Art History. Assignments. Current mark: Name: /10 The Arnolfini Portrait /10 The Ambassadors /10 La Grande Jatte /10 Guernica

Size: px

Start display at page:

Download "Art History. Assignments. Current mark: Name: /10 The Arnolfini Portrait /10 The Ambassadors /10 La Grande Jatte /10 Guernica"

Clement Hudson
5 years ago
Views:

1 Art History Name: Assignments /10 The Arnolfini Portrait /10 The Ambassadors /10 La Grande Jatte /10 Guernica Current mark:

Ancient Art History Unknown, The Death Mask of Tutankhamun, c. 1320 BC Gold & inlaid glass and gemstones, 54 39.

1320 BC Gold & inlaid glass and gemstones, 54 39.

3 Ancient Art History Unknown, The Death Mask of Tutankhamun, c BC Gold & inlaid glass and gemstones, cm, Egyptian Museum, Cairo Unknown, The Death Mask of Tutankhamun, c BC Gold & inlaid glass and gemstones, cm, Egyptian Museum, Cairo Unknown, The Terracotta Army, BC Life-size terracotta, Mausoleum of the First Qin Emperor, China Unknown, The Terracotta Army, BC Life-size terracotta, Mausoleum of the First Qin Emperor, China

Nazionale Romano, Rome Unknown, Colossus of Constantine, c.

4 Ancient Art History Myron Discus-thrower (discobolus) Roman copy of 5th C original Marble copy of bronze original 155cm tall Museo Nazionale Romano, Rome Unknown, Colossus of Constantine, c White marble, brick, wood, and gilded bronze, Musei Capitolini, Rome

1180-1194 Mosaic, cathedral of Monreale, Sicily, Italy Unknown, The Wilton Diptych, c.

5 Medieval Art History Unknown, Christ Pantocrator, c Mosaic, cathedral of Monreale, Sicily, Italy Unknown, Christ Pantocrator, c Mosaic, cathedral of Monreale, Sicily, Italy Unknown, The Wilton Diptych, c Tempera on oak, two panels of 53 x 37cm, National Gallery, London Unknown, The Wilton Diptych, c Tempera on oak, two panels of 53 x 37cm, National Gallery, London

Italian Renaissance Art History Look online for

of the slide presentation, and links to other

Leonardo da Vinci, The Last Supper, 1494 1498

cm, Milan da Vinci, Mona Lisa, 1503-1519

6 Italian Renaissance Art History Look online for close up colour versions of each artwork, a copy of the slide presentation, and links to other resources. Leonardo da Vinci, The Last Supper, Tempera on gesso, pitch and mastic, 460 cm 880 cm, Milan da Vinci, Mona Lisa, Michelangelo Buonarroti, The Sistine Chapel Raphael, The School of Athens, Fresco, Apostolic Palace, Vatican City Sandro Botticelli, La Primavera, c Tempera on panel, 202 cm 314 cm, Uffizi Gallery, Florence Andrea Mantegna, The Lamentation of Christ, c Tempera on canvas, 68 cm 81 cm, Milan

Northern Renaissance Art History Look online for close

slide presentation, and links to other resources.

Oil on wooden panels, 220 x 389 cm, Museo del Prado,

Oil on canvas, 207 x 209 cm, National Gallery, London.

Oil on wood, 336 589 cm, Colmar, Alsace, France.

7 Northern Renaissance Art History Look online for close up colour versions of each artwork, a copy of the slide presentation, and links to other resources. Jan van Eyck, The Arnolfini Wedding, Albrecht Dürer, Self-portrait, Bosch, The Garden of Earthly Delights, c Oil on wooden panels, 220 x 389 cm, Museo del Prado, Madrid. Hans Holbein, The Ambassadors, Oil on canvas, 207 x 209 cm, National Gallery, London. Matthias Grünewald, Isenheim Altarpiece, c Oil on wood, cm, Colmar, Alsace, France. Pieter Bruegel the Elder, The Hunters in the Snow, Oil on panel, cm, Kunsthistorisches Museum, Vienna.

