Getting Started WATERCOLOUR PENCIL ART. Paint. Draw. Colour INSTRUCTION BOOKLET

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1 Getting Started WATERCOLOUR PENCIL ART Draw Paint Colour INSTRUCTION BOOKLET

2 TABLE OF CONTENTS Introduction...1 Basic Techniques...2 Pencil Techniques....3 Experimenting with Colour Mixing...6 Papers Shading and Shadows Creating Texture Painting Exercises Mixed Media Collage and Altered Art Lettering...24

Founded in 1761, Faber-Castell is still run by the same family, now in

The company has developed from a small workshop in Germany to an

3 Founded in 1761, Faber-Castell is still run by the same family, now in the 8th generation. The company has developed from a small workshop in Germany to an international corporation which employs over 5000 people worldwide. Our Brand Essentials encompass four core values: Lothar von Faber 1869 Count A.W. von Faber-Castell Today Competence and Tradition Outstanding Quality Innovation and Creativity Social and Environmental Responsibility

4 24 LETTERING You can do beautiful lettering using the dry pencils, or fill in open letters with colour. Try lettering over a background that you have created with the watercolour technique. We hope you have enjoyed your experiences and that you will continue to explore and discover the magic of watercolour pencil painting.

Discover the Magic of Watercolour Pencils. 1 This is a truly unique art medium and once you get started drawing, painting and experimenting you will be delighted with the results.

5 Discover the Magic of Watercolour Pencils. 1 This is a truly unique art medium and once you get started drawing, painting and experimenting you will be delighted with the results. Watercolour pencils are very flexible. They offer the dual option of drawing with coloured pencils, and then, if you like, with the touch of a wet brush you can get the look of a watercolour painting. You have more control than with regular watercolour paints, you can easily add details and blend and mix colours. The pencils never dry out, aren t messy, and take up very little space, all of which makes them perfect for doing art whenever and wherever the opportunity presents itself. Your kit includes the primary colours (red, yellow, blue) secondary colours (orange, green, violet) black and magenta. With these eight colours you will be able to create an almost infinite array of hues, tints and tones. We believe that everyone, with a little encouragement and some simple instructions, can express their creativity and create still life, landscape, portrait, abstract paintings and more. By experimenting and becoming involved with the materials we hope you will find your own signature style to make original art that truly expresses your unique way of seeing and creating.

2 BASIC TECHNIQUES In this book we present many ways to put colour and paint on paper.

Try various grips and placements with the pencil. For more control, grip the pencil close to the tip.

Colour with the side of the lead, by holding the pencil almost parallel with the paper. Tip Keep pencils sharpened.

6 2 BASIC TECHNIQUES In this book we present many ways to put colour and paint on paper. You can follow the book sequentially or start anywhere by trying any technique that appeals to you in whatever order you choose. Hold On! Try various grips and placements with the pencil. For more control, grip the pencil close to the tip. For a freer stroke, move back along the pencil and draw loosely. Hold the pencil perpendicular to the paper or at an angle. Colour with the side of the lead, by holding the pencil almost parallel with the paper. Tip Keep pencils sharpened. Use the pointed tip for details and the side of the lead for colouring in large areas. Brush Up Use the tip of a slightly damp brush for fine details. Press down on the brush to push colour into the paper. Keep the brush full of water to create washes.

23 COLLAGE AND ALTERED ART Create backgrounds

side of the pencil lead. Brush with water.

background onto which you can add collage

The transparent quality of the watercolour

photocopies and printed On vintage photos with

7 23 COLLAGE AND ALTERED ART Create backgrounds for collage, scrapbook and Altered Art. Paint the surface with white gesso. Add a layer of one or more colours, using the side of the pencil lead. Brush with water. The gesso will give an interesting, mottled background onto which you can add collage elements, photos or lettering. The transparent quality of the watercolour pencils make them ideal over pen work, to tint photocopies and printed On vintage photos with a matte finish, you can colour directly on the image. Use only enough water on the brush to blend the colour.

