Art & Antiques Auction Fine Art

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1 auctioneers&property Art & Antiques Auction Fine Art Fine Session Art 2 13 September 2014 Session 2-1 -

2 P135, William Kentridge, Bird Catcher

3 auctioneers Art Auction Saturday, 13 September :00 PM t f c e rka@global.co.za Like us on Facebook facebook.com/rkauctioneers

4 P01 Battiss, Walter Whall (South African ) Tree in Landscape Pen and ink, signed 52 x 35,8cm R5 000 R8 000 P02 Sumner, Maud Eyston (South African ) Nude study Charcoal, signed 60 x 44cm R5 000 R

5 P03 P04 Boonzaier, Gregoire Johannes (South African ) Cannas Hand coloured linocut, signed, ,5 x 28cm R1 500 R2 500 Boonzaier, Gregoire Johannes (South African ) Morning glory Linocut, signed, x 24cm R1 000 R1 500 P05 Catherine, Norman Clive (South African ) Party People Lithograph, signed, edition 89/ x 64cm R3 000 R

6 P06 Battiss, Walter Whall (South African ) Orgy Screenprint, signed, edition 10/40 40,5 x 57cm R7 000 R P07 Le Roux, Isabel (South African 20th Century), Man and woman Oil on board, signed 39 x 31cm R1 500 R

7 P08 Battiss, Walter Whall ( South African ) Three fi gures Screenprint, signed, Artist proof 44 x 58cm R7 000 R

8 P09 Garizio, Gian-Piero (South African ) Still Life blue vase with Poppies Oil on board, signed, 50 x 75cm R3 000 R6 000 P10 Kentridge, William Joseph (South African ) What Will Come exhibition poster Signed, edition 123/ x 78cm R3 000 R

9 P11 Catherine, Norman Clive (South African ) Fook Island Poster, signed 87 x 60,5cm R2 000 R4 000 P12 Kumalo, Sydney Alex (South African ) Lady with hat Pastel and mixed media on paper, signed 75 x 54,5cm R5 000 R

10 P13 Skotnes, Cecil Edwin Frans (South African ) Figure Study Pencil an crayon, signed, 77 87,5 x 60cm R3 000 R5 000 P14 Ampenberger, Stefan (South African ) House and trees Oil on paper on board, signed, 69 27,5 x 38cm R1 500 R2 500 P15 Krige, Francois (South African ) Woman at Well Charcoal, signed 23 x 20cm R2 000 R

11 P16 Battiss, Walter Whall (South African ) To Supply Your Own Title Pen and ink, signed 37 x 52,5cm R R

12 P17 Boonzaier, Gregoire Johannes (South African ) Figure and house in landscape linocut, signed 22 x 16cm R1 000 R1 500 P18 P19 De Jongh, Tinus (Marthinus - Johannes) (South African ) The Old Mill Ceres Cape Etching, signed 21 x 27,5cm R1 000 R2 000 De Jongh, Tinus (Marthinus - Johannes) (South African ) Neethlingshof Stellenbosch Cape Etching, signed 22 x 27cm R1 000 R2 000 P20 Kobeli, Eli (South African ) Washday Mixed media on paper, signed 49 x 71cm R1 500 R

13 P21 Rose-Innes, Alexander (South African ) Arniston, Watercolour, signed 37 x 55cm R5 000 R8 000 P22 Caldecott, Harry Stratford (Strat) ( ) Figures with donkeys Charcoal 25,5 x 18cm R2 000 R4 000 P23 Jaroszynska, Karin (South African ) Three fi gures Mixed media on paper, Signed, x 102cm R2 000 R

14 P24 Maseko, Joe (Joseph Ramapulane) (SA) Soon to be Married Mixed media on card, signed 63,5 x 44cm R1 500 R2 500 P25 Du Plessis, Hannes (South African ) Riverscape Oil on canvas, signed 89 x 120cm R6 000 R

15 P26 Claerhout, Fr. Frans (South African ) Mothers with babies Mixed media on paper, signed 58 x 42cm R2 000 R3 000 P27 De Jongh, Tinus (Marthinus - Johannes) (SA ) Entrance Castle with tower Etching, signed 29.5 x 19,5cm R1 000 R2 000 P28 Portway, Douglas Owen (South African ) Seated woman, recto; sketch of woman, verso, Mixed media on paper, signed 32,5 x 21cm R3 000 R

