthened make hal the duration o the note receding the ord shore an SH sound that intensiies an oens to the voel. (the hite noise o the SH eloyed so as to sound like aves crashing on the shore). oan Szymko TEXT A à ààbò a yó Yemanjá (trad. candomblé song text) Iemanjá do rio somos seus ilhos (trad. candomblé song text) My heart beats her aves at the shore o the orld and rites uon it her signature in tears ith the ords I love thee. TRANSLATION (R. Tagore) A à ààbò a yó Yemanjá (Yoruba) Yemanjá, rotect us and ill us ith contentment (Portuguese) Yemanja o the riveraters, e are your children (About the selling o the goddess name: For consistency s sake, I elected to use just the Yoruba selling and one ronunciation. Yoruba is the Arican language o candomblé) PRONUNCIATION A à ààbò a yó Yemanjá Iemanjá do rio somos seus ilhos ah àh àh boh ah yoh - à is brighter as in ask - no dithong on oh yay-mã-zhah - ã (nasalized) - zh as in azure yay-mã-zhah (as beore) doo -HEE- ooh SOH-mohs SAY-oos FEE-leeyoos For inormation about the cooser see:.joanszymko.com
3 Commissioned by Dr. Philli Stockton and the Mississii University or Women Chamber Singers in memory o Leslie Farrell Threadgill. At the Shore o the World Traditional Candomblé song texts or the Orixá, Yemanjá (Bahia, Brazil); and Rabindranth Tagore ( ) oan Szymko Agogo q= S. q=8 A. T. # & # solo (ot.) or section - b B. Ye- man já, Ye # man - já Pno. choral reduction; or rehearsal only? # # # otional iano accoaniment # b Pno. # j j b j 2016 by oan Szymko No. 29 rom "Stray Birds"(1916) by Rabindranath Tagore (P.D.) Published and Distributed by oan Szymko Music All Rights Reserved or All Countries
4 Ag. 5 5 # Lé (quinto) S Ye S O S t S O - - man - já, Ye - man - já Tutti # & # - <b> j À - a àà - bò a yó, Ye - man - já # #? # <#> # n <b> # # or erusal only b j b ẇ j 1 j j b j b b b j
5 5 Ag. Lé Rum i 9 9 # (conga) À -a àà -bò a yó, À -a àà -bò a yó, r otional solo O l O r l r O l O r l Ye -man-já do rio so - mos # & #? # # <b> # # 1 1 or erusal only 1 1 n b j b j S j M S b S j b b j b b j n j
6 6 # 1 1 se Tutti (oco ort.), - us il - hos Ye - man - já do ri - o, so-mos se - us il & # #? # # # # 1, Ye - man - já do ri - o, so-mos se - us il or erusal only & j b b b b b b n n n n n
7 # Ye - man - já - hos, Ye - man - já & # # - hos, Ye - man - já? # # or erusal only # j b n j b.- n b.- b # j.- j b.-
8 only b erusal j # & # -or n. ḃ b b b.- # j 21 Ye - man -já, à - a àà - bo a yó Ye - man -já, à - a àà - bo a yó Ye - man -já, à - a àà - bo a yó # Ye - man -já, à - a àà - bo a yó #? # # # b j
9 # 25 & # # sere À a àà bo a yó, à - a àà bo a yó j? # # # À-a àà-bo a yó à-a àà -bo a yó Ye - man Ye man - já, À - a àà bo a yó, or erusal only j j Ye j j j j j j j j j j j j - man - já j j j j j j
10 # & # # 29? # # # Ye-man já, À-a àà bo a yó, à - a àà bo a yó Ye- man já, já, À a àà bo a yó, à a àà-bo a yó Ye -man - já. à - a àà - bo a yó Ye man - já Ye -man- já. Ye - man - já. or erusal only j j j j j j j j j j j j j j
11 # # n # n Ye -man-já do ri - o so - mos se - us il-hos Ye - man- Ye -man-já do ri - o so - mos se - us il-hos Ye - man- # & # b j Ye -man-já do ri - o so - mos se - us il-hos Ye - man- Ye -man-já do ri - o so - mos se - us il-hos Ye - man-? # # # n # n # n # or erusal only & # n j # j n j j j # n j # j n b b j j j j n j â ä
12 S.1 b B. # 7 n já do ri - o já do ri - o so-mos se - us il - hos Ye -man - já, S.2 b A. so-mos se - us il - hos já do ri - o so-mos se - us il - hos so - mos # & # T. já do ri - o já do ri - o or erusal only? # # n j j # nn & #.- # b n b j # j b b.- n n >
13 > > > > > Ye -man - já, Ye -man - já Ye -man - já, Ye - man - já # n n? # # - us il - hos so - mos se - us il - Ye j b j b se # & # b # - man - já, or erusal only j ẇ j # # b.- # b b-
14 hos, # - & # - - <b> à - a àà - bo a yó. À-a àà-bo a yó, u. div. My #.- # j # n À-a àà-bo a yó. My À-a àà-bo a yó, My À-a àà-bo a yó. solo molto legato <b> j b? # <#> # j b j j - - j - # molto legato or erusal only j <n> j n j.- j # n b j b heart heart heart #
15 # beats her aves bn b j b beats her aves j # beats her aves & # # #n? # # Mm Ye -man-já My heart my heart, j n j # # or erusal only <b> # <b> j b b
16 # <#> 52 <b> ẇ & # #? # # My heart j b My my b my heart heart, heart, Ye -man - já Ye -man - já Ye - ma - já beats her aves j <> ẇ # # # Ye - man or erusal only b # j n n b b n # n b b n # n # b b b n b ẇ b n b b
17 # & # n já? # n # 1 n at the shore o the orld, # at the shore o the Ye -ma - já my heart, my heart, my heart, my 1 heart, my heart, Ye-man -já, Ye-man-já, or erusal only b b b b b n n # b b <n> b b <> # n ẇ n <n> b n b b
18 18 molto > n # > like aves selling and crashing on the shore My heart beats her aves at molto the shore My heart beats her aves at the shore My heart beats her aves o the molto orld. > <b> b > o at the shore My the orld, My My heart beats her aves at the shore molto # & # <n> n >? # # # 1 1 Myheart beats her aves at the shore, o the orld > n b # j molto > n or erusal only > > b b > bn - - <n> <b> <n> 1
19 # 6 # & # let blank? # #.>.> n b # >. >. 7 # n>
20 # heart beats her aves heart beats her aves at the shore o the orld at the shore o the orld and rites u-on it her and rites u-on it her # & #? # # or erusal only 1 b b b b b b b b n j j j n j j n n j j j j b b # n j b j n
21 j 70 2 # 2 2 sig-na-ture in sig-na-ture in tears b b tears 2 ith the ords "I ith the ords "I n # 2 & # b b 2 2 n? # # 2 or erusal only n n # 2 b n n b 2 j b b
22 # love love thee" thee" "I love thee." "I love "I love thee." "I love # & # b b? # # 1 Ye - man - já Ye - man - já Ye -man - já or erusal only b b b b <#> <#> b b # j j b j j j b j
23 # <b> thee." thee." à - a àà - bo a yó. À - a àà-bo a yó. j j j À - a àà-bo a yó, # - - & # - - <b> j -? # # À - a àà-bo a yó. or erusal only j j j <b> <b> j j.- j b n b # j b j bn
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