C#m O XX >cx. l ' j ' ':.:,..~- ----~ I've been wailing for this moment

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Barrie Smith
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1 Mod erat ely q = 128 N.C. "LAZY EYE" SLVERSUN PCKUPS As heard on CARNAVAS (DANGER BRD) Words and Music by Brian Nolan Kalei Aubert, Christopher Andrew Guanlao, Joseph Charles Lester and Nicole Lynn Monninger * Transcribed by by Jeff Perrin E 85 m fr ii '" E 11r C#m O XX >cx ; J l '1 ) 4 2 [Al ntro (0:00) Gtr. (c lcc. w/g tu dist.) (p /(ly 3 lim es} Rhy. J< , lighl P.M..._ _.._ _.., Y2 Rhy. Fig. 2..., light P.M , v, o- o- o o- o (11) L.J o- t1j""do - u;; t o-o - o- o o 9"-<: l- 11\ oyo - 0-\-0./ LJ L.J:d 5 85 Ctr. 2 (elec. w/1ig.ht d ist. and volum..: kno b rolled hack for clea n tone) l l-9,.l 11""-s " '-" l l- -1--< (11)' ""4 0 1 *Gtr. Rhy. Fig , 1 l V :an ,=t= (11 )-11-11' L o- o- o- o- o- o- o- o'-=r:::o- o-,o-,o-.---t--,o- o- o-o J LJ LJ L..l::::l LJ LJd *tloubled Ba,:- 8(1.<S Fig , fl(ls.< Fig , j ' ':.:, o- o- o- o- o- o _. 0- (o)- o- o- o_j ! \, + 9 Cir. pla ys Rhy. Fig. M ice (see [,(r ) (;1r. plays Rhy. Fig. 2 (see bar 3) Gtr. 2 Rhy. Fill , 1nr Ba.<.< plctys Bass Fig. 2 1hrtre lim es (see hor 7) 11- (11) ; (11) " 've been lli] l st Ver se (0:34) wailing 13 G1r. plctys Rhy. Fig. Mice (see bar ) t=-,lk]..._ =--=- -=--=--=---=+-- --_-_-_-_- Bass plays Bass Fig i ce (see bar 7) 've been wailing for this moment all my life -+-_-_-_- _- _- _ _- _- _...i... *..:::::::::-..:::::::::- "! -+--p \..SEO l}y P R.MlON or S TL VF.RSUN PCKUPS MUSJC ( J\SCA P).\NO 60R 00M MtNDTN (j MUSC ( 6M l ). Al.. R GHTS RE S.E.RVEO. 1

2 but it's not quite right Ci r. play., Rhy. Fig.. (see har 5) Grr. plays Rhy. Fig. twice (see bar ) Bass pla y.v Jass Fig. (see bar 5) Bas., pla ys Bass Fig. 2.fuur 1i111es (see bar 7) And this "real" 21 G1r. pla ys Rhy. Fi g. 2 (see hor J) 24 t's G1r. plays Rhy. Fig. 3 (see har 5) impossible if possible at who's blind Cir. p!c,y., Rhy. Fig. (see hor ) so clear but so unheard 85 N.C. G1r. plays Rhy. Fig. ( 1 11/1 w,!ame knob /> s/f.luly) t., word pd Ba.<.< play., Bass Fig. (see bar 5) Bass ploys Ba.\ s Fig. 2 (see har 7) 1st G uitar So lo (1:08) 31 Cir. plr,ys Rhc Fix. 11,-ice (se,, bar ) >--,--1-9_,,_--r--_,,_ :.;,...,, x -1 '--,- -1 '--, f t-- +- Ba.,., plth's /Jass Fig. 2 1hree 1i111es (see bt, r 7) *repeal previuu cho rd 've been Cir. plays Nin. Fi g. 2 (see bar 3)!,\.---+-,.- o+--"-- f----=-=--, o-+,.-e:=,..,,, [Q] 2nd Verse (1:19) waiting 37 Cir. pla y., Rh.r. Fig. 111 ice (-'<'<' bar ) 've been waiting for this silence all night long Bass play s Bm;s Fig. 2 H1 ice (see bar 7) Cir. pla.n Rtn-. Fig. 3 (see bt1r 5) lt's just a matter of time Cir. plays Rhy. Fig. (see ba r ) To appear Bas., pla ys Lia."',,.., Fi. (.,;ee bur 5) Bass pla ys Bass Fig. 2 1hree 1imes (see /,ar 7) sad 45 Cir. plays Rln-. Fix. 2 (.w-e bar 3) with the same 'ol decent lazy eye fixed Cir. plays Rhy. Fig. (see bor ) to rest on you r N i 2

