Peter Blume: Nature and Metamorphosis July 3 Sept. 20, 2015 Exhibition Checklist
|
|
|
- Beverly Wilcox
- 5 years ago
- Views:
Transcription
1 Peter Blume: Nature and Metamorphosis July 3 Sept. 20, 2015 Exhibition Checklist 1. Peter Blume Self Portrait, x 15 inches, framed Museum purchase and the Benjamin V. and Jane M. Siegel Fund, Peter Blume Maine Coast, /8 x 39 x 3 inches, framed Curtis Galleries, Minneapolis, MN 3. Peter Blume New England Barn, x 43 1/4 inches, framed Whitney Museum of American Art, Gift of Leonard Spigelgass, Peter Blume Pig s Feet and Vinegar, /16 x 30 1/2 x 1 5/8 inches, framed The Jewish Museum, New York, Purchase: Gift of David Kluger, by exchange; Miriam and Milton Handler Fund; Charlotte Levitte Fund in memory of Julius Nassau; Hanni and Peter Kaufmann, Gladys and Selig Burrows, Hyman L. and Joan C. Sall, and John Steinhardt and Susan Margules Steinhardt Gifts, Peter Blume Torso with Tiger Lily, /4 x 24 1/2 x 3 inches, framed Collection of Barney A. Ebsworth Wadsworth Atheneum Museum of Art Page 1 of 8
2 6. Peter Blume Vegetable Dinner, x 37 1/2 inches, framed Smithsonian American Art Museum, Washington, D.C. 7. Peter Blume Study for Parade (Waterfront, Manhattan), 1929 Gouache on board 29 x 23 inches, framed Gift of Abby Aldrich Rockefeller, Peter Blume Parade, /2 x 61 inches, framed Gift of Abby Aldrich Rockefeller, Peter Blume Coal Breaker, Scranton, 1930 Graphite on paper 17 x 22 3/4 inches, framed Rogers Fund, 1953 (53.26) 10. Peter Blume Study for South of Scranton, /4 x 25 3/4 inches, framed Private collection 11. Peter Blume South of Scranton, x 66 inches, framed George A. Hearn Fund, 1942 (42.155) 12. Peter Blume The Eternal City, Oil on composition board 45 x 59 inches, framed Mrs. Simon Guggenheim Fund, 1942 Wadsworth Atheneum Museum of Art Page 2 of 8
3 13. Peter Blume Elemosina (Study for The Eternal City), x 16 3/4 inches, framed Gift of Abby Aldrich Rockefeller 14. Peter Blume Jack-in-the-Box (Study for The Eternal City), x 16 3/4 inches, framed Mrs. Simon Guggenheim Fund, Peter Blume Beggar Woman (Study for The Eternal City), x 16 3/4 inches, framed Gift of Edgar Kaufmann, Jr., Peter Blume Insurrection (Study for The Eternal City), x 22 1/2 inches, framed Mrs. Simon Guggenheim Fund, Peter Blume Sherman Church, 1934 Graphite on paper 22 3/4 x 17 inches, framed Lent permanently by the United States Government, Peter Blume Monk (Study for The Eternal City), 1937 Oil on paper 17 1/2 x 16 1/2 inches, framed Given anonymously, Peter Blume Self Portrait, x 19 inches, framed Benjamin V. and Jane M. Siegel Fund, Wadsworth Atheneum Museum of Art Page 3 of 8
4 20. Peter Blume Beatty s Barn (Study for mural, Canonsburg, Pennsylvania Post Office), 1937 Watercolor and pencil on paper 21 x 37 1/2 inches, framed Smithsonian American Art Museum, Washington, D.C. Transfer from the U.S. Department of the Interior, National Park Service 21. Peter Blume Landscape with Poppies, x 30 1/2 inches, framed Gift of Abby Aldrich Rockefeller, Peter Blume Key West Beach, /2 x 27 inches, framed James Thrall Soby Bequest, Peter Blume Study for Key West Beach, 1940 Conté crayon and pencil on paper 13 x 15 3/4 inches, framed James Thrall Soby Bequest, Peter Blume Sponge, /2 x 18 inches, framed Kay Sage Tanguy Bequest, Peter Blume Kilns, 1946 Tempera emulsion on paper, pasted on cardboard 17 x 22 3/4 inches, framed George A. Hearn Fund, 1948 (48.34) Wadsworth Atheneum Museum of Art Page 4 of 8
