Precursors of the Renaissance The Thirteenth Century p. 2 The Context p. 2 Politics p. 2 Box: Guelphs and Ghibellines p. 4 The Guilds p.
|
|
- Annabella Merritt
- 5 years ago
- Views:
Transcription
1 Preface p. xi Precursors of the Renaissance The Thirteenth Century p. 2 The Context p. 2 Politics p. 2 Box: Guelphs and Ghibellines p. 4 The Guilds p. 4 The Stylistic Background p. 4 Box: Early Christianity and the Life of Christ p. 6 Vasari's Lives and the "Framing" of the Renaissance p. 9 Cimabue p. 9 Box: Tempera Painting and the Bottega p. 11 Saints Dominic and Francis: Mendicant Friars p. 13 Box: Typology p. 13 Nicola and Giovanni Pisano p. 14 Duccio di Buoninsegna: The Rucellai Madonna p. 18 Siena and Florence in 1300 p. 21 Box: Dante Alighieri p. 22 Giotto: The Santa Maria Novella Crucifix p. 23 Trecento Precursors p. 25 Giotto di Bondone p. 25 The Ognissanti Madonna p. 25 Box: Giovanni Boccaccio p. 25 Box: Fresco Painting p. 27 The Arena Chapel p. 28 Box: The Emergence of Humanism p. 28 Controversy Box: Giotto and the Assisi Frescoes p. 39 Sienese Painting in the Fourteenth Century p. 40 Duccio's Maesta p. 40 Simone Martini p. 43 Ambrogio Lorenzetti: Allegories of Good and Bad Government p : The Black Death p. 50 Controversy Box: The Impact of the Black Death p. 50 Andrea da Firenze: Way of Salvation p. 51 Andrea di Cione (Orcagna) p. 53 The Strozzi Altarpiece p. 53 The Or San Michele Tabernacle p. 54 The Quattrocento Architecture and Sculpture in Florence: p. 58 Box: The Catasto of 1427 p. 59 The Competition of 1401 p. 60
2 Box: Bronze Casting p. 62 Ghiberti's Commentarii p. 64 Public Sculpture: The Exterior of Florence Cathedral p. 64 Donatello's Marble David p. 65 Donatello's John the Evangelist p. 65 The Architecture of Brunelleschi p. 66 The Dome p. 66 The Hospital of the Innocents p. 68 Box: The Medici in the Fifteenth Century p. 70 The Church of San Lorenzo p. 70 Box: The Orders of Architecture p. 71 The Church of Santo Spirito p. 72 Late Work: Santa Maria degli Angeli and the Ideal of the Circular Plan p. 74 Controversy Box: Brunelleschi's Sources p. 75 Or San Michele: The Exterior Niches p. 75 Painting in Florence: p. 83 Lorenzo Monaco's Coronation of the Virgin p. 83 Gentile da Fabriano's Adoration of the Magi: 1423 p. 85 Masaccio p. 87 The Pisa Altarpiece: The Virgin and Child p. 87 Box: Brunelleschi's Perspective System p. 89 The Trinity p. 90 The Brancacci Chapel Frescoes p. 92 The Disposition of the Scenes p. 92 Temptation and Expulsion of Adam and Eve p. 96 The Tribute Money p. 98 Controversy Box: The Restoration of the Brancacci Chapel Frescoes p. 99 The Frescoes on the Altar Wall p. 100 Painting in Florence: p. 104 Box: Women in the Italian Renaissance p. 104 Leon Battista Alberti: On Painting p. 105 Fra Angelico p. 106 Filippo Lippi p. 115 Box: Pius II p. 115 Box: Jan van Eyck and the Renaissance in the Netherlands p. 120 Painting in Florence, II: p. 122 Paolo Uccello p. 122 Box: Condottieri p. 125 Box: The Dignity of Man in the Renaissance p. 129 Domenico Veneziano p. 131 Andrea del Castagno p. 134
3 Sculpture and Architecture in Florence: 1430s-1460s p. 142 Bruni's Humanist Tomb p. 142 Alberti's Self-Portrait Plaque: An Iconographic Puzzle p. 144 Box: The Renaissance Medal p. 145 Donatello in the Mid-Fifteenth Century p. 146 Ghiberti's East Doors p. 151 Box: Pisanello's Medal of John VIII Palaeologus p. 153 Palace Architecture p. 154 The Medici Palace: p. 154 The Rucellai Palace: 1450s p. 157 Box: Alberti's Architectural Metaphor p. 158 The Facade of Santa Maria Novella p. 159 Developments in Siena, Rimini, and Pienza: p. 161 Siena p. 161 Sassetta p. 161 Box: San Bernardino of Siena p. 164 Jacopo della Quercia p. 164 The Ilaria del Carretto Tomb Monument p. 164 The Fonte Gaia p. 165 The Baptismal Font p. 166 The San Petronio Portal p. 169 Rimini p. 171 The Tempio Malatestiano p. 171 Medals of Sigismondo and Isotta p. 175 Pienza p. 177 Developments in Umbria, the Marches, and Naples: 1400s-1460s p. 179 Box: Vitruvius p. 179 Alfonso I of Naples p. 180 Pisanello's Medal of Alfonso p. 180 The Aragonese Arch p. 181 Piero della Francesca p. 184 The Baptism of Christ p. 184 The Madonna del Parto p. 186 Box: The Cartoon p. 187 The Arezzo Frescoes p. 187 Box: The Legend of the True Cross p. 190 The Montefeltro Court in Urbino p. 192 Clemente's Medal of Federico da Montefeltro p. 194 Piero's State Portraits p. 196 The Flagellation of Christ p. 198 The Madonna and Child with Saints p. 199