3 (]]2nd G uitai Solo (1:45) C#S Ctr. plays Rh y. Fifi. 3.sec har 5) aim free and so untrue N.C. Ctr. pln ys Rhy. 1/,ree times (see bar ),,, flas s plays Bass Fi g. (.«c hr,r 5) Hass pf(ly S 8m;s Fig. 2ftmr rime., (s Pe l>o, 7) \, Gtr. plays Rh v. F(. 2 (se<' bar 3) Everyone 's [[:! C h orns (2:00) so intimately Ctr. 11/ays Rhy. Fig. 3 rs,,, bar 5) 59 G1r, 3 (clcc. w/fu:tz ind delay) f 4, BS 8 x 6 rearranged N.C.(E} Ctr.,,lays Rhy. Fig. 2 (see bar 3) x Gtr. 2 Ba s., plays Ba.u Ftg. (.,N har 5) ::--t 9"'1"' 11 "' 97"' 1r,.,,. 9 v Bass play,.., Ba ss Fig. 2 twic e (S<'e bar 7) (11) 9 -,-,,: J Gn. ptc,ys Rhy. F ig. J (see bar j 63 Ctr. 3 Everyone 's so focused clearly BS G1r. pla ys Rh,. Fig. 3 (see bar 5) with such shine Ct.-.".! "' --tf \ x. 2 4 ' v x_u v f,,..-413' f-,-\ 3rd Gu itar Solo (2:15) 9""- 11""-s-9 N.C.(E} Citr. pfoy s Rliy. Fi!!,. thre e times (see bar ) 67 Ctr ' 11 - (11) 0 v v /;Jass plo ys Bass Fi g. (see bar 5) 'A Bos s pla\ 'S Bas.., Fi.,i:.. 2 four 1im, s (Jee ba r 7) J Everyone's 71 \, Ctr. play s Rhy. Fig. 2 (see b<11 3) 3

4 !R 2nd Choru s (2:30) so intimately rearranged C#S 85 /Ja.vs plays Bass Fi8,. (see ba r 5) /Jas pla ys Nass Fis. 2 n -.. ice (s ee har 7) Everyone 's so focused clearly with such C#S 85 p [}J Bridg e (2:45) (1.) shine (2.) loaded E 83 (.;1r 1 (3.) That's why still said mf :-----:- ----: -===:- ==: = = === = ===== /d Bt1s.1.; pl t1ys Ba.rs Fi g. (see bar 5).. 2. the same 'ol decent relate lazy eye Lost straight through your and gaze ( ri' /U'll l 11r 1 io11, ha r) lt-9.,, :: : '----,. -,..+-, - '-- -,. +- = ' ' =- ' -.-H,. t lfua Glr:-. J anti 2 (compo:-.i tc arrangcinc1,u (rep ot p n,i im,x tu o bars) 2 EJood=l; :m.r 1== C#m 87 Gtr. 3 said we relate B it's so fun to relate N.C. Gtr. plays Rhy. F'ig. three times (ser: bar ) 4 9 :+-+: i---->"'--'-"""--'-+ Ol f--'--'1-'1----t--' and 2 G1r. /Jass play.\ Bass Fig. Gtr.., 91 /)(1ss p lny s!la ss Fi g. 2 ji mr 1i111 es (see bor 7) t's the room the sun and the sky The room the sun and the sky L t Cir. pla ys Rhy. Fig. 2 ( -.ee bar 3) Q] (3 23) Glr. 3 (ro ll b:1ck f t1iwr ':- volume knoh for clean tone) trem;_!)i > ,--G 11 _._l_h_vl_d_c1_ 1)'' -oo 4