22 Stamping Watercolour pencils are the ideal medium to use with rubber stamps because they offer many different applications.

Or make your own stamps by cutting or carving images out of different porous materials such as foam or potatoes.

If you use permanent ink, the stamped image will stay intact when you paint over it. Use the watercolour pencils as a stamp pad.

8 22 Stamping Watercolour pencils are the ideal medium to use with rubber stamps because they offer many different applications. You can purchase rubber stamping supplies at your local craft store to get started. Or make your own stamps by cutting or carving images out of different porous materials such as foam or potatoes. Stamp an image using a rubber stamp and a permanent ink pad. Colour and paint the image with watercolour pencils. If you use permanent ink, the stamped image will stay intact when you paint over it. Use the watercolour pencils as a stamp pad. Lay down a swatch of intense colour. Wet the swatch. Place your stamp into the pool of colour that is made and then stamp the image. Paint a background area with watercolour pencils. Once your paint is dry, rubber stamp designs over it using permanent ink or watercolour pigment.

PENCIL TECHNIQUES Colour an area with a pencil. Use a clean wet brush and stroke over your pencil marks.

Paint with a wet cotton swab, sponge or cloth. Use your dampened fingers. Spray the coloured pencil with a spray bottle.

Wet a section of the paper. Lightly draw with a pencil. Notice how the pencil marks bleed to create interesting effects.

9 PENCIL TECHNIQUES Colour an area with a pencil. Use a clean wet brush and stroke over your pencil marks. The water will turn the pencil into paint. 3 Experiment with different ways to dissolve the pigment. Paint with a wet cotton swab, sponge or cloth. Use your dampened fingers. Spray the coloured pencil with a spray bottle. Tip Since the colour will lighten when you add water, test the colour before applying it to your finished painting. Wet a section of the paper. Lightly draw with a pencil. Notice how the pencil marks bleed to create interesting effects. Brush the tip of a sharpened pencil with a wet brush. Apply the paint to paper. Dip the very tip of the pencil lead into a drop of water. (Don t plunge the pencil into the water as it will cause the wood to swell and weaken.) Draw or stipple with the softened pencil lead.

4 Line and Wash Draw the outline of an image with a heavy pencil stroke.

shape. Pulling Colour Colour an area with a watercolour pencil.

Use the Pulling Colour technique, transferring the colour into the wet area.

10 4 Line and Wash Draw the outline of an image with a heavy pencil stroke. With the tip of a wet brush, pull the colour away from the line and into the shape. Pulling Colour Colour an area with a watercolour pencil. Using a wet brush, cotton swab, or your finger, pull the colour into an adjacent area to complete the shape. Wet on Wet Using a clean brush, wet an area of your paper. Use the Pulling Colour technique, transferring the colour into the wet area. Notice how the colour bleeds as you paint. Wet and Dry Add details to an area of washed colour. Wait for the painted area to dry before drawing over it with the watercolour pencils.

The wax from the candle or crayon will repel the coloured water and your drawing will emerge through the paint. Add more colours if you like.

11 21 Batik Drawing Use a block of wax, a white candle or crayon to draw a design. Then skim over the drawing with the side of a watercolour pencil, laying more colour around the border of your design. Paint the picture with a wet brush, moving colour over the design. The wax from the candle or crayon will repel the coloured water and your drawing will emerge through the paint. Add more colours if you like. Oil Pastel Resist Designs Draw designs with brightly coloured oil pastels. Lay a heavy border of watercolour pencil around the outside area of your drawing. With a very wet brush, paint across the design, washing paint over the pastel. The oil pastel is not affected by the paint. It will resist the watercolour, creating an interesting effect.

20 MIXED MEDIA Use other art materials together with these watercolour pencils to create some wonderful painting and drawing styles and effects.