4 Controversy Box: The Question of the Egg p. 199 Federico's Dynastic Iconography p. 201 Sculpture and Architecture in Florence after 1450 p. 202 Sculpture p. 202 Donatello p. 202 Mary Magdalen p. 202 The Bronze John the Baptist p. 203 Judith and Holofernes p. 203 Desiderio da Settignano p. 206 Antonio del Pollaiuolo's Hercules and Antaeus p. 208 Andrea del Verrocchio p. 209 David p. 209 Doubting Thomas p. 209 The Tomb of Piero and Giovanni de' Medici p. 211 Putto with a Dolphin p. 213 Colleoni p. 215 Architecture p. 215 The Strozzi Palace p. 216 Giuliano da Sangallo p. 217 The Medici Villa: Poggio a Caiano p. 218 Santa Maria delle Carceri p. 219 Painting in Florence after 1450 p. 222 Benozzo Gozzoli: The Medici Chapel Frescoes p. 222 Pollaiuolo p. 226 Botticelli p. 229 Box: The Platonic Academy p. 233 Filippino Lippi: Vision of Saint Bernard p. 238 Ghirlandaio p. 240 Fifteenth-Century Developments in Verona, Ferrara, and Mantua p. 246 Pisanello in Verona p. 246 Pisanello and the Este of Ferrara p. 248 Box: The Este of Ferrara p. 250 Developments in Mantua p. 254 The Sala Pisanello Frescoes p. 254 Box: The Gonzaga of Mantua p. 255 Alberti in Mantua p. 256 Andrea Mantegna p. 260 Mantegna and the Gonzaga of Mantua p. 262 Developments in Late Fifteenth-and Early Sixteenth-Century Venice p. 270 Jacopo Bellini p. 272 Box: The Venetian Scuole p. 272
5 Gentile Bellini p. 275 Carpaccio's Miracle at the Rialto p. 276 Antonello da Messina p. 278 Giovanni Bellini p. 280 Box: Ovid and the Renaissance p. 289 The Cinquecento Leonardo and Bramante: Late Fifteenth-and Early Sixteenth-Century Developments in Florence and Milan p. 292 Leonardo da Vinci: Florence p. 292 Leonardo and Bramante in Milan p. 298 Politics and Humanist Patronage p. 298 Lodovico and Bramante p. 300 Lodovico and Leonardo p. 304 Leonardo's Later Work p. 307 Controversy Box: Freud, Leonardo, and Art History: A Methodological Squabble p. 311 Michelangelo and Raphael: The Late Fifteenth Century to 1505 p. 312 Michelangelo: Florence and Rome p. 312 Controversy Box: Michelangelo and the "Marble Breast" p. 317 Raphael: Urbino, Perugia, and Florence p. 321 Box: Literary Figures at the Court of Guidobaldo da Montefeltro p. 321 Brammante, Michelangelo, Raphael: Developments in Rome to 1520 p. 330 Bramante in Rome p. 330 The Patronage of Julius II p. 332 Box: The Evolution of Saint Peter's p. 334 Michelangelo: The Tomb of Julius II p. 334 The Sistine Ceiling p. 336 Raphael: The Stanza della Segnatura p. 344 Disputation over the Sacrament (or Disputa) p. 345 School of Athens p. 346 Raphael After 1511 p. 348 Galatea p. 348 Fire in the Borgo p. 349 Pope Leo X with Cardinals Giulio de' Medici and Luigi de' Rossi p. 350 Transfiguration p. 351 Domestic Architecture p. 353 The Villa Madama p. 353 The Farnese Palace p. 355 Venice in the Sixteenth Century p. 357 Giorgione da Castelfranco p. 358 Enthroned Madonna with Saints Liberalis and Francis p. 358 Tempest p. 361 Fete Champetre p. 362
6 Sleeping Venus p. 363 Portrait of an Old Woman (Col Tempo) p. 363 Titian p. 364 Sacred and Profane Love p. 364 Assumption of the Virgin p. 365 The Pesaro Altarpiece p. 365 Meeting of Bacchus and Ariadne p. 368 Venus of Urbino p. 369 Danae p. 370 Pope Paul III p. 371 Pieta p. 372 Later Sixteenth-Century Developments and Mannerist Trends p. 374 Tintoretto: Last Supper p. 374 Veronese: Apotheosis of Venice p. 374 Palladio: Developments in Architecture p. 377 Michelangelo after 1520 and the Transition to Mannerism p. 379 Box: Machiavelli p. 379 Michelangelo: The Medici Chapel p. 380 Victory p. 384 Last Judgment p. 386 Michelangelo's Later Architecture p. 388 The Vestibule of the Laurentian Library p. 388 The Campidoglio p. 390 Towards Mannerism p. 392 Correggio and Parmigianino p. 392 Giulio Romano p. 394 Pontormo p. 396 Florence under Cosimo I de' Medici p. 397 Timeline p. 400 Glossary of Art-Historical and Stylistic Terms p. 404 Select Bibliography p. 408 Notes p. 413 Picture Credits p. 413 Index p. 415 Table of Contents provided by Blackwell's Book Services and R.R. Bowker. Used with permission.
