Europe, Movements of the Renaissance 27/09/2010

Transcription

1 Europe, 1500 Source: 6 Movements of the Renaissance Brunelleschi -Bramante -Palladio -Alberti Early High Late Renaissance Mannerism Baroque -Michelangelo -Romano -Della Porta -Maderno -Bernini -Borromini 1

2 Michelangelo ( ) and Mannerism Michelangelo, The New Sacristy, San Lorenzo Church, 1520, Florence Mannerism -Subversion of Orders -Alternation in pediments -Hanging motifs Source: 10 & 2 High Mannerism Baroque In common 1. Pietra serena 2. Pendentives Brunelleschi, Pazzi Chapel; Michelangelo, The New Sacristy 3. Decorative pilasters 4. Square/circle Differences 1. Doors 2. White walls 3. Lines on floor 4. Tiled floor 5. Superimposition of Orders Source: 7 & 10 Early Mannerism 2

3 Michelangelo, Laurentian Library, Florence, 1525 Michelangelo, Laurentian Library, Florence, 1525 Mannerism Michelangelo, Laurentian Library, Inner Staircase 1. Spirals of steps 2. Inclination of sides 3. White walls 4. Pediments 5. Superimposition 6. Columns 3

4 Michelangelo, Laurentian Library, Inner Staircase Source: 11 High Mannerism Baroque Michelangelo, Capitoline Hill, Rome, 1538 Source: 2 High Mannerism Baroque Michelangelo, Capitoline Hill, Senate Building 4

5 Michelangelo, Capitoline Hill, Rome, 1538 Source: 7 High Mannerism Baroque Étienne Dupérac ( ), Capitoline Hill, Engraving, 1568 Source: 7 High Mannerism Baroque Giulio Romano (c ), Palazzo del Tè, Mantua, Source: 1 High Mannerism Baroque 5

6 The Baroque with Bernini and Borromini Gianlorenzo Bernini ( ), Sant Andréa al Quirinale, Rome, Source: 9 High Mannerism Baroque Bernini, Sant Andréa al Quirinale, Altar and Plan 6

7 Bernini, Sant Andréa al Quirinale, Dome Francesco Borromini ( ), Saint Charles of the Four Fountains, Rome, ; façade, 1665 Borromini, Saint Charles of the Four Fountains, Dome and Plan Source: 12 High Mannerism Baroque 7

8 From the High Renaissance to the Baroque: facades Guidetto Guidetti, Santa Catarina, Rome, 1564 Source: 7 & 8 High Mannerism Baroque Giacomo Della Porta, Il Gesu, Rome,

9 Carlo Maderno, Santa Suzanna, Rome, 1597 Martino Longhi, Saint Vincent, Rome, Source: 7 High Mannerism Baroque From the High Renaissance to the Baroque: St. Peter s 9

10 Bramante, St. Peter s, Rome, 1505 High Mannerism Baroque Michelangelo, St. Peter s, Rome, Source: 8 Late Mannerism Michelangelo, St. Peter s: Canopy (Bernini, , Gilded Bronze, 30 m high) Source: 8 Dome is Mannerist Altar is Baroque 10

11 Carlo Maderno ( ), St. Peter s, Rome, Bernini, St. Peter s, Rome, 1656 Key notions -Colossal -Greek/Latin cross -Plan: axial and central 11

12 Required reading -Gombrich, The Story of Art, ; ; ; ; Suggested readings -Adams, Exploring the Humanities, p ; ; Cleaver, Art, an Introduction, p Fiero, The Humanistic Tradition, vol. 3. p ; Kleiner, Gardner s Art through the Ages, p ; ; ; Bibliography and Sources 1. Adams, Exploring the Humanities 2. Bradbury, Kirsten. Michel-Ange 3. Cleaver, Art, an Introduction 4. Fiero, The Humanistic Tradition, vol Gombrich, The Story of Art 6. Kleiner, Gardner s Art through the Ages 7. University Laval Course Notes