12 20 MIXED MEDIA Use other art materials together with these watercolour pencils to create some wonderful painting and drawing styles and effects. Pen, Ink and Watercolour Wash Draw an object or a scene using a permanent ink pen. In this example, we used a superfine Faber- Castell PITT artist pen with India ink. Add washes of colour and different techniques over the top of your drawing. If you use a permanent ink pen, the line work will stay intact and be visible through the paint.

5 Erase with Water If an area becomes too intense with colour, brush over it with a

Spatter Wet the brush with colour and flick it against a pencil point.

Scraping Colour an area with a watercolour pencil. Wet the colour.

Brush Strokes Use the very tip of the brush and apply light pressure while painting

13 5 Erase with Water If an area becomes too intense with colour, brush over it with a clean wet brush. Then dab it loosely with a rag or sponge to lighten the colour. Spatter Wet the brush with colour and flick it against a pencil point. Protect areas of unwanted colour by masking with scrap paper. Scraping Colour an area with a watercolour pencil. Wet the colour. Now take the tip of the brush handle and pull paint across the paper. Brush Strokes Use the very tip of the brush and apply light pressure while painting to achieve fine, thin, controlled strokes. Apply more pressure to fan out the brush tip and pull it across the paper creating deep, broad strokes.

14 6 EXPERIMENTING WITH Colour MIXING Using the printed grids in your Watercolour Pad, try different colour applications and combinations. With a graphite pencil or permanent ink pen, note the colours you use in each grid to build a reference chart for your future paintings. Lightly, with the side of the pencil, fill one cell of the grid with a colour. Using more pressure, apply the same colour more heavily in another cell. Brush each with water and see how the intensity of colour varies by the amount of colour you put down. Layering is an important technique in watercolour pencil art. Through this method you can achieve subtle colour grading, mix colours and create the illusion of dimensionality. Tip Use a hair dryer or craft heat tool to dry the paint quickly so that you can add more layers of colour or draw in details.

Use different colours and techniques shown in the front of the book. Or scribble and swash colour randomly around your paper.

15 19 Abstract Paintings Draw a space that you can easily work within. Then draw a continuous line with a graphite pencil or a permanent ink pen. Make loops, zig zags, circles; cross over and back track. Now fill in the shapes that were created by your line meanderings. Use different colours and techniques shown in the front of the book. Or scribble and swash colour randomly around your paper. Apply different techniques such as spattering and scraping. Don t worry about what is forming, just experiment and have fun. When you are finished turn, flip, and crop your image until you find a view that you like.

16 18 Putting it all together Create bands of colour. Use the techniques shown here if you choose. Each band should represent an area of space such as the foreground, the sky, mountains, etc. Let the bands blend into one another. When you are finished draw a frame or use a paper frame to define the picture space.

7 Using the side of the lead, fill one half of a cell with one colour. Place another colour next to it. With a wet brush, stroke over both colours to create a new one.

Try this with different colour combinations. Try this with 3 colours. Allow the colours to dry and then go back and add another colour.

17 7 Using the side of the lead, fill one half of a cell with one colour. Place another colour next to it. With a wet brush, stroke over both colours to create a new one. Layer one colour over another by cross hatching. Draw a set of parallel lines with the red pencil, then overlap at an angle with the blue pencil. Blend. Try this with different colour combinations. Try this with 3 colours. Allow the colours to dry and then go back and add another colour. Rich colour and depth can be achieved by applying multiple layers of colour. Allow the first layer of watercolour paint to dry thoroughly and then add more colour to shade and intensify. By allowing each layer of colour to dry, you will be able to work the painting to get the desired effect.

8 Meet in the Middle: You will use 3 cells for this experiment. Colour most of one cell green, leave the middle cell blank and colour the next one blue.

This will create a gradated effect that works really well for skies, flower and leaf petals and other areas where you want to retain some of the original colours that are blended into the new colour.