23/10/2016. High Renaissance Painting. Sunday, October 23, 2016 Course Outline. Or, Genius at work St. Lawrence, 10/23/2016. The High Renaissance
High Renaissance Painting Or, Genius at work St. Lawrence, 10/23/2016 Sunday, October 23, 2016 Course Outline The High Renaissance Leonardo da Vinci Michelangelo Raphael 1 1492 Columbus reaches the West
More information26/10/2015. High Renaissance Painting. Monday, October 26, 2015 Course Outline. Key Notions. -Istoria -Monumental -Neo-Platonism -Sfumato
High Renaissance Painting Or, Genius at work St. Lawrence, 10/26/2015 Monday, October 26, 2015 Course Outline The High Renaissance Leonardo da Vinci Michelangelo Raphael Key Notions -Istoria -Monumental
More informationTERMS: Chiaroscuro (634), sfumato (634), stanza (638), ignudi (645), cartoon (646), poesis (654), tondi (plural form of tondo)(660), cartouche (670)
This chapter explores Renaissance art in 16 th century Italy, which includes architecture, painting, sculpture and fresco. The major commissioned of this period occur primarily in Milan, Florence, Venice,
More informationGONZAGA-IN-FLORENCE SYLLABUS
GONZAGA-IN-FLORENCE SYLLABUS VART 397 Renaissance Art 3 Credits Professor Mercedes Carrara (carraram@gonzaga.edu Study Abroad, 502 E. Boone Ave, Spokane, WA 99258-0085 (800) 440-5391 www.gonzaga.edu/studyabroad
More informationArt of the Italian Renaissance
Art of the Italian Renaissance A time of great change for art and architecture I want to thank a fellow teacher, Susan M. Pojer of Horace Greeley High School in Chappaqua, New York who created a PowerPoint
More informationAP ART HISTORY CHAPTER 21: ITALY Mrs. Dill, La Jolla High School. What was the basis of the wealth of the Medici family?
AP ART HISTORY CHAPTER 21: ITALY 1400-1500 Mrs. Dill, La Jolla High School List three tenants that underlay Italian Humanism: FLORENCE What was the basis of the wealth of the Medici family? Name the two
More informationArt 111: STUDY QUESTIONS / SECTION #1. The questions should be used to prepare for in class discussions and your essay.
Art 111: STUDY QUESTIONS / SECTION #1 The questions should be used to prepare for in class discussions and your essay. MAKE SURE YOU ALSO REFER TO THE INTRODUCTION OF THE TEXTBOOK TO DISCUSS FORMAL ELEMENTS
More informationTHE UNIVERSITY OF TEXAS AT DALLAS
THE UNIVERSITY OF TEXAS AT DALLAS Course Information: AHST 3315.09M Art of the Italian Renaissance Summer II, 2015 Tuesdays and Thursdays, 1:00-5:15 p.m. JSOM 11.201 Instructor s Contact Information: Dr.
More informationGardner s Art Through the Ages, 13e. Chapter 22 Italy, 1500 to 1600
Gardner s Art Through the Ages, 13e Chapter 22 Italy, 1500 to 1600 1 Rome with Renaissance and Baroque Monuments 2 22-1 Michelangelo Buonarroti, ceiling of the Sistine Chapel, Vatican City, Rome, Italy,
More informationItaly: Proto Renaissance ( )
Italy: 1200-1400 Proto Renaissance (1290-1400) BONAVENTURA BERLINGHIERI, panel from the Saint Francis Altarpiece, San Francesco, Pescia, Italy, 1235. Tempera on wood Nave (looking west) of the upper church,
More informationItalian Renaissance Art
OLLI at Duke Winter 2017 Kris Door, lecturer kristinedoor.com North Carolina Museum of Art Lectures: Wednesdays, 11:00-12:30 Italian Renaissance Art March 1 Venetian Renaissance Gallerie dell'accademia,
More informationCourse Pre-requisites, Co-requisites, and/or Other Restrictions
THE ART OF THE RENAISSANCE AHST 3315 PROF. MARK ROSEN Course Information AHST 3315 Section: 001 MW 10 11:15 am Fall 2017 Professor Contact Information Prof. Mark Rosen Phone: 972-883-2367 Email: mark.rosen@utdallas.edu
More information34. Religion was much of the focus of medieval thought. What were the central themes of Renaissance art and thought?
