375. Jane Peterson (American, )

Transcription

1 Jane Peterson (American, ) Still Life with Zinnias Signed Jane Peterson l.l. Watercolor on paper, sheet size 18 x 24 in. (45.7 x 61.0 cm), framed. Condition: Minor toning. $800-1, Horace Robbins Burdick (American, ) Seated Nude Initialed and dated H.R.B. May 30th 96 l.l. Oil on canvas, 15 3/4 x 11 1/4 in. (40.0 x 28.6 cm), framed. Condition: Mounted onto board, surface grime. $ German School, 19th/20th Century Rittersporn Signed H Rickert-Muller l.c., titled and identified on a label affixed to the reverse. Gouache and graphite on paper, 21 3/8 x 16 in. (54.3 x 40.6 cm), framed (without glass). Condition: Not examined out of frame. $

2 Thomas Wilmer Dewing (American, ) The Duet, alternatively titled The Interlude Signed T W Dewing l.r., identified on labels from the Paul Magriel Collection, Museums at Sunrise, Charleston, West Virginia, and Nassau County Museum of Art, Roslyn, New York. Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), framed. Condition: Lined, scattered retouch and varnish inconsistencies. Exhibitions: A Gathering of Friends: Early Artists of the Cornish Colony, Cornish Colony Museum, Windsor, Vermont, May 26 October 28, 2007; Art & Entertainment From Toulouse-Lautrec to Red Grooms, Nassau County Museum of Art, Roslyn, New York, November 18, 2007 February 3, N.B. Thomas Wilmer Dewing, a Boston native and founding member of the Impressionist artists group The Ten, is best known for his refined and poetic figural works which challenge conceptions of beauty, femininity, and women s role in society. Dewing played with elements of ambiguity, intimacy and isolation within his subtle compositions. His dreamlike images feature ethereal women bathed in light who stand in contrast to their bare, shadowed environment. These wispy figures, emerging out of the simple background, are weighted by their full skirts which contrast their elongated necks, shoulders, and arms. Later in his career, Dewing began to play with the spatial relationship between two figures within a composition, as he does here. He exploited the distance between two women using the expanse between [them] to suggest subtle psychological tensions. 1 These compositions underscore Dewing s attempt to create a mood of aloofness and separation. Perhaps borrowing from Johannes Vermeer s compositions, Dewing used symbolic objects in his compositions to create mood and activate the viewer s imagination. 2 He frequently depicted women with musical instruments which create an emotional atmosphere and sense of reverie Hobbs, Susan A., The Art of Thomas Wilmer Dewing, Beauty Reconfigured, The Brooklyn Museum, 1996, p Ibid., p Ibid., p $200, ,

3 Privat-Livemont (Belgian, ) Still Life with Chrysanthemums Signed, inscribed and dated Privat-Livemont./Brux l.r. Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed. Condition: Minor retouch in l.r. quadrant, subtle varnish inconsistencies. $2,000-3, American School, 20th Century 381. Charles Clement Tucker (American, b. 1913) Still Life with Irises Signed and dated Charles Clement Tucker 1958 l.r., inscribed Charles C. Tucker-3621 Arborway Dr. Charlotte, N.C. on the reverse. Oil on canvas, 34 x 30 1/4 in. (86.4 x 76.8 cm), framed. Condition: Minor surface grime and abrasions, subtle varnish inconsistencies. $ Dachshund Indistinctly inscribed on the base. Bronze with a golden brown patina, height 5 1/2 in. (14.0 cm). Condition: Repairs, mild surface grime. $

