STEVEN BRYANT. Solace. Wind Ensemble + Electronics (2012) Duration: 13. Commissioned by:

Transcription

1 STEVEN BRYANT Solace Wind Ensemle Electronics (01) Duration: 1 Commissioned y: niversity o North Carolina at Greensoro, ohn Locke and Kevin Geraldi (lead commissioner) Baylor niversity, Eric Wilson Boling Green niversity, Bruce Moss urman niversity, Leslie Hicken Harrison High School, Kennesa, GA, David Vandealker Illinois State niversity, Stehen Steele Indiana niversity, Stehen ratt Kennesa State niversity, David Kehler Shenandoah Conservatory, Damon Talley SNY otsdam Crane School, Brian Doyle Texas Tech niversity, Sarah McKoin niversity o Kansas, aul oiel niversity o Miami, Gary Green niversity o Ne Mexico, Eric Romach-Kendall

2 INSTRMENTATION lute I (doules iccolo) II III Ooe I II Bassoon I II Clarinet in B I II III B Bass Clarinet Alto Saxohone I (doules Sorano) II Tenor Saxohone Baritone Saxohone B Trumet I II III Horn in I II III IV Tromone I II III Euhonium I II Tua I II Contraass iano Keyoard (connected to lato comuter to trigger electronics) Timani ercussion 1: Crotales, Glockensiel ercussion : Virahone ercussion : Crotales (shared ith 1), Susended Cymals, Susended Crash (large) ercussion : Tam-tam ercussion : Bass Drum Steven Bryant / Gorilla Salad roductions (AA) stevenryantcom

3 ROGRAM NOTE Solace is music or its on sake, ordered irst and oremost y its on internal logic, derived rom a small amount o initial material Constructed rom a single nine-tone ro, the music is heavily anchored y the ersistent initial C/D throughout much o the iece, oten in the orm o a sutle, unsettled drone Solace divides into to equal halves The irst section oens ith a veiled atmoshere uilt on the irst notes o the ro A moment o harmonic staility in the iano gives ay to a steady ulse, uilding relentlessly to a dissonant climax, hich then sirals inard ack to the C/D anchor The iano returns, concluding ith a quantum o consolation, eore a rass chorale initiates the second section itting exressive luidity against rhythmic rigidity, the chorale aggregates mass, inally cohering into simle triadic clarity, hile simultaneously coming unmoored rom the sustained C/D that has anchored the ork The iano again returns, accomanied y clarinets, oering a quiet conclusion as their inal chord transorms into the amiliar ercolating drone, and evaorating Solace oers the exerience o seeking, and erhas inding, consolation Scored or standard ind ensemle lus electronics, the ork seamlessly augments the timre and oer o the ensemle y transorming recordings o individual layers rom ithin the grou Secial thanks to anet hillis (lute), Mark Cramer (Clarinet 1), Liam Scott (Clarinet ), Trevor Davis (Bass Clarinet), Xin Gao (Alto and Sorano Saxohone), and Seastian Schraml (Trumet) or their recorded contriutions ABOT THE COMOSER Steven Bryant s ( 197, Little Rock, Arkansas) musical interests san a variety o styles, and his catalog includes numerous orks or ind ensemle, orchestra, electronic and electro-acoustic creations, chamer music, and music or the e He studied comosition ith ohn Corigliano at The uilliard School, Cindy McTee at the niversity o North Texas, and rancis McBeth at Ouachita niversity A ull io and more is availale at stevenryantcom arts and Aleton Live set (electronics) availale rom stevenryantcom ERRATA and REVISIONS: stevenryantcom ino@stevenryantcom stevenryantcom

