First Semester Exam Review If packet is 100% complete and turned in the day of the exam, you can earn 10pts extra credit on your exam grade.

Transcription

1 2D Art NAME: First Semester Exam Review If packet is 100% complete and turned in the day of the exam, you can earn 10pts extra credit on your exam grade. PART 1 Exam Review Unit 1 Drawing: Fill in the blank. Distortion Realism Illustrate Gradation Curvature Contour Line Stippling Blind Contour Proportion Opaque Line Cross-hatching Pencils Linear Chiaroscuro Light Source Perspective Sketch Curvilinear Value Scale Perspective Transparent Value Gestural Line Shade Picture Plane Translucent Space Positive Space Mood Scale Line Quality Negative Space Figurative Foreshortening Vocabulary 1 A graphite utensil used for mark making. Drawing pencils range from hard to soft based on the graphite clay ratio. The more clay added to the graphite the harder and lighter the pencil the less clay the soft and darker. 2 Quick line that captures form and movement. Helps quickly capture a composition. 3 The edges of forms and shapes that define them in the simplest way. Outlines. 4 Draw the outline of an object without look at your paper 5 The lightness or darkness of a color 6 The use of line and overlapping line to create value. 7 The use of dots spaces in indifferent ways to create value 8 Art that mimics reality 9 The relative size of an object in comparison to other object around it 10 Method of arranging light and shadow in two-dimensional art to create the illusion of three-dimensional form. (from the Italian) 11 Create visual images that complement written words.

2 12 Graphic system that creates the illusion of depth and volume on a flat surface. 13 The flat surface of a two-dimensional art work. 14 The darkness of a color; may be achieved by adding black. 15 Quick, rough drawing without much detail that can be used as a plan for later work. 16 The range of values from black to white and light to dark. 17 Demonstrates the direction that light is coming from in a drawing, using highlights and shadows to create the illusion of form. 18 A gradual, subtle change in value. 19 A drawing technique which creates the illusion of 3 dimensions on a 2 dimensional surface (height, width, depth). 20 You can see directly through the object, such as clear glass. 21 Some light can pass through object, such as stained (colored) glass. 22 light does not pass through object, such as glass painted black. 23 The act of curving or bending. One of the characteristics of line. 24 Formed or enclosed by curved lines. 25 Condition of being twisted or bent out of shape. In art, distortion is often used as and expressive technique. 26 Pertaining to representation of form of figures in art. In your gesture drawings you are drawing the human figure. Therefore, it is figurative. Your gesture drawings you have done in this class are figurative. 27 The unique character of a drawn line as it changes lightness/darkness, direction, curvature, or width. 28 The size of an object as it relates to a similar object of a different size or representation of that object. You are utilizing scale in this assignment. The shaded self-portrait is the same picture as the photo printout from the computer but it is drawn to a larger scale. 29 The state of mind or feeling communicated in a work of art, frequently through color. You attempted to create a particular mood in you logo assignment using contour line to create a certain feeling.

3 30 Indicates area around, between above below or within 31 The enclosed area of recognizable objects in an artwork 32 Space not occupied by objects or figures 33 The arrangement of inanimate objects for the purpose of drawing 34 To reduce or distort in order to convey the illusion of three-dimensional space as perceived by the human eye: often done according to the rules of perspective. PART 2 EXAM REVIEW 35. What is adding to graphite in pencils to make them harder or softer? 36. Give an example of stippling, cross-hatching and shading. Stippling Cross-Hatching Shading 37. Create a 10 step value scale in the space below. Craftsmanship matters. One box needs to be paper white and the last box needs to be graphite black.

4 38. When using chalk pastel please explain how you would go about layering and blending colors within your artwork, repeat for oil pastels. Use the following vocabulary in your descriptions: smudging, impasto and scraffitto. A. Chalk Pastels: B. Oil Pastels: 39. In detail explain the difference between acrylic, watercolor, and oil paint. Use as much art vocabulary as possible as well as complete sentences.

5 PART 3 EXAM REVIEW 40. Define the following vocabulary words. Acrylic Paint Vocabulary Word Acrylics Paint Gesso Pigment Retarder Mediums Gel Medium Canvas Hue Intensity

6 Color Patte Limited Color Pallet Chiaroscuro Monochromatic Impasto Painterly

7 PART 4 EXAM REVIEW Watercolor Multiple Choice 41. Water colors are? a. Paint that uses water-soluble gum as the binder and water as the vehicle. b. A type of paint made with synthetic resin as a medium (liquid) to bind the pigment (color), rather than natural oils such as linseed used in oil paints. It has the advantage of drying faster than oil paint and being water soluble. c. is a type of slow-drying paint that consists of particles of pigment suspended in a drying oil, commonly linseed oil. 42. is a wash that smoothly changes in value from dark to light. Most noted in landscape painting for open sky work, but an essential skill for watercolor painting in general a. Graded Wash b. Opacity c. Erasing d. Translucent 43. This is when you use your flat rigid brush with some water to carefully take out the paint. Have patience repeat as necessary do not rub too hard, because even the best Bristol board may peel. Experiment with this technique you should be able to pull out most of the paint and get the paper almost white. a. Graded Wash b. Translucent c. Erasing d. Opacity 44. Denotes how much or little of the painting surface will show thru a layer of paint. True pigments tend to be more opaque, where hues tend to be more translucent. a. Graded Wash b. Translucent c. Erasing d. Opacity