5 26. Peter Blume Man of Sorrows, 1951 Tempera on canvas 35 x 31 inches, framed Whitney Museum of American Art, New York, Purchase, Peter Blume The Italian Straw Hat, 1952 Oil on paper on board 29 1/8 x 37 1/4 x 2 inches, framed Wadsworth Atheneum Museum of Art, Hartford, CT The Schnakenberg Fund, Peter Blume Sketch for The Italian Straw Hat, c Oil paint and black ink over graphite on wove paper 7 5/8 x 9 1/4 inches Gift of Peter Blume, Peter Blume Sketch for The Italian Straw Hat, /8 x 8 3/8 inches Gift of Peter Blume, Peter Blume Sketch for The Italian Straw Hat, 1952 Crayon on paper 22 x 29 7/8 inches Gift of Peter Blume, a. Peter Blume Easter Island and Rana Raraku, 1954 Pen and ink on mulberry paper 26 x 32 1/2 inches, framed Gift of Blanchette Hooker Rockefeller 31. Peter Blume Hadrian s Villa, /8 x 42 15/16 x 1 15/16 inches The Cleveland Museum of Art, OH, Gift of Mr. and Mrs. Edward Holsten, Wadsworth Atheneum Museum of Art Page 5 of 8
6 32. Peter Blume Tasso s Oak, x 96 inches Collection of Mr. and Mrs. Armand G. Erpf 33. Peter Blume Cartoon for Tasso s Oak, 1958 Casein with black wash and charcoal on paper 60 x 80 inches Estate of Peter Blume, courtesy of ACA Galleries, New York 34. Peter Blume Nun Walking, study for Tasso s Oak, 1958 Gouache, pen, and ink on paper 30 1/2 x 25 1/2 inches, framed Private collection 35. Peter Blume Woman with Shawl, study for Tasso s Oak, Ink and gouache on paper 25 1/2 x 32 1/2 x 1 1/2 inches, framed Courtesy of Philip and Catherine Korsant 36. Peter Blume Group of People, study for Tasso s Oak, x 17 inches, framed Estate of Peter Blume, courtesy of ACA Galleries, New York 37. Peter Blume Study for Tasso s Oak, 1957 Ink on paper 4 1/2 x 5 1/2 inches Estate of Peter Blume, courtesy of ACA Galleries, New York 38. Peter Blume Banyan Tree, x 43 inches, framed Smithsonian American Art Museum, Washington, D.C. 38a. Peter Blume Summer, x 80 inches Collection of Lawrence B. Benenson Wadsworth Atheneum Museum of Art Page 6 of 8
7 39. Peter Blume Winter, /2 x 69 x 3 inches, framed Courtesy of Eric S. Brecher 40. Peter Blume Recollection of the Flood, x 63 x 4 inches, framed Collection of Dorothy Kobak 41. Peter Blume Cartoon for Recollection of the Flood, 1968 Charcoal on paper 51 x 56 1/2 inches, framed George A. Hearn Fund, 1996 ( ) 42. Peter Blume Study for Recollection of the Flood, 1967 Gouache on paper 16 1/2 x 17 x 1 inches, framed Philip and Catherine Korsant 43. Peter Blume Study Number 5 for Recollection of the Flood, 1968 Enamel on Masonite 21 3/4 x 25 1/2 inches, framed George A. Hearn Fund, 1996 ( ) 44. Peter Blume Harps, /2 x 20 inches, framed Gift of Aldrich Rockefeller, Peter Blume Museum, /4 x 16 3/4 inches, framed Gift of Abby Aldrich Rockefeller, 1935 Wadsworth Atheneum Museum of Art Page 7 of 8
8 46. Peter Blume Obelisk, x 19 1/4 inches, framed Gift of Abby Aldrich Rockefeller, 1935 Wadsworth Atheneum Museum of Art Page 8 of 8
Jackson Pollock: A Collection Survey,
CE2015.47 COLLEXH Announcement for 1950 Jackson Pollock exhibition at the Betty Parsons Gallery 1950 Letterpress 3 31" (7.6 78.7 cm) Museum Collection Files, Jackson Pollock, (General - Exhibit Material).
EXHIBITION PRESS PACKET
EXHIBITION PRESS PACKET Long Island Moderns Artists on the North Shore from Edward Steichen to Cindy Sherman Illustrated Checklist 2 Prime Avenue, Huntington, NY 631 631.3250 Tel Brodsky, Stan (American,
MoMA. Museum of Modern Art (New York, N.Y.) The Museum of Modern Art. Author. Date. Publisher.