16 P29 Van Essche, Maurice (South African ) Nude Study Pen and ink, signed, x 42,5cm R1 500 R2 500 P30 Kobeli, Eli (South African ) Saturday Mixed media and oil on paper, signed, 98 45,5 x 66cm R1 500 R2 500 P31 Laubscher, Erik (South African 1927) Plateau Chalk pastel and wash on card, signed 35 x 53,5cm R3 000 R

17 P32 Von Michaelis, Heinrich H J (South African ) The Storm Oil on board, signed, x 90cm R4 000 R6 000 P33 Kentridge, William Joseph (South African ) Magic Flute poster Signed, 75,5 x 52cm R3 000 R

18 P34 Catlin, Gail Deborah (South African, 1948) Abstract Composition Oil, canvas, net and mixed media on board 100 x 176cm R7 000 R

19 P35 Laubser, Maria Magdalena (Maggie) (South African ) Fish study Pencil on paper, signed 16 x 24cm R2 000 R3 000 P36 Westbrook, Walter Edward (South African ) House (rear) from George Street, Kimberley Watercolour and pencil, signed 22,5 x 27cm R1 000 R2 000 P37 Caldecott, Harry Stratford (Strat) ( ) Sketch Pen and ink 16 x 25cm R3 000 R

20 P38 Catherine, Norman Clive (South African ) Self Portrait Screenprint, signed 57 x 44,5cm R3 000 R5 000 P39 Fisher, Julian D (South African 20th Century) Boats in harbour Oil on board, signed 60 x 91cm R1 000 R1 500 P40 Le Roux, Isabel (South African 20th Century) Harbour scene Oil on board, signed 64 x 95cm R3 000 R

21 P41 Andersen, Nils (South African ) Landscape with maize crops Watercolour, signed 34,5 x 52,5cm R4 000 R6 000 P42 Koenig, Dezso (South African ) Street scene with fi gures Watercolour, signed 27 x 36cm R1 000 R

22 P43 Schimmel, Fred (South African ) Abstract composition Oil on canvas, signed, x 120cm R R

23 P44 Mayer, Ernst Karl (Erich) (South African ) Bushveld scene Watercolour, signed, ,5 x 21,5cm R2 500 R3 500 P45 Van Der Leck, Casey (South African 20Th Century) Cape farm scene Oil on canvas, signed 98,5 x 148cm R7 000 R

24 P46 Andersen, Nils (South African ) Cape Dutch homestead Oil on board, signed 45 x 60cm R1 000 R1 500 P47 Knowland, Dennis George (British ) Spanish mountain villa Oil on canvas, signed 63,5 x 63,5cm R2 000 R4 000 P48 Van Vuuren, André (South African ) Abstract composition Oil on canvas, signed, x 91,5cm R5 000 R

25 P49 Vermeiren, Jan (South African 1949) Op die Schooner Etching, signed, E.A. 14/30 36 x 40,5cm R1 000 R2 000 P50 Klar, Otto (South African ) Rough seas Pastel, signed 16,5 x 49cm R2 000 R3 000 P51 Kors, Stanislaw (Polish ) Abstract composition with birds Oil on canvas, signed, x 200cm R3 000 R

26 P52 Du Plessis, Hannes (South African ) Landscape Oil on board, signed, x 80cm R3 000 R6 000 P53 Sash, Cecily (South African ) Abstract composition Mixed media on paper, signed, x 68cm R3 000 R

27 P54 Alexander, Keith Savel (South African ) Tractor in shed Oil on canvas, signed, x 75,5cm R R Almost two thirds of this immaculately detailed painting is expended on the sky. And not the majestic sky typically captured in romanticised landscape paintings, but a midday sky in the platteland of southern Africa. Keith Alexander is famous for his paintings of seeming nothingness. Here, a small tractor stands forlorn under the meagre shade of a shed. There is nothing bar a few scattered trees for miles. The grass around the tractor suggests that perhaps it has been out of use for some time. The work that Alexander is commonly lauded for are his hyper-real surrealist visions of the Namib desert, which have a post-apocalyptic feel for the way they blend the sublime landscape and the ruins of man s existence. In this more subtle painting, Alexander is still able to capture this sense, but in a way that sits quietly, almost ominously beneath the surface. Reference: ROBBINS, D Keith Alexander: The Artist in Retrospect. Johannesburg: Jonathan Ball