18 8 Meet in the Middle: You will use 3 cells for this experiment. Colour most of one cell green, leave the middle cell blank and colour the next one blue. Brush the green with water, rinse the brush, then paint the blue cell, moving colour into the blank cell and pulling some of the green into it as well. This will create a gradated effect that works really well for skies, flower and leaf petals and other areas where you want to retain some of the original colours that are blended into the new colour. What about brown? Based on the colour pencil selection in this kit, a variety of brown tones can be achieved by layering different ratios of yellow, orange, magenta and black. Tip Keep your brush clean when you are painting by rinsing it thoroughly between colours. Use a cloth to wipe off excess colour and to control the amount of wetness.

19 17 Flowers Several techniques are useful for making a field of flowers. Use the Wet on Wet technique, randomly dotting the wet area with greens, pinks and purples. Or draw dots, and brush water over them. Go back later to swish in a few green stems. Dip a pencil tip in water and stipple random flower petals over a green patch of grass. Sand and Rock Achieve the look of rock or sand by implying texture. Lay down an area of red, orange and yellow paint. Spatter red and blue dots all throughout the brown paint. Be sure to mask off the rest of your drawing before doing this so you protect other areas from spatter marks.

16 Landscapes in a minute Not everything we view around us is perfectly clear and defined. This is especially true in nature with objects we view from afar.

20 16 Landscapes in a minute Not everything we view around us is perfectly clear and defined. This is especially true in nature with objects we view from afar. For example, when you look at a cloud in the sky you will notice that there is no definite line making the shape of that cloud, and no two clouds ever look alike. Therefore painting landscapes and nature can be very easy. By using several of the techniques shown in the front of this booklet, you can make some very convincing landscapes in just a minute. Sky The Wet on Wet technique you learned on page 4 is great for creating a cloudy sky. Create a palette of blue and red. Wet the area of your drawing that will be the sky. Pull the colour from your palette and swish it around the wet area of your paper mixing to get some purple tones. Make some areas light and some dark. The salt and sandpaper techniques described on page 12 can also be used to create the illusion of a cloudy sky. Grass For spiky grass, simply use the scraping technique shown on page 5. The wooden end of your brush makes fine strokes that can represent blades of grass.

21 9 Make a Palette On a separate piece of paper draw different colour swatches, applying lots of colour. Use these dry pools of colour as if they were a watercolour tablet and pull colour to apply to your painting. Notice that the more water you use, the lighter the colour wash becomes. With less water, the colour will be more intense.

10 PAPERS The type of paper you use will have a big effect on the look of your art.

Other papers may have more texture with hills and valleys on the surface and when you

Try different types of paper. Thinner paper makes your art look delicate.

Since watercolour pencil is transparent, the background hue of the paper will influence the

22 10 PAPERS The type of paper you use will have a big effect on the look of your art. The practice paper in the Watercolour Pencil Pad has a smooth surface. Other papers may have more texture with hills and valleys on the surface and when you colour, the pigment will stay on the hills and miss the valleys. Try different types of paper. Thinner paper makes your art look delicate. Lightly tinted and coloured paper can also be used. Since watercolour pencil is transparent, the background hue of the paper will influence the overall colouration and mood of your art. Handmade paper can also be used with watercolour pencils. Other materials also accept watercolour pencil: try colouring and painting on wood, cloth and other porous surfaces.

Do not look for lines that define shapes, but instead look for values - lights and darks - and colours.

23 15 Wash Drawing By adding some brown tones you can achieve an earthy, monochromatic feel. (A) Blocking Study the object you wish to paint by squinting your eyes. Do not look for lines that define shapes, but instead look for values - lights and darks - and colours. Roughly paint blocks of value and colour that allow each shape and object to emerge. (See A) When you are satisfied that you have captured the essence of your object, allow the painting to dry. Sharpen the pencils to a fine point and add details. Dip the tip of the pencil into a drop of water to get an expressive look to the lines you make. (See B) (B)

14 Wash Drawing A style often used for practice sketching is pen, ink and watercolour wash.

Although there is no pen included in this kit, you can achieve the same look very simply by just using your black watercolour

Draw an object with a black watercolour pencil. Then use a very wet brush over your pencil marks to create tones and shadow.