8 Baroque Art History Carravaggio, The Conversion on the Way to Damascus, Artemisia Gentileschi, Judith Slaying Holofernes, Caravaggio, Supper at Emmaus, 1601 Oil on canvas, 141 cm cm, National Gallery, London Look online for close up colour versions of each artwork, a copy of the slide presentation, and links to other resources. Frans Hals, Laughing Cavalier, 1624 Oil on canvas, 83 cm 67.3 cm, Wallace Collection, London

9 Diego Velázquez, Las Meninas, 1656 Johannes Vermeer, The Art of Painting, 1666 Rembrandt, Self-portrait, 1669 Oil on canvas, 86x 70.5 cm, National Gallery, London Diego Velázquez, Portrait of Pope Innocent X, c Oil on canvas, 141 cm 119 cm, Galleria Doria Pamphilj, Rome

Neoclassical Art History Jacques-Louis David, The

Death of Marat, 1793 Oil on canvas, 165 cm 128 cm,

colour versions of each artwork, a copy of the

Jean-Auguste-Dominique Ingres, Princesse de

10 Neoclassical Art History Jacques-Louis David, The Oath of the Horatii, 1784 Jacques-Louis David, The Death of Marat, 1793 Oil on canvas, 165 cm 128 cm, Brussels Canova, Psyche Revived by Cupid's Kiss, Marble, 1.55m x 1.68m x 1.01m, The Louvre, Paris Look online for close up colour versions of each artwork, a copy of the slide presentation, and links to other resources. Jean-Auguste-Dominique Ingres, Princesse de Broglie, Oil on canvas, x 90.8 cm, The Metropoitan Museum of Art

Romantic Art History Eugène Delacroix, Liberty Leading the

25m, Musée du Louvre, Paris Francisco Goya, The Third of May

Madrid John Constable, The Hay Wain, 1821 Oil on canvas, 130 cm

Eismeer (The Sea of Ice), 1823-24 Oil on canvas, 50x38,

each artwork, a copy of the slide presentation, and links to

11 Romantic Art History Eugène Delacroix, Liberty Leading the People, 1830 Oil on canvas, 2.6 x 3.25m, Musée du Louvre, Paris Francisco Goya, The Third of May 1808, 1814 Oil on canvas, 268 cm 347 cm, Museo del Prado, Madrid John Constable, The Hay Wain, 1821 Oil on canvas, 130 cm 185 cm, National Gallery, London Caspar David Friedrich, Das Eismeer (The Sea of Ice), Oil on canvas, 50x38, Kunsthalle Hamburg Look online for close up colour versions of each artwork, a copy of the slide presentation, and links to other resources. Théodore Géricault, Raft of the Medusa, Oil on canvas, 193 x 282 inches, Musée du Louvre, Paris

Impressionism & Post-Impressionism Art History

Grande Jatte, 1884 1886 Oil on canvas, 207.

Monet, Water Lilies, 1916 Oil on canvas, 200.

Édouard Manet, Olympia, 1863 Oil on canvas, 130.

Bar at the Folies-Bergère, 1881-82 Oil on canvas,

12 Impressionism & Post-Impressionism Art History Seurat, A Sunday Afternoon on the Island of La Grande Jatte, Oil on canvas, cm 308 cm, Art Institute of Chicago Claude Monet, Water Lilies, 1916 Oil on canvas, cm, National Museum of Western Art, Tokyo Édouard Manet, Olympia, 1863 Oil on canvas, cm 190 cm, Musée d'orsay, Paris Edouard Manet, A Bar at the Folies-Bergère, Oil on canvas, 96 x 130 cm, Courtauld Gallery, London Paul Cezanne, Mont Sainte Victoire, 1898

Katsushika Hokusai, The Great Wave off Kanagawa, c.

8 cm Vincent van Gogh, The Starry Night, 1889 Oil on canvas,

1 cm, Museum of Modern Art, New York Look online for close up

presentation, and links to other resources.

