10/11/2015. Romanticism. Tuesday, November 10, 2015 Course Outline. Key Notions. -Artistic liberty -Introspection -Sublime
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1 Romanticism Or, Liberty of the Spirit St. Lawrence, 11/10/2015 Tuesday, November 10, 2015 Course Outline Romanticism French Romanticism: Delacroix German Romanticism: Friedrich English Romanticism: Turner Romanticism, St. Lawrence,, Beaudoin Key Notions -Artistic liberty -Introspection -Sublime Romanticism, St. Lawrence,, Beaudoin 1
2 Baroque ( ) Rococo ( ) Neoclassicism ( ) Romanticism (19th) Realism (Mid to end of 19th) Impressionism (End of 19th, start of 20th) Post-Impressionism (End of 19th, start of 20th) Word-stock Lack of idealization (ugliness) Very emotionally tainted Painterly (over linear) Chaotic composition Imaginary and psychological Oppressive forces Historical and landscape Romanticism, St. Lawrence,, Beaudoin French Romanticism Or, Challenging established traditions 2
3 Eugène Delacroix ( ), Self-Portrait 1837, Oil on canvas, 65 x 55 cm, Louvre, Paris Romanticism Word appears at salon of 1824 Historical painting (current events) Opposes Neoclassicism (too rigid) Experience over theory Eye over mind over drawing Coherence time/space/action Care for truth (even if ugly) No idealization, especially of nature Texture: rough and thick French Romanticism Romanticism, St. Lawrence,, Beaudoin The Massacre at Chios 1824, Oil on canvas, 419 x 354 cm, Musée du Louvre, Paris Romanticism, St. Lawrence,, Beaudoin, 1827, Oil on canvas, 392 x 496 cm, Louvre, Paris Romanticism, St. Lawrence,, Beaudoin 3
4 :Historical; historical scene () Romanticism, St. Lawrence,, Beaudoin Romanticism, St. Lawrence,, Beaudoin Romanticism, St. Lawrence,, Beaudoin 4
5 Romanticism, St. Lawrence,, Beaudoin Romanticism, St. Lawrence,, Beaudoin Romanticism, St. Lawrence,, Beaudoin 5
6 What makes a Delacroix a Delacroix Historical (myth and history) Chaotic Spotlight used to heightened the drama Evokes emotions Oil paint, thick and free Freedom (from rules but also from mental slavery) Combatting oppressive forces Novelties Denounces the need to learn through the academy Does not wish to teach, only present a moment as it is Exploration into the human psyche Romanticism, St. Lawrence,, Beaudoin German Romanticism Or, The sublime as a humbling experience Caspar David Friedrich, Self-Portrait 1810, Black chalk, 22,8 x 18,2 cm, Staatliche Museen, Berlin German Romanticism Appears before the French one The sublime Introspection Drawing over color Friedrich Fog, clouds, and nighttime No details Subdued colors 2 planes German Romanticism Romanticism, St. Lawrence,, Beaudoin 6
7 The Abbey in the Oakwood , Oil on canvas, 110 x 171 cm, Schloss Charlottenburg, Berlin Romanticism, St. Lawrence,, Beaudoin Two Men Contemplating the Moon , Oil on canvas, 35 x 44 cm, Gemäldegalerie, Dresden Romanticism, St. Lawrence,, Beaudoin The Sea of Ice, 1824, Oil on canvas, 96,7 x 126,9 cm, Kunsthalle, Hamburg The Wanderer above the Mists, , Oil on canvas, 95 x 75 cm, Kunsthalle, Hamburg Romanticism, St. Lawrence,, Beaudoin 7
8 Monk by the Sea 1809, Oil on canvas, 110 x 172 cm, Nationalgalerie, Berlin Romanticism, St. Lawrence,, Beaudoin English Romanticism Or, The sublime as an intense experience Joseph Mallord William Turner, Self-Portrait c. 1799, Oil on canvas, 74 x 58 cm, Tate Gallery, London English Romanticism Maritime scenes The sublime Turner Landscape Pre-Impressionism Annoying blur Living light Excited texture English Romanticism Romanticism, St. Lawrence,, Beaudoin 8
9 Fishermen at Sea c. 1796, Oil on canvas, 91 x 122 cm, Tate Gallery, London Romanticism, St. Lawrence,, Beaudoin The Burning of the Houses of Parliament 1835, Oil on canvas, 92,7 123 cm, Cleveland Museum of Art Romanticism, St. Lawrence,, Beaudoin Rain, Steam and Speed 1844, Oil on canvas, 91 x 122 cm, National Gallery, London Romanticism, St. Lawrence,, Beaudoin 9
10 The 'Fighting Temeraire' Tugged to her Last Berth to be Broken Up, , Oil on canvas, 91 x 122 cm, National Gallery, London Dido Building Carthage or the Rise of the Carthaginian Empire, 1815, Oil on canvas, 156 x 230 cm, National Gallery, London Romanticism, St. Lawrence,, Beaudoin Interior at Petworth c. 1837, Oil on canvas, 91 x 122 cm, Tate Gallery, London Romanticism, St. Lawrence,, Beaudoin Suggested reading -Gombrich, The Story of Art, p ; Adams, Exploring the Humanities, p Cleaver, Art, an Introduction, p ; Davies, Janson s Basic History of Western Art, p Fiero, The Humanistic Tradition, vol. 4, p ; vol. 5, p ; Kleiner, Gardner s Art through the Ages, p ; ; Romanticism, St. Lawrence,, Beaudoin 10
11 Bibliography and Sources 1. Adams, Exploring the Humanities 2. Cleaver, Art, an Introduction 3. Davies, Janson s Basic History of Western Art 4. Fiero, The Humanistic Tradition, vol Gombrich, The Story of Art 6. Kleiner, Gardner s Art through the Ages Romanticism, St. Lawrence,, Beaudoin 11
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