Forty paintings from the Edward G. Robinson collection, March 4-April 12, 1953 Author Museum of Modern Art (New York, N.Y.) Date 1953 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/3301
Lumia: Thomas Wilfred and the Art of Light
Lumia: and the Art of Light Unit #50, Elliptical Prelude and Chalice, from the First Table Model Clavilux (Luminar) series 1928 Metal, fabric, glass, and electrical and lighting elements on a maple table
Stan Brodsky: Retrospective
Illustrated Checklist Stan Brodsky: Retrospective August 17 December 1, 2013 Construction, 1970 Charcoal on paper 8-5/8 x 11-7/8 in. Gift of Mr. Alfred Van Loen, 1986.4.2 East End #2, 1970 Oil on canvas,
Paul Thek. Ponza and Roma. January 10 February 21, 2015
Paul Thek Ponza and Roma January 10 February 21, 2015 Tuesday Saturday, 10am 6pm Chicken Coop and Distant Island, Paul Thek: Ponza and Roma is the first exhibition to examine the paintings and drawings
Maven of Modernism: Galka Scheyer in California Checklist
April 7 September 25, 2017 Norton Simon Museum Lyonel Feininger (American, 1871 1956) Untitled, c. 1945 Watercolor, silver pigment and India ink on laid paper 8-5/8 x 12-1/2 in. Lyonel Feininger (American,
he Museum of Modern Art
he Museum of Modern Art Lest 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart PRESS PREVIEW: Wednesday, October 1, I969, 11 A.M. - k P.M. No: 119 FOR RELEASE October 1, I969?/ GEORGE GROSZ:
EDWARD AND JOSEPHINE HOPPER from the Permanent Collection
Provincetown Art Association and Museum 460 Commercial Street Provincetown, MA 02657 508.487.1750 paam.org EDWARD AND JOSEPHINE HOPPER from the Permanent Collection Curated by Christine McCarthy August
Al Taylor (American, ), 6-8-9, 1988, brass, wood, and enamel paint mounted on wood with wax finish. Glenstone Museum, Potomac, Maryland.
Al Taylor, What Are You Looking At? Image Credits Reproduction guidelines: These images are for one-time, non-commercial publicity purposes only. This does not include exclusive rights. No further reproduction
Al Taylor: Pet Stains, Puddles, and Full Gospel Neckless 537 West 20th Street January 9 - February 14, 2015
: Pet Stains, Puddles, and Full Gospel Neckless 537 West 20th Street January 9 - February 14, 2015 South Gallery Full Gospel Neckless Full Gospel Neckless (Dog Walk), 1997 P.E. plastic tube, P.V.C. plastic
Artistic entrance examination Bachelor in Visual Arts Description and practical information
Artistic entrance examination Bachelor in Visual Arts Description and practical information 1. When? Dates of the artistic entrance examinations 2018: Students can choose between the following two options:
American Art November 8 Early Modern Art in America
OLLI at Duke Fall 2017 Kris Door, lecturer kristinedoor.com North Carolina Museum of Art Lectures: Wednesdays, 11:00-12:30 American Art November 8 Early Modern Art in America OLLI Fall 2018 Ancient Art
House in Provence, x 54 cm. (17 3/16 x 21 1/4 in.) Museum On view the week of April 9, 2018
In addition to Cézanne s oil painting Mont Sainte-Victoire, the exhibition includes a pair of watercolors by the artist, one of which changes weekly for reasons of preservation. John White Abbott, British,
The Museum of Modern Art
The Museum of Modern Art NO. 88 FOR RELEASE: H West 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modemart SEPTEMBER 14 1 9 7 4 GERMAN DRAWINGS ON VIEW AT THE MUSEUM O F MODERN A R T German Drawing:
TOOLS AND MATERIAL. Practical Guidelines (Secondary Level) Tools and Material. Notes
Tools and Material Practical Guidelines 1 TOOLS AND MATERIAL AIM: To get acquainted to various tools and materials in drawing and painting. INTRODUCTION In drawing and painting, it is absolutely necessary
AP Studio Art 2D and Drawing Summer Assignments
AP Studio Art 2D and Drawing Summer Assignments I. Sketchbook- Make your sketchbook your new "best friend" over the summer. Take it with you everywhere you go. Take notes for ideas that occur to you while
Al Taylor David Zwirner, London January 31 - March 29, 2014
David Zwirner, London January 31 - March 29, 2014 Ground Floor, Gallery One Bad Idea #5: Sticks on the Floor, ca. 1989 Pencil, gouache, and colored ink on paper torn from spiral ring sketchbook 11 x 8
A Lifetime of Sketchbooks from Postwar Painter Richard Diebenkorn
A Lifetime of Sketchbooks from Postwar Painter Richard Diebenkorn by Allison Meier on August 24, 2015 Richard Diebenkorn, Untitled from Sketchbook #10, page 13 (1943 93), gouache and watercolor on paper
Part Two: The Formal Elements Chapter 4 Line
Part Two: The Formal Elements Chapter 4 Line What is a contour line? What are some of the functions and qualities of line? How do arrangements that stress horizontal and vertical lines tend to differ form
Georgia O Keeffe; Woman as Image & Image Maker October 17 Georgia O Keeffe; Life and Work
OLLI at Duke Fall 2018 Kris Door, lecturer kristinedoor.com North Carolina Museum of Art Lectures: Wednesdays, 11:00-12:30 Georgia O Keeffe; Woman as Image & Image Maker October 17 Georgia O Keeffe; Life
I The H^useum of IViodern Art
I The H^useum of IViodern Art FOR im^ediafe RELEASE: I ' Ncwvo MARCH 4, 1971 t^ I THE MUSEUM OF MODERN ART PRESENTS RECENT AMERICAN ACQUISITIONS I Sixteen works by American artists in such diverse styles
ASK QUESTIONS! It is the only way to enrich your
ASK QUESTIONS Ralph Albert Blakelock The Great Mad Genius Returns ASK QUESTIONS! It is the only way to enrich your NOVEMBER 11 DECEMBER 10 Middletown Daily Times-Press, March 20, 1916 Questions you should
IMAGES WORKS BY MORRIS LOUIS CONTEXTUAL IMAGES
IMAGES WORKS BY MORRIS LOUIS CONTEXTUAL IMAGES WORKS BY MORRIS LOUIS The discussion of works by Morris Louis throughout this thesis is based upon research undertaken in art museums in New York, Washington
Art Bridges Collection
Collection 1. Artist: Charles Caryl Coleman, 1840-1928 Still Life with Peach Blossoms, 1877 71 1/2 25 1/4 in. (181.6 64.1 cm) Framed: 86 39 1/4 in. 2. Artist: Edward Jean Steichen, 1879-1973 In Exaltation
1Harriet Clark Westcott, in Mourning. Portrait of the artist s mother. Oil on canvas, 35 H X 29.5 W; Framed: 41 H X 35.5 W.