13 Katsushika Hokusai, The Great Wave off Kanagawa, c Color woodcut, 25.7 cm 37.8 cm Vincent van Gogh, The Starry Night, 1889 Oil on canvas, 73.7 cm 92.1 cm, Museum of Modern Art, New York Look online for close up colour versions of each artwork, a copy of the slide presentation, and links to other resources. Mary Cassatt, The Child's Bath, 1893 Oil on canvas, 100 x 66 cm, Art Institute of Chicago Edgar Degas, The Dancing Class, Oil on canvas, 85 x 75 cm, Musee D'Orsay, Paris

with Dead Child, 1903 Etching, 39 48 cm,

Entry into Brussels in 1889, 1888 Oil on

14 Expressionism Art History Gustav Klimt, The Kiss, Käthe Kollwitz, Woman with Dead Child, 1903 Etching, cm, Kunsthalle, Bremen James Ensor, Christ's Entry into Brussels in 1889, 1888 Oil on canvas, x cm, J. Paul Getty Museum

Max Beckmann, The Night (Die Nacht), 1918-19 Oil

Nordrhein-Westfalen, Düsseldorf Edvard Munch, Der

Zeitung Otto Dix, Portrait of the Journalist

15 Max Beckmann, The Night (Die Nacht), Oil on canvas, 133 x 153 cm, Kunstsammlung Nordrhein-Westfalen, Düsseldorf Edvard Munch, Der Schrei der Natur (The Scream of Nature), 1893 John Heartfield, Hitler Salute, 1932 Photomontage, cover of the Arbeiter Illustrierte Zeitung Otto Dix, Portrait of the Journalist Sylvia Von Harden, 1926 Oil on canvas, 89 x 121 cm, Centre Georges Pompidou, Paris

Abstract Art History Wassily Kandinsky, Composition IV,

each artwork, a copy of the slide presentation, and

10, 1939-42 Oil on canvas, 80 73 cm, Private collection

540 cm 240 cm, National Gallery of Canada Georgia O

x 19, Art Institute of Chicago Jackson Pollock, One:

16 Abstract Art History Wassily Kandinsky, Composition IV, 1911 dorf Look online for close up colour versions of each artwork, a copy of the slide presentation, and links to other resources. Piet Mondrian, Composition No. 10, Oil on canvas, cm, Private collection Barnett Newman, Voice of Fire, 1967 Acrylic on canvas, 540 cm 240 cm, National Gallery of Canada Georgia O Keeffe, Blue and Green Music, Oil on canvas, 23 x 19, Art Institute of Chicago Jackson Pollock, One: Number 31, 1950 Oil and enamel on canvas, x cm, MOMA, NY

Surrealism Art History Salvador Dalí, The

cm, Museum of Modern Art (MOMA), New York Joseph

versions of each artwork, a copy of the slide

Rene Magritte, The False Mirror, 1928 Oil on

Meret Oppenheim, Object (Fur Cup), 1936 Frida

17 Surrealism Art History Salvador Dalí, The Persistence of Memory, 1931 Oil on canvas, 24 x 33 cm, Museum of Modern Art (MOMA), New York Joseph Cornell, Hotel Eden Look online for close up colour versions of each artwork, a copy of the slide presentation, and links to other resources. Rene Magritte, The False Mirror, 1928 Oil on canvas, 54 x 81 cm, Museum of Modern Art (MOMA), NY Meret Oppenheim, Object (Fur Cup), 1936 Frida Kahlo, The Two Fridas, 1939 Oil on canvas, 67 x 67, Museo de Arte Moderno, Mexico City

Modernist Art History Edward Hopper, Nighthawks, 1942 Oil on canvas,

artwork, a copy of the slide presentation, and links to other

Henri Matisse, The Dessert: Harmony in Red (The Red Room), 1908 Oil

18 Modernist Art History Edward Hopper, Nighthawks, 1942 Oil on canvas, 33 x 60, Art Institute of Chicago Pablo Picasso, Three Musicians, 1921 Oil on canvas, x cm, MOMA NY Look online for close up colour versions of each artwork, a copy of the slide presentation, and links to other resources. Henri Matisse, The Dessert: Harmony in Red (The Red Room), 1908 Oil on canvas, 180 x 220 cm, Hermitage Museum, St. Petersburg, Russia Marcel Duchamp, Nude Descending a Staircase (No. 2), 1912 Oil on canvas, 147 x 89.2 cm, Philadelphia Museum of Art

