Charles Auguste de Beriot moderato for string-orchestra - concert etude - arr. Bruno Antonio Buike, from Beriot op.
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1 uike Music And Science Charles Auguste de eriot moderato for string-orchestra - concert etude - arr. runo Antonio uike, from eriot op.57,1 - violin duos WV ca. 8:43 Neuss/Germany: runo uike 2012
2 I WV 031 moderato for strings from eriot cover 2 Charles Auguste de eriot arr. runo Antonio uike, 2012 moderato for string-orchestra - concert etude - from eriot op.57,1, violin duos -- WV ca. 8:43 1. sources: 1.1 internet sheet music library IMSLP / Petrucci 1.2 eriot, Charles [Auguste] de, : Trois Duos Concertants pour deux Violon, op.57, Milan / Milano: ohn Ricordi / Giovanni Ricordi a cote du theatre de la Scala, Schott etc. s.a. [ohne ahr, 1847] - seperate leaflets for violin I and violin II - op. 57, 1 - g-minor - moderato, adagio, rondo, allegro 1.3 not to be mixed up with: Charles Wilfrid de eriot, , son of Charles Auguste and pianist and composer himself. 1.4 special: like his famous pupil on the violin, Henri Vieuxtemps, , Charles Auguste was Freemason and appointed member to Loge Les Amis Philantropes a russels in on setting 2.1 proect files WV 31.1 general score WV 31.2 violin I WV 31.3 violin II WV 31.4 viola WV 31.5 cello WV 31.6 contrabass / 2.2 formal structure Part 1: g-minor - Part 2: G-Maor [ nothing to be concerned about under theoretical aspects, although perhaps by some felt alienating little bit ] In both parts each has 2 sub-sections: FIRST some sort of INTRODUCTION or GRAVE and SECOND a MELODY with only few variations. IF placed in row, we may conclude to the following: a - b - a - - A" So from listening there will arise an impression of some sort of THREEFOLD structure, which would be considered nice in any theory of aesthetics. 2.3 special hints To give FREEDOM for each orchestra to adopt to their own gusto, NO dynamics related to loudness are indicated, which is NO "f" or "mp" or the like EVERY LIGATURE under same aspect of freedom may be reconsidered, if discussing the OWING If this arrangement tried with amateur-orchestra, please add for performance on stage some professionals on violin specifics We start with the observation, that from Andres-Romberg-violin-duos I nearly immedeately imagined ORGAN arrangements - but from this eriot - violin - duos similar swift STRING-ORCHESTRA arrangement. This it not only a FEELING, but
3 II based on perception of some specifics in handling of melody, of accompagniato and especially of harmonization. We secondly may say, that this eriot-violin-duo at start of 19th century shows specifics, that only later became more wellknown to the public: - namely an overall ITALIENITA - namely a handling of MELODY, which may be compared to VERDI s handling of melody for use in OPERA and ON STAGE, which is OTH however only a developement WITHIN and OF THE SAME ITALIAN violin-tradition... - namely a highly ARTISTIC SKILL in DRAMATIZATION both of melody and of slow parts of introduction. We may add: It was sometimes a REAL CHALLENGE, to understand the HARMONICS, that somehow SILENTLY are lurking in the background of the orginal setting for 2 voices, which says quite a lot on the HARMONICAL SOPHISTICATION of the eriot-original. All this easily given in, we however may say, that something REALLY STRANGE happened, in that THIS ARRANGEMENT SUDDENLY ECAME A PIECE IN ITS OWN RIGHT and own colour and own beauty. Well, all other possible observations and critics are left to my critics, which especially in Germany are HIGHLY SKILLED in any METATHEORETICAL LEVEL of analysis. Problem however is: IN GERMANY THERE IS NOT SUFFICIENT PRACTICAL INTEREST, nobody hungry to have some NEW MUSIC to PLAY... which obviously in quite a lot of other countries is QUITE other - and I think here not only of Easteuropean countries and of ASIAN countries, but especially on countries in NORTHERN SOUTHAMERICA - not to speak of the really great countries there -, the VIOLIN EDUCATION EFFORTS of which to the broader European audience nearly are UNKNOWN. Conclusion: IT WAS PURE LUCK, that I in youtube met a recording with LEUNG KIN FUNG from Hongkong Philharmonic, that had a selfevident effect on me. And I may say, that you only very, very seldom find pieces, that are SO MUCH SUITALE for treatment by string orchestra, because its WITHIN already. 3. dedications 3.1 In youtube I once listened to a performance of the orginal eriot DUO, the leading violin, the "violino principale", played by first associate concert master of the Hongkong Philharmonic Orchestra, LEUNG KIN FUNG. It is only ustice, to make a dedication to them first, especially because my own mother in her last decennias lived with a consort from China, a certain Master Tsu. 3.2 I add to this a dedication to THE Genssin Music School in MOSCOW, which made contact recently. 3.3 I may extend the dedication to especially 2 fields of application, firstly to any higher level training in violin orchestra - as for instance in organisations under Hongkong Philharmonic Orchestra (or youth-orchestras in Equador or Venezuela) and secondly to the training class for CONDUCTORS as for instance in Gnessinka in Moscow. Neuss, September 2012 uike Science And Music
4 Violin I Violin II Viola Cello Contrabass moderato c c c c c q» º q» º q» º.. q» º q» º moderato for string-orchestra..... from eriot, Ch. de op.57,1, violin duos general score - WV Charles Auguste de eriot , elgium arr. runo Antonio uike Sept b n n. R R... n Ó.... n.. R. b R. R b n. b R. b. R WV 31.1
5 moderato for string-orchestra - from eriot op.57,1 - general score. n n.. r n. n. n n n.... R R n n n.... n. R. n. n. b n R n Ó
6 moderato for string-orchestra - from eriot op.57,1 - general score b.... b n... R. b R.. R b R. 15 n n n.. r n.. n R n n R n
7 4 17 n moderato for string-orchestra - from eriot op.57,1 - general score n n n.. n n n.. n n n n n n n n n n.. n n n n n n n n n n n n. n n.... n n n n... q» q» q» q» q» q» º q» º q» º. q» º q» º
8 q» º 22 a tempo q» º a tempo q» º a tempo q» º a tempo. q» º moderato for string-orchestra - from eriot op.57,1 - general score a tempo. b b n n b n. A. n b n n n b n......