All of the listed items are available for exhibit purposes. They are the property of: Mary Welby von Thelen of Charlottesville, VA, Janelle Morton of Pasadena, CA, or Norah Lind of Manakin-Sabot, VA *indicates
4 After the Lynching, late 1930s Carborundum mezzotint Collection of Robert J. Brand and Elizabeth Werthan, Philadelphia (Catalogue raisonné no.
Dox Thrash: An African American Master Printmaker Rediscovered The Philadelphia Museum of Art Berman/Stieglitz Galleries (ground floor) October 27, 2001- February 24, 2002 Lenders to the exhibition: Robert
A Finding Aid to the Wayne Thiebaud Papers, , in the Archives of American Art
A Finding Aid to the Wayne Thiebaud Papers, 1944-2001, in the Archives of American Art by Rosa Fernandez and Susan Larsen October, 2002 Contact Information Reference Department Archives of American Art
DEPARTMENT F-3 ART AND PHOTOGRAPHY (Exhibiting rules and regulations, page 3)
DEPARTMENT F-3 ART AND PHOTOGRAPHY (Exhibiting rules and regulations, page 3) Guidelines 1. Please read and follow all Rules and Regulations listed on page 3 of the Fair Book. Remember that all exhibits
Artistic entrance examination Description and practical information Programme Bachelor in Visual Arts
Artistic entrance examination Description and practical information Programme Bachelor in Visual Arts Dates artistic entrance examinations 2018: Two options: July 2 and 3, 2018 (two-day examination including
Selections from The Kramarsky Collection 537 West 20th Street May 2 - June 20, nd Floor Checklist
Selections from The Kramarsky Collection 537 West 20th Street May 2 - June 20, 2015 2nd Floor Checklist Reception Ellsworth Kelly Untitled - Green with Red, ca. 1964-1965 Tempera on paper 30 x 21 1/2 inches
Sketchbook Practice: Lesson 5 1
Sketchbook Practice: Lesson 5 1 In this lesson we are going to play catch-up a bit. First we re going to do something with the black and wash pieces you made last week, then something with the thumbnail
Ralph Albert Blakelock The Great Mad Genius Returns
ASK QUESTIONS Ralph Albert Blakelock The Great Mad Genius Returns NOVEMBER 11 DECEMBER 10 Middletown Daily Times-Press, March 20, 1916 Questions you should ask us: Is this one of the best examples by the
A Finding Aid to the Walter Gay Papers, , 1980, in the Archives of American Art
A Finding Aid to the Walter Gay Papers, 1870-1937, 1980, in the Archives of American Art by Stephanie Ashley Funding for the processing and digitization of this collection was provided by the Terra Foundation
Architects Draw for the Gussow Fund
Benefit Fundraiser for The Sue Ferguson Gussow Scholarship Fund for a Merit-Based Full Scholarship to The Irwin S. Chanin School of Architecture at The Cooper Union Gerri Davis The Sue Ferguson Gussow
Marisa Merz Il cielo è grande spazio / The Sky Is a Great Space 25 May 4 November 2018 Mönchsberg [4]
![Marisa Merz Il cielo è grande spazio / The Sky Is a Great Space 25 May 4 November 2018 Mönchsberg [4]](/thumbs/91/107434738.jpg "Marisa Merz Il cielo è grande spazio / The Sky Is a Great Space 25 May 4 November 2018 Mönchsberg [4]")
Marisa Merz Il cielo è grande spazio / The Sky Is a Great Space 25 May 4 November 2018 Mönchsberg [4] Works in the exhibition Works are listed in chronological order. Descriptive titles, which have not
he Museum of Modern Art
he Museum of Modern Art West 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart n^ No. 15 FOR REIi^ASE: Wednesday, February I, I967 PRESS PREVIEW: Tuesday, January 31, I967 11 a.ib. - U p.m.