4 ELECTRONICS INSTRCTIONS AND SET Alays check stevenryantcom or the latest inormation EQIMENT: * Audio interace (MOT ltralite or re is hat I use any similar -channel interace should ork) * Comuter (Macintosh or Windos) - reeraly a lato or sace considerations onstage running Aleton Live sotare (aletoncom) - the ree demo version ill ork ine) Stereo A system ith suooer (see elo) 88-key MIDI keyoard (reeraly ith SB connection to connect to comuter) Headhone amliier and eariece/headhone or the conductor (ust or one ear) Monitor seakers: 1 or ercussion (aimed across the ack o the ensemle), and otionally 1 or or the ensemle i desired None should e necessary or the conductor The Solace Aleton Live sound set (rovided ree o charge uon ayment o the rental) * A re-conigured Macintosh lato and MOT interace are availale to rent or your erormance(s) Contact ino@stevenryantcom or details and a rice quote A SYSTEM: ull range oerul seakers or L and R, lus a suooer The mains should automatically roll over to the suooer The suooer is REQIRED, and NOT otional Seaker lacement should e either to the immediate sides o the ensemle, or ehind ensemle in the ack corners o the stage ront lacement is also ossile, ut needs to e as close to the and as ossile so the sound emanates rom the same erceived location as the and The goal is to integrate the electronic and acoustic sound orlds as seamlessly as ossile Do NOT use the house A system, esecially i the seakers are lon aove out over the audience This usually results in the sound eing disconnected rom the ensemle, and destroys the eect I'm trying to achieve House suooers may e used, hoever, since their lacement is less critical KEYBOARD SET: The comuter is set u onstage next to the keyoard controller (88-keys required ) The keyoard connects to the lato via SB (or MIDI-SB i it's an older keyoard ithout a SB connection), and a sotare driver may need to e installed or the comuter to detect the keyoard This sotare driver is manuacturerseciic to the model o keyoard, so ust go to the manuacturer's esite and donload the latest aroriate driver or your keyoard The comuter and audio interace sit next to the keyoardist (onstage), and the audio rom the interace is run into the A rom here A searate audio out rom the interace (outut ) goes to the odium to the headhone am or the conductor The keyoardist lays the notated art, hich is essentially an ascending chromatic scale These are simly triggers or sound events and ill not sound the notated itches A click track guide egins in m 181 to give the conductor the temo, ut it's not necessary to sync ith it - this is merely a rearatory guide or m 189 is here it egins in earnest, and the conductor and ensemle MST sync ith it rom mm 189- CONDCTOR: A headhone am ith volume kno is strongly recommended, so that the conductor can adust the volume as desired The keyoardist ill NOT e ale to adust the volume rom the comuter in erormance NOTE: the CLICK TRACK HEADHONE is NOT OTIONAL Mm 189- MST e synced recisely ith the electronics I you are using one side o a set o earuds/headhones, lease tae u the unused side so that the click is not audile to the audience through it COMTER TIS: Turn o Wii and all alarms, automatic udates, etc - you don't ant them oing u in the middle o erormance Do NOT run any other rograms than the Aleton Live Set during rehearsal and erormance

5 iccolo lute 1 lute lute Ooe 1 Ooe Bassoon 1 Bassoon Clarinet in B 1 Clarinet in B Clarinet in B Bass Clarinet Alto Sax 1 (dl Sorano) Alto Sax Tenor Sax Baritone Sax Trumet in B 1 Trumet in B Trumet in B Horn in 1 Horn in Horn in Horn in Tromone 1 Tromone Bass Tromone Euhonium 1 Euhonium Tua 1 Contraass Electronics Timani 1 Crotales Glock Virahone Crotales Sus Cym Bass Drum iano ercussion Keyoard ooooooooooooooooooooooooooooooooooooooooooo Ÿ (timral) o o ooooooooooooooooooooooo Ÿ (timral) ooooooooooooooooooooooooooooooo Ÿ (timral) o o o (no change) (no change) (no change) ô ò Ö ô ùö 1 Harmon Mute (/stem) Harmon Mute (/stem) Harmon Mute (/stem) GLOCK Molto Legato h = / q = 88 hard mallets hard mallets Let ring, alays (kee edal don) KEYBOARD = art or layer ELECTRONICS = hat you hear Alto (WAH, oening and closing over the time indicated) (WAH, oening and closing over the time indicated) ô ó õò Ö ô ùö (Harmon Mute (/stem)) (Harmon Mute (/stem)) 11 (Harmon Mute (/stem)) Solace Steven Bryant Steven Bryant / Gorilla Salad roductions (AA) aceookcom/sbryantcomoser Score (01) commissioned y a consortium led y the niversity o North Carolina Greensoro (transosed) 10 ERSAL ORE ERORMANCE MATERIALS AVAILABLE ROM stevenryantcom

