06/12/2015. Post-Impressionism. Sunday, December 06, 2015 Course Outline. Key Notions. -Color sensation -Flat tint -Pointillism -Symbolism
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1 Or, Fixing Impressionism St. Lawrence, 12/6/2015 Sunday, December 06, 2015 Course Outline Cézanne Seurat Van Gogh Gauguin Key Notions -Color sensation -Flat tint -Pointillism -Symbolism 1
2 Baroque ( ) Rococo ( ) Neoclassicism ( ) Romanticism (19th) Realism (Mid to end of 19th) Impressionism (End of 19th, start of 20th) (End of 19th, start of 20th) Cubism (start of 20th) Word-stock Stabilizing the moment Beyond impressions Time period Variety of experimental avenues Variety of techniques Portraits, genre scene, landscape, still-life Paul Cézanne ( ) Or, Artistic Truth 2
3 Self-Portrait c. 1875, Oil on canvas, cm, Musée d'orsay Color sensations to express reality Urban, industrial and rural themes Space acquires life Freedom from academic knowledge Capturing the fleeting moment More of a time period, not a unified movement Form/color has to be bound Stabilizing the fleeting moment Different perspectives, not just times Going beyond sensations Patience in painting Source: 8 La Montagne Sainte-Victoire Ginger Jar and Fruit c. 1895, Oil on canvas, 73 x 60 cm, The Barnes Foundation, Pennsylvania Source: 8 Seurat Van Gogh Gauguin 3
4 Apples and Oranges , Oil on canvas, cm, Musée d'orsay Source: 8 Seurat Van Gogh Gauguin Large Bathers c. 1906, Oil on canvas, cm, Philadelphia Museum of Art Source: 8 Seurat Van Gogh Gauguin Georges Seurat ( ) Or, Painting Vibrancy 4
5 Sunday Afternoon on the Island of La Grande Jatte , 225x340, Art Institut, Chicago Source: 8 Cézanne Van Gogh Gauguin The Models 1888, Oil on canvas, 39 x 49 cm, Private collection Source: 7 Cézanne Van Gogh Gauguin The Circus 1891, Oil on canvas, 180 x 148 cm, Musée d'orsay, Paris Source: 7 Cézanne Van Gogh Gauguin 5
6 Vincent Van Gogh ( ) Or, Emotional Intensity Self-Portrait with Bandaged Ear 1889, Oil on canvas, cm, Courtauld Institute Galleries, London Space acquires life Freedom from academic knowledge Different perspectives, not just times Going beyond sensations Form/color has to be bound Stabilizing the fleeting moment Van Gogh Color sensations to express feelings Very quick painting (opposes Cézanne) Intense (opposes Cézanne) Form expressed by brush stokes (opposes Cézanne) Source: 8 Le père Tanguy 1887, Oil on canvas, 74 x 60 cm, D Orsay, Paris Source: 8 Cézanne Seurat Gauguin 6
7 The Night Café 1888, 70 x 89 cm, Yale University Art Gallery, New Haven Source: 8 Cézanne Seurat Gauguin Bedroom in Arles 1890, 57 x 74cm, D Orsay, Paris Source: 8 Cézanne Seurat Gauguin Bedroom in Arles 1890, 57 x 74cm, D Orsay, Paris Source: 8 Cézanne Seurat Gauguin 7
8 Wheat Field with Crows 1890, 51 x 101 cm, Musée Van Gogh, Amsterdam Source: 8 Cézanne Seurat Gauguin Paul Gauguin ( ) Or, Rational Symbolism Self-Portrait 1893, Oil on canvas, cm, D Orsay Space acquires life Freedom from academic knowledge Different perspectives, not just times Going beyond sensations Form/color has to be bound Stabilizing the fleeting moment Gauguin Color sensations to express the idea No texture (opposes Impressionism) Thought must be found in painting (opposes Impressionism, but echoes Cézanne) Savage attitude (opposes Classicism) Source: 8 Cézanne Seurat Van Gogh 8
9 The Vision after the Sermon 1888, Oil on Canvas, cm, National Gallery of Scotland Source: 8 Cézanne Seurat Van Gogh The Spirit of the Dead Keep Watch 92,4 x 72,4 cm, Oil on canvas, 1892, Albright-Knox Art Gallery, Buffalo Source: 8 Cézanne Seurat Van Gogh Ta Matete (We Shall Not Go to Market Today) 1892, Oil on canvas, Kunstmuseum Basel, Switzerland Source: 8 Cézanne Seurat Van Gogh 9
10 Night Café 1888, Oil on canvas, cm, Puschkin Museum, Moskow Source: 8 Cézanne Seurat Van Gogh Suggested reading -Gombrich, The Story of Art, p Cleaver, Art, an Introduction, p Fiero, The Humanistic Tradition, vol. 5, p Kleiner, Gardner s Art through the Ages, p Bibliography and Sources 1. Adams, Exploring the Humanities 2. Cleaver, Art, an Introduction 3. Davies, Janson s Basic History of Western Art 4. Fiero, The Humanistic Tradition, vol Gombrich, The Story of Art 6. Kleiner, Gardner s Art through the Ages
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1863 Salon des Refusés 1872 Start of Impressionism 1872 Monet s Impression, Sunrise 1884-86 Seurat s La Grande Jatte 1888 Gauguin s Sermon 1903 Wright Brothers first flight 1907 Picasso s Demoiselles D
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