4 Gordon Franklin Peers (American, ) Still Life with Fruit Signed and inscribed To Pam + Andy/Gordon F. Peers l.r. Oil on canvas, 12 x 18 in. (30.5 x 45.7 cm), framed. Condition: Craquelure, varnish inconsistencies. $1,500-2, Jack N. Kramer (American, ) Lot of Two Figural Works: Woman in Pink and Girl on a Couch Woman signed KRAMER on the stretcher, identified on a label from Carl Siembab Gallery, Boston, affixed to the reverse; Girl signed KRAMER l.l., also signed J. KRAMER and titled on a label on the reverse. Oil on canvas, sizes to 30 x 21 in. (76.2 x 53.3 cm), framed. Condition: Minor surface grime, subtle craquelure Samuel E. Armour (American, b. 1890) Still Life with Vase of Flowers Signed S. E. ARMOUR. l.r. Oil on canvas, 18 x 15 in. (45.7 x 38.1 cm), framed. Condition: Craquelure with lifting, mild surface grime. $ Provenance: Through the artist s estate, Cambridge, Massachusetts. Literature: Jack Kramer: A Retrospective, (exhibition catalogue), Boston University Art Gallery, February 26 April 3, 1988, Exh. no. 26, p. 31. N.B. Jack N. Kramer was first exposed to figurative expressionism as a student of Karl Zerbe at the School of the Museum of Fine Arts, Boston, in Throughout his life, Kramer continued to work in an Expressionistic vein, exploring compositional and psychological relationships of figures in dark domestic settings where feelings dominate action. 1 Kramer was greatly influenced by Oscar Kokoscha, who taught at the Museum school in the summer of 1948, and later assisted him at the School of Vision in Salzburg, Austria, during the summers of Kramer joined the faculty at Boston University s School of the Arts in 1957 as an instructor where he remained until his retirement in While an instructor, Kramer worked prolifically and showed at local galleries such as Boris Mirski and Carl Siembab. He was named a Copley Master by the Copley Society in 1982, and was the subject of a retrospective show at Boston University in S. Tatiana Spinari, Jack Kramer: Personal Vision Through Craftsmanship, Jack Kramer: A Retrospective, (exhibition catalogue), Boston University Art Gallery, February 26 April 3, 1988, p Ibid, p Jacob N. Kramer memorial service program, Boston University, Marsh Chapel, December 19, $800-1,

5 Rudolf Jacobi (German, ) Nature Morte Signed and dated Rudolf Jacobi 27 u.l., also signed, titled and dated on the reverse, The Fenway Art Center, Boston, label affixed to the reverse. Oil on canvas, 18 x 14 in. (45.7 x 35.6 cm), framed. Condition: Retouch in u.l. and u.r. quadrants. $ Jack N. Kramer (American, ) Lot of Two Works: Still Life with Golden Chair and Man with Globe Still Life signed, titled and inscribed KRAMER and Jack N. Kramer on the stretcher; Man signed, titled, numbered and inscribed...#198...jack N. Kramer on the reverse. Oil on canvas, sizes to 30 x 38 in. (76.2 x 96.5 cm), Still Life framed, Man unframed. Condition: Surface grime. Provenance: Through the artist s estate, Cambridge, Massachusetts. $ Joseph Raskin (American, ) Vase with Flowers Signed Jos. Raskin l.l. Oil on canvas, 30 x 20 in. (76.2 x 50.8 cm), framed. Condition: Surface grime. $

6 388. Frederick Andrew Bosley (American, ) Girl in Blue, alternatively titled The Little Deaf Girl Signed Bosley u.l., identified on period labels and with a label from the Carnegie Institute, Pittsburgh, affixed to the reverse. Oil on canvas, 36 1/4 x 35 in. (92.1 x 88.9 cm), in the original frame. Condition: Tears, mild scattered retouch and/or varnish inconsistencies, mild scattered craquelure, surface grime. N.B. Frederick Bosley was born in Lebanon, New Hampshire, and began his studies at the Boston Museum of Fine Arts School in 1900 where he was influenced by the work of his teacher, Edmund C. Tarbell. In 1906 he married a fellow student at the Museum School, Emily Linzee Sohier. By 1913, Bosley succeeded his former teacher, Tarbell, as the Director of the Department of Painting and Drawing at the Museum School, a position he held for 18 years. Bosley set up studio in Boston where he worked alongside his former pupil, Marguerite S. Pearson, and painted the portraits, interiors, and landscapes for which he is best known Bosley, E.S., Frederick A. Bosley A.N.A of the Boston School, (exhibition catalogue), Vose Galleries of Boston, Inc., November 25, $8,000-12, A. Max Kuehne (American, ) Carved and Decorated Floral Motif Wood Coffee Table Incised signature Max Kuehne on surface l.r. Gilt and silvered gesso with red clay on wood, 17 x 41 x 20 3/4 in. (43.2 x 52.7 cm). Condition: Surface wear and cracks, retouch. $6,000-8, A and details 146

