Objec&ve % Explain design concepts used to create digital graphics.
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1 Objec&ve % Explain design concepts used to create digital graphics.
2 Part 1: Elements of Design q Color q Line q Shape q Texture
3 Color q Helps iden&fy objects in a design. q Creates visual flow in a design. q Communicates feelings and moods to the audience or viewer. q Consists of hue, satura&on, and brightness. q Watch this video on Color Theory Basics
4 Color q Par&cular colors in a design can communicate certain moods and feelings to the audience RED - excitement, anger, danger, love BLUE - calm, sadness, serenity GREEN - envy, luck, peacefulness YELLOW - cowardice, sympathy cheerfulness ORANGE - liveliness, energy warmth PURPLE - royalty, dignity mystery BLACK - mourning, despair sophistication WHITE - innocence, purity, faith
5 Color Scheme q The purposeful selec&on of colors for use in design. q Sets a mood, alracts alen&on, or makes a statement. q Color can be your most powerful design element if you learn to use it effec&vely. q Color schemes usually are limited to 2 or 3 colors.
6 Complementary Colors q Colors across from each other on the color wheel work well together when used in a design Example : Purple and Green
7 Hue q The name given to a color Within a par&cular hue, a variety of individual colors can be created by changing satura&on and brightness Select Hue on color bar using sliders.
8 Saturation q The amount of hue used in a par&cular color. Example : PURPLE Less saturated with the purple hue. More saturated with the purple hue.
9 Brightness q How light or dark a color appears; adding black or white changes a color s brightness. Example : GREEN Bright Green (white added to a green hue). Dark Green (black added to green hue).
10 Lines q Give direc&on to a design. q Create movement in a design. q Thick lines show importance, thin lines demonstrate quick movement.
11 Lines VERTICAL LINES -carry eye up and down -convey a feeling of awe or challenge DIAGONAL LINES -slanted -add interest to a design HORIZONTAL LINES -carry eye le^ and right -convey a feeling of calm or peacefulness CURVED LINES -gently bent -give a so^, relaxed feel to a design
12 Shape q The form of an object. q When lines enclose a space. q Can be used to help iden&fy objects: Example : circle = sun, oval = egg q Three basic shape types:
13 Texture q Combina&on of dots, lines, and colors used create the illusion of a surface appearance. q Adds depth and dimension to a design.
14 Part 2: Principles of Design q Propor&on q Balance q Rhythm q Emphasis q Unity/Harmony
15 Proportion q A size rela&onship between components of a design. q Propor&on can be: Between one component of a design and another component. OR Between a component and the design as a whole. q Good propor&on adds harmony, symmetry, or balance among the parts of a design.
16 Balance q How design elements are arranged either horizontally or ver&cally on the canvas. q FORMAL BALANCE Also known as symmetrical balance Design is exactly equal on both sides q INFORMAL BALANCE Also known as asymmetrical balance Both sides of the design are not equal, but are s&ll balanced
17 Symmetrical Balance Radial Symmetry Horizontal Symmetry Approximate Horizontal Symmetry
18 Asymmetrical Balance
19 Rhythm q Crea&ng the feeling of movement in a design. Generated through the repe&&on of lines, colors, shapes, and textures.
20 Emphasis q Center of interest in a design. q Component of the design that is no&ced first by the audience. q Creates visual flow or hierarchy which carries the viewer s eye through the design. q Use differences in size, color, and type.
21 Unity/Harmony q When all components of a design look as if they belong together. Achieved when the Elements and Principles of Design are used effec&vely. q Alignment o^en impacts unity/harmony. Arranging design components in an organized and visually appealing manner. q White Space The absence of text or graphics in a design; visual breathing room for the eye; helps avoid overcrowding and creates natural flow.
22 Part 3 Digital Graphics q Any image or design created or edited by a computer. Drawings Logos Photos Adver&sing BuLons Icons Diagrams Charts
23 Digital Graphics q Bitmap Graphics Use square pixels arranged in a grid that have assigned colors. Lose clarity when viewed up close or zoomed in. Also referred to as Raster Graphics. q Vector Graphics Use mathema&cal formulas to define lines, points, curves, and other alributes. Do not lose clarity when viewed up close or zoomed in. Best type of graphic for prin&ng in large scale.
24 Resolution q Describes the clarity of Bitmap Graphics. q Determined and defined by the number of Pixels Per Inch (PPI). q LOW RESOLUTION Blurry in appearance Rela&vely small file size q HIGH RESOLUTION Very clear in appearance Rela&vely large file size
25 Color Modes of Digital Graphics q Black & White - uses only true black and true white. q Grayscale - uses true black, true white, and all shades of gray in between. q True Color - all possible color combina&ons. q RGB (Red, Green, Blue) - op&mized for viewing on a screen. q CMYK (Cyan, Yellow, Magenta, Black) - op&mized for prin&ng purposes.
26 Color Depth q The number of dis&nct colors a graphic is capable of displaying. q Related to color mode: Black & White Indexed Color (256 colors) True Color (16.7 million colors)
27 Color Terms q Color Profile A pre-determined subset of specific colors assigned to an image; preset for devices like scanners, digital cameras, monitors, and printers so that the color of an image remains true from source to des&na&on. q Color Gamut The range of colors that is defined by the color profile; when working within a given color profile, color choices are selected from the gamut.
28 Color Terms q Color Libraries Color system manufacturers create standardized colors for communica&ng color informa&on across apps and processes, i.e. Pantone. q Dithering If a par&cular output device (monitor, web page, etc.) cannot display colors within the assigned color profile, a process called dithering peppers in pixels of similar colors to replace the colors that cannot be displayed.
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