Name: Study Guide: Unit 7 Ch. 21 (15 th century Italian Art Early Renaissance) Vocabulary: 1. linear perspective 2. orthogonal 3. vanishing point 4. bird s eye view 5. worm s eye view 6. di sotto in sú
More informationItalian Renaissance Art
OLLI at Duke Winter 2017 Kris Door, lecturer kristinedoor.com North Carolina Museum of Art Lectures: Wednesdays, 11:00-12:30 Italian Renaissance Art February 15 Italian Renaissance and Mannerism Stylize
More informationArt History I From Divine to Human: Medieval and Renaissance Art in Siena and Florence ARH 101
Art History I From Divine to Human: Medieval and Renaissance Art in Siena and Florence ARH 101 Office Hours: by appointment email: office@sienaschool.com Course Description This course is an introduction
More informationTHE ITALIAN RENAISSANCE. Chapter 19 AP Art History
THE ITALIAN RENAISSANCE Chapter 19 AP Art History INSTRUCTIONAL OBJECTIVES: Students will be able to: Explore the development and use of linear perspective in 15 th Century Florentine painting. Examine
More informationMultiple Choice Select the response that best answers the question or completes the statement.
Chapter 21 Italy, 1400 to 1500 Multiple Choice Select the response that best answers the question or completes the statement. 1. The rebirth of fifteenth-century Italian art had its roots in the. a. thirteenth
More informationCambridge University Press The Italian Renaissance and Cultural Memory Patricia Emison Frontmatter More information
THE ITALIAN RENAISSANCE AND CULTURAL MEMORY Why did Renaissance art come to matter so much, so widely, and for so long? s answer draws on a recalibrated view of the long Renaissance from 1300 to 1600 synthesizing
More informationSummerschool Utrecht/The Dutch University Institute for Art History in Florence
Summerschool Utrecht/The Dutch University Institute for Art History in Florence The Art of Renaissance Florence and Rome Florence: 2-13, July, 2018 SYLLABUS Course description Florence, originally founded
More informationAntonio Pollaiuolo, Battle of Ten Nudes
Antonio Pollaiuolo, Battle of Ten Nudes Share Tweet Email Antonio Pollaiuolo, Battle of Ten Nudes (or Battle of Nude Men). c. 1465, engraving, 15-1/8 x 23-3/16 inches / 38.4 x 58.9 cm (The Metropolitan
More informationRenaissance Renaissance
Our team of lecturers The Dawn of the (Sept, Jan, Apr) This course covers the dramatic awakening of Italian art during the 14th century, particularly in the vibrant, independent city republics of Florence
More informationBy Phae N. Sophomore EHAP Ms. Pojer
By Phae N. Sophomore EHAP Ms. Pojer And here s Florence! Here it is! Located on the Adriatic Sea Major port city Further away from Rome than Florence Secular republic during the Renaissance Stable, powerful,
More informationHumanities 3 I. The Italian Renaissance. Botticelli, Venus and Mars, 1483
Humanities 3 I. The Italian Renaissance Botticelli, Venus and Mars, 1483 Scope of Course Development of Western art, politics, literature, religion, philosophy and science in different periods (Renaissance,
More informationArt of the Renaissance
Art of the Renaissance Changes in Art & Learning The rise of Humanism can be seen in paintings created by Renaissance artists. During the Medieval period, art and learning were centered on the church and
More informationTEENAGE MUTANT NINJA ARTISTS
MICHELANGELO LEONARDO TEENAGE MUTANT NINJA ARTISTS RAPHAEL DONATELLO 14 Leonardo da Vinci Mona Lisa 15 In addition of painting and sculpture Leonardo kept notebooks with plans and diagrams of numerous
More informationProf. Victor Coonin Office Hours: MWF Clough, x3824 and by appointment
Prof. Victor Coonin Office Hours: MWF 2-3 412 Clough, x3824 and by appointment coonin@rhodes.edu Art 323: Italian Renaissance Art Fall 2005 T,Th 2:00-3:15 Course Objectives and Description Students will
More informationChapter 15. Renaissance and Reformation. Outline Section 1 The Italian Reniassance
Chapter 15 Renaissance and Reformation Outline Section 1 The Italian Reniassance I. Era of Awakening A. Renaissance Ch 15 Sec 1 1. early 1300 s, Italy 2. Means rebirth 3. Philosophical and artistic movement
More informationGeneral Education Core Objectives: Students who successfully complete this course will demonstrate competency in the following core objectives:
THE UNIVERSITY OF TEXAS AT DALLAS Course Information: ARHM 2342-002 Connections in the Arts and Humanities: The Italian Renaissance Dr. Dianne Goode Spring 2015, Tuesdays and Thursdays, 11:30 am - 12:45
More informationRenaissance Artists, Art & Architecture. Giotto di Bondone: Giotto di Bondone. The Early Years
Renaissance Artists, Art & Architecture The Early Years Giotto di Bondone: 1267-1336 Florentine painter / architect / sculptor 1st genius of Italian Renaissance Dealt with traditional religion, but gave
More informationLuxury Tuscany Events GmbH. Events in Italy. Tuscany of Leonardo and Michelangelo
Luxury Tuscany Events GmbH Events in Italy Tuscany of Leonardo and Michelangelo This page is left intentionally blank! Tuscany of Leonardo and Michelangelo Luxury Tuscany Events GmbH Tuscany of Leonardo
More informationThis is an introduction to Italian Art - The Renaissance
This is an introduction to Italian Art - The Renaissance I am Mr. Lanni, Art Teacher at Columbia Middle School. I will lead you through this presentation which highlights a few artists from this period.