7 389. Alexander Liberman (American, ) Pitcher of Daisies Signed and dated A. Liberman 48 l.r. Oil on canvas, 18 1/4 x 16 1/4 in. (46.3 x 41.3 cm), framed. Condition: Scattered retouch. $800-1, Cecilia Beaux (American, ) Portrait Sketch of a Woman Unsigned, identified on a label from the Kennedy Galleries, New York, affixed to the reverse. Oil on canvas, 16 x 13 in. (40.6 x 33.0 cm), framed. Condition: Minor scattered retouch, fine scattered craquelure, surface grime. Provenance: Robert Carlen, Philadelphia, then through the Carlen family, California, Kennedy Galleries, Inc., New York, $2,000-2, Margarita Hahn Vidal (American, b. 1919) 389 Peonies in Gold Signed Hahn Vidal l.r., also signed, titled, inscribed and dated...n.y. 64 and with a label from Doll & Richards, Inc., Boston, on the reverse. Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed. Condition: Pigment fluorescence. $1,000-1,

8 Bertrand Py (French, ) Semi-nude Sleeping Signed Bertrand Py c.r. Oil on canvas, 13 x 16 1/4 in. (33.0 x 41.3 cm), framed. Condition: Good. Provenance: Through International Oasis Art Gallery, Savannah, Georgia, c. 1991, to present collection, Brookline, Massachusetts. N.B. A certificate from Francoise Bertrand Py, wife of the artist, identifies the work as A4 in her supplemental catalogue, and accompanies the lot. $1,000-2, Luis Ortíz Monasterio (Mexican, ) Head of a Woman Signed and dated MONASTERIO 38 on the side. Marble, height 7 3/4 in. (19.5 cm). Condition: Minor surface grime. $ Paul Lewis Clemens (American, ) Backview Signed Clemens l.l., identified and titled on a label from James Vigeveno Galleries, Westwood Hills, Los Angeles, California, on the paper backing. Charcoal on paper, sight size 16 5/8 x 13 in. (42.2 x 33.0 cm), framed. Condition: Not examined out of frame. $

9 Boris Lovet-Lorski (American, ) Portrait of Marta Toren Monogrammed BLL l.r., inscribed and dated Marta Toren/1944 l.l. Charcoal on paper, sight size 16 x 13 1/2 in. (40.6 x 34.3 cm), framed. Condition: Not examined out of frame. N.B. Swedish actress Marta Toren starred in a variety of movies in the 1940s and 50s, perhaps most notably as Violette in the 1951 film Sirocco, opposite Humphrey Bogart. $ Walter H. Brough (American, ) Portrait of a Reclining Nude Signed and dated Walter Brough/1932 l.r., a label from Vixseboxse Art Galleries, Inc., Cleveland Heights, Ohio, affixed to the paper backing. Pastel on paper, sight size 13 1/4 x 18 1/2 in. (33.7 x 47.0 cm), framed. Condition: Not examined out of frame. $ Jack N. Kramer (American, ) Lot of Two Works: Pause and Interior, 1961 Pause signed and dated Kramer -56 in pen u.l., inscribed Dou... in pencil u.r., also signed, dated and titled in pen on the reverse, watercolor on paper, sight size 20 x 13 in. (50.8 x 33.0 cm), framed; Interior signed KRAMER and identified on a label from Carl Siembab Gallery, Boston, on the stretcher, oil on canvas, 24 x 30 in. (60.9 x 76.2 cm), unframed. Condition: Masking tape residue on the reverse, slight handling creases, taped to beveled mat, Interior with surface grime. Provenance: Through the artist s estate, Cambridge, Massachusetts. $ A. David Burliuk (American, ) and Moses Soyer (American, ) Lot of Two Works: Portrait of a Young Woman and Coastal Landscape Portrait signed and dated Burliuk 1949 l.l. in pencil, Radecki Galleries, South Bend, Indiana, stamp on the reverse, colored pencil on paper, 14 x 12 in. (35.6 x 30.5 cm), framed; Coastal signed M. Soyer l.r., Makielski Art Shop, South Bend, Indiana, label affixed to the reverse, watercolor on paper, 18 3/4 x 20 1/2 in. (47.6 x 52.1 cm), framed. Condition: Portrait with handling creases, both not examined out of frame. $1,000-1, A 149