9 moderato for string-orchestra - from eriot op.57,1 - general score.. n n 29 n A b n b n b... b.. b n....
10 moderato for string-orchestra - from eriot op.57,1 - general score b.. b. b.. b. A.. 35 n. A n. N n n. n. n
11 moderato for string-orchestra - from eriot op.57,1 - general score n nn. n r r N n. n nn. n N n... N n b n n 42 A n n n A n n n n
12 46 b moderato for string-orchestra - from eriot op.57,1 - general score n. n Ÿ n U. 9 b n. b n. U nb. U n U. b.. U. 49 n b n
13 moderato for string-orchestra - from eriot op.57,1 - general score 51.. b.. N 53 b n b n
14 moderato for string-orchestra - from eriot op.57,1 - general score 11 b N 57
15 12 60 n n n moderato for string-orchestra - from eriot op.57,1 - general score.... b n.. b b n n n n Ó
16 moderato for string-orchestra - from eriot op.57,1 - general score n b n b n b n 13 n nb n n b nb b n n 66 N a n
17 N.... A moderato for string-orchestra - from eriot op.57,1 - general score.. n. b n... n b. n n n n A
18 moderato for string-orchestra - from eriot op.57,1 - general score n b n 15 b b n n n b. n n n Ó n n n
19 moderato for string-orchestra - from eriot op.57,1 - general score n n.. n n N n 89 n n b a tempo a tempo a tempo n. a tempo.. n. a tempo..
20 moderato for string-orchestra - from eriot op.57,1 - general score n. R... b n.... R n n Ó. R n n. b.... b n. r n. n. n n n.. R b R. R n.. R. b R. R n.
21 moderato for string-orchestra - from eriot op.57,1 - general score. n n. n. b n n. R.. R.. n. Ó
22 b.... b n moderato for string-orchestra - from eriot op.57,1 - general score R. b R. r Ÿ n R n 19 n n n n. n R b R. R n n n n.. n n n n.. n.. n.. n n n n n.. n.. n n.. n n
23 n n n n n n n n moderato for string-orchestra - from eriot op.57,1 - general score n n. n n. n n.... n. n.... n n n n n n n n n n 111 a tempo.... n b n. a tempo.. a tempo. b.. n b n. b b n a tempo. b. n b n. a tempo. b.
24 moderato for string-orchestra - from eriot op.57,1 - general score Ó n n n.. n.. n
25 moderato for string-orchestra - from eriot op.57,1 - general score n b. a... b b. b b b b n. b. 3 b. b b n n.
26 moderato for string-orchestra - from eriot op.57,1 - general score n n. n Ó... Ó n R r.. R n R. R n R
27 moderato for string-orchestra - from eriot op.57,1 - general score b n r r... b n R... R N 136 N U U U..
28 moderato for string-orchestra - from eriot op.57,1 - general score.... b 25 b nn N n n
29 moderato for string-orchestra - from eriot op.57,1 - general score.... b b n N â â â â
30 148 â â moderato for string-orchestra - from eriot op.57,1 - general score â b b n n 27 â â â â 150 b b n N n N n N Ó
31 moderato for string-orchestra - from eriot op.57,1 - general score.... b a..... b. b.... b 154 b N N N a b b. ba b b n n
32 156 a N moderato for string-orchestra - from eriot op.57,1 - general score a n n b.. n. b b b. â.... â... b a....
33 moderato for string-orchestra - from eriot op.57,1 - general score Ó â.. n.. n.. n.... n.
34 moderato for string-orchestra - from eriot op.57,1 - general score n. 3. n 3 n 172. â n â â n â. n b 3 3 â b 3 U w w â U w w â U w n â â wu â w U â
35 Violin I moderato c moderato for string-orchestra q» º... from eriot, Ch. de op.57,1, violin duos violin I - WV 31.2 Charles Auguste de eriot , elgium arr. runo Antonio uike Sept n. R.... n n n n. R 13 bb n q» bb n n n n n.. q» º n. q» º a tempo.. n n n. n n n.. n n.. 29 n A b.. WV 31.2 b...