6 l l O 1 O Bsn B Cl 1 B Cl B Cl A Sx 1 A Sx B Tt 1 B Tt B Tt Hn Hn Hn Tn 1 Tn B Tn Euh 1 Euh Tua 1 C Tim Vir BD Kd Bo ~~~~~~~~~~ o o oooooooooooooooooooooooooooooooooooooooooo Ÿ (timral) (no change) (no change) White Noise (ind) ó ô ûô ú Ö CROTALES π π π 7 ô ò É ô ò 8 8 æ 9 very sot mallets π æ 0 æ 1 æ

7 l l O 1 O Bsn B Cl 1 B Cl B Cl A Sx 1 A Sx B Tt 1 B Tt B Tt Hn Hn Hn Tn 1 Tn B Tn Euh 1 Euh Tua 1 C Tim Vir BD Kd ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ (1/-ste) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ (1/-ste) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ (hole-ste) (WIND) Rattling Static ************************************************************************************************ æ 17 1 æ π π π π (lute Echoes) R $ æ ñ æ æ 7 N æ 8 æ 9 æ 0 æ 1 æ ñ ñ Clarinet texture should dominate; Saxohone sound is "inside" the Clarinets n æ æ N æ æ æ 7 N æ 8 oco rit

8 9 l l O 1 O Bsn B Cl 1 B Cl B Cl A Sx 1 A Sx B Tt 1 a temo n N n N N cresc oco a oco cresc oco a oco cresc oco a oco cresc oco a oco cresc oco a oco cresc oco a oco cresc oco a oco cresc oco a oco cresc oco a oco cresc oco a oco cresc oco a oco R molto rit R R 7 B Tt B Tt Hn Hn Hn Tn 1 Tn B Tn Euh 1 Euh Tua 1 C arco n Kd Tim (STATIC) ******************************************************************************************************************************************************************************************************************************************* (WIND) Vir BD hard mallets

9 l l O 1 O Bsn B Cl 1 B Cl B Cl A Sx 1 A Sx B Tt 1 B Tt B Tt Hn Hn Hn Tn 1 Tn B Tn Euh 1 Euh Tua 1 C Tim Vir BD Kd o o () Drone (uling) MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM Ö ó ò É ô ùö 9 Harmon Mute (/stem) (stoed) (Harmon Mute (/stem)) (Harmon Mute (/stem)) a temo 9 0 TO SO 1 N St Mute St Mute St Mute ALL Glisses last entire duration notated ALL Glisses last entire duration notated Solo É Sorano (Blend ith So Saxohone) Solo n N N 7 8 N n 9 ALL Glisses last entire duration notated N 70 Solo Solo Solo ~~~~~~~~~~~~~~ Glissando ~~~~~~~~~~~~~~ Glissando ~~~~~~~ Gliss ~~~~~~~~~~~~~~~~~ Glissando ~~~~~~~~~~~~~~~~~ Glissando ~~~~~~~~~~~~~~~~~ Glissando

10 l l O 1 O Bsn B Cl 1 B Cl B Cl S Sx A Sx B Tt 1 B Tt B Tt Hn Hn Hn Tn 1 Tn B Tn Euh 1 Euh Tua 1 C Tim Vir BD Kd o o ed o o (no change) (no change) (no change) (DRONE) MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM o 7 7 N 7 77 ó ô ûô ú Ü ô ûô ú 78 (Harmon Mute (/stem)) Tutti Tutti N n 79 TO ALTO SYNTH CHORD CONT TRMET WAH 81 ê ê ïê ì 8 ó ö ô ò ó ó ö 8 is a relative dynamic here - these chords should e very ull, arm, and audile to the ack o the hall 8 8 Oen 8 8 ó ö ô ò ó ó ô é ë ê è n é éê 90 (arco) Tutti (CLAR ECHOES)