19 Pablo Picasso, Guernica, 1937 Oil on canvas, 349 x 776 cm, Museo Reina Sofia, Madrid Charles Demuth, I Saw the Figure 5 in Gold, 1928 Oil on cardboard, 90.2 x 76.2 cm, Metropolitan Museum of Art, NY Chagall, I and the Village, 1911 Oil on canvas, cm cm, Museum of Modern Art, NY

Dada Art History René Magritte, The Treachery of

98 cm, Los Angeles County Museum of Art Look online for

paint, 61 x 31 x 48 cm Tate Modern, Philadelphia Museum

.. Hannah Höch, Cut with the Kitchen Knife through the

20 Dada Art History René Magritte, The Treachery of Images, Oil on canvas, 63.5 cm cm, Los Angeles County Museum of Art Look online for close up colour versions of each artwork, a copy of the slide presentation, and links to other resources. Marcel Duchamp, Fountain, 1917 Found object and oil paint, 61 x 31 x 48 cm Tate Modern, Philadelphia Museum of Art, National Gallery of Canada,... Hannah Höch, Cut with the Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany, Kurt Schwitters, The Merzbau, Hanover, 1933

Pop Art History Roy Lichtenstein, In the Car, 1963 Oil

of Modern Art Andy Warhol, Marilyn Monroe, 1962 Silk

artwork, a copy of the slide presentation, and links to

Jeff Koons, Rabbit, 1986 Stainless steel, 41 x 19 x 12,

21 Pop Art History Roy Lichtenstein, In the Car, 1963 Oil and Magna on canvas, 172 cm cm, Scottish Nat. Gal. of Modern Art Andy Warhol, Marilyn Monroe, 1962 Silk screen Look online for close up colour versions of each artwork, a copy of the slide presentation, and links to other resources. Jeff Koons, Rabbit, 1986 Stainless steel, 41 x 19 x 12, Museum of Contemporary Art, Chicago Richard Hamilton, 1956, Collage, 10 ¼ x 9 ¾, Kunsthalle Tübingen, Tübingen

Canada s Group of Seven Art History Arthur Lismer, Olympic

Canadian War Museum Look online for close up colour versions

Emily Carr, Eagle Totem, c 1930 Oil on canvas, 61 x 46cm,

22 Canada s Group of Seven Art History Arthur Lismer, Olympic with Returned Soldiers, 1919 Oil on canvas, 123 x 163 cm, Canadian War Museum Look online for close up colour versions of each artwork, a copy of the slide presentation, and links to other resources. Lawren Harris, Baffin Island, c 1931 Art Gallery of Ontario Emily Carr, Eagle Totem, c 1930 Oil on canvas, 61 x 46cm, private collection Tom Thompson, The Jack Pine, Oil on canvas, cm, National Gallery of Canada

Name: Art History Jan van Eyck, The Arnolfini Portrait, 1434. Looking at artworks begins with observation. Think of it as approaching each artwork as a mystery to be solved. What is going on?

23 Name: Art History Jan van Eyck, The Arnolfini Portrait, Looking at artworks begins with observation. Think of it as approaching each artwork as a mystery to be solved. What is going on? Why did the artist make this? What is it about? Like a detective, you will be looking for clues that will help you answer these kinds of questions this semester. Let s start by practicing our observational skills. Please list what you see, including their location. For example: There are shoes in the corner

24 Art Analysis The Ambassadors Name: /10 i Hans Holbein, The Ambassadors, 1533

25 1) Observe: Please list 8 things that you see: / 8 1 pt for each thing observed /2 1pt for opinion 1pt for reason 2) Evaluate: Is this a good artwork? Yes or no? Please give a thoughtful reason why this is so.

26 Art Analysis: La Grande Jatte Name: /10 i Georges-Pierre Seurat, A Sunday Afternoon on the Island of La Grande Jatte,

27 1) Observe: Please list 8 things that you see: / 8 1 pt for each thing observed /2 1pt for opinion 1pt for reason 2) Evaluate: Is this a good artwork? Yes or no? Please give a thoughtful reason why this is so.