28 P55 Skotnes, Cecil Edwin Frans (South African ) Red, white and black face Woodcut, signed, edition 15/55 56 x 41cm R2 000 R3 000 P56 Vermeulen-Breedt, Marie (South African ) Still life with cherry blossoms and Chinese Figurine Oil on canvas, signed 59,5 x 44cm R R

29 P57 Spears, Frank Sydney (South African ) Venetian Canal scene Oil on board, signed 52 x 67,5cm R R

30 P58 Schimmel, Fred (South African ) Abstract composition Oil on canvas, signed, x 152cm R R

31 P59 Boshoff, Adriaan (South African ) Still Life with Yellow Daisies Oil on board, signed 75 x 90cm R R

32 P60 De Jong, Ernst (South African ) Abstract Bushveld landscape Carved, incised and painted panel, signed, 77, edition 44/ x 23cm R800 R1 200 P61 Van Essche, Maurice (South African ) Figure study, Pen and pencil, authenticated by Carl Buchner, recto - single fi gure and verso - fi gures in landscape. 26 x 17,5cm R1 500 R2 500 P62 Sdoya, Carlo (South African ) Flower Seller President Str, City Hall JHB Oil on board, signed 36,5 x 47cm R2 000 R

33 P63 Boyley, Errol (South African ) Saldanhna C.P. Boats Oil on board, signed 34,5 x 44,5cm R R

34 P64 Hodgins, Robert Griffiths (South African ) Otto en die rooi gevaar exhibition poster Signed 38 x 47cm R3 000 R5 000 P65 Wiles, Lucy Mary (South African ) Norsebenzele Oil on canvas on board, signed 40 x 30cm R2 000 R

35 P66 Klar, Otto (South African ) Fishermans cottages Oil on board, signed 21,5 x 44cm R R

36 P67 McCaw, Terence John (South African ) River Scene with boats Oil on board, signed, x 55cm R R

37 P68 Carter, Sydney (South African ) Street Scene with Figures Watercolour, signed 27 x 37cm R2 000 R3 000 P69 Hancock, Bruce (South African ) Farm Cottages Cape Oil on board, signed 45 x 60cm R3 000 R

38 P70 Nice, Christiaan (South African ) Farmhouse with Donkey Cart Oil on board, signed, x 50cm R R

39 P71 Squibb, Ruth Audrey (South African ) Farmhouse Oil on board, signed 61 x 90cm R4 000 R6 000 P72 Catherine, Norman Clive (South African ) Joy ride Lithograph, signed, edition 7/45 75 x 105cm R R

40 P73 Büchner, Carl (South African ) Portrait Young Boy Oil on board, signed 26 x 16cm R6 000 R P74 Dykman, Henry John (South African ) The Chalice Oil on canvas, signed, x 46cm R2 000 R

41 P75 Kentridge, William Joseph (South African ) Der SÜDLICHE STERNHIMMEL exhibition poster Goodman Gallery Johannesburg 2003 Signed, edition 114/220, 67 x 72cm R4 000 R6 000 P76 Van Vuuren, André (South African ) Abstract composition Oil on canvas, signed, x 91,5cm R5 000 R8 000 P77 De Jongh, Tinus (Marthinus - Johannes) (South African ) Neethlingshof Etching, signed, 21 x 28,5cm R1 000 R2 000 P78 De Jongh, Tinus (Marthinus - Johannes) (South African ) Weltevreden Etching, signed, 21 x 28,5cm R1 000 R

