dadaist & surrealist photomontage
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1 dadaist & surrealist photomontage
2 Raoul Haussmann, Tatlin at Home (1920)
3 Raoul Haussmann, Elasticum (1920)
4 Raoul Haussmann, Selfportrait of the Dadasoph (1920)
5 Hannah Höch, untitled, 1920 Dancer Claudia Pawlowa at the beach, from the June 1921 issue of Die Dame (Lady Magazine)
6 Hannah Höch
7 Hannah Höch, Tamer (1930) Hannah Höch, Dada Ernst (1925) Hannah Höch, The Strong Guys (1931)
8 Hannah Höch, Roma (1925)
9 John Heartfield aka Helmut Herzfelde TRANSLATION: Art is dead Long live TATLIN S new machine art George Grosz with Heartfield at the Berlin Dada Fair, 1920
10 John Heartfield, Satirical photomontage for the cover of AIZ TRANSLATION: The meaning of the Hitler salute. TRANSLATION: Millions stand behind me.
11 John Heartfield, Satirical photomontage for the cover of AIZ, October 24, 1935 TRANSLATION: The Goebbels recipe against food shortages in Germany. Goebbels was Hitler s Minister of Propaganda and thus one of the people most responsible for spreading anti-semitism in Germany TRANSLATION: What? No butter or lard for you? You can always chow down on your Jews!
12 John Heartfield, A Pan-German (1933) Photo from Stuttgart police files that had been reproduced as an example of photo as document in Franz Roh s Photo-Eye (1929) with the caption peace-time murder victim.
13 Aleksandr Zhitomirsky, A Wolfish Appetite (1947) Detail from a shoe ad in a French magazine from the 1930s
14 Aleksandr Zhitomirsky, New Location of the Statue of Liberty (1948) Convicted killer Ruth Snyder in the electric chair, 1928
15 Max Ernst, Un semaine de bonte (1934)
16 Joseph Cornell, Untitled (Medici Princess) (1948) assemblage
17 readymades
18 Marcel Duchamp, Fountain (1917)
19
20 Marcel Duchamp, Fountain (1917) Baroness Elsa von Freytag-Loringhoven in
21 Elsa von Freytag-Loringhoven, Portrait of Marcel Duchamp (before 1920) Elsa von Freytag-Loringhoven, God (1917) -- Duchamp on von Freytag-Loringhoven she is not a Futurist. She is the future.
22 Marcel Duchamp, Bicycle (1915) Bottle rack (1914)
23 Marcel Duchamp, L.H.O.O.Q. (1919)
24 Starting in 1997, Rhonda Roland Shearer began publishing research that seemed to show that Duchamp had in fact altered in important and interesting ways all of his readymades originals that actually corresponded to the readymades could not be found and in some cases were impossible. One of his L.H.O.O.Q s (original disappeared in 1980) no longer available) seems to have been a repainting that made the face closer to Duchamp s in details apart from the moustache and goatee.
25 World triumph of American commercial culture Rise of underground culture (queer, drug, criminal) Rise of diversity (African- American, feminism, queer, etc) Collapse of the avant-garde (abandonment of the idea of high art as a revolutionary force) Turning away from history Postmodernism and retromania
26 pop art
27 Richard Hamilton Just what is it that makes today s homes so different, so appealing? 1956
28 Jess [Collins], Tricky Cad (1950s)
29
30 Jess, When a young lad dreams of manhood (1953)
31 Jess translations
32
33 Roy Lichtenstein, Drowning Girl Oil and synthetic polymer paint on canvas, 67 5/8 x 66 3/4" (171.6 x cm) Tony Abruzzo - "Run for Love", Secret Hearts, D.C., 1962
34 Roy Lichtenstein, I can see the whole room and there s nobody in it! (1961). Graphite and oil. William Overgard, Steve Roper August 6, 1961
35 Andy Warhol, Triple Elvis (1963)
36 Andy Warhol, Electric Chair (1964)
37 Andy Warhol, Orange Disaster / Electric Chair (1963)
38 Andy Warhol, Marilyn (1962)
39
40
41 appropriation art
42 Richard Prince, Untitled (Cowboys) ( )
43 Richard Prince, Untitled (Cowboys) ( )
44 Walker Evans, First and Last (1936)
45 Sherrie Levine, Untitled (After Walker Evans) (1979) Rephotographed photograph from book.
46 Richard Prince, New Portraits (2015)
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PETER FREEMAN, INC. 140 GRAND STREET, NEW YORK www.peterfreemaninc.com FOUR CENTURIES OF TROMPE L OEIL David Adamo, Victor Dubreuil, De Scott Evans, Gaspard Gresly, John Haberle Josephine Halvorson, Alex