Chapter Art of the 16 th Century
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1 Chapter 18-5 Art of the 16 th Century
2 France
3 Artist: Parmigianino Title: Madonna with the Long Neck Medium: Oil on wood panel Size: 7'1" X 4'4" (2.16 X 1.32 m) Date: Painted with softened facial features Thick neck looks odd next to the detailed and delicate looking clothes Why puffy sleeves? Sometimes, the clothes would be worn by servants so the royalty would not have to side for long period of time
4 Artist: Primaticcio Title: Stucco and Wall Painting, Chamber of The Duchess of Étampes, Château of Fontainebleau Date: 1540s Worked on this Chateau from geez Doing paintings, architect, woodwork, frescos, and sculpture Classical principle brought to France, lots of replicas of ancient Greek sculptures Overall a light headed and graceful feel Established the Mannerism tradition in France
5 Artist: Pierre Lescot Title: West Wing of the Cour Carré, Palais du Louvre Date: Begun 1546 Building that incorporated renaissance ideas of balance and regularity with classical architectural details and rich sculptural decoration
6 Spain
7 Artist: El Greco Title: Burial of Count Orgaz Medium: Oil on canvas Size: 16' X 11'10" (4.88 X 3.61 m) Date: 1586 Source/ Museum: Church of Santo Tomé, Toledo, Spain the Greek - studied under Titian Settled in small town of Toledo His style-reflect byzantine religious art as well as venetian brushwork Orgaz family, burial group portrait Slightly off centered burial, other side angel lifts soul to heaven Heaven and earth separated Son is painted into front, where is the artist?
8 Artist: El Greco Title: View of Toledo Medium: Oil on canvas Size: 47 ¾ X 42¾" (121 X 109 cm) Date: c Rare landscape by el greco Reflects the topography of the Toledo area perfectly (very accurate) Clouds reflect the work of who?? It is an emotional response to his adopted city
9 Netherlands
10 Artist: Hieronymus Bosch Title: Garden of Earthly Delights Medium: Oil on wood panel Size: center panel 7'2½" X 6'4¾" (2.20 X 1.95 m), each wing 7'2½" X 3'2" Date: c Superb colorist, also designed fountains 3 panels, garden of Eden, earth, hell Obsessed with hybrid forms Sensual please become torture devises Meant to be a warning, much like medieval art Christ watches Adam and eve, Owl present called a scolar,mystic, and social critic
11 Artist: Caterina van Hemessen Title: Self-Portrait Medium: Oil on wood panel Size: 12 ¼ X 9¼" (31.1 X 23.5 cm) Date: 1548 Profoundly different then bosch Learned to paint from her father a Flemish mannerist Painted the portrait backwards Signed her name I caterina van Hermessen painted myself, 1548, her age 20
12 Artist: Pieter Bruegel the Elder Title: Return of the Hunters Medium: Oil on wood panel Size: 3'10½" X 5'3¾" (1.18 X 1.61 m) Date: 1565 Mannerist idea of juxtaposition, plunge into the background with no middle ground, with sharp diagonals One of the great landscape painters of the time Depicts nature in all moods by doing cycle paintings This is from a set of 6, representing 3 months (Nov/ Dec) Damp cold winter as nightfall comes Hunter appear neutral and realistic
13 England
14 Artist: Hans Holbein the Younger Title: Henry VIII Medium: Oil on wood panel Size: 32 ½ X 29½" (82.6 X 75 cm) Date: 1540 Because of the break with Rome, by Henry the IIV England preferred German and Netherland artist Not the highest payed in the court German painter became the king s court painter Age 45 here Tried to out do the French King in every way, even copied his beard Elaborate attire, lots of gold detail and encrusted with gemstones
15 Artist: Attributed to Levina Bening Teerlinc Title: Princess Elizabeth Medium: Oil on oak panel Size: 42¾ X 32¼" (109 X 81.8 cm) Date: c Highest payed painter in the English court Flemish women who Painted for 30 years She is a granddaughter and daughter of manuscript painters so most of her work is in miniature This is one of the few life sized portraits Elizabeth as a young girls, in lavish dress and colors
16 Artist: Nicholas Hilliard Title: George Clifford, Third Earl of Cumberland ( ) Medium: Watercolor on vellum on card Size: oval 2¾ X " (7.1 X 5.8 cm) Date: c Worked on commission was a miniature painter Gave noble men an air of courtliness Wearing a suit of armor Curly hair, stylish beard and mustache He is humanized by his direct gaze and receding hairline Stormy sky and lightning in the form of a caduceus.
17 Artist: Robert Smythson Title: High Great Chamber, Hardwick Hall Date: Brussels tapestries, 1550s
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