More informationRENAISSANCE ARCHITECTURE
RENAISSANCE ARCHITECTURE The clarity and precise geometry of central perspective mirrors the interest of Italian Renaissance artists and architects for Classical Roman examples. The Renaissance revival
More informationGeneral Education Core Objectives: Students who successfully complete this course will demonstrate competency in the following core objectives:
THE UNIVERSITY OF TEXAS AT DALLAS Course Information: ARHM 2342-501 Connections in the Arts and Humanities: The Italian Renaissance Dr. Dianne Goode Fall 2016, Mondays and Wednesdays, 5:30-6:45 pm JO 3.906
More informationHISTORY, ORIGINS, RECOVERY: MICHELANGELO AND THE POLITICS OF ART
HISTORY,ORIGINS,RECOVERY: MICHELANGELOANDTHEPOLITICSOFART Proefschrift terverkrijgingvan degraadvandoctoraandeuniversiteitleiden opgezagvanderectormagnificusprof.mr.p.f.vanderheijden, volgensbesluitvanhetcollegevoorpromoties
More informationEssential Question: How did the Renaissance change art in Western Europe?
Essential Question: How did the Renaissance change art in Western Europe? Warm-Up Question: Define these terms: Renaissance Humanism Classicism Why did the Renaissance begin in Italy? What factors led
More informationRenaissance Art Gallery Walk
Renaissance Art Gallery Walk PART I: Directions: As you walk through the Renaissance Art Gallery studying the art of the Renaissance Masters answer the following questions: Portrait of a Noblewoman (Lavinia
More informationReview for Art History Exam #1. Lesson 1: The Renaissance Lesson 2: The Northern Renaissance
Review for Art History Exam #1 Lesson 1: The Renaissance Lesson 2: The Northern Renaissance REVIEW QUESTION #1: What is the title of this sculpture & who is the sculptor? J Donatello s David Donatello
More informationChapter Art of the 16 th Century
Chapter 18-2 Art of the 16 th Century Apostolic Palace in the Vatican. The Stanza della Segnatura was the first of the rooms to be decorated, Artist: Raphael Title: School of Athens Medium: Fresco Size:
More informationSilk Road. Used for trade between the Chinese and Romans from CE 1 to 200 CE
Renaissance Silk Road Used for trade between the Chinese and Romans from CE 1 to 200 CE After fall of Rome and fall of Han Dynasty, Silk Road was dangerous to travel on 1200 s when Mongols gained control
More informationYear Course Programme Late Medieval to Early Renaissance
Year Course Programme 2016 17 Late Medieval to Early Renaissance 1250 1500 Tuesdays, 20 September 2016 11 July 2017 (over 3 terms) 11.10 15.30 (Each term includes optional gallery talks, commencing at
More informationPart Two: Renaissance Art Section A: What is Art? Define art is in your own words. Discuss.
Name: A New Way to Show Art Shock and Awe I Purpose: Should art comfort or challenge people s belief. Part One: Homework Check A New Way to Show the World: Art Shock and Awe (Choose one and answer in a
More informationARTH 373 Fall 2013/14
MICHELANGELO: Los Angeles/Italy Professor Frank ARTH 373 Fall 2013/14 Course Description This course is designed as an introduction to the life and work of Michelangelo Buonarroti (1475-1564). We will
More informationYear Course Programme Late Medieval to Early Renaissance
Year Course Programme 2017 18 Late Medieval to Early Renaissance 1250 1500 Tuesdays, 19 September 2017 10 July 2018 (over 3 terms) 11.10 15.30 (Each term includes optional gallery talks, commencing at
More informationUnit 1: Renaissance and Ming Dynasty
Unit 1: Renaissance and Ming Dynasty Day 3 Starter Jan 11th and 12th Draw a picture of a landscape on the paper attached to the bottom of your desk Renaissance Architecture 1. Revival of Greek and Roman
More informationClass code ARTH-UA
Class code ARTH-UA9005001 Instructor Details Class Details Name: Silvia Giorgi NYUHome Email Address: silvia.giorgi@nyu.edu Office Hours: after Monday class Office Location: Villa Ulivi, second floor Mailbox
More information11/03/2018. Proto-Renaissance Painting. Proto-Renaissance Painting. Key Notions. -Chiaroscuro -Fresco -Iconography -Tempera
Proto-Renaissance Painting Or, a New Way of Seeing St. Lawrence, 3/11/2018 Proto-Renaissance Painting Or, a New Way of Seeing Key Notions -Chiaroscuro -Fresco - -Tempera 1 1209 Franciscan Order Founded
More informationMATH 121 (Day 3) Alberti s Method of Perspective
MATH 121 (Day 3) Alberti s Method of Perspective Richard Hammack: www.people.vcu.edu/ rhammack/math121/ Filippo Lippi, c. 1560 Bottocelli, 1490 Matteo di Giovanni, Flagellation of Saint Jerome 1476 Giovanni
More informationThe Renaissance. Timeline Cards
The Renaissance Timeline Cards ISBN: 978-1-68380-075-0 Subject Matter Expert Ann E. Moyer, PhD, Department of History, University of Pennsylvania Illustration and Photo Credits Title School of Athens,
More informationARH 306 Italian Renaissance Art
Stony Brook University Department of Art College of Arts and Sciences ARH 306 Italian Renaissance Art This course satisfies the DEC category I This course satisfies the SBC category HFA+ Course Instructor:
More informationCIEE in Ferrara, Italy
CIEE in Ferrara, Italy Course name: Symmetry, Harmony and the Human Being: Italy and the Arts through the Renaissance Course number: AHIS 3002 FERR (ENG) Programs offering course: Ferrara Language and
More informationIn the fifteenth century, Italy was not the unified country we know today. At that time the boot-shaped peninsula was divided into many small
