AP History of Art,;Dr. Schiller Neoclassical/Romanticism/Realism Practice Questions Questions 1 4 refer to the image below.

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AP History of Art,;Dr. Schiller Neoclassical/Romanticism/Realism Practice Questions Questions 1 4 refer to the image below. 1. Who was the artist of this picture? a. Canova b. Kauffman c. Copley d.

David b. Pietá c. Moses d. Creation of Adam e. Last Judgment 4. This work involves a. Ancient Greece b. the French Revolution c. the American Revolution d. Ancient Rome 5.

1 AP History of Art,;Dr. Schiller Neoclassical/Romanticism/Realism Practice Questions Questions 1 4 refer to the image below. 1. Who was the artist of this picture? a. Canova b. Kauffman c. Copley d. Goya e. David 2. This work is a. Neoclassical b. Romantic 3. In this picture it is assumed that the viewer is aware of Michelangelo s (i.e. is familiar with a work of his in a similar body position) a. David b. Pietá c. Moses d. Creation of Adam e. Last Judgment 4. This work involves a. Ancient Greece b. the French Revolution c. the American Revolution d. Ancient Rome 5. Antonio Canova s sculptures a. are rough to the touch b. exploit the sensuality of the flesh c. were never exhibited in his lifetime d. were carved by assistants Questions 6 7 refer to the image below. 6. Who is the artist of this painting Family of Charles IV? a. a. Canova b. Kauffman c. Copley d. Goya e. David 7. The artist assume the audience for this painting would be familiar with a. Goya s Saturn Devouring his Children b. Velázquez Las Meninas c. Raphael s School of Athens d. David s Oath of the Horatii 8. The artist of this work is a self-portrait of Page 1 of 8

the ancients preferred to work in bronze b. that ancient sculpture was painted c. Pompeii was the center of ancient art d. sculpting in marble was continuing the tradition set in the ancient world 12.

2 a. Tintoretto b. Leyster c. Gentileschi d. Vigee-Lebrun 9. For Europeans, going on the grand tour meant visiting a. Italy b. Austria c. Spain d. Greece 10. Romantic artists reacted against Neoclassicism and a. the Scientific Revolution b. the Protestant Reformation c. the Industrial Revolution d. the American Civil War 11. Neoclassicists assumed that a. the ancients preferred to work in bronze b. that ancient sculpture was painted c. Pompeii was the center of ancient art d. sculpting in marble was continuing the tradition set in the ancient world 12. The Royal Crescent was built so that its residents could take advantage of a famous spa at the city of a. London b. Bath c. Liverpool d. Paris 13. Neoclassical architects were strongly influenced by the work of a. Christopher Wren b. Andrea Palladio c. Francesco Borromini d. Antonio Canova Questions refer to the image below. 14. Who is the artist of this work? a. Goya b. David c. Delacroix d. Rude 15. This work is a. Neoclassical b. Romantic 16. This work concerns a. the Revolution of 1830 b. American independence c. the Rape of the Sabine Women d. French Revolution 17. David s The Oath of the Horatii is based on an ancient Roman story, but the painting technique owes a great deal to Page 2 of 8

a. Rubens b. Caravaggio c. Vermeer d. Pontormo 18. Hogarth s satiric paintings are a reflection of a movement in the 18th century called a. the Enlightenment b. Naturalism c.

3 a. Rubens b. Caravaggio c. Vermeer d. Pontormo 18. Hogarth s satiric paintings are a reflection of a movement in the 18th century called a. the Enlightenment b. Naturalism c. the Industrial Revolution d. the Grand Tour 19. A type of photograph made by an early method on a plate of chemically treated metal. a. lithograph b. etching c. silk screen d. daguerreotype 20. David s artwork appears to be at least partly inspired by earlier artists like a. Titian b. El Greco c. Caravaggio d. Jean-Antoine Watteau 21. The Coalbrookdale Bridge is important in the history of architecture because it a. is made of iron b. uses a suspension system c. is based on Roman models d. spans a wide river 22. Unlike painters of the Hudson River School, Winslow Homer liked to paint a. unpretentious scenes b. picturesque images c. heroic events d. lonely landscapes 23. A painting that captures the sublime a. has a political overtone b. makes the viewer pause in wonder c. rejects the precision of photography d. has a medieval theme 24. Romantic artists a. embraced the spirit of the Enlightenment b. favored harmonious and balanced compositions c. rejected reason in favor of emotion d. used color in the manner of Raphael 25. The first large-scale use of iron architecture was designed by a. Abraham Darby and Thomas Pritchard b. Gustave Eiffel c. Henri Labrouste d. Sir Joseph Paxton Questions refer to the image below. 26. This work is entitled a. The Grand Odalisque b. The Nightmare c. third of May, 1808 d. The Sleep of Reason produces monsters 27. The artist of this work tended to be inconsistent with body parts lengthening a spine in this picture, lengthening an arm in another picture to produce the effects he wanted. This artist was a. Goya b. Gericault c. Ingres d. David e. Delacroix 28. This work is a. baroque b. rococo c. neoclassical d. romantic 29. Manet s Olympia horrified contemporary critics as well as the public because a. the central figure was a prostitute, which was new in art history b. the inclusion of a black woman was bold and experimental c. it relied on the Renaissance view of formal composition, and that was deemed outdated d. it depicted the main figure as shameless and defiant in her role. Page 3 of 8