42 P79 Catherine, Norman Clive (South African ) The Bathers Oil on canvas, signed 60 x 50cm R R A common subject in the 18th through the 20th century, the rendering of the body while bathing arguably began as a demure way in which to depict the nude figure. In later years, as an established subject, artists used it as a base for stylistic experiments. Notably, the French Post-Impressionist painter, Paul Cézanne began to image groups of bathers in naturalistic settings, near lakes and in wooded groves. In this unusual work by Norman Catherine, two male figures lie in corpse-like poses near the edge of a dam. Peering at them from a few meters away is a hyenalike animal, which seems to be strangely glowing. The image, which we see from above, is simultaneously eerie and playful. The figures each wear a tight-fitting swimming costume in the style pioneered by Speedo International Ltd. in the 1950s, which, in addition to their muscular torsos, suggests that the two figures might be sunbathing. In contrast the atmosphere and lighting of the scene, as well as the odd glow of the animal, give the sense that this is taking place at night. Hazel Freidman suggests that Catherine s work is predominantly gender-specific, often depicting males as castrated monsters. This is often contrasted with a symbol of femininity: principally seen in the symbolic sense, through Catherine s technicolour depictions of nature. This artwork seems to conform to this interpretation, supporting Friedman s argument that: In Catherine s work nature is not a pastoral paradise. It is either an anarchic jungle, a toxic wasteland, the site of grotesque experiments or a battle zone where primal conflicts of power and powerlessness are played out. Reference: FRIEDMAN, H Norman Catherine. Johannesburg: Goodman Gallery. p

43 P80 Jansen Van Vuuren, Louis (South African, 1949) As Die Maan Breek Blom Die Son Oil on board, signed 75 x 56cm R R

44 P81 Mabaso, Dumisani Abraham (South African ) Abstract Composition Monoprint, signed, 98, edition 1/1 63 x 46cm R1 000 R2 000 P82 Nel, Mathijs Isak (Thijs) (South African ) Studio Window Oil on canvas, signed, x 121cm R2 000 R

45 P83 Pemba, George Mnyalaza Milwa (South African ) Ready for The Dance Oil on canvas, signed, x 28,4cm R R Ready for The Dance is a painting of a young Xhosa woman in an ethnographic style typical of the time. George Pemba was likely to have been influenced by his contemporaries including Dorothy Kay and Barbara Tyrell, with whom he exhibited in the 1940s. It is also likely that this painting was shown at an exhibition of painting and beadwork organised by Killie Campbell at in 1947, or alternatively at Pemba s solo show in Port Elizabeth in The title, as well as the dress of the subject and her slightly submissive seated pose on a straw mat, suggests that she is imaged before the Ntonjaan initiation ceremony, which marks the transition into adulthood. The attention to detail in the painting allows us insight into the cultural specificity of the moment. The subject wears a short, wrap-around, red skirt, an unomtidili nesipeliti. On her forehead, she wears headband, an idayimane, associated with courtship. In addition to this detail, or perhaps, despite this, Pemba captures a particular tension in this small and intimate painting. The dramatic light, which casts a shadow on the left of the subject, her resigned and pensive expression, and the nervous tension in her fingers, suggests much more than a simple study of an ethnographic type. References: 1. PROUD, H George Milwa Mnyaluza Pemba: Retrospective Exhibition. Cape Town: South African National Gallery. p COSTELLO, D Not Only For Its Beauty: Beadwork And Its Cultural Significance Among The Xhosa-speaking Peoples. Pretoria: University of South Africa. pp. 39,

46 P84 Blom, Wim (South African ) Reclining fi gure Oil on canvas, signed, 72 80,5 x 70,5cm R6 000 R

47 P85 Catherine, Norman Clive (South African ) Mating Call Carved and painted wood, signed 35,5cm height R R

48 P86 Waldeck (20th Century) Horse with Rider Bronze, signed 11,5cm height R1 200 R1 800 P87 Klar, Otto (South African ) Kwazulu Pencil on paper, signed, ,5 x 20,5cm R1 000 R1 500 P88 Chait, Laurence (South African ) The Couple Marble, signed 51,5cm height R8 000 R

49 P89 Lipkin, Aileen (South African ) Portfolio From Bamako to the Dogon Country October 1975, 41,5 x 27,5cm R1 000 R2 000 P90 Villa, Edoardo (South African ) Bronze plaque and leather bound book Edition 32/50, cast by Vignali Foundry x 21cm R R

50 P91 Mayer, Ernst Karl (Erich) (South African ) Voortrekker family Watercolour and pencil, signed 17 x 25cm R1 000 R2 000 P92 Den Hengst, Jan (Dutch ) Cadegus Spanje Oil on canvas, signed 59 x 39cm R2 000 R4 000 P93 Mayer, Ernst Karl (Erich) (South African ) Pencil on paper, Two works, one signed 8,5 x 5,5cm & 9 x 15cm R1 000 R