The Renaissance The Renaissance occurred between 1400 A.D. and 1600 A.D. It began in the city states of Italy. Renaissance means "rebirth" in French. The art of this period reflected back to the classical
More informationSchool of Athens, fresco, Vatican
Bramante is bald figure of Euclid Raphael in extreme right corner Michelangelo is resting on stone block writing a poem Overall composition influenced by Da Vinci s last supper Raphael continued to wrok
More informationContents. Acknowledgments
Contents Acknowledgments page vii xi Introduction...1 1. Childhood...5 2. Florence and Cosimo the Elder...13 3. The Cultural Climate of Florence...17 4. First Years in Florence and the Verrocchio Workshop...25
More information16/10/2012. Proto-Renaissance Painting. Tuesday, October 16, 2012 Course Outline. Key Notions. -Chiaroscuro -Fresco -Iconography -Tempera
Proto-Renaissance Painting Or, a New Way of Seeing St. Lawrence, 10/16/2012 Tuesday, October 16, 2012 Course Outline The Renaissance Fresco Giotto Tempera The Arena Chapel Key Notions -Chiaroscuro -Fresco
More informationPIERO DELLA FRANCESCA: IN THE HEART OF ITALIAN RENAISSANCE
PIERO DELLA FRANCESCA: IN THE HEART OF ITALIAN RENAISSANCE TOUR 3 DAYS 2 NIGHTS: Day one: Rimini / Urbino Rimini, arrival with own means. In the early afternoon meeting with the local guide, english speaking
More informationLearning Academy YEAR COURSE
Learning Academy L A T E M E D I E V A L T O E A R LY R E N A I S S A N C E 1 2 5 0-1 5 0 0 Tuesdays, 25 September 2018 9 July 2019 11.10 15.30 (Each term includes optional gallery talks, commencing at
More informationMultiple Choice Select the response that best answers the question or completes the statement.
Chapter 19 Italy, 1200 to 1400 Multiple Choice Select the response that best answers the question or completes the statement. 1. Which king s nostalgia for the past grandeur of Rome fostered a revival
More information1. In what time period does this scene occur? What elements in the scene help you determine the time period?
Page 1 of Chapter 4 Worksheets Intermediate World History B Unit 2 Rome Revived Analyzing Art: The School of Athens 1. In what time period does this scene occur? What elements in the scene help you determine
More informationThe Renaissance Outcome: The Renaissance in Italy
The Renaissance Outcome: The Renaissance in Italy Constructive Response Question 1.Summarize the Renaissance and identify why it started in Italy. What will we learn? 1. What is the Renaissance? 2. Why
More informationEurope, Movements of the Renaissance 27/09/2010
Europe, 1500 Source: 6 Movements of the Renaissance 1400-80 1480-1520 1520-1600 1600+ -Brunelleschi -Bramante -Palladio -Alberti Early High Late Renaissance Mannerism Baroque -Michelangelo -Romano -Della
More informationGOTHIC ARCHITECTURE: MAIN CHARACTERISTICS
GOTHIC ART GOTHIC ART A new type of art developed in Europe between the 12 th and the 15 th century. The Gothic style replaced Romanesque. It reflected the artistic interests of urban society and the emerging
More informationARH 1210: History of Western Art: Renaissance to the Present
ARH 1210: History of Western Art: Renaissance to the Present General Information: Term: 2018 Summer Session Instructor: Staff Language of Instruction: English Classroom: TBA Office Hours: TBA Class Sessions
More informationLevel 3 Art History, 2011
90490Q 904902 3 Level 3 Art History, 2011 90490 Analyse style in art 2.00 pm ednesday Wednesday 1 16 November 2011 Credits: Five QUESTION BOOKLET There are twelve questions in this booklet, one for each
More informationSummerschool Utrecht/The Dutch University Institute for Art History in Florence
Summerschool Utrecht/The Dutch University Institute for Art History in Florence The Art of Renaissance Florence and Rome Florence: 2-13, July, 2018 SYLLABUS Course description Florence, originally founded
More informationContent Area 3 Part 3 Renaissance & Baroque One Pagers. AP ARTH C. Montenegro
Content Area 3 Part 3 Renaissance & Baroque One Pagers AP ARTH C. Montenegro Attached you will find the following: Explanations and considerations when filling out the One Pagers, Table of Main Themes,
More informationIntroduction to The Renaissance. Marshall High School Western Civilization II Mr. Cline Unit Two AB
Introduction to The Renaissance Marshall High School Western Civilization II Mr. Cline Unit Two AB Introduction to Renaissance Art Now we will look at probably what for most people defines this age; Renaissance
More informationARH 012: History of Western Art: Renaissance to the Present
ARH 012: History of Western Art: Renaissance to the Present General Information: Term: 2018 Summer Session Instructor: Staff Language of Instruction: English Classroom: TBA Office Hours: TBA Class Sessions
More informationHonors World History Mr. Rauer, / 2 The High Medieval Period Art Research Project A Museum Learning Experience
Honors World History 2017-2018 Mr. Rauer, 211 1 / 2 The High Medieval Period Art Research Project A Museum Learning Experience Project is worth 100 points DATE DUE: Monday, 26 February 2018 TOPIC: Visit
More informationFROM TEXT TO FRESCO: SUMMER 2016 THE GREAT AGE OF NARRATIVE PAINTING IN ITALY SYLLABUS
ENGLISH 3370 DR MARGARITIS FROM TEXT TO FRESCO: SUMMER 2016 THE GREAT AGE OF NARRATIVE PAINTING IN ITALY SYLLABUS This is a comparative study of the great Italian fresco cycles from the late Gothic (13c.-14c.