36 2 33 bb 37 bb b 41 bb 45 bb. n moderato for string-orchestra from eriot op.57,1 - violin I A. n n n b n. n n. n r r N A n n Ÿ n U. 49 bb 54 bb 58 bb 61 bb 63 bb 65 bb.. n b.... b n b n N 67 bb a n... n b n. N bb.. n. b n. A...
37 3 72 bb n b n b bb 82 bb 87 bb 91 bb moderato for string-orchestra from eriot op.57,1 - violin I n.... n a tempo... R 94 bb. 97 bb 100 bb... n n n n. R 102 bb.. n 104 bb 107 bb n Ÿ n n n n.. n n n.. n.. n n n n. 109 bb n n a tempo.... n b n.
38 moderato for string-orchestra from eriot op.57,1 - violin I n b. a n.. n b n N. â b..... â n N.... b N N U â â b n... b a N a
39 moderato for string-orchestra from eriot op.57,1 - violin I 156 a b. b. â.. â U 3 w w â â b
40 Violin II bb c q» º. moderato for string-orchestra from eriot, Ch. de op.57,1, violin duos violin II - WV b. Charles Auguste de eriot , elgium arr. runo Antonio uike Sept 2012 n... R 5 bb 9 bb bb 17 bb bb 29 bb... b n.. n. n. n b n.. R b.. n n n b.. n n b n 33 bb q» A. n.. n q» º. n.... n n q» º a tempo n... WV 31.3
41 2 38 bb bb. n n n. n N n A n b moderato for string-orchestra from eriot op.57,1 - violin II n. n n b U. n n 50 bb 55 bb.. 59 bb bb 68 bb 71 bb n n.... n n n b.. n n.. b b n. A n b. n bb b n n bb
42 3 87 bb bb 99 bb n a tempo.... b n..... R... b.. n.. n n.. b n bb. b bb.. n n n n n.. n n n n. bb n n a tempo n b n moderato for string-orchestra from eriot op.57,1 - violin II.. R b.. b... R r
43 4 133 r 136 N â r b U n.... n.... ba b n â moderato for string-orchestra from eriot op.57,1 - violin II n b â N b b N b U w â w â n â â
44 Viola c q» º. moderato for string-orchestra from eriot, Ch. de op.57,1, violin duos viola - WV Charles Auguste de eriot , elgium arr. runo Antonio uike Sept n... b n. r n n n... n... r n n n q» º n. n n n n n q» º a tempo n b.. b n. n q» 27 n b b.. WV 31.4
45 moderato for string-orchestra from eriot op.57,1 - viola n N n b U n. b 57 b n n b b n b n 67 n n b 76. n.
46 moderato for string-orchestra from eriot op.57,1 - viola 86 n n b a tempo n b n. r... n. n.. n n..... n n b n.... r n n n n n n n n n. a tempo 111 b. b b n n b b b n b n.. b 3
47 moderato for string-orchestra from eriot op.57,1 - viola n U n b n. b..... b b b. b. 156 a. b â n.... n b a
48 â moderato for string-orchestra from eriot op.57,1 - viola.. n b U w
49 Cello 4. 8 c q» º. n... n n 18 n q» º n n moderato for string-orchestra from eriot, Ch. de op.57,1, violin duos cello / Vc - WV R.... n q» º a tempo. R. b. R. b R. R n n n n b Charles Auguste de eriot , elgium arr. runo Antonio uike Sept R n... n R n.. q» n n n b b 29 n b. A. WV 31.5
50 2 35 N n moderato for string-orchestra from eriot op.57,1 - cello n b n n b n.... U. N n 55 N 59 b... Ó 63 n n n n 80
51 a tempo moderato for string-orchestra from eriot op.57,1 - cello... R.. n N. R. b. R. R. b. R n n n n... R n... R n.. n... n n n.. n 108 n n n n n n. 111 a tempo. b. n b n n. b. b 124 n n. n n 127 Ó....
52 R n R. 140 b nn moderato for string-orchestra from eriot op.57,1 - cello b R... n n b n b n n.. n. n n â w U â 3
53 Contrabass c.. q» º.. R b R. R R.... n..... b. R R.... n q» q» º Ó Ó q» º a tempo... n moderato for string-orchestra from eriot, Ch. de op.57,1, violin duos contrabass / Cb - WV b n Charles Auguste de eriot , elgium arr. runo Antonio uike n. Sept n n 42 n b. WV 31.6
54 moderato for string-orchestra from eriot op.57,1 - contrabass U n n 74 Ó n n 80 n a tempo.. n. b R. R R n.... n..... Ó Ó..
55 moderato for string-orchestra from eriot op.57,1 - contrabass b R. R n. R n n a tempo b. 117 Ó.. n b Ó.. R n R R N N â â â N Ó â n 2
56 moderato for string-orchestra from eriot op.57,1 - contrabass Ó n n. n 3 n â w U â
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