51 P94 P95 Knowland, Dennis George (British ) Spanish church Oil on canvas, signed 34 x 29cm R2 000 R4 000 Lončarić, Dreagica (Croatian ) The Market Reverse oil on glass, signed 50 x 50cm R1 500 R2 500 P96 Kors, Stanislaw (Polish ) To Somewhere Oil on canvas, signed, x 189cm R3 000 R6 000 P97 Fisher, Julian D (South African 20th Century) Abstract cityscape Oil on board, signed, x 59,5cm R1 000 R

52 P98 Meerkotter, Dirk Adriaan (South African ) Abstract Composition Oil on canvas, signed 101,5 x 101,5cm each R R

53 P99 Mason Attwood, Judith Seelawder (South African ) Skull Lithograph, signed, 73, edition 65/65 43 x 62cm R1 500 R2 500 P100 Van Vuuren, André (South African ) Villa in Provence Oil on canvas, signed, x 75cm R7 000 R

54 P101 Conradie, Johan (South African ) Female portrait Oil on canvas, signed, cm diameter R2 000 R3 000 P102 Squibb, Ruth Audrey (South African ) Street Scene Oil on board, signed 50 x 60cm R2 000 R4 000 P103 Kearney, Robin (South African ) View from deck Oil on canvas, signed 74,5 x 100cm R5 000 R

55 P104 Fassianos, Alecos (Greek, 1935) Cyclist Lithograph, signed, edition E.A. 3/75 63 x 45,5cm R1 500 R2 500 P105 Fasciotti, Titta (South African ) Landscape Oil on board, signed 29 x 39cm R5 000 R8 000 P106 Hancock, Bruce (South African ) Farmhouse with fi gures Oil on board, signed 35 x 25cm R2 000 R

56 P107 Lugg, Jack (South African ) Figures and donkey Woodcut, signed 26 x 12,5cm R500 R1 000 P108 Mokgosi, Nat (Nathaniel Ntwayakgosi) (SA ) Abstract composition fi gures Mixed media on paper, signed, x 45cm R1 500 R2 500 P109 Wenning, Pieter Willem Frederik (South African ) Donga Etching 9 x 27cm R1 000 R

57 P110 Mayer, Ernst Karl (Erich) (South African ) Bush & Hill Watercolour and pencil, signed, two works 13 x 19cm each R1 500 R2 500 P111 P112 Dali, Salvador (Spanish ) Le Chevalier Chretien Hand painted tile, signed, edition 220/ x 20cm R2 500 R3 500 Dali, Salvador (Spanish ) Don Quichotte Handpainted tile, signed, edition 221/ x 20cm R2 500 R

58 P113 Bosch, Anton (South African ) Kite Flying Hand painted and glazed ceramic tile, signed 62 x 43cm R R

59 P114 Lamb, Peter (South African ) Portrait Young Boy Oil on canvas, signed, x 50cm R1 000 R2 000 P115 Nel, Mathijs Isak (Thijs) (South African ) Tree trunk Oil on canvas, signed, x 70cm R1 000 R

60 P116 Carter, Sydney (South African ) Near Mamre Cape Oil on canvas, signed 50 x 60cm R8 000 R P117 Mason Attwood, Judith Seelawder (South African ) Ars Simia Naturae Lithograph, signed, 84, edition A.P. 18/20 64 x 46cm R1 500 R

61 P118 Moore, Henry (British, ) Reclining Figure Lithograph, signed, edition 34/50 31 x 38cm R R

62 P119 Bosch, Anton (South African ) Knysna Lourie Hand painted ceramic tile 66 x 52cm R7 000 R P120 Bosch, Esra (South African ) Arum Lilies Hand painted ceramic tile 30 x 30cm R1 000 R

63 P121 P122 Battiss, Walter Whall (South African ) Untitled: Text Screenprint, 34 x 48,5cm R2 000 R3 000 Battiss, Walter Whall (South African ) Abstract Composition Screenprint, 76 x 55,5cm R2 000 R3 000 P123 Motswai, Thomas Tommy Trever (South African ) The Politician s Wedding Pastel on paper, signed, ,5 x 106cm R4 000 R6 000 P124 Maseko, Joe (Joseph Ramapulane) (SA) Township Scene Watercolour, signed 56 x 77cm R1 000 R