More informationCredits Lecture Hours Studio/Lab Hours
COURSE OUTLINE ART 122 Course Number HISTORY OF ART II Course Title 3 3 0 Credits Lecture Hours Studio/Lab Hours COURSE DESCRIPTION Survey of artists, styles and cultures from the Renaissance through mid-19th
More information18/10/2016. Early Renaissance Painting. Thursday, October 18, 2012 Course Outline. Or, Partial mastery St. Lawrence, 10/18/2016. The Early Renaissance
Early Renaissance Painting Or, Partial mastery St. Lawrence, 10/18/2016 Thursday, October 18, 2012 Course Outline The Early Renaissance The Black Death The 100-years War The Avignon Papacy Van Eyck Masaccio
More informationItalian Renaissance Art: From Abstraction to Naturalism. Jennifer Joh. -Exploring the significance of stylistic technicalities in this movement
Italian Renaissance Art: From Abstraction to Naturalism Jennifer Joh -Exploring the significance of stylistic technicalities in this movement INTRODUCTION In order to dive into the discussion of Italian
More informationPatrons of Religious Renaissance Art and their Influence. Sarah Moore
Patrons of Religious Renaissance Art and their Influence Sarah Moore Introduction: Religion was an incredibly powerful element in Renaissance society. From the early Byzantine period through the Counter-Reformation
More informationCharacteristics of the Renaissance Examples Activity
Example Characteristics of the Renaissance Examples Activity Greek and/or Roman Influence Humanism Emphasis on the Individual Celebration of Secular Achievements 1. Brunelleschi s Dome 2. Brief Biography
More informationJEFFERSON COLLEGE COURSE SYLLABUS ART105 SURVEY OF ART II. 3 Credit Hours. Prepared by: Blake Carroll. Revised Date: January 2008 by Blake Carroll
JEFFERSON COLLEGE COURSE SYLLABUS ART105 SURVEY OF ART II 3 Credit Hours Prepared by: Blake Carroll Revised Date: January 2008 by Blake Carroll Arts & Science Education Dr. Mindy Selsor, Dean ART105 Survey
More informationWhat was the Renaissance?
The Renaissance What was the Renaissance? What was the Renaissance, and where did it begin? Began mostly in Italy, and spread to Northern Europe Why Italy? Urban Societies Major Trading Centers Centrally
More informationChapter Living History. A statue of King David from a medieval cathedral
Chapter 3 Sculptors are artists who make statues using stone, metal or wood. In the Middle Ages, sculptors worked in the great Gothic churches that we read about on page 141. They carved the statues of
More informationARH 012: History of Western Art: Renaissance to the Present
ARH 012: History of Western Art: Renaissance to the Present General Information: Term: 2019 Summer Session Instructor: Staff Language of Instruction: English Classroom: TBA Office Hours: TBA Class Sessions
More informationARH 012: History of Western Art: Renaissance to the Present
ARH 012: History of Western Art: Renaissance to the Present General Information: Term: 2018 Summer Session Instructor: Staff Language of Instruction: English Classroom: TBA Office Hours: TBA Class Sessions
More informationARH 012: History of Western Art: Renaissance to the Present
ARH 012: History of Western Art: Renaissance to the Present General Information Term: 2018 Summer Session Class Sessions Per Week: 5 Instructor: Staff Total Weeks: 4 Language of Instruction: English Total
More informationESSAY PROMPT: Discuss how Renaissance ideas are expressed in the Italian art of the period, referring to specific works and artists.
ESSAY PROMPT: Discuss how Renaissance ideas are expressed in the Italian art of the period, referring to specific works and artists. Which ideas characterized the Italian Renaissance as both a rebirth
More informationTo receive maximum points students must exceed expectations.