11 l l O 1 O Bsn B Cl 1 B Cl B Cl R S Sx A Sx B Tt 1 B Tt o B Tt Hn Hn Hn π Tn 1 Tn B Tn (St Mute) Euh 1 Euh Tua 1 C Kd Tim Vir BD cresc oco a oco n DRONE CONTINES TO m 100 MMMMMMMMMMMMMM ó ö Drone (distorted) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ é ë ê è é ëè cresc oco a oco (CLAR ECHOES) $ ó ö (CLAR ECHOES) ó ö ô ö ê ùö ô

12 8 101 l l O 1 O Bsn B Cl 1 B Cl B Cl R Ÿ (1/-ste) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n Ÿ (1/-ste) ~~~~~~~~~~~~~~~~~~ N N A Sx 1 A Sx B Tt 1 B Tt Ÿ (1/-ste) Tutti ~~~~~~ Tutti Ÿ (hole-ste) ~~~~~~~ Ÿ (1/-ste) ~~~~~~ Alto (Harmon Mute (/stem)) 7 r r Ÿ (1/-ste) ~~~~~~~~~~~~~~ Ÿ (hole-ste) ~~~~~~~~~~~~~~~ Ÿ (1/-ste) ~~~~~~~~~~~~~~~ 7 B Tt Hn Hn Hn Tn 1 Tn B Tn (St Mute) N N N N N N N N N N N N (stoed) Ÿ (1/-ste) ~~~~~~~~~~~~~~~~~~ (stoed) Ÿ (1/-ste) ~~~~~~~~~~~~~~~~~~ (St Mute) Euh 1 Euh Tua 1 C Kd Tim Vir BD é ë ê è SYNTH BASS $ (DRONE) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ sot mallets (lend ith Contraass - sudued and in the ackground) ñ Ö Ö ê íëé

13 l l O 1 O ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ RÔ (no attack - emerge rom l ) 109 n n 9 Bsn n B Cl 1 B Cl B Cl R R R A Sx 1 A Sx B Tt 1 B Tt B Tt Hn Hn Hn Tn 1 Tn B Tn Euh 1 Euh Tua 1 r Ÿ (1/-ste) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ o ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ o o ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Glissando (Harmon Mute (/stem)) (Harmon Mute (/stem)) (Harmon Mute (/stem)) (stoed) Ÿ (1/-ste) ~~~~~~~ (stoed) Ÿ (1/-ste) ~~~~~~~ (stoed) Ÿ (1/-ste) ~~~~~~~ (stoed) Ÿ (1/-ste) ~~~~~~~ C Ö àö É äé Kd Tim ñ (DRONE) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Vir BD Ö âüö CROTALES Bo ~~~~~~

14 10 11 l 1 l O 1 O Bsn B Cl 1 B Cl B Cl A Sx 1 A Sx Ÿ (1/-ste) ~~~~~~~~ Ÿ (hole-ste) ~~~~~~~~~ Ÿ (1/-ste) ~~~~~~~~ 7 B Tt 1 B Tt B Tt Hn Hn Hn Tn 1 ~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~ Bell over the stand - very ungent and ointed (Harmon Mute (/stem)) Make every note clearly cut through the and (Harmon Mute (/stem)) n Bell over the stand - very ungent and ointed Make every note clearly cut through the and cresc oco a oco cresc oco a oco (stoed) (stoed) (stoed) (stoed) (Harmon Mute (/stem)) Bell over the stand - very ungent and ointed Make every note clearly cut through the and cresc oco a oco (stoed) (stoed) (stoed) (stoed) Tn B Tn Euh 1 Euh Tua 1 C Kd Tim Vir BD ~~~~~~ É TRMET WAH o (DRONE) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ cresc oco a oco cresc oco a oco cresc oco a oco cresc oco a oco cresc oco a oco cresc oco a oco DRONE sloly increases in intensity and volume to m 1 N N N N N N

