The 18th Century: New Patrons and New Styles
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1 The 18th Century: New Patrons and New Styles "femmes savantes" and "matronage" Poussinistes and Rubenistes the rise of the aristocracy and a taste for luxury and delicacy a taste for the "natural" art as a guide to morality François de Cuvilliés: Amalienburg Pavilion, Mirrored Hall, Munich (Germany) ImagePage 1 of 11
2 Johann Balthasar Neumann: Kaisersaal (Imperial Hall in the Palace-Residence), in Wurzburg. Giambattista Tiepolo: ceiling frescoes in the Imperial Hall Neumann: Vierzehnheiligen (14 Saints) Pilgrimage Church, ImagePage 2 of 11
![[o/c, 5'6 x 2'10] Fragonard: The Swing 1766, o/c, 35 x 32" The](/docs-images/83/88757326/images/3-1.jpg "Age of Enlightenment and the Age of Sensibility Industrial and")
3 Watteau: Pilgrimage to Cythera, 1717, oil/canvas, 4'3 x 6'4 fête galante: amorous festival Boucher: Cupid, a Captive, 1754 [o/c, 5'6 x 2'10] Fragonard: The Swing 1766, o/c, 35 x 32" The Age of Enlightenment and the Age of Sensibility Industrial and Intellectual Revolutions: Watts: coal-burning steam engine, 1769 Newton, Locke, Descartes and Voltaire: the "doctrine of progress" and the value of rational thinking Diderot: Encyclopédie (35 volumes; ) Rousseau: the Age of Sensibility (a call for the natural and the "primitive") Joseph Wright: A Philosopher Giving a Lecture at the Orrery 1766, o/c, 1.47x2.03m. ImagePage 3 of 11
4 the taste for the "natural": 1) pastel portraits Rosalba Carriera's early pastel portraits Gustavus Hamilton in Masquerade Costume, ca pastel on blue paper,, 22 1/4 x 16 7/8 in. Flora, Completed between 1705 and 1708 Adelaide Labille- Guiard Madame Elisabeth de France (detail) ca pastel on blue paper, seven sheets joined and laid down on canvas; oval, 31 x 25 3/4 in. Joseph Wright: Study Head of a Woman ca grisaille pastel on blue laid paper, 15 7/8 x 11 in. the taste for the natural: Jean-Baptiste Greuze: The Village Bride 1761, o/c, 36 x 42 1/2" 2) the sentimental narrative (also called the moral genre) ImagePage 4 of 11
5 Broken Eggs 1756 o/c; 73 x 94 cm. Hogarth's Marriage-a-la-mode: A comedy of manners? the British moral genre 1. The Marriage Settlement 2. The Tête à Tête (Shortly after the Wedding) entire series circa 1743, oil on canvas, each approx. 28 x 36 in. From the natural portrait to the "grand manner" and neoclassical portrait Elisabeth Vigee- Lebrun: Self-Portrait ca. 1790, 8'4 x 6'9 ImagePage 5 of 11
6 Adelaide Labille- Guiard Self-Portrait with Two Pupils, 1785 Oil on canvas, 83 x 59 1/2 in. Enlightenment era sculpture Jean-Antoine Houdon Voltaire Seated, (terra cotta, life-size) Benjamin Franklin, 1779 (marble, 16.5" ht) George Washington, , marble, 6'2 ImagePage 6 of 11
7 Neoclassical Art and Architecture a moral genre for the upper class? Robert Adam: Osterley Park House (also known as the Syon House), Middlesex, England, beg Richard Boyle (Earl of Burlington) & Wm. Kent: Chiswick House: exterior, East front, begun 1725 Middlesex, England Jacques Germain Soufflot The Pantheon (orig. Eglise Ste. -Genevieve), Paris, ImagePage 7 of 11
8 James Stuart and Nicholas Revett: Antiquities of Athens (1762) Stuart: Doric portico in Hagley Park, 1758 Thomas Jefferson: Monticello, near Charlottesville, Virginia Thomas Jefferson: Monticello, near Charlottesville, Virginia Neoclassical paintings ImagePage 8 of 11
9 Angelica Kauffmann: Cornelia, Mother of the Gracchi 1785, oil on canvas, 40x50" - exemplum virtutis Jacques-Louis David Oath of the Horatii, , oil/canvas, 10'10 x 13'11 Death of Marat, 1793 oil/canvas 5'5 x 4'2 Historical context: French revolution: begins 1789 Reign of Terror: Napoleon as emperor: Louis XVIII returns: the Restoration, David: The Coronation of Napoleon and Josephine , oil on canvas, 20' x 32' ImagePage 9 of 11
10 Pierre Vignon: La Madeleine, (Paris) Antonio Canova: Pauline Bonaparte Borghese as Venus, marble, 6'7 in length, Ingres: Reclining Odalisque, 1814, oil on canvas, 35 7/8 x 63 3/4 in Ingres: Apotheosis of Homer, 1827, oil/canvas, 12'8 x 16'10 ImagePage 10 of 11
11 Antoine-Jean Gros: Bonaparte Visits the Plague-Ridden Pesthouse of Jaffa (11 March 1799), 1804, o/c, 17'5 x 23'7 ImagePage 11 of 11
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