the Museum of Modern Art continues this year's surveys of additions to the drawing
he Museum of Modern Art No. 95 New York, N.Y. 10019 Circle 5-8900 Cable: Modernart -«P ^gtgaeg. Monday, September 6, I965 PRESS PREVIEW: Friday, September 3, 1965 11 a.m. - k p.m. the Museum of Modern
Little Known Folk Portraitist by arthur kern
Little Known Folk Portraitist by arthur kern 150 www.antiquesandfineart.com Summer PREVIOUS PAGE: Fig. 1: I. Gillbert (active 1830s 1850s), attributed, Gentleman in a Napoleonic Pose with Brown Glove,
My Future Self. Project Overview. Essential Question: Artistic Goals: Curricular Goals: National Content Standards Addressed:
My Future Self Project Overview After studying heroes in mythology and literature and identifying the personality traits that they themselves would like to cultivate, sixth graders incorporated their knowledge
AP STUDIO 2D ART SUMMER ASSIGNMENT AP Studio Art 2D is a college class and requires a significant amount of time outside of class to
AP STUDIO 2D ART SUMMER ASSIGNMENT 2018 AP Studio Art 2D is a college class and requires a significant amount of time outside of class to meet the requirements of the portfolio; relatively twice as much
Grade 8 CURRICULUM MAP CONTENT: Art Revised: March A5 25A6 25A7 25B7 25B9 25B10 26A6 26A7 26A9 26B7 26B8 26B11 26B12 27B5 27B6 27B7
Week 1 Upside-Down drawing Contour Line -To prepare student for demanding drawing this activity will help students to visually analyze to draw more accurately on their effort to use this technique to improve
Forest Interior, ca Watercolor and graphite, with touches of gouache, on cream wove paper 32.2 x 48.9 cm. (12 11/16 x 19 1/4 in.) Path, Trees, a
John White Abbott, British, 1764 1851 Loch Long from Hills near Arrochar, Scotland at 5 in the Morning, 1791 Watercolor with pen and gray ink, over graphite, on cream wove paper 18.8 24 cm (7 3/8 9 7/16
122
122 www.antiquesandfineart.com Summer PREVIOUS PAGE, TOP: Fig. 1: An English Cod, 1904 Oil on canvas, 30½ x 40¼ inches Signed Wm. M. Chase at lower left Courtesy of Corcoran Gallery of Art, Washington,
F I N D L A Y G A L L E R I E S
F I N D L AY G A L L E R I E S WORKS ON PAPER P R I N T S PRINTS MULTIPLES & M U L T I P L E S WATERCOLORS GOUACHES LITHOGRAPHS Cathelin Landfield Miro Calder Heine Chagall Finn Gorriti Dufy Aizpiri Browne
Art and Design Long term plan : scheme 2016/17
Art and Design Long term plan : scheme 2016/17 Class 1 Term Unit Theme: Electricity Sketching and observation- pencil sketching techniques, mark making crosshatching In sketchbooks etc explore colour pattern,
Chapter 2.2: Media. Tools and Materials Artists Use
Chapter 2.2: Media Tools and Materials Artists Use Drawing Media PENCIL - A versatile dry drawing medium because it can be used for quick sketches or for detailed drawings. - Made from GRAPHITE and CLAY,
Deaccessions from the Guggenheim Museum Collection: September 30, 2014
Saul Baizerman (1889-1957) Old Courtesan, 1947 52 Copper Height: 38 1/4 inches D63.1641 Hannes Beckmann (1909-1977) Shadow over Yellow, 1974 Acrylic on board 24 x 24 inches (60.9 x 60.9 cm) Gift, Jan and
Important Changes to WAS-H Exhibition Criteria
Important Changes to WAS-H Exhibition Criteria By Lynne Woods Past President Louise H. Bateman - President From time to time questions arise regarding the monthly prospectus requirements. It can be confusing,
Modernism in the Americas, June 20, 2003-August 31, 2003
Modernism in the Americas, June 20, 2003-August 31, 2003 From the 1910s through the mid-20th century, artists in the United States and Latin America strove to define themselves in the face of prevailing
825. Manuel Carbonell (Cuban, b. 1918) 826. Francois Thango (South African, )
825 826 825. Manuel Carbonell (Cuban, b. 1918) With the Wind Initialed and numbered MC-2-3 u.c. Bronze sculpture, height 41 1/2 in. (105.4 cm), on a marble base. Condition: Good. $5,000-7,000 826. Francois
COLOURING THE MASTERS
Legal Disclaimers & Notices All rights reserved. No part of this document or accompanying files may be reproduced or transmitted in any form, electronic or otherwise, by any means without the prior written
DEPARTMENT OF EDUCATION AND CULTURAL ACTION CONTACT
DEPARTMENT OF EDUCATION AND CULTURAL ACTION CONTACT CONTACT ANONYMOUS ITALIAN ARTIST The Nativity End of 14th century, beginning of 15th century Tempera on canvas 101 x 195.5 cm MARTIN DE VOS The Rape
Eric Kennington: An Inventory of His Art Collection at the Harry Ransom Center. Descriptive Summary. Administrative Information
Eric Kennington: An Inventory of His Art Collection at the Harry Ransom Center Descriptive Summary Creator: Kennington, Eric, 1888-1960 Title: Dates: 1926-1935 Extent: Abstract: Call Number: Language:
ART DEPARTMENT SEQUENCE. Course Title Length Meeting Time Grades. Clay and Sculpture Semester Daily Studio Art Semester Daily 11-12
ART DEPARTMENT SEQUENCE Course Title Length Meeting Time Grades Art 7 Semester Alt Days 7 Art 8 Semester Alt Days 8 Art 1 Foundations Semester Daily 9-12 ART 2 Drawing/ Semester Daily 9-12 Painting Art
Rose Lamb. A Finding Aid to the Rose Lamb Papers, circa , bulk circa , in the Archives of American Art.