30. Easdweard Muybridge s experiments using the zoopraxiscope enabled him to a. draw onto a negative to create special effects b. freeze the action of a fast-moving object c.

a Romantic dream image b. A Neoclassical representation of medusa fleeing by sea after predicting the death of Clytemnestra c.

4 30. Easdweard Muybridge s experiments using the zoopraxiscope enabled him to a. draw onto a negative to create special effects b. freeze the action of a fast-moving object c. introduce color for the first time in a world of black and white photography d. make multiple copies form a single negative Questions refer to the image below. 32. This image, Raft of the Medusa, represents a. a Romantic dream image b. A Neoclassical representation of medusa fleeing by sea after predicting the death of Clytemnestra c. a piece of historical Romanticism related to the Greek war for independence d. the Gothic emphasis on terror and the sublime e. the aftermath of a 19 th century French shipwreck and was considered an attack on government ineptitude. 33. The painter of this work was a. Goya b. Gericault c. Ingres d. David e. Delacroix 34. This sculpture is by a. Canova b. Copley c. Houdon d. David 35. All of the following are differences between Neoclassical Art, on the one hand, and Baroque/Rococo Art, on the other hand, EXCPET a. emphasized drawing of line (which appealed to the intellect), rather than color (which appeals to the senses) b. stressed emotion as more important than perspective c. brushwork was smooth and compositions were simple to avoid Rococo melodrama d. Neoclassical figures more solid looking than French Classical Baroque 36. An orrery is a. a special mechanical model of the solar system showing planetary movement b. an opening in the roof to let in light and rain Page 4 of 8

c. cookware made out of ceramic material d. a from of anamorphic perspective 37. The picture below is a. baroque b. rococo c. neoclassical d. romantic 38.

all-seeing c. always-present d. all-knowing 40. The shape of the river in the picture below is: a. sink hole b. cul-de-sac c. ox-bow d. keyhole 41.

5 c. cookware made out of ceramic material d. a from of anamorphic perspective 37. The picture below is a. baroque b. rococo c. neoclassical d. romantic 38. The musculature in the above painting is important for a. religious theory b. stability of the figure c. chiaroscuro d. rationalism39all-powerful b. all-seeing c. always-present d. all-knowing 40. The shape of the river in the picture below is: a. sink hole b. cul-de-sac c. ox-bow d. keyhole 41. The above picture is by a. Albert Bierstadt b. Frederick Edwin Church c. Thomas Cole d. Asher B. Durand 42. The picture below took place in during the War. Page 5 of 8

I. France II.Spain III.Russia IV.Prussian V.Spanish Civil VI.Napoleonic a. I and V b. I and VI c. II and V d.

Excavations of Pompeii and Herculaneum in 1738 & Lord Elgin Marbles of 1801 b. Rococo was too frilly and shallow c.

The picture below shows a a. slave ship b. snowstorm c. tornado d. Rocky Mountains 45.

6 I. France II.Spain III.Russia IV.Prussian V.Spanish Civil VI.Napoleonic a. I and V b. I and VI c. II and V d. II and VI e. III and VI 43. All of the following sparked the Neoclassical movement except: a. Excavations of Pompeii and Herculaneum in 1738 & Lord Elgin Marbles of 1801 b. Rococo was too frilly and shallow c. Belief in the importance of human emotions d. The Age of Enlightenment and its emphasis on Reason 44. The picture below shows a a. slave ship b. snowstorm c. tornado d. Rocky Mountains 45. The picture on the left is ; the picture on the right is a. Romantic; Neoclassical b. Baroque; Neoclassical c. Romantic; Baroque d. Neoclassical; Romantic 46. Which of the works below is Hogarthian? a. Page 6 of 8

7 b. c. d. 47. Who designed this house? Page 7 of 8

8 a. Burlington b. Palladio c. Jefferson d. Wood 48. A ha-ha is a. a ditch on which the inner side is vertical and faced with stone, the outer face sloped and turfed b. a planned garden in the shape of a maze c. an entrance which ends in a blind portico instead of a way in d. none of the above Page 8 of 8

AP ART HISTORY CHAPTER 30: EUROPE AND AMERICA, Mrs. Dill, La Jolla High School

AP ART HISTORY CHAPTER 30: EUROPE AND AMERICA, 1800-1870 Mrs. Dill, La Jolla High School ART UNDER NAPOLEON In what ways does the Coronation of Napoleon (FIG 30-2) document the relationship between church