5 "LAZY EYE" ,@ ,@ """ ' r ,_ ,. N.C.() (85) 105 G1r. J (*w/c x1rc111c rcvcrb ;md delay effects) *St t re1 t rb dt ca.r to /o,,,,r durmiou and 1!it,11/te ejj,, t mi.t tv at lea) t 50%. S,,1 delay timn, th approx mj. with a 50% e_ffect mi x w o,n:11. Aliowji,r multipk th fa., rt'p'-'<s (inowist d n,r,:e,u'yltlion). Bass pla ys Sass Fig. (see bar 5} /Jass plavs /Jass Fig. 2four times (see bar 7) 109 Ctr. 3 blj 11 :r Gtr..,, Fill ,!n 113 Cn (C#S) (85) (ES} 111 Bass plays /Jass Fig. (see bm 5) Bass plays Bass Fig. 2fo ur times (see bar 7)... V () 125 Gtr. 3 (BS) ,' Bass Bass Fig ,,.--...,, ,._ ,.-< l--->--t---t ,.-< ,-, i , , , 5

6 Grr. plays Fill (su bar JO) 8a.,s plays Bass Fig. 2 th,.ee rimes (see ba,. 7) 133 v,:;:; () (85) Bass plays Bass Fig. 3 (see t,ar 125) 137 Gtr.3 Y, (play 4 times) (C#S) (85) Bas s (play 4 rimes), ,...C ,l Gtr. 3 - Bass plays 8t1ss Fig. 2 Jou,-rimes (see ba,-7).,.-. (play 3 rimes). - 9., (9) (C#S) (85) Grr. (delay of!) pla ys Rhy. Fig. three rimes (see bar ) 145 Gtr. 2 plays Rhy. Fi/11 simile (see bar 9) 1er rin111hro1111hfade our ========!:t i@.,. -=== --=== Ba ss pl a.vs Ba ss l"ig. (see btir 5) Bass plays Bass Fig. 2/aur rimes (see bar 7) --=== - === ============ *Susta in nore wlreve rb effec t!,.dij:ht fdbk.. <md rmulom tremolo picki ng. Gtr Rhy. Fi/ , Grr. 1 play s Rhy. Fig. 2 (see bar 3) 2 11-(11)' 've been [R] O utro (5:31). 2., 3. (!.) waiting (2.) waiting for this moment Grr. 2 pla ys Rhy. Fill 2 (see bar 149) Ctr. 3 co nt. note s11., toin Cir. 've been 153 \ N , 4. Fr eely fade out o- o- o- o...: o Bass (11) u 0 - L11-ct - E_t;t _- _- _+-_- - O- (O)-.o :-=- +- -_-_ :-...,...,"-"-..._ Hlo- o- o- o- o- o- o- o- : 1-_- _... _-_-O-(O)-.o- o LJ _ LJ 1 6

"JAILBREAK" Thin Lizzy As heard on Jailbreak (MERCURY) Words and Music by Philip Parris Lynott Transcribed by Jeff Perrin

JAILBREAK Thin Lizzy As heard on Jailbreak (MERCURY) Words and Music by Philip Parris Lynott Transcribed by Jeff Perrin "JALBREAK" Th Lizzy As heard on Jailbreak (MERCURY) Words and Music by Philip Parris Lynott Transcribed by Jeff Perr Guitars are tuned down appro ximately one half step (low to high: Eb Ab Db Gb Bb Eb),