Introduction: Today we will be learning about some of the most famous and accomplished artists of all time those of the Renaissance. Amazingly, some of their art will be coming to our school for a gallery
More informationArt of the Renaissance and Baroque Europe
Art of the Renaissance and Baroque Europe Overview The 1000 years of european history from the fall of the roman empire, the acceptance of chiristianity/rise of Islam was known as the middle ages. This
More informationCourse Description. Course Learning Outcomes. RENAISSANCE ART & ARCHITECTURE in Fall 2018 (AH2013)
RENAISSANCE ART & ARCHITECTURE in Fall 2018 (AH2013) Course Code AH2013 Professor(s) Mathilde Bert Prerequisites None Office Number C-504 Class Schedule MR: 13:45-15:05 in C-101 R: 15:20-16:40 in V-1 Office
More informationDOWNLOAD PDF PIERO DELLA FRANCESCA (LIBRARY OF GREAT MASTERS)
Chapter 1 : Piero della Francesca - Wikipedia The Library of Great Masters is a series of 27 paperback books on the artists of the Italian Renaissance. Each book is 80 pages (8 1/4 x 11 inches) and contains
More informationLevel 3 Art History, 2011
90491Q 904912 3 Level 3 Art History, 2011 90491 Describe the meaning of iconographic motifs 2.00 pm ednesday Wednesday 1 16 November 2011 Credits: Four QUESTION BOOKLET There are twenty-four questions
More informationKey Notions. Baroque Architecture 30/09/2012. Sunday, September 30, 2012 Course Outline. -Colossal -Greek/Latin cross -Plan (axial and central)
Baroque Architecture Or, a World in Motion St. Lawrence, 28/09/2012 Sunday, September 30, 2012 Course Outline Movements of the Renaissance Michelangelo and Mannerism Bernini and Borromini From the Renaissance
More informationMarvin Eisenberg Collection
Marvin Eisenberg Collection MSS 584 8.84 linear feet Special Collections and University Archives Jean and Alexander Heard Library Vanderbilt University Nashville, Tennessee Marvin Eisenberg Collection
More informationRenaissance Art and Architecture
Unit 3 Renaissance Art and Architecture Name Date Objective In this lesson, you will identify and classify the main principles of Renaissance art. Links The Trinity http://redirect.platoweb.com/337585
More informationLevel 3 Art History, 2012
90491Q 904912 3 Level 3 Art History, 2012 90491 Describe the meaning of iconographic motifs 2.00 pm Wednesday 21 November 2012 Credits: Four QUESTION BOOKLET There are twenty-four questions in this booklet,
More informationFROM TEXT TO FRESCO: SUMMER 2018 THE GREAT AGE OF NARRATIVE PAINTING IN ITALY SYLLABUS
ENGLISH 337 DR MARGARITIS FROM TEXT TO FRESCO: SUMMER 2018 THE GREAT AGE OF NARRATIVE PAINTING IN ITALY SYLLABUS We will study the great Italian fresco cycles from the late Gothic (13c.-14c. Giotto) to
More informationARH 2051 Introduction to Principles and History of Art 2 University of Florida, School of Art + Art History, Spring Semester 2015
University of Florida, School of Art + Art History, Spring Semester 2015 Professor Ashley Jones Graduate Assistants: Maura Gleeson and Mary Wright ashley.jones@ufl.edu emgleeson@ufl.edu, marymac607@ufl.edu
More informationWhat Was the Renaissance?
THE RENAISSANCE What Was the Renaissance? It was a change in thinking about the world and the place people occupy in it A new philosophy called HUMANISM came to dominate people s thinking Humanism emphasizes
More informationServices Included in Your Faculty-Led Program Proposal:
Services Included in Your Faculty-Led Program Proposal: On-Site Coordinator: Arrival day orientation by on-site coordinator On-site coordinator to accompany your group during all planned visits and excursions
More informationExaminations time has arrived once more - the deadline for handing in papers is Friday, 8th May 2015.
23rd April 2015. Dear teachers, Examinations time has arrived once more - the deadline for handing in papers is Friday, 8th May 2015. Kindly give me a copy of the printed paper, no papers are to be sent
More informationI N V E S T I C E D O R O Z V O J E V Z D Ě L Á V Á N Í THE RENAISSANCE
I N V E S T I C E D O R O Z V O J E V Z D Ě L Á V Á N Í THE RENAISSANCE TASK 1: Read the following quotes. What do they reveal about the Renaissance? Now may every reflecting spirit thank God he has chosen
More informationTo receive maximum points students must exceed expectations
Introduction: Today we will be learning about some of the most famous and accomplished artists of all time those of the Renaissance. Amazingly, some of their art will be coming to our school for a gallery
More informationTWELVE ITINERARIES TO VISIT FLORENCE with the art historian and painter ELISA MARIANINI. Half day (about 3 hours, maximum 4 hours)
TWELVE ITINERARIES TO VISIT FLORENCE with the art historian and painter ELISA MARIANINI Itinerary 1 Half day (about 3 hours, maximum 4 hours) On the trail of the Medici family We can visit the Medici s
More informationBoston University Study Abroad Padua
Boston University Study Abroad Padua CAS AH 349E - BETWEEN THE LILY AND THE LION: ART IN RENAISSANCE PADUA Course schedule: Monday -Thursday 11:30-13:00 Office hours: after class or by appointment Instructor:
More information