15 1 l l O 1 O Bsn B Cl 1 B Cl B Cl A Sx 1 A Sx B Tt 1 B Tt B Tt Hn Hn Hn Tn 1 Tn B Tn Euh 1 Euh Tua 1 C Kd - - Ÿ (1/-ste) ~~~~~~~~~~~~~~~~~ n Ÿ (hole-ste) ~~~~~~~~~~~~~~~~~~ - Ÿ (1/-ste) ~~~~~~~~~~~~~~~~~ N N N N 10 - A - Oen Oen Oen Oen n a Oen (DRONE) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ N - - N N N N N N N N N - Oen Oen Oen Oen Oen Tim cresc oco a oco æ Vir BD

16 1 l l O 1 O N Bsn B Cl 1 B Cl N B Cl N A Sx 1 N N A Sx N N B Tt 1 B Tt B Tt N N Hn N N Hn N Hn Tn 1 N N Tn N B Tn N Euh 1 N Euh N Tua 1 C N N Kd - (DRONE) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ N N N Tim æ æ æ Vir BD

17 1 l l O 1 O Bsn B Cl 1 B Cl B Cl A Sx 1 A Sx B Tt 1 B Tt B Tt Hn Hn Hn Tn 1 Tn B Tn Euh 1 Euh Tua 1 C Kd Tim Vir BD (DRONE) ~~~~~~~~~~~~~~~~~~~~~~~ ale ale ale ale ale ale ale ale ale ale ale ale ale ale ale ale ale ale ale ale ale 1 N ale N N ale ale ale ale ale SS CYM ale ale ale ale æ æ ñ 1 a n n n a n Ÿ ooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo (timral) n n n n n Ÿ ooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo ç L É Ñ Ö Ñ SS CRASH (lo) Ü í É 1 N N n n n é n Ö ë ç ç ç Ö Ü X ê è n É é âüö 17 SS CRASH (high) Ö n n N ç ç ç Exaggerate gliss; it must e clearly audile through the ensemle N é N ë ~~~~~ Gliss Exaggerate gliss; it must e clearly audile through the ensemle ~~~~~ Gliss N Ü í 18 SS CRASH (lo) 1

18 1 l l O 1 O Bsn B Cl 1 B Cl B Cl A Sx 1 A Sx B Tt 1 B Tt B Tt Hn Hn Hn Tn 1 Tn B Tn Euh 1 Euh Tua 1 C Kd Tim Vir BD N N N N TO SO ERSAL ORE ERORMANCE MATERIALS AVAILABLE ROM stevenryantcom ale ale ale ale N N æ (LTES) æ æ æ 19 æ æ 10 rit æ 11 æ SS CYM molto rit æ Ö É æ ñ 1 æ SS CRASH (lo) ò ó É 1 ô ò 1 NOTE: ait until the elec texture has resolved to a single, sustained D and egun to diminuendo eore roceeding at m 1 ca 7" 1

19 l l O 1 O Bsn B Cl 1 B Cl B Cl S Sx A Sx B Tt 1 B Tt B Tt Hn Hn Hn Tn 1 Tn B Tn Euh 1 Euh Tua 1 C Tim Vir BD Kd Drone (uling) MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM 1 Slightly Sloer than a temo, ruato h = 0 / q = 80 1 non vi ôö ó ö 18 ca 10" 1

20 l l O 1 O Bsn B Cl 1 B Cl B Cl S Sx A Sx B Tt 1 B Tt B Tt Hn Hn Hn Tn 1 Tn B Tn Euh 1 Euh Tua 1 C Tim Vir BD Kd (DRONE) MMMMMMMMMMMMMMMMMMMM 19 Temo I h = / q = Horn in

