664. Nan (Mrs. Forbes) Watson (Scottish/American, ) 663. Scott Clifton Carbee (American, )

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1 Scott Clifton Carbee (American, ) Portrait of a Woman in White Signed Scott Carbee l.l., exhibition label (see below) affixed to the reverse. Oil on canvas, 45 1/4 x 30 in. (114.9 x 72.6 cm), framed. Condition: Craquelure, unobtrusive surface grime. Exhibitions: Jordan Marsh, Ninth Annual Exhibition of Paintings, April 25-May 7, $ Nan (Mrs. Forbes) Watson (Scottish/American, ) Beatrice, alternatively titled Beatrice Reading Signed Nan Watson l.l., artist and title inscribed in two places on the stretcher. Oil on canvas, 24 x 20 1/4 in. (61.0 x 51.4 cm), in a period frame. Condition: Craquelure, unobtrusive surface grime. Exhibitions: Possibly exhibited at the Pennsylvania Academy of Fine Art, 1933, no $2,500-3, Augustus Smith Daggy (American, ) Portrait Signed Aug. Smith Daggy. u.r., identified on a label affixed to the reverse. Oil on board, 17 x 13 1/2 in. (43.2 x 34.3 cm), framed. Condition: Retouch, repaired puncture u.r., surface grime. $

2 Attributed to Helena (Lady) Gleichen (British, ) A Game of Chess Unsigned, indistinctly inscribed on the reverse, titled on a 667 period label affixed to the reverse, inscribed by Helena Gleichen, from Roger Mauhek, November 1955 on the backing. Oil on board, 4 1/2 x 7 1/2 in. (11.4 x 19.1 cm), framed. Condition: Retouch, craquelure, surface grime. $ Attributed to Irving Ramsey Wiles (American, ) Lady with a Hat Unsigned, inscribed New York-July 19..., artist inscribed on a label affixed to the reverse, identified on a presentation plaque affixed to the frame. Pastel on paper/board, sight size 16 x 9 1/2 in. (40.6 x 24.1 cm), framed. Condition: Not examined out of frame. $2,000-4, Arthur Haythorne Studd (British, ) The Lavender Blouse Unsigned, identified on a period label from Roland, Browse & Delblanco, London, affixed to the reverse. Oil on panel, 8 1/2 x 5 in. (21.6 x 12.7 cm), framed. Condition: Light abrasions, surface grime. $800-1,

3 Albert Besnard (French, ) Portrait of a Woman Signed Besnard l.l. Chalk and pastel on paper/board, sight size 15 1/4 x 11 1/4 in. (38.7 x 28.6 cm), framed. Condition: Not examined out of frame. $ Anglo/American School, 19th Century Women with Parasols Signed and dated Brennan, 1878 l.l. Watercolor on paper, sight size 12 1/2 x 9 1/2 in. (31.8 x 24.1 cm), framed. Condition: Subtle toning, not examined out of frame. $ Italian School, 20th Century Portrait of a Young Woman Unsigned, inscribed C Lucchesi, fece 1921 on the reverse. Oil on canvas, 29 x 21 3/4 in. (73.6 x 55.2 cm), framed. Condition: Retouch, varnish inconsistencies, scattered craquelure, surface grime. $1,500-2, A. Claude Raguet Hirst (American, ) Still Life with Lyre and Plaque Signed Claude Raguet Hirst N.Y. l.l. Oil on canvas, 14 1/4 x 20 1/4 in. (36.2 x 51.4 cm), framed. Condition: Lined, retouch, scattered craquelure. $8,000-12, A 243

4 George Loftus Noyes (Canadian/American, ) Still Life with Roses and Silver Tankard Signed G.Noyes l.l., identified on a label from Vose Galleries of Boston, affixed to the reverse. Oil on canvas, 24 x 14 in. (61.0 x 35.6 cm), framed. Condition: Retouch, craquelure with minor lifting, minor losses c.r. $15,000-25,

5 Continental School, 19th/20th Century Gathering Flowers Signed C. Stoilott l.r. Oil on canvas, 39 3/4 x 24 in. (101.0 x 61.0 cm), unframed, unstretched. Condition: Craquelure with losses and alligatoring, surface grime. $1,500-2, French School, 19th Century Still Life with Peonies Unsigned, French canvas stencil on the reverse. Oil on canvas, 15 x 18 in. (38.1 x 45.7 cm), framed. Condition: Minor punctures and losses, minor scattered retouch, surface grime, craquelure. $2,000-3, Theodore Earl Butler (American, ) Mother and Child Incised signature T.E. Butler...89 u.l., inscribed Painted By T.E. Butler on the reverse. Oil on canvas, 9 1/4 x 11 1/2 in. (23.5 x 29.2 cm), framed. Condition: Board warped, abrasions, loss u.l., surface grime. $2,000-3,