24 14 Wash Drawing A style often used for practice sketching is pen, ink and watercolour wash. It is very popular for figure and fashion drawing and Asian-inspired art. Although there is no pen included in this kit, you can achieve the same look very simply by just using your black watercolour pencil. Wash drawings can be done two ways. In the example to the right, a sketch is made first. Draw an object with a black watercolour pencil. Then use a very wet brush over your pencil marks to create tones and shadow. Another method is to do the wash first. Create a palette of black on the side. In your drawing area, loosely paint blocks of shadow and tones that represent the object you wish to draw. Once your painting is dry, go back and add detail with a pencil over the top of the wash.

11 SHADING AND SHADOWS Painting with pencils Lightly draw an object.

Then use a wet, clean brush to pull the colour across and create a soft wash.

Paint an object and allow the image to dry.

Blend the shadows into the existing colour.

25 11 SHADING AND SHADOWS Painting with pencils Lightly draw an object. Roughly add colour with the watercolour pencils, leaving the unshadowed portions blank. Then use a wet, clean brush to pull the colour across and create a soft wash. Create shadow with colour Create intense shadows by adding layers of colour. Paint an object and allow the image to dry. Now add an additional darker colour at the points where the shadows are the darkest. Blend the shadows into the existing colour. In this example, we added a blue shadow to the red cherry. Shading with paint Lightly draw an object. Using the palette method described on page 9, roughly paint blocks of colour, leaving blank those areas where the light is hitting.

12 CREATING TEXTURE With Sandpaper Wet your art paper.

With Salt For a subtle background texture, paint an area with intense colour.

With Sponges In a separate area, make a palette. Wet your palette with a brush.

26 12 CREATING TEXTURE With Sandpaper Wet your art paper. Rub the tip of the pencil across a sheet of sandpaper and let the colour shavings sprinkle onto the wet paper. With Salt For a subtle background texture, paint an area with intense colour. While the paint is still wet, sprinkle salt over the pigment. Let the paint dry completely before brushing away the salt. With Sponges In a separate area, make a palette. Wet your palette with a brush. Then pick up the colour with a sponge and transfer it to your art paper, stamping the sponge in the drawing area. Do this in wet or dry areas for different effects. Stippling Colour and paint an area and while it is still wet, use the sharp tip of a pencil to make small marks in the same or another colour.

PAINTING EXERCISES Imprimatura Try this technique first in a small area - about 4. Lay down a field of colour over the entire surface of the picture area.

Fill in the shapes you make with coloured pencil and washes.

27 PAINTING EXERCISES Imprimatura Try this technique first in a small area - about 4. Lay down a field of colour over the entire surface of the picture area. In this example, a blue watercolour pencil was used. Now draw the outlines of your images on top of the background colour, using any colour pencil or even a pen. Fill in the shapes you make with coloured pencil and washes. The background colour will show through your objects and create a feeling of harmony, pulling the drawing together. 13 Colour another background with watercolour pencil. This time use a wet brush to actually draw the objects in your background area. When it is dry you can add more colours and details.

28 Now that you have begun your journey with colour, you can continue to explore the colours and types of pencils available from Faber-Castell. Creative Studio ART GRIP Watercolour pencils are available in tins of 12, 24, 36 and 60 colours at an excellent value for art students and aspiring artists Additional Getting Started Art Kits # Discover more great art products at

Project - Harbour based on the Florida Keys (Size - 7 x 10 )

Project - Harbour based on the Florida Keys (Size - 7 x 10 ) Materials you will need. Cotton Rag Hot Pressed (HP) Watercolour Paper - Hot Pressed paper is a smooth watercolour paper which allows the pencils