10 DeWitt McClellan Lockman (American, ) Portrait of Margaret Reed Unsigned, identified on a presentation plaque, sitter identified in a later inscription on the reverse. Oil on canvas, 36 x 29 in. (91.4 x 73.6 cm), framed. Condition: Lined, retouch, varnish inconsistencies. $2,000-4, Continental School, 19th/20th Century Still Life with Fruit and Ewer Indistinctly signed l.l. Oil on canvas, 19 1/2 x 24 in. (49.5 x 61.0 cm), framed. Condition: Punctures with losses, scattered retouch and varnish inconsistencies, craquelure, surface grime. $ Rosina Emmet Sherwood (American, ) Lot of Two Portraits: Boy in a Sailor Suit and Baby Girl Initialed and dated R.E.S l.r. and l.l., respectively. Pastel on paper, sight sizes 22 3/4 x 19 1/4 in. (60.3 x 48.8 cm), framed. Condition: Foxing, toning, not examined out of frames. Provenance: From the estates of Mary Ann and Frederick Lippitt, Providence, Rhode Island. $

11 401. Marcel Rieder (French, ) Kitchen Interior Signed M. Rieder l.r., identified on a temporary loan label from the Museum of Fine Arts, Boston, affixed to the reverse. Oil on canvas, 21 3/4 x 18 1/4 in. (55.2 x 46.4 cm), framed. Condition: Retouch. N.B. Marcel Rieder was born in Thann, in the region of Alsace, France, and studied at the École des Beaux Arts in Paris with Alexander Cabanel. He exhibited regularly at the Paris Salon and was known for his genre scenes which played with the effects of light. $7,000-9, Howard Logan Hildebrandt (American, ) The Good Boy Signed H.L. Hildebrandt l.r. Oil on canvas, 27 x 22 in. (68.6 x 55.9 cm), unframed. Condition: Scattered craquelure, surface grime. $1,000-1, Louise (Lou) Loeber (Dutch, ) Tabletop Still Life Initialed L L l.r. Oil on canvas, 9 x 12 in. (22.9 x 30.5 cm), framed. Condition: Minor surface losses, mild scattered craquelure with separating, mild surface grime. $

12 404. Helen Allingham (British, ) In a Surrey Garden Signed H. Allingham l.r., identified in an inscription on the liner. Watercolor with whiting on paper/board, sheet size 11 1/4 x 8 3/4 in. (28.6 x 22.2 cm), framed. Condition: Toning, subtle fading, very minor rippling at top edge of sheet. N.B. Helen Allingham (née Patterson) was born in the small village of Swadlincote in Derbyshire, England. As a child, Allingham developed an interest in art, inspired by her grandmother, Sarah Smith Herford, and aunt, Laura Herford, who were both artists. At seventeen, she enrolled at the Birmingham School of Design where she was exposed to the work of Frederick Walker, Sir Frederick Leighton, and John Everett Millais. While at school, Allingham worked as an illustrator to support herself and soon found a job working for the illustrated magazine, The Graphic. She dropped out of Birmingham School of Design to devote herself to her work as a commercial artist. After marrying William Allingham in 1874, the artist left her work as an illustrator to work in the medium that she truly loved, watercolor. The couple eventually moved to Surrey where Allingham painted nostalgic views of local cottages. In 1890, she was the first female artist granted membership in the Royal Watercolor Society. $6,000-8, R. St. John Ainslie (British, d. 1908) Portrait of Reginald Gilbert Don Unsigned, inscribed Reginald Gilbert Don, aged 14, Painted by R. St. John Ainslie Sept 1908 who died before it was quite finished on the reverse. Oil on canvas, 30 x 17 in. (76.0 x 43.2 cm), framed. Condition: Scattered retouch, fine craquelure, surface grime. $

13 French School, 19th/20th Century On the Beach Monogrammed l.r. Oil on panel, 6 1/4 x 9 1/2 in. (15.9 x 24.1 cm), framed. Condition: Panel warped, surface grime. $1,000-1, Ralph Gray (American, ) Lot of Two Interior Scenes: Villa Balbianello, Lake Como, Italy One signed, inscribed and dated Ralph W. Gray/Villa Balbianello 1937 l.l., the other unsigned. Watercolor on paper, sheet sizes to 22 1/8 x 15 1/4 in. (56.2 x 38.7 cm), one framed, the other unframed. Condition: Unframed work with tack holes to the corners, masking tape hinged to beveled mat; framed work with mended tear, pinholes, masking taped to beveled mat. $ No lot Marion Delamater Freeman (American, ) The Golden School Signed and dated Marion Freeman 1925 l.r. Gouache on paper, 13 1/2 x 10 1/2 in. (34.3 x 26.7 cm), framed. Condition: Not examined out of frame. $