Rose Lamb A Finding Aid to the Rose Lamb Papers, circa 1870-1961, bulk circa 1870-1900, in the Archives of American Art by Erin Corley Funding for the processing and digitization of this collection was
Lucien Clergue Picasso's Basement Studio with Sculpture Head, Mougins "Notre Dame de Vie," Oct 1969 Date:
1 1997.002 Robert Rauschenberg Artists Rights Today 1981 Medium: Lithograph Dims: 39 1/2 x 27 inches Artis Naples, The Baker Museum. 1997.002. Gift of Mr. and Mrs. Jack Bloodgood. 2 2000.1.003 Lucien Clergue
1. The Great Baltimore Fire February 13, 1904 periodical illustration Exhibit Space: DPL Credit Line: Denver Public Library
Unillustrated Checklist and Credit Lines 1. The Great Baltimore Fire February 13, 1904 2. The Trouble at Bishop s House August, 1904 3. Alpine Climbing in Automobiles August, 1905 4. By Way of Contrast:
Start Drawing With Pencils, Pens & Pastels: Prac Tech & 30 Projects For Beginner: All The Basics Shown Step-by-step: Drawing Outlines, Shading And...
Start Drawing With Pencils, Pens & Pastels: Prac Tech & 30 Projects For Beginner: All The Basics Shown Step-by-step: Drawing Outlines, Shading And... Step-by-step In 400 Color Photographs By Sarah Hoggett;Ian
Marc Camille Chaimowicz: Your Place or Mine... March 16 - August 5, 2018
Marc Camille Chaimowicz: Your Place or Mine... March 16 - August 5, 2018 Exhibition Checklist All works unless otherwise indicated: courtesy of the artist, Cabinet, London and Andrew Kreps Gallery, New
SAMPLING THE MEDIA. Some Famous Examples of Artwork using Acrylic, Pastel, Oil and Watercolor
SAMPLING THE MEDIA Some Famous Examples of Artwork using Acrylic, Pastel, Oil and Watercolor OIL PAINT The Arnolfini Portrait Artist: Jan van Eyck Year: 1434 Type: Oil on oak panel of 3 vertical boards
FIESTA, SPANISH VILL AGE
A N E X T R A O R D I N A R Y L I F E E ncouraged from an early age, Colin Campbell Cooper s remarkable talents as an artist were matched only by his love of beauty and passion for travel. Cooper s formal
Michaël Borremans. Trickland. February 13 March 8, Where is Ned? 2002 Oil on Wood 8.74 x 7.95 inches 22.2 x 20.
Michaël Borremans Trickland February 13 March 8, 2003 Where is Ned? Oil on Wood 8.74 x 7.95 inches 22.2 x 20.2 cm BORMI0004 Tempted Oil on wood 7.68 x 10.63 inches 19.5 x 27 cm BORMI0005 The Soil 27.56
Drawing Connections Baselitz, Kelly, Penone, Rockburne, and the Old Masters October 12, 2007, through January 6, Exhibition Checklist
Drawing Connections Baselitz, Kelly, Penone, Rockburne, and the Old Masters October 12, 2007, through January 6, 2008 Exhibition Checklist GEORG BASELITZ The Virgin Seated with Yard Winder, and the Infant
Lessons Through Art. Peter Hurd In the Dark of Night
Lessons Through Art Peter Hurd In the Dark of Night Provided by the Education Department of the Museum of Texas Tech University Authored by: Casey J. Seger All Rights Reserved. Artwork contained in this
William Shearburn Gallery. Likeness
William Shearburn Gallery Likeness Likeness March 10 - April 14, 2017 Milton Avery Chuck Close Richard Diebenkorn Lucian Freud Chantal Joffe Alex Katz KAWS Elaine de Kooning Roy Lichtenstein Tim Liddy
EXPO CHICAGO Carrie Secrist Gallery BOOTH 406. Featuring: Shannon Finley Anne Lindberg Andrew Holmquist
EXPO CHICAGO 2016 Carrie Secrist Gallery BOOTH 406 Featuring: Shannon Finley Anne Lindberg Andrew Holmquist 835 W. Washington BLVD., Chicago, IL 60607 +1 312.491.0917 info@secristgallery.com secristgallery.com
Leaders in American Modersnism Image Checklist. Naples Museum of Art Adolf Dehn STORMY SPRING, 1957 Watercolor 29 x 36 inches
1995.4.004 Adolf Dehn STORMY SPRING, 1957 Watercolor 29 x 36 inches 1995.4.005 Adolf Dehn MIDSUMMER NIGHT, 1950 Casein on masonite 40 x 60 inches 1995.4.006 Adolf Dehn GAYHEAD LIGHTHOUSE, 1934 Ink on paper
Picasso's The Blue Room hides a secret painting Scientists using infrared imagery find a mystery bow-tied man with his face resting on his hand