6 Paul Riba (American, ) Asian Still Life Signed Paul Riba l.r. Oil on board, sight size 7 1/2 x 4 1/2 in. (19.1 x 11.4 cm), framed. Condition: Retouch. $ Winckworth Allan Gay (American, ) Great Buddha, Kyoto Signed and inscribed Kyoto, Japan, -W. Allan Gay, U.S.A. Boston l.l., identified on a label from Hollis Taggart Galleries, New York, affixed to the reverse. Oil on board, 17 x 11 1/4 in. (43.2 x 28.6 cm), framed. Condition: Extremely fine scattered craquelure. Exhibitions: American Artists in Japan, Hollis Taggart Galleries, May 21-June 29, $2,000-4, Russell Cheney (American, ) Hotei Signed R...Cheney... l.r., artist identified on a period label affixed to the stretcher. Oil on canvas, 36 1/4 x 29 in. (92.1 x 73.7 cm), framed. Condition: Lined, retouch, craquelure. $1,500-2,

7 Louis Aston Knight (American, ) Jan s Garden, alternatively titled California Flowers Signed and inscribed Aston Knight, Holinby Hills l.r., titled on labels affixed to the reverse. Oil on canvas, 32 x 25 1/2 in. (81.3 x 64.8 cm), framed. Condition: Subtle craquelure, surface grime. N.B. Born in Paris in 1873, Louis Aston Knight, the son of American genre painter and expatriate, Daniel Ridgway Knight, spent most of his life and career in France. While he studied at the Académie Julian in Paris with Jules Joseph Lefebvre and Tony Robert-Fleury from 1891 through 1895, Aston Knight also received his artistic training from his father. His work departed from his father s as Aston Knight depicted pastoral landscapes usually without figures and began to incorporate elements of Impressionism that he learned from the paintings of Claude Monet. Knight s admiration for Monet s gardens at Giverny inspired him to plant his own garden and, purportedly, Knight offered prizes to neighbors with the best gardens, ensuring he would have beautiful floral surroundings to paint. Around 1925, Knight moved to California and painted views of San Francisco, Santa Monica, and the Monterey Peninsula. $30,000-50,

8 Charles H. van den Eycken (Belgian, ) Kittens at Play Signed Ch. Van den Eycken, l.l. Oil on canvas, 21 1/2 x 26 in. (54.6 x 66.0 cm), framed. Condition: Minor scattered retouch, minor loss u.l., fine craquelure. $30,000-50,

9 Edwin Megargee (American, ) A Pup and His Reflection Signed Edwin Megargee l.r. Oil on board, 21 x 18 in. (53.3 x 45.7 cm), framed. Condition: Retouch, surface grime. $ Anglo/American School, 19th/20th Century Portrait of a Dog Unsigned. Oil on board, diameter 6 in. (15.2 cm), framed (under glass). Condition: Scattered retouch, craquelure, not examined out of frame. $ Wilhelm Bormann (German, ) Young Girl with Her Cat Signed Bormann (k) on the base u.c. Bronze with a golden brown patina, height 12 1/4 in. (31.1 cm). Condition: Abrasions, surface grime. $1,800-2,

10 684. Ignaz Marcel Gaugengigl (American, ) Portrait of a Girl Inscribed I. M. GAUGENGIGL. u.l. Oil on canvas, 23 1/2 x 18 1/4 in. (59.7 x 46.4 cm), framed. Condition: Mounted onto board, retouch, signature reinforced. $3,000-5, Thomas Ball (American, ) Ophelia/A Relief Signed T.BALL l.l., identified on a label affixed to the reverse. Marble, 22 x 18 1/2 in. (55.9 x 47.0 cm), framed. Condition: Surface grime. N.B. A copy of Thomas Ball s autobiography My Three Score and Ten (John Wilson and Son: Cambridge, 1891) accompanies the lot. Although he studied both music and painting, Ball is best know for his naturalistic works of sculpture executed in marble and bronze. Beginning with renderings of musicians, he quickly gained success as a sculptor. His numerous works include the Henry Clay statue displayed in New York s Central Park and George Washington equestrian statue in Boston s Public Garden. Ball spent a considerable period of time in Florence. There, he formed close relationships with other expatriate artists and writers including sculptor Hiram Powers. $15,000-25,