64 P Hart, Rodan Kane (South African ) Shapes: Rotated Painted steel, 2,8 x 1,5cm R R15 000

65 P126 Coleman, Trevor (South African ) Island Scene Oil on canvas, signed, x 91cm R6 000 R

66 P127 Langa, Moshekwa (South African ) Music man Mixed media on paper, signed on reverse and dated 1998/9 140 x 100cm R R Moshekwa Langa takes inspiration from his daily life, its routine, its boredom, and indifference. His practice is almost biographical in that sense his artworks are a record of his experiences, his movement through places, and of the people he meets. As a child he began drawing as a process of map-making; making sense of his place in the world. This abstracted portrait of a music man has clear traces of mapping conventions, blue pools and red roofs are simple shapes of colour, and pathways are simple lines. The figure, who is arguably the music man the title refers to, is almost lost within all this detail a small white figure on the edge of a large pond. On another level, the image suggests a conceptual mapping perhaps of sound or rhythm. Langa says of his work: the drawings and collages for me function like diaries and time keepers, so even using or implicating vinyl grooves, strings of thread, branches, wools, I think give a sense of timekeeping. Reference: GOODMAN GALLERY Moshekwa Langa/ Mogalakwena. [Online]. Stable URL: exhibitions/

67 P128 Langa, Moshekwa (South African ) Two Figures under a Tree Mixed media on paper, signed on reverse and dated x 100cm R R

68 P129 Borbereki, Zoltan (South African ) Standing fi gure Carved ivory, signed 41cm height R7 000 R

69 P130 Boyley, Errol (South African ) Riverglade Oil on board, signed 68 x 100cm R R

70 P131 Boshoff, Adriaan (South African ) Scene at Apies River Pretoria Oil on canvas, signed 69 x 115,5cm R R

71 P132 Bonney, Peter (South African ) Matroosberg Mountains, Cape Oil on canvas, signed, ,5 x 151,5cm R R

72 P133 Battiss, Walter Whall (South African ) Distant Storm White ink on paper, signed 35 x 50cm R8 000 R

73 P134 Smith, Richard John Templeton (South African ) Okavango Night Oil on canvas, signed, ,5 x 120cm R R

74 P135 Kentridge, William Joseph (South African ) Bird Catcher Pigment print on wove paper, signed, edition 58/ x 108cm R R

75 P136 Walter Oltmann, Marco Cianfanelli, Lawrence Lemaoana, Pat Mautloa Lithograph, signed, edition 68/100 & 69/100, 36 x 29cm each R3 000 R

76 P137 Nhlengethwa, Jabulane Sam (South African ) The Swinging Light Collage and oil on canvas, signed, x 50cm R3 000 R6 000 P138 Sibiya, Lucky Madlo (South African ) The Feasting at Mabatha s Kraal Woodcut, signed, 1975, edition 152/225 72,5 x 51cm R2 000 R3 000 P139 Sibiya, Lucky Madlo (South African ) Dingaans Fight Woodcut, signed, 1975, edition 152/225 72,5 x 51cm R2 000 R

77 P140 Van Der Merwe, Eben (South African ) Reclining nude Oil on board, signed, x 134cm R R

78 P141 Battiss, Walter Whall (South African ) The Milk of Human Blindness Pen, ink and pencil, signed, 6 Jan :48pm 29 x 43cm R8 000 R

79 P142 Harris, Cornwallis Collection of ten prints 15 x 22,5cm & 22,5 x 15cm R1 500 R2 500 P143 Le Roux Smith Le Roux (South African, Born After Died After 1963) Harvesting Mixed media on paper, signed 34,5 x 50cm R2 000 R

80 P145 Lourens, M. J. (South African ) Star Fish s Garment Bronze, signed, edition 5/7 26cm height R8 000 R

81 P146 Du Toit, Guy Pierre (South African ) War Machine Bronze, 7cm ex base 103,5 incl base R2 000 R

82 P147 Maseko, Mizraim (South African ) Zulu warrior and seven other Zulu fi gures, Fabric paint on silk scarf, signed, eight works in the lot 75,5 x 84cm R1 500 R

83 P149 Flint, William Russell (Scottish ) Riverscene Watercolour, certifi ed on reverse by Susan Russell Flint and Christies stamp x 25cm R R Credit *S V Stacey Vorster is a lecturer in the Wits History of Art department as well as the curator of the Constitutional Court Art Collection

84 P54, Keith Alexander, Tractor in shed auctioneers