AiA Art News-service Picasso's The Blue Room hides a secret painting Scientists using infrared imagery find a mystery bow-tied man with his face resting on his hand Experts are researching who this man
Sketching Landscapes In Pen & Pencil By Joyce Percival READ ONLINE
Sketching Landscapes In Pen & Pencil By Joyce Percival READ ONLINE If you are searching for the book Sketching Landscapes in Pen & Pencil by Joyce Percival in pdf form, then you have come on to the loyal
2018 Canfield Fair FINE ART & PHOTOGRAPHY
2018 Canfield Fair FINE ART & PHOTOGRAPHY PLEASE READ CAREFULLY! changes have been made! GENERAL GUIDELINES Entry form deadline is AUGUST 1. Online entry is encouraged. Visit www.canfieldfair.com Mailed
Alexander Gray Associates
Harmony Hammond The Weave Paintings ADAA: The Art Show February 28 March 4, 2018 Alexander Gray Associates Harmony Hammond The Weave Paintings ADAA: The Art Show February 28 March 4, 2018 Alexander Gray
The American University of Rome Fine Arts Program Department or degree program mission statement, student learning objectives, as appropriate
Disclaimer: This is an indicative syllabus only and may be subject to changes. The final and official syllabus will be distributed by the instructor during the first day of class. The American University
Kehinde Wiley; photo Tony Powell, courtesy of Art in Embassies, US Department of State. Courtesy of the Artist and Roberts Projects, Los Angeles.
Kehinde Wiley; photo Tony Powell, courtesy of Art in Embassies, US Department of State. Courtesy of the Artist and Roberts Projects, Los Angeles. Kehinde Wiley Saint Louis Art Museum Fall 2018 Passing/Posing:
Raymond Pettibon To Wit September 12 October 26, 2013
To Wit September 12 October 26, 2013 South Wall No Title (Smack!), 2013 Acrylic and graphite on paper 55 1/2 x 56 1/4 inches 141 x 142.9 cm PETRA2005 No Title (Her lips moved...), 2013 Ink, graphite, and
1 Do-CtQ G 2016 Canfield Fair FINE ART & PHOTOGRAPHY
2016 Canfield Fair FINE ART & PHOTOGRAPHY PLEASE READ CAREFULLY! changes have been made! GENERAL GUIDELINES Entry forms must be postmarked by AUGUST 1. Forms postmarked after August 1 will not be accepted.
CENTER FOR THE HISTORY OF COLLECTING. Going for Baroque
CENTER FOR THE HISTORY OF COLLECTING Going for Baroque Americans Collect Italian Paintings of the 17th and 18th Centuries symposium Friday and Saturday, September 20 & 21, 2013 THE FRICK COLLECTION 1 east
A SUMMER EXHIBITION. A Selection of Paintings and Graphics
SUMMER EXHIBITION A Selection of Paintings and Graphics A SUMMER EXHIBITION A Selection of Paintings and Graphics SUMMER EXHIBITION A Selection of Paintings and Graphics AUSTIN/DESMOND FINE ART JOHN TUNNARD
Archdiocese of Washington Catholic Schools Academic Standards Visual Arts
7 th Grade RESPONDING TO ART: History Standard 1 Students understand the significance of visual art in relation to historical, social, political, spiritual, environmental, technological, and economic issues.
MANTEGNA TO MATISSE: MASTER DRAWINGS FROM THE COURTAULD GALLERY October 2, 2012, through January 27, 2013
MANTEGNA TO MATISSE: MASTER DRAWINGS FROM THE COURTAULD GALLERY October 2, 2012, through January 27, 2013 The Frick Collection, New York PRESS IMAGE LIST (GROUPED BY SCHOOL/NATIONALITY) Digital images
Winslow Homer Watercolors By Helen A. Cooper, Winslow Homer READ ONLINE
Winslow Homer Watercolors By Helen A. Cooper, Winslow Homer READ ONLINE If looking for a book Winslow Homer Watercolors by Helen A. Cooper, Winslow Homer in pdf format, then you have come on to loyal website.
The American University of Rome Fine Arts Program Department or degree program mission statement, student learning objectives, as appropriate
Disclaimer: This is an indicative syllabus only and may be subject to changes. The final and official syllabus will be distributed by the Instructor during the first day of class. The American University
under Twenty-one paintings all under $21,000 Each artist has been collected by at least five museums.