11 Thomas Crawford (American, ) Adam and Eve Signed and inscribed CRAWFORD, FECIT, ROME 1856 on the back. Marble, height 55 1/2 in. (141.0 cm), base 24 x 20 in. (61.0 x 50.8 cm). Condition: Thumb and ring finger of Adam s right hand broken, scattered surface losses, wear to surface, hairline cracks to reverse, surface grime. N.B. Arguably the most important American Neoclassical sculptor Thomas Crawford is best known for his figural works executed in marble. Born in New York City, in 1835 Crawford left for Rome to study with Danish sculptor Bertel Thorwaldsen. There, he set up a studio where he received commissions from the visiting American tourists. Although he made several trips back to the United States, Crawford spent the majority of his career working in Rome. Although this piece is one of only two known marble sculptures of Adam and Eve completed by Crawford, he worked with this figural grouping for many years. Crawford s depiction of Adam and Eve reflected the mid-19th century revival of Christian art, however was unique in that it is one of the few 19th century American works that include both Adam and Eve (Eve appeared more frequently alone). Crawford created a plaster cast of Adam and Eve in his New York studio in In a letter he wrote to his friend Charles Brooks dated July 1843, Crawford writes that he chose this subject of Adam and Eve because he believed it to be, the most forcible expression of grief, that humanity is capable of. 1 Although this plaster cast stood over 9 feet tall, the arrangement was similar. A friend from Boston, William Gillespie, visited Crawford's studio in Rome in and described the pair. He writes, Adam clasps his hands in almost hopeless supplication, and looks to Heaven with a despairing, yet imploring glance of intense agony. 2 He says of Eve, she clings to him with feminine dependence her left arm is clasped around him, but her right hand is convulsively pressed against his eyes, so as to shut out the sight of the fatal apple which lies at her feet. 3 The only other known marble version which stands 54 1/4 inches tall, is dated 1855 and is in the collection of the Boston Athenaeum. The version in the Athenaeum was purportedly commissioned by Bostonian Franklin Dexter when he visited Crawford s studio in Rome in These versions reveal slight alterations. For example, the serpent beneath Adam s foot was removed and his loin was covered with oak leaves. 1. Dimmick, Lauretta, A Catalogue of the Portrait Busts and Ideal Works of Thomas Crawford ( ), American Sculptor in Rome. Dissertation submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History of Art), University of Pittsburgh, 1986, pp Ibid. 3. Ibid. $75, ,

12 Ellen Robbins (American, ) Mums Signed and dated Ellen Robbins l.r. Oil on canvas, 22 1/2 x 17 3/4 in. (57.2 x 45.1 cm), framed. Condition: Mounted onto board, retouch, fine craquelure with minor scattered areas of lifting and flaking, surface grime. $ Charles John Arter (American, ) Picking Flowers Signed J. C. Arter l.r. Oil on board, 25 x 21 3/4 in. (63.5 x 55.2 cm), framed. Condition: Retouch, surface grime. $800-1, Dimitri Romanovski (Russian/American, d. 1971) Begonia Signed Dimitri Romanovsky l.r., artist s inscription on the reverse. Oil on canvas, 16 x 12 1/2 in. (40.6 x 31.8 cm), unframed. Condition: Scattered craquelure, surface grime. $

13 Daniel Ridgway Knight (American, ) In the Garden/A Young Woman with a Scythe Signed and inscribed Ridgway Knight, Paris l.l. Oil on canvas, 21 3/4 x 18 in. (55.2 x 43.2 cm), framed. Condition: Lined, minor retouch, craquelure, surface grime. Provenance: A private southern collection. N.B. Although he was born and partially educated in the United States, Daniel Ridgway Knight spent most of his career in France. A plein-air and genre painter, Knight received his formal training at the Pennsylvania Academy of Fine Arts (PAFA) prior to 1861; the École des Beaux Arts in Paris from 1861 to 1863, where he studied with Charles Gleyre and Jean-Louis-Ernest Meissonier; and the Academia di San Lucca in Venice. His best-known works depict young peasant women in floral landscapes with views of cottages in the countryside. Knight continuously exhibited in PAFA and the Paris Salon while also frequenting and winning medals at various expositions in cities such as Munich, Paris, and Antwerp. $60,000-80,

14 Gustave Adolph Wiegand (American, ) Roses Signed Gustave Wiegand l.l. Oil on board, 12 x 9 1/4 in. (30.5 x 23.5 cm), framed. Condition: Minor cracks to board, unobtrusive surface grime. $2,000-3, Margaret Jordan Patterson (American, ) Lily Pond Unsigned, artist s estate stamp on the reverse. Oil on canvas, 24 x 20 in. (61.0 x 50.8 cm), framed. Condition: Lined, retouch, scattered craquelure, unobtrusive surface grime. $4,000-6, Leo John Meissner (American, ) Irises Signed Leo Meissner l.r. Pastel on paper/board, sight size 21 x 16 1/2 in. (53.3 x 41.9 cm), framed. Condition: Not examined out of frame. $