14 Marilyn Powers (American, ) Portrait of a Seated Young Boy Unsigned. Oil on canvas, 40 x 32 in. (101.6 x 81.3 cm), unframed. Condition: Minor surface grime. $1,000-1, Teal McKibben (American, ) Still Life with Tablecloth Signed TEAL MCKIBBEN on the reverse. Oil on Masonite, 32 x 47 1/2 in. (81.3 x cm), framed. Condition: Craquelure, lifting, losses. $800-1, Dean Richardson (American, b. 1931) Lot of Two Works: Last Known Portrait of Colonel B and Portrait of a Man Colonel initialed and dated D.R. 62 l.r., identified on a label from Joan Peterson Gallery, Boston, and titled and inscribed...richardson in pencil on the stretcher, oil on canvas, 18 x 16 in. (45.7 x 40.6 cm); Man initialed and dated DR l.r., charcoal on paper, sight size 22 x 19 1/2 in. (55.9 x 49.5 cm), both framed. Condition: Colonel with surface grime, craquelure; Man with foxing, not examined out of frame. $

15 Michiel Gloeckner (American, ) Edward Goldman (American, ) Toby, Our Poodle Signed and dated Edw. Goldman/8-59 l.l. Oil on Masonite, 30 1/2 x 17 in. (77.5 x 43.2 cm), framed. Condition: Surface grime. $ Floral Still Life Signed or inscribed indistinctly l.r., inscribed Michiel Gloeckner/( ) with an A Schutzmann canvas stamp on the reverse. Oil on canvas, 16 3/4 x 12 3/4 in. (42.5 x 32.4 cm), framed. Condition: Retouch and surface abrasions l.r. Provenance: Through the estate of Michiel Gloeckner, West Cornwall, Connecticut. $ Edward Goldman (American, ) The Red Snapper Signed and dated Edw. Goldman/3-59 l.l., titled on a label affixed to the frame l.r. Oil on Masonite, 12 x 28 in. (30.5 x 71.1 cm), framed. Condition: Surface grime. $

16 Jonathan Green (American, b. 1955) Waders, from Gullah Life Reflections Signed and dated Jonathan Green 86 l.r. Oil on artist board, sight size 14 1/2 x 18 1/2 in. (36.8 x 47.0 cm), framed. Condition: Glued to cardboard backing. Provenance: Purchased from Nicole Gallery, Chicago, Illinois, April 1987, by the present owner American School, 20th Century Free, 1970 Signed M. Armstrong l.r., dated, titled, and inscribed FEB M. ARMSTRONG/CHACERY LANE/CH. CH. on the reverse. Oil on canvas, 29 x 29 in. (73.7 x 73.7 cm), framed. Condition: Surface grime, drying cracks, paint losses. $ N.B. African-American artist Jonathan Green was born in 1955 in Gardens Corner, South Carolina, and was raised along the Atlantic coast and Sea Islands, home to the Gullah. Although he trained in Chicago and has traveled extensively in the United States and abroad, his subjects constantly return to the culture of his childhood. The Gullah live an agrarian life, unified through a Creole dialect, and strong cultural traditions that evolved in Africa at the rise of the slave trade. These compositions often reflect the quiet pace of rural life peppered with the traditions of prayer and storytelling, a strongly bound sense of family and community, and the fishing and planting that embody the Gullah culture. $3,000-5, Joseph Solman (American, b. 1909) Rail Yard with Carriage Initialed JS within the composition u.r. Gouache on paper laid onto board, sight size 12 x 9 1/2 in. (30.5 x 24.1 cm), framed. Condition: Subtle rippling, not examined out of frame. $1,500-2,