Twenty-one paintings all under $21,000 Each artist has been collected by at least five museums. 21 under Q UESTROYAL F INE A RT, LLC Important American Paintings 903 Park Avenue, Third Floor, New York,
2D MEDIA: DRAWING. ART 121 Lecture 5
2D MEDIA: DRAWING ART 121 Lecture 5 Media: Two Definitions 1. The material(s) from which a work of art is made. 2. A standard category of art such as drawing, painting, photography, sculpture, or architecture.
WHITNEY WHERE WE ARE ACTIVITY GUIDE
WHITNEY WHERE WE ARE ACTIVITY GUIDE WELCOME TO THE WHITNEY This exhibition features works from the first part of the twentieth century. It was a time when American life was changing rapidly because of
A Finding Aid to the Charles Pollock Papers, , in the Archives of American Art
A Finding Aid to the Charles Pollock Papers, 1875-1994, in the Archives of American Art by Judy Ng Funding for the processing of this collection was provided by the Terra Foundation for American Art 2015
Portland Paper Project 1
Portland Paper Project 1 The Portland Paper Project The Portland Paper Project is an ongoing collection of works on paper stored in the flat files at Whitney Art Works. The works are available for viewing
Advanced Placement Studio Art Summer Assignments 2016
riggins@fultonschools.org Advanced Placement Studio Art Summer Assignments 2016 Please bring your artworks back to school in the Fall and be prepared to critique and discuss your work. Do not bring in
American Watercolor Society
American Watercolor Society A Finding Aid to the American Watercolor Society Records, 1867-1977, bulk 1950-1970, in the Archives of American Art by Erin Corley Funding for the processing of this collection
SCOUTING AT MOUNT VERNON Cub Scout and Boy Scout Merit Badge Activities TIGER: TIGERS IN THE WILD
SCOUTING AT MOUNT VERNON Cub Scout and Boy Scout Merit Badge Activities 1. Go for a short hike TIGER: TIGERS IN THE WILD The Mount Vernon estate features walking trails that are ideal for watching birds,
Month Topic & Overarching? s Skills & Strategies Assessment Resources & Links. Review and reinforce knowledge of warm and cool color.
1GRADE 1 ART Sept. How does art help us understand the world around us? How can certain colors and materials help to interpret and express nature and the seasons of the year? Review and reinforce knowledge
Archdiocese of Washington Catholic Schools Academic Standards Visual Arts
8 th Grade RESPONDING TO ART: History Standard 1 Students understand the significance of visual art in relation to historical, social, political, spiritual, environmental, technological, and economic issues.
s h f a p An Extraordinary Studio Artist in a Post-Studio Era
s h f a p GALLERIES WEEKEND An Extraordinary Studio Artist in a Post-Studio Era by John Yau on February 1, 2015 Ann Gale, Portrait with Grid (2014), oil on masonite (all images courtesy Steven Harvey Fine
28. Studio Nude (Detail) JOSEPH NICOLETTI PAINTINGS -DRAWINGS
28. Studio Nude (Detail) JOSEPH NICOLETTI PAINTINGS -DRAWINGS The Bowdoin College Library Joseph Nicoletti Paintings and Drawings Foreword by Russell J. Moore Introduction by Jeffrey Mu Her Bowdoin College
Naples Museum of Art:
2000.15.007 Thomas Hart Benton Constructivist Painting 1918 Oil and tempera on panel 14 x 8 inches 2000.15.008 Thomas Hart Benton Gay Head, Martha's Vineyard mounted on board 16 x 11 1/2 inches 2000.15.011
Permanent Collection Dazzling Donuts: Low Relief Sculptures
Permanent Collection Dazzling Donuts: Low Relief Sculptures Grade Level: Pre-K Materials: Felt Glue Paper Plate Markers Stickers About the Project: Students will look at images of still life paintings
Notations: Contemporary Drawing as Idea and Process Checklist of the Exhibition
Notations: Contemporary Drawing as Idea and Process Checklist of the Exhibition William Anastasi (American, b. 1933) Untitled (Subway Drawing), 2009 Graphite on paper, 8 x 11 1/2 in. (20.3 x 29.2 cm) 2012
FRED WILLIAMS Silver and grey FRED WILLIAMS
Silver and grey Fred Williams was born in Melbourne in 1927 and is regarded as one of Australia s finest landscape painters and printmakers. Williams began studying at the National Gallery Art School in
Whitney Museum of American Art: Legacy: The Emily Fisher Landau Collection Joslyn Art Museum: September 28, 2013 January 5, 2014 Working Checklist
Carl Andre GAZETTEER, 1964 Ink on paper, 10 15/16 x 8 5/16 in. (27.8 x 21.1 cm) Fisher Landau P.2010.9 Carl Andre days mind case code dust case time guns dock, 1964 Ink on paper, 10 7/8 x 8 3/8 in. (27.6