15 Daniel Ridgway Knight (American, ) After the Day s Chores/A Young Woman Leaning Against the Garden Wall Signed and inscribed Ridgway Knight, Paris l.l. Oil on canvas, 22 1/4 x 18 1/4 in. (56.5 x 46.4 cm), framed. Condition: Retouch, craquelure, surface grime Provenance: A private southern collection. $60,000-80,

16 Carmelo Comes (Italian, b. 1905) Still Life with Vegetables and a Bottle of Wine Signed COMES l.r., artist identified on a label affixed to the reverse. Oil on board, 24 x 20 in. (61.0 x 50.8 cm), framed. Condition: Retouch, abrasions, craquelure, cracks to panel, surface grime. $ Rutledge Bate (American, ) Still Life Signed Rutledge Bate l.l., artist identified on labels affixed to the reverse. Oil on canvas, 24 x 20 1/4 in. (61.0 x 51.4 cm), framed. Condition: Losses, abrasions, fine scattered craquelure, surface grime. $ Alfred S. Mira (American, /1) 697 Potted Poinsettia Signed A. Mira l.r. Oil on canvas, 20 1/4 x 16 in. (51.4 x 40.6 cm), framed. Condition: Retouch, losses, craquelure, surface grime. $1,500-2,

17 Salvatore L. Aucello (American, b. 1903) Nature s Best Signed S.L. Aucello l.r., artist and title identified on a label from The American Artists Professional League affixed to the reverse. Oil on board, 18 3/4 x 16 1/2 in. (47.6 x 41.9 cm), framed. Condition: Surface grime. N.B. Aucello is best known for his public murals in New York City. Constructed of wood, tile, and mosaic, his most famous mural was completed for the Chrysler Building. Aucello studied at the National Academy of Design and was a project planner for the Public Works of Art Project. $1,000-1, Dines Carlsen (American, ) Zinnias in White Signed Dines Carlsen l.l., identified on a label affixed to the reverse. Oil on canvas, 20 x 16 in. (50.8 x 40.6 cm), framed. Condition: Stretched over board and stretcher, surface grime. $3,000-5, Robert Douglas Hunter (American, b. 1928) Still Life with Meissen Figure and Flowers Signed and dated ROBERT DOUGLAS HUNTER 83 l.r. Oil on canvas, 10 x 18 in. (25.4 x 45.7 cm), framed. Condition: Good. $800-1,

18 Attributed to Florence Woodman (American, 20th Century) Still Life with Roses Signed F. Woodman l.l. Oil on canvas, 30 1/2 x 22 in. (77.5 x 55.9 cm), framed. Condition: Retouch, repaired tear (retouched/reinforced) u.l., scattered craquelure. $ Dorothea M. Litzinger (American, ) Madonna and Child Signed Litzinger u.l. Oil on canvas, 50 x 40 in. (127.0 x cm), framed. Condition: Surface grime. $1,800-2, Elizabeth Hamilton T. Huntington (American, ) 703 Still Life with a Bouquet of Roses Signed El...beth H. T. Huntington l.l. Pastel on paper/board, 24 1/2 x 21 1/2 in. (62.2 x 54.6 cm), framed. Condition: Not examined out of frame. $

19 Franco/American School, 20th Century Still Life with Fruit and Flowers Signed indistinctly l.r. Oil on Masonite, 12 1/2 x 16 1/2 in. (31.8 x 41.9 cm), framed. Condition: Good. $1,000-1, Gustave Adolph Wiegand (American, ) Floral Still Life Signed -GUSTAVE WIEGAND. l.r. Oil on canvas, 20 x 16 in. (50.8 x 40.6 cm), framed. Condition: Minor scattered retouch, minor scattered craquelure, light abrasions, unobtrusive surface grime. $3,000-5, Helena Sturtevant (American, ) Rhododendron Unsigned, identified on a label affixed to the reverse. Oil on canvas, 30 x 20 in. (76.2 x 50.8 cm), framed. Condition: Retouch, losses. $2,000-3,

20 Walt Kuhn (American, ) Still Life with Jug of Flowers Signed Walt Kuhn l.r., identified/authenticated in a copy of a letter from Brenda Kuhn and James T. Phillips affixed to the reverse. Oil on board, 24 x 18 in. (61.0 x 45.7 cm), framed. Condition: Scattered minute losses. $15,000-25,

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