21 l l O 1 O Bsn B Cl 1 B Cl B Cl S Sx A Sx B Tt 1 B Tt B Tt Hn Hn Hn Tn 1 Tn B Tn Euh 1 Euh Tua 1 C Tim Vir BD Kd CLICK GIDE BEGINS: q = 88 CLICK GIDE BEGINS: q = 88 CLICK GIDE: OR SE AS A METRONOME IN REARATION OR ELECTRONICS' ENTRANCE IN M 189 NOT NECESSARY TO SYNC WITH IT CLICK GIDE: OR SE AS A METRONOME IN REARATION OR ELECTRONICS' ENTRANCE IN M 189 NOT NECESSARY TO SYNC WITH IT N N izz 189 STATIC/NOISE ERCSSION CLICK TRACK NOISE ERC BEGINS q = 88 CLICK TRACK NOISE ERC BEGINS q = N - 19 π

22 18 00 l l O 1 O Bsn B Cl 1 B Cl B Cl S Sx A Sx B Tt 1 B Tt B Tt N n Hn n Hn N n Hn Tn 1 Tn B Tn n Euh 1 Euh Tua 1 C N Kd Tim N N N - n N Vir BD æ SS CYM ñ 199 hard mallets É (like a dee hearteat - strong enough to e elt y the audience, ut still uried in the ensemle)

23 1 19 l l O 1 O Bsn B Cl 1 n n B Cl B Cl S Sx A Sx B Tt 1 B Tt B Tt Hn Hn Hn Tn 1 Tn B Tn Euh 1 Euh Tua 1 C Kd N N N N N N N N N N N n arco Tim Vir CROTALES Bo é ~~~~ BD SS CYM æ ñ 1 SS CRASH (lo) Ü ó

24 0 0 l l O 1 O Bsn B Cl 1 B Cl B Cl S Sx A Sx B Tt 1 B Tt B Tt Hn Hn Hn Tn 1 Tn B Tn Euh 1 Euh Tua 1 (cut through the and) N N N N n n N Exaggerate gliss ~~~~~~~~~~~~ Glissando Exaggerate gliss ~~~~~~~~~~~~ Glissando C æ ~~~~~~~~~~ Glissando Kd Tim Vir æ ~~~~~~~~~ Glissando BD SS CYM æ ñ æ 9 SS CRASH (lo) Ü ó 0

25 1 l l O 1 O N N N N ẘ N N Bsn B Cl 1 N n N B Cl n N B Cl N ale ale ale ale ale ale ale ale ale ale N ale ale ale ale ale ale ale S Sx A Sx Sorano ale ale N N ale ale ale B Tt 1 B Tt n n B Tt N ale ale ale ale ale ale ale ale ale ale ale ale ale ale ale ale ale n ale ale ale ale ale ale ale ale ale Hn N ale ale ale ale ale ale ale ale ale Hn n ale ale ale ale ale ale ale ale ale Hn Tn 1 N N n ale ale ale ale ale ale ẘ ale ale ale N Tn N B Tn N Euh 1 Euh N Tua 1 N N N C ale ale ale ale ale ale ale N N Kd Tim Vir BD N N

26 l l O 1 O Bsn B Cl 1 B Cl B Cl S Sx A Sx B Tt 1 B Tt B Tt Hn Hn Hn Tn 1 Tn B Tn Euh 1 Euh Tua 1 C Kd Tim Vir BD ẘ ẘ ale ale ale ale ẘ ale ale ale ale ale ale ale ale ale ale ale ale ale ale ERSAL ORE ale ale ale ale ale ẘ N N ERORMANCE MATERIALS AVAILABLE ROM N stevenryantcom N N N N N N N GLOCK ê ë é è ê ë é è 7 8 æ SS CYM ñ 9 SS CRASH (lo) Ñ ó 0 1 ô ò ó ö æ ñ æ ñ SS CYM æ æ