17 Jonathan Green (American, b. 1955) 419 Mother and Child, from Gullah Life Reflections Signed and dated Jonathan Green 86 l.r. Oil on Masonite, 24 x 18 in. (61.0 x 45.7 cm), framed. Condition: Minor surface grime. Provenance: Purchased from Nicole Gallery, Chicago, Illinois, April 1987, by the present owner. $3,000-5, Joseph Solman (American, b. 1909) Rail Yard Initialed JS l.l. Gouache on paper, sight size 9 1/4 x 11 1/4 in. (23.5 x 28.6 cm), framed. Condition: Backed sheet to Japan or similar paper, tape hinged to backing mat. $1,500-2, Jonathan Green (American, b. 1955) The Bathers, from Gullah Life Reflections Signed and dated Jonathan Green 86 l.l. Oil on artist board, sight size 18 1/2 x 14 1/2 in. (47.0 x 36.8 cm), framed. Condition: Glued to cardboard backing. Provenance: Purchased from Nicole Gallery, Chicago, Illinois, April 1987, by the present owner. $3,000-5,

18 Aaron Fink (American, b. 1955) Lot of Two Works: Cigar and Smoker Unsigned, Cigar indistinctly inscribed l.r. Ink and gouache on paper/board, Cigar with collage, approximate sight sizes to 5 x 9 1/4 in. (12.7 x 23.5 cm), framed. Condition: Cigar with pinholes, not examined out of frames. $ Jane Leone Dickson (American, b. 1952) Study for Shooting, 1984 Unsigned, identified on a label from Brooke Alexander, Inc., New York, on the backing. Oil stick on paper, sheet size 17 1/2 x 27 3/8 in. (44.5 x 69.5 cm), framed. Condition: Tape hinged on all four sides to backing mat, subtle rippling, tack holes to corners. $1,500-2, Frank Gallo (American, b. 1933) Head of a Fighter Signature, date and number incised Gallo 66/3 of 5 on rear, identified on a label from Graham Gallery, New York, beneath base. Epoxy resin, 13 1/2 x 10 x 11 in. (34.3 x 25.4 x 27.9 cm). Condition: Cracks, losses. $

19 Ernest Fiene (American, ) White Clown Signed E. Fiene l.r., titled on the stretcher. Oil on canvas, 28 7/8 x 24 3/4 in. (73.3 x 62.9 cm), framed. Condition: Good. $1,000-1, Albert S. Alcalay (American, b. 1917) City Towers Signed and dated ALCALAY 67 l.r., titled on cardboard backing. Ink and gouache on parchment, sheet size 6 3/8 x 7 1/8 in. (16.2 x 18.1 cm), framed. Condition: Not examined out of frame. $ Aaron Fink (American, b. 1955) Man with Hat Signed and dated Aaron F l.r. Ink and gouache en grisaille on paper/board, sight size 29 1/4 x 21 3/4 in. (74.3 x 55.2 cm), framed. Condition: Not examined out of frame. $1,000-1, A. Armand Henrion (Belgian, b. 1875) Portrait of a Clown Signed ARM. HENRION l.l., stamped Douane... on the reverse. Oil on canvas, 10 3/4 x 8 3/4 in. (27.3 x 22.2 cm), framed. Condition: Good. $800-1, A 159

20 428. George Chemeche (American, b. 1934) The Family of Man Signed and dated Chemeche 68 l.l., titled on a label affixed to the reverse. Pastel and graphite on paper, sheet size 24 x 30 in. (61.0 x 76.2 cm), framed (without glass). Condition: Minor rippling. $2,000-4, Jose Lopez-Rey (American, b. 1905) 428 Bull Fight/A Surrealist Composition Signed Lopez-Rey l.r., inscribed Finale... on a partial label affixed to the reverse. Oil on Masonite, 13 3/8 x 18 1/8 in. (34.0 x 46.0 cm), unframed. Condition: Scattered retouch, surface abrasion to u.r. and l.r. quadrants. $ Jose Luis Cuevas (Mexican, b. 1934) Los Pieles Rojas Signed and titled Cuevas... l.l., identified on a label from Galeria de Arte Misrachi, S.A., on the paper backing. Ink and watercolor on paper, sight size 9 1/2 x 13 1/2 in. (24.1 x 34.3 cm), framed. Condition: Not examined out of frame. N.B. A leather-bound and slip-cased book, El Mundo de Jose Luis Cuevas, by Carlos Fuentes, published by Galeria de Arte Misrachi, October 1969, of the luxury edition of 110, with signed and numbered colophon by Jose Luis Cuevas and bookbinder Fernando Lopez Valencia, accompanies the lot. $3,000-5,