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1 THE OXFORD CRITICAL AND CULTURAL HISTORY OF Modernist Magazines Volume I Britain and Ireland $$ EDITED BY Peter Brooker AND Andrew Thacker OXFORD UNIVERSITY PRESS
2 List of Illustrations and Tables List of Contributors xii xvi General PETER BROOKER AND ANDREW THACKER i Materialist modernisms and periodical codes 5 Modern, modernist, avant-garde 9 Defining 'littleness' 11 Cultural formations 16 Methods and models 21 Structure and periodization 23 i PART I. VICTORIAN PRECURSORS The Pre-history of the 'Little Magazine' 33 KYRIAKI HADJIAFXENDI AND JOHN PLUNKETT 2. In the Beginning, There Was The Germ: The Pre-Raphaelites and 'Little Magazines' 51 MARYSA DEMOOR PART II. FIN DE SIECLE VENTURES ( ) 3. Aestheticism and Decadence: The Yellow Book (1894 7), The Chameleon (1894), and The Savoy (1896) 76 LAUREL BRAKE gn
3 Vlll 4. Symbolism in British 'Little Magazines': The Dial ( ), The Pageant (1896 7), and The Dome ( ) 101 DAVID PETERS CORBETT 5. 'The Arts and Crafts Movement': The Century Guild Hobby Horse ( ), The Evergreen (1895-7), an d The Acorn (1905-6) 120 IMOGEN HART PART III. EARLY STATEMENTS ( ) j,, 6. Yeats and the Celtic Revival: Beltaine ( ), Samhain (1901-8), Dana (1904-5), and The Arrow (1906-9) 152 ALEX DAVIS 7. The New Poetry, Georgians and Others: The Open Window ( ), The Poetry Review ( ), Poetry and Drama ( ), and New Numbers (1914) 176 DOMINIC HIBBERD PART IV. TRANSITIONS 8. Democracy and Modernism: The New Age under A. R. Orage ( ) 205 ANN L. ARDIS 9. Ford Madox Ford and The English Review ( ) 226 CLIFF WULFMAN 10. The London Mercury ( ) and Other Moderns 240 J. MATTHEW HUCULAK lc.q PART V. INTERVENTIONS 11. Gender and Modernism: The Freewoman ( ), The New Freewoman (1913), and The Egoist ( ) 269 JEAN-MICHEL RABATE 2^
4 12. The 'Little Magazine' as Weapon: BLAST ( ) 290 ANDRZEJ GASIOREK 13. Harmony, Discord, and Difference: Rhythm ( ), The Blue Review (1913), and The Signature (1915) 314 PETER BROOKER IX PART VI. EDITORS AND PROGRAMMES 14. The Idea of a Literary Review: T. S. Eliot and The Criterion 346 JASON HARDING 15. Enemies of Cant: The Athenaeum ( ) and The Adelphi ( ) 364 MICHAEL H. WHITWORTH 16. Standards of Criticism: The Calendar of Modern Letters (1925 7) 389 JOHN LUCAS 17. The Cause of Poetry: Thomas Moult and Voices ( ), Harold Monro and The Monthly Chapbook ( ) 405 MARK S. MORRISSON 18. Desmond MacCarthy, Life and Letters ( ), and Bloomsbury Modernism 428 JANE GOLDMAN PART VII. INTO THE 1920s: DISPERSAL AND DIFFERENCE, 19. Aftermath of War: Coterie ( ), New Coterie (1925-7), Robert Graves and The Owl ( ) 462 ANDREW THACKER 20. Literature and the Visual Arts: Art and Letters ( ) and The Apple (1920-2) 485 REBECCA BEASLEY 21. Cinema and Visual Culture: Close Up ( ) 505 LAURA MARCUS 22. Interventions in the Public Sphere: Time and Tide ( ) and The Bermondsey Book ( ) 530 JANE DOWSON
5 23. Cultural Criticism at the Margins: Wyndham Lewis, The Tyro (1920-1), and The Enemy (1927-9) 552 PAUL EDWARDS 24. Nostalgia and Reaction: Austin O. Spare and Form ( , ), The Golden Hind (1922 4), and The Decachord ( ) 570 STEPHEN ROGERS PART VIII. COMMITMENT TO THE NEW 25. Cambridge Magazines and Unfinished Business: Experiment ( ), The Venture ( ), and Cambridge Left (1933-4) 599 SCOTT MCCRACKEN 26. Art and Politics in the 1930s: The European Quarterly (1934 5), Left Review (1934 8), and Poetry and the People ( ) 623 PETER MARKS 27. Poetry Then: Geoffrey Grigson and New Verse (1933 9), Julian Symons and Twentieth Century Verse (1937 9) 647 STAN SMITH 28. A New Prose: John Lehmann and New Writing ( ) 669 FRANCOISE BORT 29. 'National papers please reprint': Surrealist Magazines in Britain: Contemporary Poetry and Prose (1936 7), London Bulletin ( ), and Arson: An Ardent Review (1942) 688 ROD MENGHAM,nj PART IX. BEYOND THE METROPOLIS J O J 30. Wales (1937-9), The Welsh Review ( ) 714 CHRIS HOPKINS 31. From Revolution to Republic: Magazines, Modernism, and Modernity in Ireland: The Klaxon (1923), The Irish Statesman ( ), The Dublin Magazine ( ), To-Morrow (1924), Ireland To-Day (1936-8), and The Bell ( ) 735 FRANK SHOVLIN
6 32. Modernism and National Identity in Scottish Magazines: The Evergreen (1895-7), Scottish Art and Letters ( ), The Scottish Chapbook (1922-3), The Northern Review (1924), The Scots Magazine (1924- ), The Modern Scot (1930-6), Outlook (1936-7), and The Voice of Scotland (1938-9,1945,1955) 759 CAIRNS CRAIG 33. A New 'Art of the Theatre': Gordon Craig's The Mask ( ) and The Marionette ( ) 785 OLGA TAXIDOU 34. Modernism as 'Uninfected Discourse': Laura Riding, Epilogue (1935-7) and Focus (1935) 806 MARK JACOBS XI PART X. THE CALL TO CRITICISM AND MODERNIST DESTINIES 35. 'Say Not the Struggle Naught Availeth...': Scrutiny ( ) 833 SEAN MATTHEWS 36. Cyril Connolly's Horizon ( ) and the End of Modernism 856 SEAN LATHAM 37. The Apocalyptic Poets, 'New Modernism', and 'The Progressive View of Art': Poetry London ( ) and Indian Writing (1940-2) 874 JAMES KEERY Bibliography 899 Index 931
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