Art Analysis: Guernica Name: /10 i Pablo Picasso, Guernica, 1937 When this painting was made, most people would have been aware that the small Spanish village of Guernica

28 Art Analysis: Guernica Name: /10 i Pablo Picasso, Guernica, 1937 When this painting was made, most people would have been aware that the small Spanish village of Guernica was bombed by Italian and German warplanes. The Pro-Fascist Spanish government believed the village contained anti-fascist rebels, and asked Italy and Germany to help fight.

29 1) Observe: Please list 8 things that you see: / 8 1 pt for each thing observed /2 1pt for opinion 1pt for reason 2) Evaluate: Is this a good artwork? Yes or no? Please give a thoughtful reason why this is so.

30 Art Vocabulary Analogous colours Background Blending Blurring details Brainstorming Brushstroke Central composition Colour composition Colour scheme Colour mixing Colour wheel Complementary colours Composition Contour drawing Contrast Cool colours Creativity Cropping Cross-hatching Cyan Decreasing contrast Depth Detail Dry brush painting Dull colours Foreground Hatching Idea development groups of colours that are next to each other on the colour wheel the part of an artwork that is far away mixing from light to dark making small things have less detail so they seem far away coming up with a large number of ideas the mark made by the bristles of a brush in painting an arrangement where the most important thing is in the middle the arrangement of colours in an artwork the choice of colours in an artwork adding two or more colours together a circle of coloured sections that shows the relationships between colours colours that are opposites on the colour wheel the arrangement of things in an artwork drawing the edges and outlines the difference between the lights and darks colours that are calm and soothing, such as blues and greens ideas that are useful, unique, and insightful cutting off part of a picture drawing using close parallel lines that that cross each other at an angle a greenish-blue colour that is one of the colour primaries making the range between the lights and darks smaller so that things look muddier and far away the sense that some things are near and others are far away small, important parts of a drawing creating scratchy brushstrokes using a brush that is mostly dry colours that are weak, and not very vivid the part of an artwork that is biggest and closest drawing using close parallel lines a process that is used to create useful, insightful, and unique ideas

31 Increasing contrast making the range between the lights and darks bigger so that things look more intense and close up Insightful Intense colours Magenta Modelling Negative space Non-central composition Positive space Primary colour Reference images Rotating Secondary colour Shading Sharpening details Smoothness something that shows deep thinking colours that are strong and very vivid a reddish purple (hot pink) that is one of the colour primaries making things 3D using blending the shape of the space between the things you would normally look at (the positive space) an arrangement where the most important thing is NOT in the middle the contour of the things you would normally look at a colour that cannot be mixed using other colours: cyan, yellow, and magenta photographs used to look at so you can make a better artwork turning a picture to a new angle a colour that is created by mixing two primary colours: red, green, and blue drawing with white, black, and greys making small things have more detail so they seem close up drawing cleanly, with no bumps Split complement colour scheme a colour scheme using one base colour, and two colours on either side of the complementary Square colour scheme Stippling Texture Thumbnail drawings Triad colour scheme Unique Warm colours Web-mapping Wet-on-wet painting Zooming in/zooming out a colour scheme in which colours are balanced around the colour wheel in the shape of a square drawing using small dots drawing that looks the same as what it feels like small drawings that are used to develop the composition of an artwork a colour scheme in which colours are balanced around the colour wheel in the shape of a triangle something that is rare, or one-of-a-kind colours that are suggestive of heat or passion: yellows, oranges, and reds linking together ideas into a web adding paint to an already wet painting surface making a picture seem closer (zoom in) or further away (zoom out)

Lesson 6: The Realists. The Pre-Raphaelite Movement. Pages 34-36

Lesson 6: The Realists. The Pre-Raphaelite Movement. Pages 34-36 Lesson 6: The Realists The Pre-Raphaelite Movement Pages 34-36 The Realists: Courbet and Manet Mid-1800 s Photography being developed More interest in greater accuracy of paintings The Fifer, Edouard Manet