8 45. A substance (paint) just clear enough to allow light to pass thru but not clear enough to reveal all form, line and color. A more translucent paint will show more paper thru the paint layer. a. Graded Wash b. Translucent c. Erasing d. Opacity 46. If you want your painting to have more red in it, to be warmer. What you do is take some very thin red paint (use a lot of water) and carefully go over the dried portion of the painting you wish to tint. Results will vary so experiment with this until you are a master. a. Blotting b. Wet- on-wet c. Resists d. Tinting 47. Using an absorbent material such as tissues or paper towels, or a squeezed out brush, to pick up and lighten a wet or damp wash. Can be used to lighten large areas or pick out fine details. a. Blotting b. Wet- on-wet c. Resists d. Tinting 48. The technique of painting wet color into a wet surface (paper). Color applied this way usually dries without a hard edge, diffusing and spreading the wash and creating atmospheric effects. a. Blotting b. Wet- on-wet c. Resists d. Tinting

9 49. A medium (ex glue, tape, wax) to repel the pigment of the paint within a work. a. Tape Resist b. Rubber Cement Resist c. Resists d. Oil Pastel Resist 50. Draw/write with oil pastel and then paint over. a. Tape Resist b. Rubber Cement Resist c. Resists d. Oil Pastel Resist 51. Create a design with rubber cement, let dry and paint over. a. Tape Resist b. Rubber Cement Resist c. Resists d. Oil Pastel Resist 52. Place tape on paper and then paint over. Peel off tape when dry. a. Tape Resist b. Rubber Cement Resist c. Resists d. Oil Pastel Resist

10 PART 5 EXAM REVIEW Oil Painting Review 53. Oil Medium is the. a. Paint that uses water-soluble gum as the binder and water as the vehicle. b. A type of paint made with synthetic resin as a medium (liquid) to bind the pigment (color), rather than natural oils such as linseed used in oil paints. It has the advantage of drying faster than oil paint and being water soluble. c. is a type of slow-drying paint that consists of particles of pigment suspended in a drying oil, commonly linseed oil. d. The liquid in which pigments are suspended. Also a material chosen by the artist for working. 54. Oil Paint is? a. Paint that uses water-soluble gum as the binder and water as the vehicle. b. A type of paint made with synthetic resin as a medium (liquid) to bind the pigment (color), rather than natural oils such as linseed used in oil paints. It has the advantage of drying faster than oil paint and being water soluble. c. is a type of slow-drying paint that consists of particles of pigment suspended in a drying oil, commonly linseed oil. d. The liquid in which pigments are suspended. Also a material chosen by the artist for working. 55. The initial stage in an oil painting of using a monochrome or dead color as a base for the composition. a. Diluents b. Dead Colour c. Underpainting d. Fat e. Lean 56. Liquids such as turpentine (or linseed oil) used to dilute oil paint. a. Diluents b. Dead Colour c. Underpainting d. Fat e. Lean

11 57. A term for colors used in under painting. a. Diluents b. Dead Colour c. Underpainting d. Fat e. Lean 58. A term used to describe paints which have a high oil content. a. Diluents b. Dead Colour c. Underpainting d. Fat e. Lean PART 6 EXAM REVIEW Random Semester 1 Vocabulary Review 59. Used as an adjective to describe oil paint thinned with a spirit which results in a low oil content. a. Diluents b. Dead Colour c. Underpainting d. Fat e. Lean 60. WHEN ONE ELEMENT ATTRACTS THE VIEWERS EYE MORE THAN ANYTHING ELSE IN THE WORK, THE ARTIST HAS CREATED WHAT? A. Atmospheric Perspective B. Rule of Thirds C. Point of emphasis d. Middle ground 61. Atmospheric Perspective is defined as: a. when the sky is the point of emphasis in a work b. the part of a landscape that is behind everything else c. when objects and colors in a 2D work are blurry and dull due to their distance from the viewer s eye d. the part of a 2D work that is in front of all the other objects

12 62. is used to reduce or distort in order to convey the illusion of three-dimensional space as perceived by the human eye: often done according to the rules of perspective. a. negative space b. perspective drawing c. one point perspective d. foreshortening 63. A drawing is the drawing of objects as they recede from the viewer s eye. Parallel lines appear to converge into one or more vanishing points. a. negative space b. perspective c. positive space d. still life 64. is the arrangement of inanimate objects for the purpose of drawing. a. negative space b. perspective drawing c. positive space d. still life

13 PART 7 EXAM REVIEW ART CRITICISM, ELEMENTS & PRINCIPLES 65. Name the four stages of art criticism in order. Step 1: of Step 1 Step 2: of Step 1 Step 3: of Step 1 Step 4: of Step Name and define the 7 Elements of Art.

14 Name and Define the 7 Principles of Design.

15 Principle of Design